Special ExhibitionS ON VIEW

  • Helen Frankenthaler (American, 1928–2011), Provincetown Window, 1963-64. Acrylic on canvas, 82 3/8 x 81 7/8 inches. Collection of Josh and Beth Friedman. © 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Photograph by Tim Pyle, Light Blue Studio, courtesy Helen Frankenthaler Foundation, New York

  • Helen Frankenthaler (American, 1928–2011), Cool Summer, 1962. Oil on canvas, 69 ¾ x 120 inches. Collection Helen Frankenthaler Foundation, New York. © 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Photograph by Rob McKeever, courtesy Gagosian Gallery

  • Helen Frankenthaler (American, 1928–2011), Orange Breaking Through, 1961. Oil on canvas, 95 x 93 inches. Private Collection. © 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Photograph by Michael Cullen, courtesy Private Collection

Abstract Climates: Helen Frankenthaler in Provincetown

August 4–October 27, 2019


Abstract Climates: Helen Frankenthaler in Provincetown highlights key examples of Helen Frankenthaler’s work produced during summers spent in that coastal town and underscores their impact on her development as a painter. Beginning with work from the summer of 1950, the exhibition and accompanying catalogue focus on the artist’s output from the late 1950s through 1971. Abstract Climates illuminates Frankenthaler’s exploration of the relationship between landscape and abstraction, and offers new insights into the major role her work played…

VIEW EXHIBITION

OptoSonic Echoes

August 15–October 31, 2019


OptoSonic Echoes is an 8-channel continuous sound installation positioned at the exterior of the Museum’s north entrance, containing the voices and sounds of participants in the September 27 performance, OptoSonic Tea @ the Parrish, an evening-length group improvisation featuring some of the world’s most innovative video and sound artists. Conceived by OptoSonic Tea founders Katherine Liberovskaya and Ursula Scherrer, OptoSonic Echoes was put together by composer Michael J. Schumacher using recordings provided by the artists.…

VIEW EXHIBITION
  • Maya Lin (American, born 1959), Bay, Pond, & Harbor (Long Island Triptych), 2014. Recycled silver, dimensions variable. Courtesy the artist and Pace Gallery, New York

  • Maya Lin (American, born 1959), Bay, Pond, & Harbor (Long Island Triptych), 2014. Recycled silver, dimensions variable. Courtesy the artist and Pace Gallery, New York

  • Maya Lin (American, born 1959), Bay, Pond, & Harbor (Long Island Triptych), 2014. Recycled silver, dimensions variable. Courtesy the artist and Pace Gallery, New York

Maya Lin: Bay, Pond, & Harbor (Long Island Triptych)

June 20–October 27, 2019


On Long Island, you’re surrounded by water on both sides; you’ve got the bay coming up separating the North and the South Forks. I am extremely interested in the water’s edge, and thinking about sea level and understanding how transmutable and temporal that boundary between land and sea actually is. I’m very committed to doing something to help us understand and move quicker. I think this is going to be a huge part of our…

VIEW EXHIBITION