BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Parrish Art Museum - ECPv6.10.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://parrishart.org
X-WR-CALDESC:Events for Parrish Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210507T180000
DTEND;TZID=America/New_York:20210507T190000
DTSTAMP:20260425T012227
CREATED:20210429T172850Z
LAST-MODIFIED:20210518T171221Z
UID:10002115-1620410400-1620414000@parrishart.org
SUMMARY:Livestream Talk: Alicia Longwell with Virva Hinnemo and Dorothea Rockburne
DESCRIPTION:Join Chief Curator Alicia G. Longwell in a livestream conversation with Virva Hinnemo and Dorothea Rockburne about their process and work featured in Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020\, an exhibition with works by a multigenerational roster of 42 artists who expanded the language of abstraction–and called the Hamptons home for a week\, a season\, or a lifetime. \n  \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-alicia-longwell-and-artists-in-affinities/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Parrish_May2021_029-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210514T180000
DTEND;TZID=America/New_York:20210514T190000
DTSTAMP:20260425T012227
CREATED:20210317T190902Z
LAST-MODIFIED:20211026T155300Z
UID:10001990-1621015200-1621018800@parrishart.org
SUMMARY:Livestream Salon Concert: Pianist Wynona Wang
DESCRIPTION:Enjoy the brilliance and artistry of the Salon musician livestreamed from the Parrish in the comfort of your home.\n\nWang’s Music Program:\nDomenico Scarlatti (1685-1757)\nTwo Sonata\, K 206 and K 29 \nChen Yi (b. 1953)\nBa Ban \nSergei Rachmaninoff (1873-1943)\nSonata No. 1 in D minor\, Op. 28 \nChinese pianist Wynona Wang was selected as First Prize winner of the 2018 Concert Artists Guild International Competition\, which is just the latest in a series of impressive first prize performances\, along with the 2017 Wideman International Piano Competition in Louisiana. Among the many performance prizes awarded to her with these victories\, she will make her New York recital debut at Carnegie Hall’s Weill Recital Hall during the 2019-20 season on the CAG Winners series. \nAn active performer in China\, Europe and the United States\, Wang recently earned her Performer’s Diploma under the tutelage of the eminent pianist Alessio Bax at Southern Methodist University in Dallas. While at SMU. she appeared in multiple concerto performances as well as numerous recitals and chamber music concerts\, including collaborations with cellist Andres Diaz and with the Escher String Quartet. Her upcoming itinerary features recitals in New York and Florida\, and concerto engagements in California and Texas. Her recent North American performances include the Northwest Florida Symphony Orchestra\, and the Meadows Symphony Orchestra of SMU in Dallas\, and such major festivals as PianoTexas\, Morningside Music Bridge in Calgary\, Canada\, the International Keyboard Institute & Festival in New York City\, and the Chautauqua Institution. \nBorn in Beijing\, Wang began playing piano at age 4\, and went on to study at both the Music Elementary and Secondary schools at the prestigious Central Conservatory of Music (CCOM) in Beijing. In fall 2016\, she was awarded a full scholarship for her Performer’s Diploma at Southern Methodist University in Dallas\, and she now lives in New York while pursuing her undergraduate degree at The Juilliard School as a student of Dr. Robert McDonald. \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\nFriday Nights are made possible\, in part\, by Presenting Sponsor\, Bank of America.\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/live-stream-salon-concert-pianist-wynona-wang/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Wynona-Wang_photo_Yujun-Ma-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210521T180000
DTEND;TZID=America/New_York:20210521T190000
DTSTAMP:20260425T012227
CREATED:20210317T192712Z
LAST-MODIFIED:20211026T155423Z
UID:10001991-1621620000-1621623600@parrishart.org
