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X-WR-CALNAME:Parrish Art Museum
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X-WR-CALDESC:Events for Parrish Art Museum
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DTSTART:20200308T070000
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DTSTART;TZID=America/New_York:20200705T100000
DTEND;TZID=America/New_York:20200705T170000
DTSTAMP:20260416T155949
CREATED:20191120T145856Z
LAST-MODIFIED:20191120T145856Z
UID:10002371-1593943200-1593968400@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2/2020-07-05/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200706T100000
DTEND;TZID=America/New_York:20200706T170000
DTSTAMP:20260416T155949
CREATED:20191120T145856Z
LAST-MODIFIED:20191120T145856Z
UID:10002372-1594029600-1594054800@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2/2020-07-06/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200707
DTEND;VALUE=DATE:20200708
DTSTAMP:20260416T155949
CREATED:20190210T144304Z
LAST-MODIFIED:20190429T194446Z
UID:10000196-1594080000-1594166399@parrishart.org
SUMMARY:Museum Closed on Tuesdays
DESCRIPTION:Museum is Closed on Tuesdays. \nScheduled Workshops with pre-registration will occur.
URL:https://parrishart.org/event/museum-closed-on-tuesdays/2020-07-07/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200708T100000
DTEND;TZID=America/New_York:20200708T170000
DTSTAMP:20260416T155949
CREATED:20191120T145856Z
LAST-MODIFIED:20191120T145856Z
UID:10002373-1594202400-1594227600@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2/2020-07-08/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200708T110000
DTEND;TZID=America/New_York:20200708T114500
DTSTAMP:20260416T155949
CREATED:20200629T150214Z
LAST-MODIFIED:20200720T141944Z
UID:10000826-1594206000-1594208700@parrishart.org
SUMMARY:Talks with Docents
DESCRIPTION:In this session\, docent Susan Dubner explored stories and symbols in landscapes from the Parrish collection and docent Pat Follert took a close look at some examples of Photorealism.  Play videos of each below. \n \n \nTalks with Docents: Stories and Symbols in American Landscapes from Parrish Art Museum on Vimeo. \n \nTalks with Docents: Photorealism from Parrish Art Museum on Vimeo.
URL:https://parrishart.org/event/talks-with-docents-3/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Adult Art Classes,Classes and Workshops
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200709T100000
DTEND;TZID=America/New_York:20200709T170000
DTSTAMP:20260416T155949
CREATED:20191120T145856Z
LAST-MODIFIED:20191120T145856Z
UID:10002374-1594288800-1594314000@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2/2020-07-09/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200710T100000
DTEND;TZID=America/New_York:20200710T123000
DTSTAMP:20260416T155949
CREATED:20200304T202528Z
LAST-MODIFIED:20200520T201628Z
UID:10002691-1594375200-1594384200@parrishart.org
SUMMARY:Painting the East End en Plein Air with Barbara Thomas
DESCRIPTION:Series of four Fridays\, July 3\, 10\, 17 and 24\, 10 am–12:30 pm \nExplore painting en plein air in a variety of settings. Locations include regional gardens and the Parrish landscape. Open to adults and youth age 15+. All skill levels are welcome. Participants will arrange for their own materials; a supply list and direction to locations will be provided. \n$425 | $300 Members \nREGISTER \nAs we look forward to summer 2020 at the Parrish\, we are monitoring regional government guidelines and proactively undertaking measures to plan a safe environment at all Museum activities.
