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DTSTART;TZID=America/New_York:20200807T180000
DTEND;TZID=America/New_York:20200807T193000
DTSTAMP:20260613T210022
CREATED:20200720T224637Z
LAST-MODIFIED:20200818T200309Z
UID:10002721-1596823200-1596828600@parrishart.org
SUMMARY:Music on the Terrace: Julie Bluestone
DESCRIPTION:  \nJoin us at the Parrish for our outdoor program with Julie Bluestone on flute and saxophone\, Bill Smith on Keyboard\, Leo Traversa on bass\, and Christian Rivera on congas and percussion. \nJulie Bluestone has been performing her eclectic mix of Latin Rhythms and Jazz Standards throughout New York City and the East End for the last 15 years. In addition to performing and teaching\, Julie also composes and arranges for her own ensembles. Join us for evening of great music on the terrace! \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, August 6: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-on-the-terrace-julie-bluestone/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
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DTSTART;TZID=America/New_York:20200807T210000
DTEND;TZID=America/New_York:20200807T230000
DTSTAMP:20260613T210022
CREATED:20200724T190555Z
LAST-MODIFIED:20200807T183636Z
UID:10002723-1596834000-1596841200@parrishart.org
SUMMARY:PROJECTION: The High Yellow Pavilion for Renisha McBride and Other Works by Tomashi Jackson
DESCRIPTION:The Parrish Art Museum will present the projection of five videos by Tomashi Jackson onto the south façade of the Parrish on Friday\, August 7 from 9-11 pm\, as a unique drive-by experience from Montauk Highway\, with limited access for parking and walking on the outdoor premise to watch projections. No indoor or bathroom access. The videos run in a 50-minute loop. \n“I am thrilled to work with Tomashi Jackson to mark her presence at the Museum this summer\, while her exhibition Parrish Platform: Tomashi Jackson—The Land Claim\, scheduled to open this July\, had to be postponed to Summer 2021\,” said Corinne Erni\, Senior Curator of ArtsReach and Special Projects. \n“While the circumstances surrounding this outdoor screening program for the Parrish Art Museum were unanticipated\, the method viewing this series returns the research and reflection for these works back to the physical realm of public space\,” says Tomashi Jackson. \nThe projected video collage works were made between 2014 and 2017. They are born of two distinct bodies of work interrogating lived narratives of public spaces in the United States. The first three pieces are from the body titled “The Subliminal is Now\,” a 2016 solo exhibition at Tilton Gallery New York\, that visualized research on the history of American school desegregation\, the perception of innocence among children as a protected class of people\, and contradictions of such assumptions and policy ideals in contemporary public space. The artist drew from legal archives of court transcripts and photo documentation produced by the National Association for the Advancement of Colored People (NAACP) Legal and Educational Defense Fund (LDF) (founded in 1940 by Thurgood Marshall) as sites of meditation and visual reference to contrast with multiple present day cases of Black children\, teenagers\, and young people (Michael Brown\, Jr.\, Renisha McBride\, Tamir Rice\, and Aiyanna Stanley Jones)\, being brutalized and killed by police and vigilantes nationwide. \nThe first three works all use pieces of music as anchors. In “Self Portrait: Tale of Two Michaels” the figures lip sync and dance to the sound of “It Keeps You Running” by the Doobie Brothers. In “Forever 21: The Essence of Innocence” the figures lip synch the background vocals for “Give Me the Reason” by Luther Vandross. In “The High Yellow Pavilion for Renisha McBride” Maurice Ravel’s “Pavane for a Dead Princess” serves as a sound component. \nThe final two pieces are taken from the body of work titled\, “Interstate Love Song\,” a solo exhibition at the Zuckerman Museum at Kennesaw State University\, Georgia. That body explored lived experiences of compromised access to transportation in and around Atlanta as the outcome of decades of voting referenda preventing the expansion of public transportation thus maintaining deeply segregating residential patterns. The artist drew from conversations with Georgians about historically counter intuitive transportation policies and their link to the county unit voting system also known as “The Rule of the Rustics.” The primary text of reference for this work was White Flight: Atlanta and The Making of Modern Conservatism by Kevin M. Kruse\, professor of history at Princeton University. The pieces projected in this screening exist as photographic c-prints of key stills from each of the two video collages. They exist as a part of an interconnected ecosystem of painting\, fiber work\, sculpture\, video\, and photography produced from practices of research\, archival inquiry\, and abstraction from which the contemporary figure emerges as an actor implicated in public spaces of governance\, policy\, and human rights. \nVideos\nTomashi Jackson\nSelf Portrait: Tale of Two Michaels\, 2014\nVideo collage\nDuration: 12 minutes\, 48 seconds \nTomashi Jackson\nHigh Yellow Pavilion for Renisha McBride Suite\, 1. Pavane for a Dead Princess (Between the homes of Monica & Theodore) (Red Topeka\, Kansas)\, 2015\nVideo collage\nDuration: 9 minutes\, 13 seconds \nTomashi Jackson\nForever 21: The Essence of Innocence Suite\, 1. Give Me the Reason (To Forgive) (Texas Courtroom) (DC Classroom)\, 2. Give Me the Reason (To Forget) (Texas Courtroom)\, 3. Give Me the Reason (Tell Me How) (Detroit\, Cleveland\, Ferguson)\, 2015\nVideo collage\nDuration: 7 minutes\, 20 seconds \nTomashi Jackson\nInterstate Love Song: Rule of the Rustics (Limited Value Exercise)\, 2017\nVideo collage\nDuration: 10 minutes\, 25 seconds \nTomashi Jackson\nInterstate Love Song: Stock the River with Piranha I\, 2017\nVideo collage\nDuration: 10 minutes\, 38 seconds \n  \n 
URL:https://parrishart.org/event/projections-tomashi-jackson/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Upcoming
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