EXHIBITIONS ON VIEW

Installation view of FRESH PAINT: Rudolf Stingel at the Parrish Art Museum in Water Mill, NY (October 9, 2025–February 2, 2026). Photo: Jenny Gorman.

October 9, 2025–February 2, 2026

On View | FRESH PAINT: Rudolf Stingel

The Parrish Art Museum and The FLAG Art Foundation continue their FRESH PAINT collaboration with a new work by the artist Rudolf Stingel (American, b. Italy, 1956). At the Parrish, Stingel presents Untitled (2025), a large-scale, interactive installation in the Museum’s Interior Lobby, made from a series of Celotex panels—aluminum-faced foam insulation boards—which invite visitors to draw into the work’s surface and leave behind marks and impressions of their own designs.
Installation view of Nina Yankowitz: In the Out/Out the In at the Parrish Art Museum in Water Mill, NY (October 9, 2025–February 22, 2026). Photo: Jenny Gorman.

October 9, 2025–February 22, 2026

On View | Nina Yankowitz: In the Out/Out the In

Organized by the Museum of Fine Arts, St. Petersburg, FL, Nina Yankowitz: In the Out/Out the In traces the unconventional trajectories of Yankowitz’s career, beginning with her early unstretched canvases that blur the line between painting, sculpture, and textiles and her Dilated Grain Readings (1973–7), abstract paintings that translate her synesthetic experiences of sound and color into visual forms. The presentation of Nina Yankowitz: In the Out/Out the In at the Parrish also recognizes Yankowitz’s importance to Long Island’s East End art community.
Installation view of Endless Limits: The Work of James Howell, 1962–2014 at the Parrish Art Museum, Water Mill, NY (September 13, 2025–February 8, 2026). Photo: © Gary Mamay.

September 13, 2025–February 8, 2026

On View | Endless Limits: The Work of James Howell, 1962–2014

This exhibition presents the first-ever career retrospective of American artist James Howell (1935–2014), best known for his minimalist paintings that explore the vast tonal range of the color gray. In the later decades of his life, he produced hundreds of paintings, prints, and drawings that explore the subtlety and scope of the neutral shade, as well as its relationship to light and perception of space.
Installation view of Time Exposed: Hiroshi Sugimoto's Seascapes at the Parrish Art Museum, Water Mill, NY (September 13, 2025–February 8, 2026). Photo: © Gary Mamay.

September 13, 2025–February 8, 2026

On View | Time Exposed: Hiroshi Sugimoto’s Seascapes

Time Exposed: Hiroshi Sugimoto’s Seascapes presents the decade-long project of the well-known photographer, Hiroshi Sugimoto (Japanese, b. 1948) for the first time at the Parrish Art Museum. Acquired by the Museum in 2022, the photolithograph series explores Sugimoto’s unwavering interest in the incremental atmospheric changes around vast bodies of water. Beginning in 1980, Sugimoto traveled to remote corners of the world to capture the variable moments where the sky meets the sea—a place of mystery that still intrigues the artist so many years later.
Installation view of Rafael Lozano-Hemmer: Collider at the Parrish Art Museum (October 14, 2024–December 15, 2025). Photo: Jimmy Hamelin.

October 14, 2024–December 15, 2025

On View | Rafael Lozano-Hemmer: Collider

The latest installment of the Museum’s annual façade installation series features a new public artwork by Rafael Lozano-Hemmer. Made up of hundreds of small LED spotlights that create a calm, rippling curtain of light along the Museum’s south wall, Collider is visible from Montauk Highway and up close from the Museum’s meadow. The lights react in real time to invisible cosmic radiation from outer space.
Almond Zigmund, Gridded Commune, 2023. Photo: Gary Mamay

In the Parrish Café

Almond Zigmund: Gridded Commune

Created by Parrish Collection artist Almond Zigmund, the inaugural Museum Café mural is a celebration of social space and community-building.