EXHIBITIONS ON VIEW

Robert Indiana (1928–2018), ONE Through ZERO (The Ten Numbers), 1980–2003. Conceived: 1980; Fabricated 2003. Cor-ten Steel on painted aluminum base. Each sculpture: 78 x 74 x 38 in (overall including base). Edition of six plus two artist's proofs. Photo: Liz Glasgow Studios; Artwork: © The Robert Indiana Legacy Initiative/Artists Rights Society (ARS), NY.

July 13, 2026–January 13, 2027

On View | Robert Indiana: ONE Through ZERO (The Ten Numbers)

Installed in the south meadow at the Parrish Art Museum, ONE Through ZERO (The Ten Numbers) is a sculptural reflection of Robert Indiana’s fascination with the power of numbers. This work has previously exhibited at the Glass House in New Canaan, Connecticut, Chatsworth House in Derbyshire, United Kingdom, and Robert Indiana: The American Dream at Pace Gallery in New York.
Tony Bechara (Puerto Rican, 1942–2025). Random 39 Colors, 2010, acrylic on canvas, 48 x 48 in. © Estate of Tony Bechara, Courtesy Lisson Gallery.

June 27–November 1, 2026

On View | Tony Bechara: An Artist of Many Worlds

As part of our year-long series PARRISH USA250: Life, Liberty, and the Pursuit of Happiness, Tony Bechara: An Artist of Many Worlds is the first-ever comprehensive survey of the Puerto Rican artist, including works from his later years and exploring his career-long dedication to color theory and abstraction.
Emmi Whitehorse. Reseeding Chaco, 2026, mixed media on paper mounted to canvas, two panels, each 59 1/2 x 89 1/2 in. Courtesy of the artist and Garth Greenan Gallery, New York. Photograph by Addison Doty, 2026.

June 4–September 28, 2026

On View | FRESH PAINT: Emmi Whitehorse

For this iteration of the collaborative FRESH PAINT exhibition series, the Parrish Art Museum and The FLAG Art Foundation are pleased to present work by artist Emmi Whitehorse (Diné). For her FRESH PAINT presentation, Whitehorse has created a new diptych painting, titled Reseeding Chaco (2026), exhibited for the first time at the Parrish.
Dennis Oppenheim (American, 1938–2011). Wishing the Mountains Madness, 1977. One of three locations. Star units 4 x 4 ft. each. Area covered: four acres. Location: Missoula, Montana. Color and black-and-white photography, hand-stamped topographic map, text. Parrish Art Museum, Water Mill, New York. Gift of the Dennis Oppenheim Estate.

June 4–September 14, 2026

On View | Dennis Oppenheim: Wishing the Mountains Madness 1977 / 2026

Dennis Oppenheim first executed Wishing the Mountains Madness in 1977 as part of a visiting artist workshop at the University of Montana. Installed in the Lobby, the documentation accompanies the restaging of Oppenheim’s original project in the Parrish’s Meadow.
Sanford Biggers (American, b. 1970). Dagu, 2016, assorted fabrics, spray paint, acrylic on antique quilts, 50 x 151.5 x 5 in. Museum of Arts and Design, New York; purchase with funds provided by the Collections Committee, 2018; 2018.5. Photo: Jenna Bascom, 2021.

May 17–September 13, 2026

On View | Sanford Biggers: Drift

As part of our year-long series PARRISH USA250: Life, Liberty, and the Pursuit of Happiness, Sanford Biggers: Drift presents the acclaimed artist’s first major solo museum exhibition on the East End of Long Island, featuring new textile works, prints, sculptures and site-responsive installations.
Installation view of Randi Renate: Are we psychic coral-polyps? at the Parrish Art Museum, Water Mill, NY (April 24, 2026–April 15, 2028). Photo: Vision Maker Productions, Inc.

April 24, 2026–April 15, 2028

On View | Randi Renate: Are we psychic coral-polyps?

Are we psychic coral-polyps? is modeled after the minute organisms that provide the foundational structure for coral reef colonies. The sculpture is installed in the Parrish Meadow, offering a gathering place for individuals to come together and reflect on the interconnected nature of local ecosystems.
Installation view of Will Ryman: Shanghai 6 at the Parrish Art Museum, Water Mill, NY (April 1, 2026–March 31, 2028). Photo: Vision Maker Productions, Inc.

April 1, 2026–March 31, 2028

On View | Will Ryman: Shanghai 6

Shanghai 6 is Will Ryman’s first presentation at the Parrish Art Museum, installed in the Museum’s south meadow. First presented in 2011, through New York City’s Department of Parks and Recreation, the colossal, painted fiberglass, resin, and stainless steel flowers from the on-going Rose series that the artist began fifteen years ago have since been on view on the grounds of museums and private collections across America and abroad.
Installation view of Ellsworth Kelly: Eight Decades at the Parrish Art Museum, Water Mill, NY (March 8–July 19, 2026). Courtesy the Parrish Art Museum and The FLAG Art Foundation. Photo: Jenny Gorman.

March 8–July 19, 2026

On View | Ellsworth Kelly: Eight Decades

To kick off a new partnership with The FLAG Art Foundation, the Parrish presents the survey exhibition Ellsworth Kelly: Eight Decades, featuring key examples of the minimalist approach Kelly developed in his mature work alongside the artist’s early paintings, plant drawings, and photographs taken while he was on the East End of Long Island.
Installation view of Mamoun Nukumanu: Flower Nest, PEACE ON EARTH, and Emperor of Gladness at the Parrish Art Museum, Water Mill, NY (August 14, 2025–November 30, 2026). Photo: Vision Maker Productions, Inc.

August 14, 2025–November 30, 2026

On View | Mamoun Nukumanu: Flower Nest, PEACE ON EARTH, and Emperor of Gladness

As part of the PARRISH USA250 exhibition, the Museum presents Mamoun Nukumanu: Flower Nest, PEACE ON EARTH, and Emperor of Gladness, a selection of woven living sculptures. Working with various plant species, Nukumanu aims to create an organic architecture that supports life and is constantly evolving, shaped by human creativity, natural forces, and the trees themselves.
Almond Zigmund, Gridded Commune, 2023. Photo: Gary Mamay

In the Parrish Café

Almond Zigmund: Gridded Commune

Created by Parrish Collection artist Almond Zigmund, the inaugural Museum Café mural is a celebration of social space and community-building.