PAST EXHIBITIONS



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James Brooks (American, 1906–1992), Untitled, 1953. Oil and gouache on paper, 22 1/4 x 27 3/4 inches. Parrish Art Museum, Water Mill, New York, Gift of Richard I. Adrian, 2012.14.5

James Brooks: Process of Discovery

Permanent Collection Installation

November 1, 2015–October 30, 2016

James Brooks (1906–1992) was one of the most widely celebrated painters of the 1950s New York school. Born in St. Louis, Brooks grew up in Texas and attended Southern Methodist University from 1923 to 1925, arriving in New York shortly…
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Joe Fig (American, born 1958), April and Eric, August 10, 2004, 2005–2006. Mixed media, 29 x 96 x 48 inches. Parrish Art Museum, Water Mill, New York, Gift of Rita Krauss, 2015.34

Home Sweet Home

Permanent Collection Installation

November 1, 2015–October 30, 2016

In Winslow Homer’s 1863 painting Home Sweet Home, two Union soldiers sit at a forlorn campsite look at a smoking campfire, hard biscuits on a tin plate, and a rain-soaked pup tent. Contemporary viewers would have immediately associated this title with…
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Installation View: Unfinished Business: Paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle at the Parrish Art Museum, Water Mill, New York, August 7–October 16, 2016. Photo: Gary Mamay

Unfinished Business: Paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle

August 7–October 16, 2016

Unfinished Business: Paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle features the work of three artists who met in the early 1970s at the California Institute of the Arts in Los Angeles before moving to…
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Permanent Transience: Toni Ross

Installation View: Parrish Road Show 2016, Toni Ross: Permanent Transience at Marders, Bridgehampton, New York, August 20–September 5, 2016. Photo: Jenny Gorman

Parrish Road Show: Toni Ross

PERMANENT TRANSIENCE

August 20–September 5, 2016

Toni Ross is intrigued by the intersection of diverse objects and materials, especially those that defy logic. These concepts are often represented by fine threads that bind powerful, weighty forms. In Permanent Transience, the artist creates a juxtaposition of materials through an…
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Installation View: Parrish Road Show 2016, Bastienne Schmidt: Archeology of Time at the Sag Harbor Whaling & Historical Museum, August 7–August 24, 2016.

Parrish Road Show: Bastienne Schmidt

ARCHEOLOGY OF TIME

August 7–August 24, 2016

Bastienne Schmidt is interested in the documentation and creation of artifacts that carry the patina of memory, history, and time. For Parrish Road Show, she searches the Whaling Museum collection for functional objects that have lattices or grids – such as…
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Installation view: Radical Seafaring at the Parrish Art Museum, Water Mill, New York, May 8–July 24, 2016. Photo: Jenny Gorman

Radical Seafaring

May 8–July 24, 2016

Radical Seafaring is a multidisciplinary exhibition, publication, and program initiative that will include two-dimensional works, sculptural objects, vessels, models, film and video, off-site commissions, and boat trips around East End waterways. Under the direction of Andrea Grover, Century Arts Foundation Curator…
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Installation view: Parrish Perspectives, Lindsay Morris: You Are You at the Parrish Art Museum, Water Mill, New York, March 13–April 24, 2016. Photo: Gary Mamay

Parrish Perspectives: Lindsay Morris

You Are You

March 13–April 24, 2016

Parrish Perspectives is a series of concentrated exhibitions that offers the Museum opportunities to respond spontaneously and directly to unique ways of thinking about art, artists, and the creative process. Since 2007 Lindsay Morris has been documenting a weekend summer camp…
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Installation view: Parrish Perspectives, Connie Fox: Self As… at the Parrish Art Museum, Water Mill, New York, March 13–April 24, 2016. Photo: Gary Mamay

Parrish Perspectives: Connie Fox

Self As...

