- This event has passed.
Mel Kendrick (American, born 1949) Untitled, 2012 Mahogany with Japan color and gesso 51 ½ x 12 ¾ x 13 ¼ inches Parrish Art Museum, Water Mill, New York, Museum purchase with funds provided by the Collector’s Circle and the Evelyn Toll Family Foundation
Creative Studio | Sculpture
with Eric Dever
November 5, 2022, 1 pm - 3 pm
November 5 & December 10Nonmember $50 | Member $30
In this two-part Creative Studio, explore and create mixed media, table top sculpture, taking cues from the exhibition Mel Kendrick: Seeing Things in Things, Picasso’s cardboard maquettes and Betty Parsons’ painted assemblages. Participants will build forms, apply surface and color.
Creative Studio | Sculpture
with Eric Dever
November 5, 2022, 1 pm - 3 pm
November 5 & December 10Nonmember $50 | Member $30
In this two-part Creative Studio, explore and create mixed media, table top sculpture, taking cues from the exhibition Mel Kendrick: Seeing Things in Things, Picasso’s cardboard maquettes and Betty Parsons’ painted assemblages. Participants will build forms, apply surface and color.
Mel Kendrick (American, born 1949) Untitled, 2012 Mahogany with Japan color and gesso 51 ½ x 12 ¾ x 13 ¼ inches Parrish Art Museum, Water Mill, New York, Museum purchase with funds provided by the Collector’s Circle and the Evelyn Toll Family Foundation
Creative Studio | Sculpture
with Eric Dever
November 5, 2022, 1 pm - 3 pm
November 5 & December 10Nonmember $50 | Member $30
In this two-part Creative Studio, explore and create mixed media, table top sculpture, taking cues from the exhibition Mel Kendrick: Seeing Things in Things, Picasso’s cardboard maquettes and Betty Parsons’ painted assemblages. Participants will build forms, apply surface and color.
Creative Studio | Sculpture
with Eric Dever
November 5, 2022, 1 pm - 3 pm
November 5 & December 10Nonmember $50 | Member $30
In this two-part Creative Studio, explore and create mixed media, table top sculpture, taking cues from the exhibition Mel Kendrick: Seeing Things in Things, Picasso’s cardboard maquettes and Betty Parsons’ painted assemblages. Participants will build forms, apply surface and color.
