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Rendering of Rafael Lozano-Hemmer’s (Canadian, b. Mexico, 1967) upcoming Museum façade installation. Courtesy Antimodular Studio.
October 14, 2024–January 1, 2026
On View | Rafael Lozano-Hemmer: Collider
The latest installment of the Museum’s annual façade installation series features a new public artwork by Rafael Lozano-Hemmer. Made up of hundreds of small LED spotlights that create a calm, rippling curtain of light along the Museum’s south wall, Collider is visible from Montauk Highway and up close from the Museum’s meadow. The lights react in real time to invisible cosmic radiation from outer space.
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2025 Student Exhibition Preview Day. Photo: Lisa Tamburini.
March 15–April 27, 2025
On View | 2025 Student Exhibition
The annual Student Exhibition, a tradition for over 70 years at the Parrish, features the work of more than 1,000 young artists from Eastern Long Island schools. Working with their art teachers, after school programs and in art clubs, the students demonstrate creativity, enthusiasm, and technical skill in media ranging from painting to sculpture, drawing, and photography. This exhibition will also feature student works created with visiting artist Andrea Cote.
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Reggie Burrows Hodges (American, b. 1965). Labor: Sound Bath, 2022, acrylic on linen, 114¾ x 120¾ in. © Reggie Burrows Hodges, Courtesy the artist and Karma.
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Installation view of Ralph Gibson—Nature : Object at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.
October 27, 2024–April 27, 2025
On View | Ralph Gibson—Nature : Object
This exhibition presents a selection of photographs by Ralph Gibson from a series based on the relationship between shapes found in nature and human constructs; positing that nature is visually evident in all genres of industrial design, and architecture is evoked in the correlation between form and ergonomic function.
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Jane Freilicher (American, 1924–2014). The Changing Scene, 1981. Oil on canvas, 52 x 64 inches. Parrish Art Museum, Water Mill, New York, Gift of Elizabeth Hazan and Stephen Hicks 2023.9
October 14, 2024–March 30, 2025
On View | A New Subjectivity 1979/2024
This exhibition pays tribute to the legendary Nouvelle Subjectivité (A New Subjectivity) exhibition organized by essayist and art historian Jean Clair in Brussels at the Palais des Beaux Arts in 1979. It presents a selection of works from several artists included in the original exhibition, and works by artists who continue the figurative traditions celebrated in Nouvelle Subjectivité, with some drawn from the Museum’s Permanent collection.
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Audrey Flack (American, 1931–2024). A Brush with Destiny, 2023, acrylic and mixed media on canvas, 40 x 40 in. Courtesy Hollis Taggart.
October 14, 2024–March 30, 2025
On View | Audrey Flack: Mid-Century to Post-Pop Baroque
A career-spanning exhibition celebrating Audrey Flack that blends the artist’s iconic photorealist painting techniques with her early background in Abstract Expressionism and her newest “Post-Pop Baroque” series. Ranging from paintings and drawings to prints and sculptures, the exhibition includes new and recent works as well as works from the 1940s and 1950s.
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Bertrand Meniel (French, b. 1961). Breakfast at the Fairmont, 2009, acrylic on linen, 38 ½ x 71 ¼ in. Parrish Art Museum, Water Mill, New York, Gift of Louis K. and Susan P. Meisel, 2018.16.2.
October 14, 2024–March 30, 2025
On View | Beyond Reality: Paintings and Drawings by Bertrand Meniel
This exhibition is a survey of paintings and drawings by the French photorealist Bertrand Meniel, who has been creating paintings of unprecedented detail since 1996. Using a variety of photographs and advanced digital technologies, Meniel manipulates each image to perfection, focusing simultaneously on the foreground and background by combing hundreds of shots on a computer screen before painting them onto canvas.
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Rendering of Rafael Lozano-Hemmer’s (Canadian, b. Mexico, 1967) upcoming Museum façade installation. Courtesy Antimodular Studio.
October 14, 2024–January 1, 2026
On View | Rafael Lozano-Hemmer: Collider
The latest installment of the Museum’s annual façade installation series features a new public artwork by Rafael Lozano-Hemmer. Made up of hundreds of small LED spotlights that create a calm, rippling curtain of light along the Museum’s south wall, Collider is visible from Montauk Highway and up close from the Museum’s meadow. The lights react in real time to invisible cosmic radiation from outer space.
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2025 Student Exhibition Preview Day. Photo: Lisa Tamburini.
March 15–April 27, 2025
On View | 2025 Student Exhibition
The annual Student Exhibition, a tradition for over 70 years at the Parrish, features the work of more than 1,000 young artists from Eastern Long Island schools. Working with their art teachers, after school programs and in art clubs, the students demonstrate creativity, enthusiasm, and technical skill in media ranging from painting to sculpture, drawing, and photography. This exhibition will also feature student works created with visiting artist Andrea Cote.
PARRISH ONLINE
William Merritt Chase, The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection
THE PERMANENT COLLECTION
AND ARTIST STORIES
Delve into the Parrish Collection of more than 3,000 paintings, sculpture, works on paper, and mixed media to learn more about our artists and individual art works.
In Artist Stories, explore the dynamic history of artists of the region from the 1820s to the present through historic photographs, biographical information, a timeline, and interactive map.
Special thanks to The Robert David Lion Gardiner Foundation for their support to make this scholarship accessible.
