Shinnecock Monuments | Another Justice: US is Them
Hank Willis Thomas & For Freedoms
July 4 to September 30, 2022
Installation view of Kennedy Yanko as part of Set It Off at the Parrish Art Museum, Water Mill, New York, May 22 to July 24, 2022. Curated by Racquel Chevremont and Mickalene Thomas—collectively known as Deux Femmes Noires. Photo: David Benthal
Set It Off
May 22 to July 24, 2022
Esteban Vicente, Composition, 1998. Oil on canvas, 26 x 36 in. © The Harriet and Esteban Vicente Foundation.
Joaquín Sorolla and Esteban Vicente:
In the Light of the Garden
August 7–October 16, 2022
After Flags I (green), 2022. Mixed media including US flags and decommissioned prison uniforms, 60 x 72. Courtesy the Artist and Jack Shainman Gallery, New York
Another Justice: US is Them
Hank Willis Thomas | For Freedoms
July 23 to November 6, 2022
Frank Wimberley, Wrinkles, 1994. Mixed media collage, 22 ¼ x 30 inches. Parrish Art Museum, Water Mill, New York, Gift of Lyn and E.T. Williams.
Encounters:
Recent Acquisitions to the Permanent Collection
November 18, 2021–April 10, 2022
Jasper Johns, Flags I, 1973. Screen print on paper, 3/65. 27-3/8 35-1/2 in. Collection Walker Art Center, Gift of Judy and Kenneth Dayton, 1988.
An Art of Changes:
Jasper Johns Prints, 1960–2018
April 24 to July 10, 2022
John Torreano:
Painting Outer Space/Inner Space, 1989 to Present
November 7, 2021–February 27, 2022
Image credit: Virginia Jaramillo: The Harmony between Line and Space (Close detail shots and installation). Photos: Gary Mamay.
Virginia Jaramillo:
The Harmony between Line and Space
November 7, 2021–February 27, 2022
Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House, Installation View. Photo: Jenny Gorman
Lonnie Holley at the Elaine de Kooning House
Everything That Wasn't White
April 24–November 7, 2021
Tomashi Jackson in her studio at The Watermill Center, June 2021. Photo: Copyright Jessica Dalene, courtesy of The Watermill Center
Tomashi Jackson
The Land Claim
July 11—November 7, 2021
4. Darlene Charneco: Symbiosome Schoolhouse. Symbiosome Interkingdom Council, 2021–2021. Nails, resin, enamel, acrylic on wood, 40” diameter. Photo: Carl Timpone, courtesy Praxis Gallery, New York.
Darlene Charneco
Symbiosome Schoolhouse Parrish Road Show 2021
August 28–October 24, 2021
Roy Lichtenstein, Self-Portrait at an Easel, c. 1951–1952. Oil on canvas, 34 1/16 x 30 1/8 inches (86.5 x 76.5 cm). Private collection. © 2021. Estate of Roy Lichtenstein.
Roy Lichtenstein
History in the Making, 1948–1960
August 1–October 24, 2021
E Pluribus One
April 18, 2021–September 6, 2021
Lee Krasner (American, 1908–1984), Comet, 1970, Oil on canvas, 70 x 86 inches, Pollock-Krasner Foundation, courtesy Kasmin Gallery, New York.
Affinities for Abstraction:
Women Artists on Eastern Long Island, 1950-2020
May 2–July 18, 2021
PARRISH ROAD SHOW 2020: SCOTT BLUEDORN
Bonac Blind
October 18, 2020-May 4, 2021
OptoSonic Echoes
August 15–October 31, 2019
Installation view: Shaping Identity, Parrish Art Museum, Water Mill, New York, November 11, 2018–October 6, 2019. Photo: Gary Mamay
Shaping Identity
November 11, 2018–May 22, 2019
Joe Zucker (American, born 1941), Boxing Rounds #13, #14, and #15, 1981. Acrylic, cotton, Rhoplex on canvas, and enamel on wood, 73 x 73 inches each. Extended loan from the Collection of Robert S. Taubman, Courtesy of Marlborough Contemporary, New York and London
Joe Zucker
On view through October 6, 2019
Donald Sultan (American, born 1951), White Poppies with Flocked Centers March 3 2002, 2002. Enamel, flocking, tar, and spackle on linoleum tile on Masonite, 96 x 96 inches. Parrish Art Museum, Water Mill, New York, Gift of Will Ameringer in honor of Trudy C. Kramer, 2007.3
A Fresh Look: The Collection in Conversation
November 11, 2018–October 6, 2019