Parrish Art Museum

Renate Aller: The Space Between Memory and Expectation
2019-04-14 10:00 - 17:00, 2019-04-15 10:00 - 17:00, 2019-04-17 10:00 - 17:00, 2019-04-18 10:00 - 17:00, 2019-04-19 10:00 - 20:00, 2019-04-20 10:00 - 17:00 (America/New_York) | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
March 24–July 28, 2019

A focused exhibition of works by the German-born photographer illuminating her exploration of the interrelationship of romanticism, memory, and place through dynamic compositions rich with implied narratives. The exhibition features 12 large-scale archival prints in a gallery installation specifically designed to present a compositionally unified environment. Presenting works drawn from ongoing series Ocean | Desert and Mountain Interval, the exhibition draws together disparate landscapes through the continuity of the horizon line. Dramatic images of the Atlantic Ocean, vast sand dunes in New Mexico and Colorado, and the majestic mountain ranges in Alaska, Switzerland, Italy, and Nepal come together to explore “the interval, the space in between … during which apparently nothing happens, but without which no change could happen,” Aller explains. “The Space Between Memory and Expectation is another way to describe this state of stillness and transition.”A part of Parrish Perspectives—a series of concentrated exhibitions that offers the Museum opportunities to respond spontaneously and directly to unique ways of thinking about art, artists, and the creative process. In the immersive installation, seven photographs of dramatic ranges and peaks from Mountain Interval are aligned with five prints from Ocean | Desert—broad expanses of sea and sand. The viewer is surrounded by a panorama that smoothly transitions from mountains to ocean as the eye is guided from image to image along a compositionally coherent horizon line.
Renate Aller: The Space Between Memory and Expectation is made possible, in part, by the support of Krista and Michael Dumas, Janice Sarah Hope, Adam Miller Group, Marc Olivié and Marleen De Bode Olivié, and Michèle and Steven Pesner.

Jean-Luc Mylane: A Matter of Place
2019-04-14 10:00 - 17:00, 2019-04-15 10:00 - 17:00, 2019-04-17 10:00 - 17:00, 2019-04-18 10:00 - 17:00, 2019-04-19 10:00 - 20:00, 2019-04-20 10:00 - 17:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
March 24–July 28, 2019
Monumentally scaled photographs by the French artist who juxtaposes natural and man-made, stillness and motion, calm and tension within poetic and mysterious photographs. The exhibition reflects the artist’s almost metaphysical approach to image-making. Through his lifetime pursuit to photograph commonplace birds in natural habitats, Mylayne has engaged in a profound investigation of how humankind and nature can coexist. The exhibition features nine images made in New Mexico and Texas, gifted to the Parrish by the artist and the Lannan Foundation. A Matter of Place is part of Parrish Perspectives—a series of concentrated exhibitions that offers the Museum opportunities to respond spontaneously and directly to art, artists, and the creative process.

Parrish Perspectives: Recent Acquisitions in Context
2019-04-14 10:00 - 17:00, 2019-04-15 10:00 - 17:00, 2019-04-17 10:00 - 17:00, 2019-04-18 10:00 - 17:00, 2019-04-19 10:00 - 20:00, 2019-04-20 10:00 - 17:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
March 24–April 28, 2019
Parrish Perspectives: Recent Acquisitions in Context offers the Museum an opportunity to respond spontaneously and directly to art, artists, and the creative process. This year’s installation thematically pairs significant recent acquisitions with works drawn from the permanent collection, providing insight into how a museum builds and reimagines its holdings. Featured works include two recently acquired pieces by Alan Shields, drawings by Ned Smyth and Jennifer Bartlett, and a fabulous illustrative work by Matthew Weinstein.

Every Picture Tells a Story: Work from the Permanent Collection
2019-04-14 10:00 - 17:00, 2019-04-15 10:00 - 17:00, 2019-04-17 10:00 - 17:00, 2019-04-18 10:00 - 17:00, 2019-04-19 10:00 - 20:00, 2019-04-20 10:00 - 17:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
November 11, 2018 to October 6, 2019
Each year, the Museum creates a new exhibition that contextualizes work and amplifies inherent themes by important artists in the Parrish collection of more than 3,000 works. This year’s seven-gallery installation, Every Picture Tells a Story, presents a series of focused exhibitions that explore the many ways that images carry narrative meaning.
Every Picture Tells a Story, the 2018 Permanent Collection Exhibition, has been made possible, in part, by the generous support of Barbara Slifka; Ellen Cantrowitz, Garrett and Mary Moran; Charlotte Moss and Barry Friedberg, Jane and David Walentas, Marie Samuels, Per Skarstedt, Deborah Buck, and a donor who wishes to remain anonymous.

