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X-WR-CALNAME:Parrish Art Museum
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X-WR-CALDESC:Events for Parrish Art Museum
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DTSTART;TZID=America/New_York:20200802T110000
DTEND;TZID=America/New_York:20200802T163000
DTSTAMP:20260416T183852
CREATED:20191120T145856Z
LAST-MODIFIED:20210309T174227Z
UID:10002391-1596366000-1596385800@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2-2020-07-16/2020-08-02/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200803T110000
DTEND;TZID=America/New_York:20200803T163000
DTSTAMP:20260416T183852
CREATED:20191120T145856Z
LAST-MODIFIED:20210309T174227Z
UID:10002392-1596452400-1596472200@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2-2020-07-16/2020-08-03/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200807T110000
DTEND;TZID=America/New_York:20200807T163000
DTSTAMP:20260416T183852
CREATED:20191120T145856Z
LAST-MODIFIED:20210309T174227Z
UID:10002393-1596798000-1596817800@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2-2020-07-16/2020-08-07/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200807T110000
DTEND;TZID=America/New_York:20200808T170000
DTSTAMP:20260416T183852
CREATED:20200724T150958Z
LAST-MODIFIED:20200725T173220Z
UID:10002722-1596798000-1596906000@parrishart.org
SUMMARY:Member-Only Days
DESCRIPTION:To express our gratitude for their unwavering support\, we invite Parrish Members to be the first to stroll through Museum galleries during Member-Only Days on Friday\, August 7 and Saturday\, August 8. (The Museum will reopen its doors to the public on Sunday\, August 9.)  As part of our reopening\, we have three new exhibitions we are excited to share with you in addition to What We See\, How We See. \n  \nRESERVE YOUR FREE TIMED ADMISSION E-TICKET \n  \nAll are encouraged to read visitor guidelines found on our Visit page\, where you will find information about our cleaning protocols\, safety measures\, and more! \nThe new exhibitions\, drawn primarily from the Museum’s permanent collection\, will be installed in three galleries. HOUSEBOUND: Fairfield Porter and his Circle of Poets and Painters presents poetry and paintings by Porter and friends—including Jane Freilicher\, Larry Rivers\, Frank O’Hara\, and James Schulyer—who visited the artist and his wife in Southampton during the 1950s\, ‘60s\, and ‘70s. Last Meal (Series)\, 2001–2003\, features 23 images by Jackie Black who researched\, staged\, and photographed last meals requested by death row inmates in a poignant commentary on capital punishment. Lucien Smith: Southampton Suite\, 2013\, marks the first museum exhibition for the Montauk/Brooklyn-based artist with 10 large-scale works from his “rain paintings” series. \nFor more information\, to join\, or upgrade your membership\, click here or e-mail membership@parrishart.org.
URL:https://parrishart.org/event/member-only-days/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Member Events
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/05/TJC-Exhibition-Opening_Kochie_050419_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200807T180000
DTEND;TZID=America/New_York:20200807T193000
DTSTAMP:20260416T183852
CREATED:20200720T224637Z
LAST-MODIFIED:20200818T200309Z
UID:10002721-1596823200-1596828600@parrishart.org
SUMMARY:Music on the Terrace: Julie Bluestone
DESCRIPTION:  \nJoin us at the Parrish for our outdoor program with Julie Bluestone on flute and saxophone\, Bill Smith on Keyboard\, Leo Traversa on bass\, and Christian Rivera on congas and percussion. \nJulie Bluestone has been performing her eclectic mix of Latin Rhythms and Jazz Standards throughout New York City and the East End for the last 15 years. In addition to performing and teaching\, Julie also composes and arranges for her own ensembles. Join us for evening of great music on the terrace! \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, August 6: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-on-the-terrace-julie-bluestone/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/Head-Shot_Julie-Bluestone-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200807T210000
DTEND;TZID=America/New_York:20200807T230000
DTSTAMP:20260416T183852
CREATED:20200724T190555Z
LAST-MODIFIED:20200807T183636Z
UID:10002723-1596834000-1596841200@parrishart.org
SUMMARY:PROJECTION: The High Yellow Pavilion for Renisha McBride and Other Works by Tomashi Jackson