March 13–April 24, 2016

Parrish Perspectives is a series of concentrated exhibitions that offers the Museum opportunities to respond spontaneously and directly to unique ways of thinking about art, artists, and the creative process. In 2007, Connie Fox set up a mirror and a bookstand…
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Installation view: Parrish Perspectives, Brian Gaman: Vanishing Point at the Parrish Art Museum, Water Mill, New York, March 13–April 24, 2016. Photo: Gary Mamay

Parrish Perspectives: Brian Gaman

Vanishing Point

March 13–April 24, 2016

Parrish Perspectives is a series of concentrated exhibitions that offers the Museum opportunities to respond spontaneously and directly to unique ways of thinking about art, artists, and the creative process. Beginning in the mid-1970s Brian Gaman embarked on a highly personal…
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Installation View: 2016 Student Exhibition at the Parrish Art Museum, Water Mill, New York, January 30–February 28, 2016. Photo: Daniel Gonzalez

2016 Student Exhibition

January 30–February 28, 2016

Each year, the Parrish Art Museum’s Student Exhibition provides an opportunity for local students to have their work on view in a professional venue. More than 1,000 young artists from private, public, parochial, and home schools participate. Participants in the Student Exhibition explore many…
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Alexis Rockman (American, born 1962), Scallop (Pectinidae), 2014. Soil from Cedar Point and acrylic polymer on paper, 9 x 12 inches. Courtesy of The Drawing Room, East Hampton. Photo: Jenny Gorman

Alexis Rockman

East End Field Drawings

October 25, 2015–February 28, 2016

Alexis Rockman: East End Field Drawings explores the intersections among art, science, and history. For more than twenty years, Rockman has traveled throughout the world, collaborating with scientists and field researchers to see, experience, and learn about a region’s ecology as inspirations…
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Jane Freilicher and Jane Wilson, Water Mill, NY, July 1962. Photo: John Jonas Gruen ©1962

Jane Freilicher and Jane Wilson

Seen and Unseen

October 25, 2015–January 18, 2016

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson—two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing…
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Land, Sea, Air

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

The works on paper featured in this exhibition are depictions of landscape that, taken together, encourage us to think about the traditional definition of the term in different ways. Waterways and larger bodies of water play an increasingly important role…
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Art. Illuminated.

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

Works of art do not exist in isolation. Although they are created by artists in the studio as unique, individual expressions, once placed in a museum, gallery, or even a home environment, they take on a new meaning. In fact,…
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museum, creative, east end

William Merritt Chase, The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection

William Merritt Chase: The Shinnecock Years

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

William Merritt Chase first came to paint the Shinnecock Hills in 1891. He was invited by Mrs. Janet Hoyt, who proposed opening a summer art academy based on the plein-air schools then popular in Europe, a strategy she devised to…
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Painting Horizons

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

Put simply, the horizon is that line that defines the separation between land or ocean and the sky. If you stand on the beach and look out to sea, scientists tell us that you can, if the day is clear…
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Esteban Vicente and Collage

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

Esteban Vicente’s death in 2001 at the age of 97 marked the passing of one of the last surviving members of the first generation of New York School Abstract-Expressionist painters. He arrived in the United States in 1936, schooled in…
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Still Life in the Studio

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

Still-life painting typically takes as its subject everyday objects arranged in the artist’s studio. In this gallery various approaches to still life are represented, from the more traditional style of artists such as Sheridan Lord and Jane Wilson, to the…
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Drawings by Sculptors

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

Drawing is a vital practice for sculptors, providing an essential approach to “thinking on paper,” as Alice Aycock has observed. Aycock’s work hovers at the border of art and science and she uses drawing as the laboratory for developing the…
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Material World

Permanent Collection Exhibition

November 8, 2014 to October 25, 2015

The works of art brought together in this gallery represent a loose confederation of artists who share an interest in the materiality of the object and its social and symbolic functions. Betty Parson’s career as a gallery owner and advocate…
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