• October 23

    Welcome Day

    Free Admission

    Celebrate art, artists, and our community with free admission on Welcome Days, where adults, children, and families can experience everything the Parrish offers.

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  • September 10—November 7, 2021

    Joel Meyerowitz: AFTERMATH

    IMAGES FROM 9/11

    Depicting the tireless efforts of first responders from around the country while serving as an elegy to the thousands who lost their lives on 9/11,  the exhibition shares images by Joel Meyerowitz, the sole photographer given unimpeded access to Ground Zero.

     

  • Darlene Charneco: Symbiosome Schoolhouse. House Readings (Ars Memoria), Artist-in-Residence Special Project Diptych, 2019–2020. Nails, enamel, resin, toy furniture, shell, acrylic on wood, 44" x 68". Photo: Carl Timpone, courtesy Praxis Gallery, New York.

    August 28–October 24, 2021

    Darlene Charneco: Symbiosome Schoolhouse

    Roadshow 2021 | Off-site exhibition

    Examining human settlements, forms of interaction, and evolution at the Old Point Schoolhouse and its grounds, the exhibition brings together works on paper, video, sculpture, and a site-specific installation.

  • Tomashi Jackson: The Land Claim. Detail view: Norman and Liliane Peck/Peter Jay Sharp Foundation Lobby, Parrish Art Museum, Water Mill, NY. Three Sisters, 2021. Photo: Dario Lasagni.

    July 11—November 7, 2021

    Tomashi Jackson: The Land Claim

    Centered on the historic and contemporary lived experiences of Indigenous, Black, and Latinx families on the East End of Long Island, the exhibition speaks to how issues of housing, transportation, livelihood, migration, and agriculture link these communities.

  • Roy Lichtenstein, Bugs Bunny, c.1958. Brush and india ink on paper, 20 1/8 x 26 1/8 inches (50.9 x 66.3 cm). Private collection. Courtesy of Estate of Roy Lichtenstein.

    August 1–October 24, 2021

    Roy Lichtenstein: History in the Making, 1948–1960

    Providing an illuminating prologue to the artist’s well-known comics-inspired imagery, the exhibition tells the largely overlooked story of his early career, when formal experimentation and a keen eye for irony irrevocably defined his art.

  • Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House, Installation View. Photo: Jenny Gorman

    April 24–November 7, 2021

    Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House

    Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House presents 35 new paintings, works on paper, and sculpture created by artist and musician Lonnie Holley during his 2020 artist-in-residency at the Elaine de Kooning House in East Hampton.

  • Installation view: Material Witness, Parrish Art Museum, Water Mill, NY. Photo: Gary Mamay.

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  • Isa Genzken's Two Orchids (2015/2016) in Field of Dreams at the Parrish Art Museum, November 2020. Photo: Jenny Gorman

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William Merritt Chase (American, 1849–1916) The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection

THE PERMANENT COLLECTION
AND ARTIST STORIES

Delve into the Parrish Collection of more than 3,000 paintings, sculpture, works on paper, and mixed media to learn more about our artists and individual art works.

In Artist Stories, explore the dynamic history of artists of the region from the 1820s to the present through historic photographs, biographical information, a timeline, and interactive map.

 

Special thanks to The Robert David Lion Gardiner Foundation for their support to make this scholarship accessible.