• Charlotte Park (American, 1918–2010). Untitled, c. 1960, gouache on paper, 22 1/2 x 22 1/2 in. Parrish Art Museum, Water Mill, N.Y. Gift of the James and Charlotte Brooks Foundation. 2017.13.87.

    Charlotte Park: The Life of Forms in Color
    Works from the Permanent Collection 1950–1985

    October 27, 2024–March 2, 2025

  • Installation view of Charlotte Park: The Life of Forms in Color at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.

  • Charlotte Park (American, 1918–2010). Untitled, c. 1955–60, gouache on paper, 22 1/2 x 22 1/2 in. Parrish Art Museum, Water Mill, N.Y. Museum Purchase, Audrey McMahon Fund. 2002.20.

  • Installation view of Charlotte Park: The Life of Forms in Color at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.

  • Charlotte Park (American, 1918–2010). Initiation, c. 1955, oil on canvas, 48 1/2 x 36 in. Parrish Art Museum, Water Mill, N.Y. Gift of the James and Charlotte Brooks Foundation. 2017.13.83.

  • Installation view of Charlotte Park: The Life of Forms in Color at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.

  • Installation view of Charlotte Park: The Life of Forms in Color at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.

  • Installation view of Charlotte Park: The Life of Forms in Color at the Parrish Art Museum (October 27, 2024–March 2, 2025). Photo: © Gary Mamay.

Charlotte Park: The Life of Forms in Color is a survey comprising more than 70 paintings and works on paper, drawn exclusively from the 2017 gift of works to the Parrish by the James and Charlotte Brooks Foundation. Overshadowed by the attention given to the work of her husband, James Brooks, Park kept a fairly low profile over the course of her career while painting some of the strongest and most brilliantly colored canvases of her time. Color and form, often related to the living environment surrounding the studio she shared with her husband, were strong and constant forces in her work.

Born in Concord, Massachusetts, in 1918, Park studied from 1935 to 1939 at the Yale School of Fine Art. After moving to New York, Brooks and Park soon became part of the circle of Jackson Pollock and his wife Lee Krasner. They rented a studio space that had been occupied by Pollock and joined Pollock and Krasner, along with other artists working in establishing studios on Long Island. They stayed first in Montauk, but after their studio was destroyed by a hurricane in 1954, they moved to a cottage in Springs, East Hampton, which became their full-time residence.

The exhibition follows Park’s abstractions of color and form inspired by organic life from her diffident embraces of color in the early to mid-1950s through her assertive yet playful compositions of the 1980s.

Charlotte Park: The Life of Forms in Color is curated by Klaus Ottmann, Robert Lehman Curator, with additional support from Kaitlin Halloran, Associate Curator and Publications Manager.

Exhibition Support
Charlotte Park: The Life of Forms in Color is made possible thanks to the generous support of the James and Charlotte Brooks Fund.

We are also grateful to Berry Campbell Gallery, New York, for their in-kind support.

The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.