• Saturday, August 15

    2026 Art Splash

    Join us for Art Splash! A fun-filled, high-energy morning of artist-led projects, live music, creative activities, and delicious food, all in support of the Parrish’s free educational programming for children and families. Participating artists include Joel Mesler, Eddie Martinez, Sam Moyer, Jonah Freeman, Jake Clarke, and more.

  • Robert Indiana (1928–2018), ONE Through ZERO (The Ten Numbers), 1980–2003. Conceived: 1980; Fabricated 2003. Cor-ten Steel on painted aluminum base. Each sculpture: 78 x 74 x 38 in (overall including base). Edition of six plus two artist's proofs. Photo: Tom Powel Imaging; Artwork: © The Robert Indiana Legacy Initiative/Artists Rights Society (ARS), NY.

    July 13, 2026–January 13, 2027

    On View | Robert Indiana: ONE Through ZERO (The Ten Numbers)

    Installed in the south meadow at the Parrish Art Museum, ONE Through ZERO (The Ten Numbers) is a sculptural reflection of Robert Indiana’s fascination with the power of numbers. This work has previously exhibited at the Glass House in New Canaan, Connecticut, Chatsworth House in Derbyshire, United Kingdom, and Robert Indiana: The American Dream at Pace Gallery in New York.

  • Installation view of Tony Bechara: An Artist of Many Worlds at the Parrish Art Museum, Water Mill, NY (June 27–November 1, 2026). Photo: Gary Mamay.

    June 27–November 1, 2026

    On View | Tony Bechara: An Artist of Many Worlds

    As part of our year-long series PARRISH USA250: Life, Liberty, and the Pursuit of Happiness, Tony Bechara: An Artist of Many Worlds is the first-ever comprehensive survey of the Puerto Rican artist, including works from his later years and exploring his career-long dedication to color theory and abstraction.

  • Emmi Whitehorse. Reseeding Chaco, 2026, mixed media on paper mounted to canvas, two panels, each 59 1/2 x 89 1/2 in. Courtesy of the artist and Garth Greenan Gallery, New York. Photograph by Addison Doty, 2026.

    June 4–September 28, 2026

    On View | FRESH PAINT: Emmi Whitehorse

    For this iteration of the collaborative FRESH PAINT exhibition series, the Parrish Art Museum and The FLAG Art Foundation are pleased to present work by artist Emmi Whitehorse (Diné). For her FRESH PAINT presentation, Whitehorse has created a new diptych painting, titled Reseeding Chaco (2026), exhibited for the first time at the Parrish.

  • Dennis Oppenheim (American, 1938–2011). Wishing the Mountains Madness, 1977. One of three locations. Star units 4 x 4 ft. each. Area covered: four acres. Location: Missoula, Montana. Color and black-and-white photography, hand-stamped topographic map, text. Parrish Art Museum, Water Mill, New York. Gift of the Dennis Oppenheim Estate.

    June 4–September 14, 2026

    On View | Dennis Oppenheim: Wishing the Mountains Madness 1977 / 2026

    Dennis Oppenheim first executed Wishing the Mountains Madness in 1977 as part of a visiting artist workshop at the University of Montana. Installed in the Lobby, the documentation accompanies the restaging of Oppenheim’s original project in the Parrish’s Meadow.

  • Sanford Biggers (American, b. 1970). Dagu, 2016, assorted fabrics, spray paint, acrylic on antique quilts, 50 x 151.5 x 5 in. Museum of Arts and Design, New York; purchase with funds provided by the Collections Committee, 2018; 2018.5. Photo: Jenna Bascom, 2021.

    May 17–September 13, 2026

    On View | Sanford Biggers: Drift

    As part of our year-long series PARRISH USA250: Life, Liberty, and the Pursuit of Happiness, Sanford Biggers: Drift presents the acclaimed artist’s first major solo museum exhibition on the East End of Long Island, featuring new textile works, prints, sculptures and site-responsive installations.

  • Installation view of Will Ryman: Shanghai 6 at the Parrish Art Museum, Water Mill, NY (April 1, 2026–March 31, 2028). Photo: Vision Maker Productions, Inc.

    April 1, 2026–March 31, 2028

    On View | Will Ryman: Shanghai 6

    Shanghai 6 is Will Ryman’s first presentation at the Parrish Art Museum, installed in the Museum’s south meadow. First presented in 2011, through New York City’s Department of Parks and Recreation, the colossal, painted fiberglass, resin, and stainless steel flowers from the on-going Rose series that the artist began fifteen years ago have since been on view on the grounds of museums and private collections across America and abroad.

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William Merritt Chase, The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection

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