DESCRIPTION:The Parrish Art Museum will present the projection of five videos by Tomashi Jackson onto the south façade of the Parrish on Friday\, August 7 from 9-11 pm\, as a unique drive-by experience from Montauk Highway\, with limited access for parking and walking on the outdoor premise to watch projections. No indoor or bathroom access. The videos run in a 50-minute loop. \n“I am thrilled to work with Tomashi Jackson to mark her presence at the Museum this summer\, while her exhibition Parrish Platform: Tomashi Jackson—The Land Claim\, scheduled to open this July\, had to be postponed to Summer 2021\,” said Corinne Erni\, Senior Curator of ArtsReach and Special Projects. \n“While the circumstances surrounding this outdoor screening program for the Parrish Art Museum were unanticipated\, the method viewing this series returns the research and reflection for these works back to the physical realm of public space\,” says Tomashi Jackson. \nThe projected video collage works were made between 2014 and 2017. They are born of two distinct bodies of work interrogating lived narratives of public spaces in the United States. The first three pieces are from the body titled “The Subliminal is Now\,” a 2016 solo exhibition at Tilton Gallery New York\, that visualized research on the history of American school desegregation\, the perception of innocence among children as a protected class of people\, and contradictions of such assumptions and policy ideals in contemporary public space. The artist drew from legal archives of court transcripts and photo documentation produced by the National Association for the Advancement of Colored People (NAACP) Legal and Educational Defense Fund (LDF) (founded in 1940 by Thurgood Marshall) as sites of meditation and visual reference to contrast with multiple present day cases of Black children\, teenagers\, and young people (Michael Brown\, Jr.\, Renisha McBride\, Tamir Rice\, and Aiyanna Stanley Jones)\, being brutalized and killed by police and vigilantes nationwide. \nThe first three works all use pieces of music as anchors. In “Self Portrait: Tale of Two Michaels” the figures lip sync and dance to the sound of “It Keeps You Running” by the Doobie Brothers. In “Forever 21: The Essence of Innocence” the figures lip synch the background vocals for “Give Me the Reason” by Luther Vandross. In “The High Yellow Pavilion for Renisha McBride” Maurice Ravel’s “Pavane for a Dead Princess” serves as a sound component. \nThe final two pieces are taken from the body of work titled\, “Interstate Love Song\,” a solo exhibition at the Zuckerman Museum at Kennesaw State University\, Georgia. That body explored lived experiences of compromised access to transportation in and around Atlanta as the outcome of decades of voting referenda preventing the expansion of public transportation thus maintaining deeply segregating residential patterns. The artist drew from conversations with Georgians about historically counter intuitive transportation policies and their link to the county unit voting system also known as “The Rule of the Rustics.” The primary text of reference for this work was White Flight: Atlanta and The Making of Modern Conservatism by Kevin M. Kruse\, professor of history at Princeton University. The pieces projected in this screening exist as photographic c-prints of key stills from each of the two video collages. They exist as a part of an interconnected ecosystem of painting\, fiber work\, sculpture\, video\, and photography produced from practices of research\, archival inquiry\, and abstraction from which the contemporary figure emerges as an actor implicated in public spaces of governance\, policy\, and human rights. \nVideos\nTomashi Jackson\nSelf Portrait: Tale of Two Michaels\, 2014\nVideo collage\nDuration: 12 minutes\, 48 seconds \nTomashi Jackson\nHigh Yellow Pavilion for Renisha McBride Suite\, 1. Pavane for a Dead Princess (Between the homes of Monica & Theodore) (Red Topeka\, Kansas)\, 2015\nVideo collage\nDuration: 9 minutes\, 13 seconds \nTomashi Jackson\nForever 21: The Essence of Innocence Suite\, 1. Give Me the Reason (To Forgive) (Texas Courtroom) (DC Classroom)\, 2. Give Me the Reason (To Forget) (Texas Courtroom)\, 3. Give Me the Reason (Tell Me How) (Detroit\, Cleveland\, Ferguson)\, 2015\nVideo collage\nDuration: 7 minutes\, 20 seconds \nTomashi Jackson\nInterstate Love Song: Rule of the Rustics (Limited Value Exercise)\, 2017\nVideo collage\nDuration: 10 minutes\, 25 seconds \nTomashi Jackson\nInterstate Love Song: Stock the River with Piranha I\, 2017\nVideo collage\nDuration: 10 minutes\, 38 seconds \n  \n 
URL:https://parrishart.org/event/projections-tomashi-jackson/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/Jackson_TJ136_The-High-Yellow-Pavilion-for-Renisha-McBride-Suite-1-Pavane-for-a-Dead-Princess.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200808T110000
DTEND;TZID=America/New_York:20200808T163000
DTSTAMP:20260416T183852
CREATED:20191120T145856Z
LAST-MODIFIED:20210309T174227Z
UID:10002394-1596884400-1596904200@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2-2020-07-16/2020-08-08/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
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