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Linda Capello, Untitled, Red Conte
Life Drawing with Linda Capello
November 4, 2019, 11 am - 1 pm
Held on Mondays, 11 am to 1 pm
October 21, 28, November 4, 18 and 25 (no class on Columbus Day or Veterans Day)
11 am-1 pm
Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies. Space is limited; advance reservations recommended
Series (5 classes)
$145 | $120 Members
Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”
Life Drawing with Linda Capello
November 4, 2019, 11 am - 1 pm
Held on Mondays, 11 am to 1 pm
October 21, 28, November 4, 18 and 25 (no class on Columbus Day or Veterans Day)
11 am-1 pm
Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies. Space is limited; advance reservations recommended
Series (5 classes)
$145 | $120 Members
Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”
