Tony Bechara: An Artist of Many Worlds

“My work is about the experience of vision, prior to the interpretation of a specific image—I am interested in that early reaction to light as it becomes cognitive. Painting is a vehicle of light and vision first, and then symbolic and narrative.”
—Tony Bechara, 2001

Tony Bechara: An Artist of Many Worlds is the first-ever comprehensive survey of the Puerto Rican-born artist, including works from his late career and exploring his decades-long dedication to color theory and abstraction. Born in Puerto Rico and based in New York City, Bechara (1942–2025) drew on his bilingual and bicultural upbringing, his studies in law and international relations, his long stays in Europe and on the East End of Long Island, and his characteristic, enduring curiosity to become a man of many worlds—seeking light and illumination in far corners of the globe and across its diverse cultures.

The artist’s seminal abstract work—realized with square, circular, and triangular canvases as well as in prints and three-dimensional sculpture—deftly engages the viewer’s optics, creating compositions that seem to shimmer and vibrate. This effect stems from his fascination with pointillism and the work of French Impressionists Georges Seurat and Paul Signac. Yet in Bechara’s work, the “points”—in his case, pixels—are meticulously mapped by hand, randomized through analog mathematical formulas and calculations, and arranged to create structures in which chaos and harmony fuse into a unified composition.

Bechara’s technical process was also shaped by his first encounter with the mosaics of Ravenna, Italy—an experience that inspired both his orthogonal grid and his precise, methodical approach to painting. For Bechara, this technique encapsulated his interests in art history, the interplay of past and present, and a visual language rooted in pixelation—that he developed well before the digital age—offering a prophetic vocabulary that embraced diversity and inclusion in a single gesture.

As digital technologies advanced over the decades, the artist remained committed to his handmade four-step painting method, intricately applying structural grids with masking tape directly onto the canvas. An Artist of Many Worlds highlights Bechara’s seemingly fortuitous use of unexpected and randomized color to propose a language that achieves a unity of “order and randomness.” It is this harmonizing strategy that is also commemorated at the Parrish on the 250th anniversary of the United States.

Tony Bechara: An Artist of Many Worlds is part of the Museum’s USA250: Life, Liberty, and the Pursuit of Happiness, a year-long program organized in response to the United States’ semiquincentennial in 2026. The USA250 exhibition series that includes Bechara’s presentation reflects on the nation’s history and founding values, examines our present moment, and imagines new ways of moving forward, while acknowledging the contributions of East End and regional artists to the broader landscape of American art and culture. Eliciting a dialogue with the Declaration of Independence’s assertion of “the pursuit of happiness” as one of our inalienable rights, An Artist of Many Worlds proposes that Bechara’s contributions as a Latino/Hispanic artist to American culture and in his own “pursuit of happiness,” produced a language of self-determination—rigorously structured yet colorful and playful, nonetheless allowing for distinct and diverse compositions. Bechara’s unifying pictorial strategy of vibrant pixels may be interpreted as an example of the pursuit of happiness by proposing a personal yet prophetic visual model for inclusion and collective possibility, strengthening the broader fabric of American art and culture.

Comprising over fifty works, this survey celebrates the accomplished artist’s evolving style across multiple media throughout his sixty-plus year career. Archival drawings, artist-made color formulas, photographs, exhibition catalogs, and announcements, will accompany a detailed chronology highlighting Bechara’s illustrious life and career. This first-ever career-spanning retrospective of the artist is timed to coincide with the one-year commemoration of Bechara’s passing and will feature an independently published monograph that includes an essay by Domitille d’Orgeval, an interview between Bechara and Hans Ulrich Obrist, a chronology and exhibition history, and a complete plate section.

Tony Bechara: An Artist of Many Worlds is co-organized by Mónica Ramírez-Montagut, Ph.D., Executive Director, and Kaitlin Halloran, Associate Curator and Publications Manager.

Exhibition Support
The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.