URL:https://parrishart.org/event/painting-the-east-end-en-plein-air-with-barbara-thomas/2020-07-10/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Adult Art Classes,Classes and Workshops
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/02/AdultEd-PleinAir-BarbaraThomas-Resize-e1549650039957.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200710T170000
DTEND;TZID=America/New_York:20200710T180000
DTSTAMP:20260416T155949
CREATED:20200626T200005Z
LAST-MODIFIED:20200728T201424Z
UID:10000824-1594400400-1594404000@parrishart.org
SUMMARY:Corinne Erni in Conversation with Tomashi Jackson\, K-Sue Park\, and Kelly Dennis
DESCRIPTION:Join a live-stream talk featuring Tomashi Jackson\, the Museum’s 2020 Platform artist; K-Sue Park\, Associate Professor of Law at Georgetown University Law Center; Kelly Dennis\, a member of the Shinnecock Nation and attorney specializing in Federal American Indian law; and Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, who will moderate the discussion. Jackson will focus on historical land rights and appropriation in the United States—specifically the Shinnecock Indian Nation in Southampton\, on the East End of Long Island—as it relates to her multi-faceted project\, The Land Claim. \nThe Land Claim focuses on the historic and contemporary lived experiences of Indigenous\, Black\, and Latinx families on the East End of Long Island. In her work for the exhibition\, Jackson juxtaposes current and historical racial segregation in the region\, similar to her work in the 2019 Whitney Biennial. \nAbout the Participants\nKelly Dennis is an attorney specializing in Federal American Indian law. She has represented her tribe\, the Shinnecock Indian Nation\, and other sovereign tribal nations on matters such as land rights\, civil rights\, cultural and natural resources protection\, as well as tribal governance and business development. She continues to represent individual tribe members on education law\, family law\, small business\, and other matters as an Of-Counsel Attorney with The Law Offices of Tela L. Troge\, PLLC located in Southampton\, New York. Dennis integrates her legal background with her passion for the arts through social justice advocacy efforts for the rights and welfare of indigenous peoples. As such\, she has served as the Public Programs & Residency Coordinator at The Watermill Center (WMC)\, an interdisciplinary laboratory for the arts and humanities located in Water Mill\, New York. \nK-Sue Park’s scholarship examines the creation of the American real estate system and the historical connections between property law\, immigration law\, and American Indian law. Prior to Georgetown\, she was the Critical Race Studies Fellow at UCLA School of Law and an Equal Justice Works Fellow and staff attorney in El Paso\, where she investigated predatory mortgage lending schemes. Park earned her B.A. summa cum laude\, Phi Beta Kappa honors from Cornell University\, where she was a College Scholar\, her M.Phil with Distinction in Social and Political Sciences from the University of Cambridge\, her J.D. cum laude from Harvard Law School\, where she was a Presidential Scholar\, and her Ph.D. in Rhetoric from UC Berkeley\, where she was a Javits Fellow. A former Fulbright Scholar\, Park’s writings have appeared in the Harvard Law Review\, Law & Society Review\, and The New York Times. \nAbout Tomashi Jackson\nDrawing centrally from Josef Albers’s research on the relativity of color and the unconscious processes by which the brain organizes and reconciles information\, Jackson’s work bridges gaps between geometric experimentation and the systematization of injustice\, incorporating images printed and hand painted from photographs and materials chosen for their relevance into formalist compositions. She uses properties of color perception as an aesthetic strategy to investigate the value of human life in public space. Jackson’s research driven projects and visual interrogation of shared language around societal and chromatic color offers a narrative framework from which she constructs her own language of abstraction. \nTomashi Jackson was born in Houston and raised in Los Angeles. She earned her MFA in Painting and Printmaking from Yale University School of Art in 2016; a Master of Science in Art\, Culture and Technology from the MIT School of Architecture and Planning in 2012\, and a BFA from Cooper Union in 2010. Her solo exhibitions include Forever My Lady at Night Gallery\, Los Angeles (2020)\, Time Out of Mind at Tilton Gallery (2019)\, Los Angeles \, Interstate Love Song at the Zuckerman Museum of Art\, Kennesaw\, Georgia (2018)\, and The Subliminal is Now at Tilton Gallery (2016). Her work was included in the 2019 Whitney Biennial and additional group exhibitions at The Los Angeles Museum of Contemporary Art (LACMA)\, Mass MoCA\, The Bakalar & Paine Galleries at the Massachusetts College of Art\, Boston\, and the Contemporary Art Center\, New Orleans\, as well as in the public collections of the Whitney Museum of American Art\, LACMA\, and the Baltimore Museum of Art. \nJackson was a 2019 Resident Artist at the Skowhegan School of Painting & Sculpture and the 2019 Resident Artist at the ARCAthens Residency Program\, Athens\, Greece. She has taught at the Rhode Island School of Design\, the Massachusetts College of Art\, Boston\, and The Cooper Union for the Advancement of Science and Art\, NY\, and she has been a visiting artist lecturer at Boston University\, New York University\, Yale University\, and School of Visual Arts\, NY. She lives and works in Cambridge and New York City. Her work is represented by Tilton Gallery in New York City and Night Gallery in Los Angeles\, CA. \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/corinne-erni-tomashi-jackson-kelly-dennis-k-sue-park/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Tomashi-Park-Kelly_hires.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200711
DTEND;VALUE=DATE:20200713
DTSTAMP:20260416T155949
CREATED:20191008T193616Z
LAST-MODIFIED:20200625T205357Z
UID:10002189-1594425600-1594598399@parrishart.org
SUMMARY:Late Night Party
DESCRIPTION:June 2020 \nWe are profoundly grateful to count you among the patrons of our beloved Midsummer Party. \nThe good news is our celebration has been reimagined. Although we will dearly miss gathering with our friends in the galleries to experience the beauty and power of art\, this is not the year for that. Instead\, we are asking for something very simple: No save the date\, no wardrobe worries\, no rideshare required. All that we ask is that you join us in support of the Parrish Art Museum with a renewed gift. \nAs a gesture of our appreciation for your continued support\, we have found a way to share a common experience of a work of art. Mary Heilmann\, one of the Hamptons best-loved artists and long-time friend of the Parrish\, is designing a limited edition plate to mark this moment in time. We intend this to become an annual tradition going forward\, with a different artist contributing each year. \nOur doors may be closed but our spirit is open. We have been bringing art and people together online through our Friday Nights Live! programs\, Live from the Studio workshops\, Talks with Docents\, podcasts\, Home Art Studios for children\, Artist Stories\, and our digital exhibition Telling Stories. We look ahead to reopening with vibrancy and a renewed commitment to our Members\, friends\, and all who engage with the Parrish. Your support is crucial to the success of this vision for the future. \nOn behalf of our fellow Trustees and Host Committee members\, we thank you for your generosity. Please click below to make your donation online or contact Kendra Korczak at midsummerparty@parrishart.org with any questions. Your contribution at this time is incredibly meaningful and we look forward to welcoming you into the galleries (in person) soon. (Support the Museum and Save the “Plate.”) \nBest regards\, \nDeborah F. Bancroft and Preston T. Phillips\nMidsummer Party Co-Chairs\nParrish Art Museum Trustees \n  \nGifts at the $500 level and above will receive a limited edition plate\, upon request (# of plates based on giving level). \nMAKE A CONTRIBUTION \n  \nMIDSUMMER PARTY 2020 \nCo-Chairs: Deborah F. Bancroft\, Preston T. Phillips \nHonorary Co-Chairs: Charlotte Moss and Barry Friedberg \nHost Committee: Mary and Howard S. Frank\, Laura Lofaro Freeman and James L. Freeman\, Chad A. Leat\, Christina and Alan MacDonald\, Sandy and Stephen Perlbinder\, Robin and Frederic M. Seegal\, Marcia Dunn Sobel\, and Joey Wölffer \nLate Night Party Chair: Larry Milstein
URL:https://parrishart.org/event/latenightparty2020/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Benefit Events
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/10/BFA_28668_3749836-e1570563010708.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200711T100000
DTEND;TZID=America/New_York:20200711T170000
DTSTAMP:20260416T155949
CREATED:20191120T145856Z
LAST-MODIFIED:20191120T145856Z
UID:10002375-1594461600-1594486800@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2/2020-07-11/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
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