SUMMARY:Livestream Salon Concert: Pianist Nadejda Vlaeva
DESCRIPTION:Enjoy the brilliance and artistry of the Salon musician livestreamed from the Parrish in the comfort of your home. Please use the link below to register for this special livestream performance.\n \nVlaeva’s Music Program:\nAlexander Scriabin (1872-1915)\nSonata-Fantasia No. 2 Op. 19\nI. Andante\nII. Presto \nPancho Vladigerov (1899-1978)\nExotic Prelude Op. 17 No. 4\n“Evening Song” (In modo arabo) \nNadejda Vlaeva\n“Between Two Worlds” \nFranz Liszt (1811-1886)\nLiebestraum No. 3 \nFranz Liszt (1811-1886)\nSonata in B minor \nNadejda Vlaeva’s overwhelming musicality\, poetic nature\, and electrifying virtuosity have garnered accolades from many world-famous musicians. Lazar Berman called her talent “God-given”; Maestro Hans Graf observed that “her musicality and the depth of her interpretation amazed me\,” and Arnold Steinhardt\, leader of the Guarneri String Quartet\, praised her as “one of those people of extraordinary ability whom we hope for\, but rarely see.” \nMs. Vlaeva has given solo recitals and appeared with orchestras throughout Europe\, Asia\, and North America. She has been invited to numerous music festivals\, including the Bortkiewicz Festival and the Northern Musical Evenings festival in Ukraine\, Husum Rarities of Piano Music Festival in Germany\, the Chopin Festival in Kosovo\, Evmelia festival in Greece\, Portland Piano International\, Houston International Piano Festival\, and she has performed in many prestigious concert halls such as Carnegie’s Zankel Hall\, the Rose Hall at Lincoln Center\, the Concertgebouw in The Netherlands\, and the Oriental Arts Center in Shanghai. \nMs. Vlaeva is a Hyperion Recording Artist\, and was the first pianist to record the complete Bach Transcriptions of Camille Saint-Saëns [“positively stunning\,” BBC Music Magazine Instrumental CD of the Month]. The CD’s opening track inspired the award winning short animation movie “Ouverture” that premiered at the Lincoln Center Film Festival in New York. Vlaeva received the Grand Prix ‘Liszt’ du Disque for her “Piano Music of Liszt” CD. Her newest CD\, with world-premiere recordings of works by the noted Bulgarian composer Pancho Vladigerov\, is being released by Hyperion Records in May 2021. \nMs. Vlaeva has been a frequent guest at “The EG Conference” where she has collaborated with BBC Planet Earth and with the violinist Joshua Bell. Ms. Vlaeva is a strong advocate of music from her own country and frequently performs works by Bulgarian composers. As part of a piano duo with the pianist Ivajla Kirova\, she recorded works by Vladigerov and Raichev/Krushev. Vlaeva’s original composition “Cascades” is being published this year by Contemporary Composer’s Circle\, and her own arrangement and recording of Brahms’ Lullaby is available on the disc “Lullabies”\, recently released by Weltklassik am Klavier. \nNadejda Vlaeva was born in Sofia\, Bulgaria. At age 15 she won First Prize at the Liszt competition in Lucca\, Italy. Among other prizes and awards earned by Ms. Vlaeva are Third Prize at the International Liszt Competition in Budapest\, and the Yamaha Award for the best interpretation of Brahms in Weimar. She currently divides her time between New York and Europe. \nNadejda Vlaeva is a Yamaha Artist. \n  \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\nFriday Nights are made possible\, in part\, by Presenting Sponsor\, Bank of America.\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/live-stream-salon-concert-pianist-nadejda-vlaeva/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Nadejda-Vlaeva_Lisa-Marie-Mazzucco_resize_2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T130000
DTEND;TZID=America/New_York:20210528T140000
DTSTAMP:20260425T012227
CREATED:20210524T172350Z
LAST-MODIFIED:20210622T194641Z
UID:10002120-1622206800-1622210400@parrishart.org
SUMMARY:Livestream Talk: Martin Creed and Kelly Taxter
