• Andrea Cote (American, b.1970). Whorl, 2024, cyanotype on cotton sheet, 28 x 30 in. Courtesy the Artist.

    September 14–October 14, 2024

    On View | 2024 Parrish Road Show: Andrea Cote: To Belong to The World

    For the 2024 Parrish Road Show, Andrea Cote has been invited to create a site-specific exhibition at Bridge Gardens in Bridgehampton, NY. Composed of uniquely printed fabrics, some of which are suspended as banners from trees and others installed with bamboo structures reaching fifteen feet in height, Cote’s installation will complement and highlight various features of the landscape.

  • Installation view of Julia Chiang: The Glows and The Blows at the Parrish Art Museum, Water Mill, NY (July 14–October 13, 2024). Photo: Jason Schmidt.

    July 14–October 13, 2024

    On View | Julia Chiang: The Glows and The Blows

    In her first-ever solo museum exhibition, painter Julia Chiang presents new, large-scale paintings and ceramics. Chiang’s painterly process is slow and controlled while spontaneous. Organic shapes coalesce on the picture plane with fervor in varying densities of paint, scrimmaging for territory. She works in abstractions, but the body is the basis for her allegories, metaphors, and explorations. Her vocabulary is rife with organic forms and formations that function as corporeal to psychological introspections.

  • Installation view of KAWS: TIME OFF at the Parrish Art Museum, Water Mill, NY (July 14–October 13, 2024). Photo: Jason Schmidt.

    July 14–October 13, 2024

    On View | KAWS: TIME OFF

    KAWS: TIME OFF continues the Parrish Art Museum’s legacy of presenting American artists at the forefront of new creative languages and global art movements. This survey exhibition, the first in the East End, explores KAWS’ dynamic range of visual vocabulary and diverse artistic output over the last decade, highlighting his consistent engagement with American popular culture while intentionally exploring boundaries and overlaps between different genres and across mediums.

  • Carmen Herrera: Estructuras Monumentales installed at the Parrish Art Museum © Estate of Carmen Herrera. Photo by Gary Mamay

    May 25–December 8, 2024

    On View | Carmen Herrera: Estructuras Monumentales

    Carmen Herrera: Estructuras Monumentales features four large-scale sculptures in red, blue, yellow, and green in the Museum’s South Meadow. Carmen Herrera (American, b. Cuba, 1915–2022) is known for her hard-edge paintings, prints, and sculptures—often representing geometric shapes with both symmetrical and asymmetrical abstractions.

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William Merritt Chase, The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection

THE PERMANENT COLLECTION
AND ARTIST STORIES

Delve into the Parrish Collection of more than 3,000 paintings, sculpture, works on paper, and mixed media to learn more about our artists and individual art works.

In Artist Stories, explore the dynamic history of artists of the region from the 1820s to the present through historic photographs, biographical information, a timeline, and interactive map.

 

 

Special thanks to The Robert David Lion Gardiner Foundation for their support to make this scholarship accessible.

 

 

ARTIST STORIES
PERMANENT COLLECTION