Day Trip to Beacon and Cold Spring, NY with Parrish Director and Chief Curator
2019-04-15 09:00 - 19:00 | NY
Register
Members are invited to join Museum Director Terrie Sultan and the Lewis B. and Dorothy Cullman Chief Curator, Art and Education, Alicia Longwell, for an exclusive day trip to Beacon and Cold Spring, New York.
Travelers will embark on a private Ambassador bus ride from NYC* with complimentary refreshments to Dia:Beacon, where we will enjoy a private tour of the newly opened Dorothea Rockburne exhibition led by Alexis Lowry, Dia Art Foundation Associate Curator, and a boxed lunch in the Dia: courtyard prepared by Homespun Dia:Beacon Café.
Afterwards, the group will travel to Magazzino Italian Art in Cold Spring, NY where, after an introduction led by Magazzino senior staff, travelers will have time for self-guided exploration of the 20,000 square-foot structure.
The day ends with a return trip to 44th & 3rd aboard the chartered Ambassador. During the return trip, wine and light refreshments will be served.
*East End bus pick-up and drop-off available at Hampton Jitney Calverton Terminal.
Travel fee of $200 covers transportation, lunch, refreshments, wine, and all institution visit fees. Deadline to register: April 8, 2019.
For more information or to register, please
contact the Parrish Membership department at membership@parrishart.orgor 631-283-2118 x149.

Life Drawing with Linda Capello
2019-04-15 11:00 - 13:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
Held on Mondays, 11 am to 1pm
Series I: April 1, 8, 15, 29 and May 6 (no class April 22)
11am-1pm
Develop your drawing skills in this five-session open studio series facilitated by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies.

$145 | $120 Members

Space is limited; advance reservations recommended

REGISTER
Linda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology, she worked in the NYC fashion industry for over 20 years. She states, “All I have ever wanted to do was draw, and all I have ever wanted to draw were people. I am a classically trained anatomist, but instead of the rigid, mechanical representation of muscle, bone and flesh, I look for the subtlety of the line; the strength and sensuality of the thick, thin and lost line. The curve of the neck and arch of the spine speak volumes.”

Museum Closed on Tuesdays
2019-04-16 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
Museum is Closed on Tuesdays.
Scheduled Workshops with pre-registration will occur.

Parrish Contemporaries Circle Brooklyn Design Artist Studio Tours
2019-04-16 16:00 - 18:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
Register
Parrish Contemporaries Circle Members and invited guests are welcome to attend two private tours of design artist studios. The studio of Jeff Zimmerman in Red Hook, Brooklyn and Sebastian Errazuriz in Industry City, Brooklyn. (Read on for more information about both artists.) Space is limited for this exclusive opportunity.
Jeff Zimmerman’s Glass Blowing Studio: Brooklyn Glass
A celebrated master glass artist, Jeff Zimmerman (b. 1968) belongs to a group of daring contemporary artists who employ the ancient material as a means of expression rather than an end in itself. His sculptures and functional pieces exploit techniques of advanced glassmaking and the defining properties of glass itself — the way it hovers between liquid and solid states, its reflectivity and tactile qualities, its habit of moving constantly while still molten — to evoke a dimension of experience where things are happening that we can feel but not necessarily define.
Sebastian Errazuriz
Artist, designer and activist Sebastian Errazuriz received international acclaim for his original and provocative works on a variety of disciplines. Tackling everything from experimental kinetic cabinets, functional sculptures and tech art projects to political artworks and giant public art projects, his practice tends to blur the boundaries between contemporary art, design, craft and technology. His work is always surprising and compelling, inviting the viewer to look again at realities that were often hidden in plain sight.

FILM: Loving Vincent
2019-04-19 18:00 - 20:00 | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
2017, PG-13, 94 minutes, Directors Dorota Kobiela, and Hugh Welchman

The life and controversial death of Vincent van Gogh told by his paintings and by the characters that inhabit them. The intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death.
Loving Vincent is the world’s first fully oil painted feature film. Every one of the 65,000 frames of the film is an oil-painting, hand-painted by 125 professional oil-painters who traveled from all across the world to be a part of the production of this film. Loving Vincent was first shot as a live action film with actors, and then hand-painted over frame-by-frame in oils. The final effect is an interaction of the performance of the actors playing Vincent’s famous portraits, and the performance of the painting animators, bringing these characters into the medium of paint.
Friday nights are made possible, in part, by Presenting Sponsor:
Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