DESCRIPTION:Join artist Martin Creed and Parrish director Kelly Taxter in an online livestream conversation about Creed’s installation at the Museum\, Work No. 2210: EVERYTHING IS GOING TO BE ALRIGHT (2015). The 70-foot-long neon sculpture installed on the south-facing façade of the building is displaying a single line of unpunctuated\, rainbow hued text that reads “EVERYTHING IS GOING TO BE ALRIGHT.” The work is an expression of Creed’s desire to communicate\, connect\, and provoke. According to the artist\, “50% about what I make and 50% about what other people make of it.” \nThe sculpture was first presented in 1999 as a temporary public art commission for the Clapton Portico in Hackney\, East London\, which was derelict at the time. Built in 1825\, the Portico was home to the London Orphan Asylum until a local typhoid epidemic in 1867 forced the orphans to be relocated. Both the genesis and the first iteration of EVERYTHING IS GOING TO BE ALRIGHT resonate with current circumstances around COVID-19\, which is lessening in some places and continues to devastate in others\, a disparity all too often linked to economic and racial privilege. The Parrish installation aims to inspire critical thought as well as optimism: like pandemics past\, these difficult times will end and so too\, the systems that perpetuate them. \nEVERYTHING IS GOING TO BE ALRIGHT is the most recent addition to Field of Dreams an outdoor sculpture exhibition in the Parrish meadow\, featuring works by an international\, multi-generational group of artists who engage and respond to the Museum’s architecture and landscape. Other variations of the artwork have been installed across internationally renowned institutions and buildings\, most recently at Braemar Castle in Aberdeenshire\, Scotland (Work No. 3435\, 2020); Christchurch Art Gallery\, Christchurch New Zealand\, (Work No. 2314\, 2015); MMOMA\, Moscow\, Russia (Work No. 1081\, 2010); Scottish National Gallery of Modern Art\, Edinburgh\, UK (Work No. 975\, 2008); MOCA Detroit\, Michigan\, USA (Work No. 790\, 2007); and Tate Modern\, London\, UK (Work No. 203\, 1999). The version to be presented at the Parrish was first shown at the Aspen Art Museum as part of the exhibition Stories We Tell Ourselves (2015) and at Hauser & Wirth Los Angeles (2019). \nABOUT THE ARTIST:\nMartin Creed was born in Wakefield\, UK in 1968 and grew up in Glasgow. Today he lives and works in London. He has exhibited extensively worldwide\, and in 2001 won the Turner Prize for Work 227: The lights going on and off. Major solo exhibitions and projects include: Kistefos Museet\, Hodgkin and Creed: Inside Out\, Oslo\, Norway (2019); Centro Botín\, Martin Creed\, Santander\, Spain (2019); Martin Creed: ARTIST ROOMS\, Harris Museum and Art Gallery\, Preston\, UK (2017); SAY CHEESE! Museum Voorlinden\, Wassenaar\, The Netherlands (2017); Martin Creed\, Galerie im Taxispalais\, Innsbruck\, Austria (2017); Work No. 2630: UNDERSTANDING\, Brooklyn Bridge Park\, New York NY (2016); Martin Creed. The Back Door\, Park Avenue Armory\, New York NY (2016); What You Find\, Hauser & Wirth\, Somerset\, UK (2016); Kunstverein Heilbronn\, Heilbronn\, Germany (2015); Martin Creed. What’s the point of it?\, Hayward Gallery\, London\, UK (2014); Hauser & Wirth and Gavin Brown’s enterprise\, New York NY (2013); The Warhol\, Pittsburgh PA (2013); Work No. 202\, National Gallery of Canada\, Ottowa\, Canada (2012); Museum of Contemporary Art\, Chicago IL (2012); Work No. 1059\, The Scotsman Steps\, Edinburgh\, UK (2011); Nasher Sculpture Center\, Dallas TX (2011); Things\, The Common Guild\, Glasgow\, UK (2010); Work No. 409\, Royal Festival Hall Elevator\, London\, UK (2010); Work No. 245\, Centre Pompidou-Metz\, Metz\, France (2009); Hiroshima City Museum of Contemporary Art\, Hiroshima\, Japan (2009); and the Duveen’s Commission\, Tate Britain\, London\, UK (2008). \n  \n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/martincreed/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Martin-Creed-at-MOMA-Moscow-Dec-2019_Photo_Ivan-Novikov-Dvinsky.jpg
END:VEVENT
END:VCALENDAR