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Life Drawing with Linda Capello
October 22, 2018, 11 am - 1 pm
An event every week that begins at 11 am on Monday, repeating until November 19, 2018
Series will be held on Mondays, October 22, 29, November 5, 12, 19
11am-1pm
Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies.
Register online or call 631-283-2118 x130 for more information.
Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”
Life Drawing with Linda Capello
October 22, 2018, 11 am - 1 pm
An event every week that begins at 11 am on Monday, repeating until November 19, 2018
Series will be held on Mondays, October 22, 29, November 5, 12, 19
11am-1pm
Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies.
Register online or call 631-283-2118 x130 for more information.
Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”
