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Event Series Event Series: Life Drawing with Linda Capello

Untitled by Linda Capello


Life Drawing with Linda Capello

September 9, 2019, 11 am - 1 pm

Held on Mondays, 11 am to 1pm 

Fall Series: September 9, 16, 23, 30 October 7

11am-1pm

Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies.

Drop-in rates
$30 | $25 Member per session

 

Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”

Details

Date:
September 9, 2019
Time:
11:00 am - 1:00 pm
Event Categories:
,

Venue

Parrish Art Museum
279 Montauk Highway
Water Mill, NY 11976 United States
Phone:
631-283-2118
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Life Drawing with Linda Capello

September 9, 2019, 11 am - 1 pm

Held on Mondays, 11 am to 1pm 

Fall Series: September 9, 16, 23, 30 October 7

11am-1pm

Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies.

Drop-in rates
$30 | $25 Member per session

 

Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”