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DTSTART;TZID=America/New_York:20200703T170000
DTEND;TZID=America/New_York:20200703T180000
DTSTAMP:20260614T074716
CREATED:20200619T145629Z
LAST-MODIFIED:20200728T201301Z
UID:10000821-1593795600-1593799200@parrishart.org
SUMMARY:David Pagel and Elliott Hundley Discuss His Work in Telling Stories
DESCRIPTION:Join Adjunct Curator David Pagel in a live-stream conversation with artist Elliott Hundley\, whose work is featured in Telling Stories: Reframing the Narratives – a robust online exhibition of work by eight contemporary artists who transform their unique personal histories into participatory dramas\, as they discuss Hundley’s dense\, complex scenarios that mimic the deluge of information in the digital age. \nAbout Elliott Hundley\nElliott Hundley (b. 1975\, Greensboro\, North Carolina) builds mural-scale collages—or bas-relief sculptures—for the digital age. Each is a universe in which we lose ourselves in the myriad details yet find ourselves in a world not all that different from the real one: chaotic and crazy and all-consuming. Hundley’s works take us on a whirlwind tour of ancient Greece by way of Antonin Artaud\, where we find not the rationality and balance of classical antiquity but the mayhem made famous by the plays of Euripides and Sophocles\, whose chronicling of rape\, murder\, and worse makes the present look like a walk in the park. In doing so\, Hundley’s dense constellations of imagery invite us to ponder the relationship between individuals and the vast sprawl of the human race\, along with the overdose of visual stimulation available\, 24/7\, on the internet and via instantaneous digital communication. The image glut of modern life takes sublime shape in Hundley’s mixed-media pieces of participatory theater\, turning us loose in a world supercharged with desire and dread. \nAbout David Pagel\nParrish Adjunct Curator David Pagel is an art critic who writes regularly for the Los Angeles Times\, and a professor of art theory and history at Claremont Graduate University. Recent publications include Jim Shaw (Lund Humphries\, 2019) and Talking Beauty: A Conversation between Joseph Raffael and David Pagel about Art\, Life\, Death\, and Creativity (Zero+\, 2019). \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/david-pagel-and-elliott-hundley-discuss-his-work-in-telling-stories/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/05/dam-images-art-2013-elliott-hundley-elliott-hundley-01.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200710T170000
DTEND;TZID=America/New_York:20200710T180000
DTSTAMP:20260614T074716
CREATED:20200626T200005Z
LAST-MODIFIED:20200728T201424Z
UID:10000824-1594400400-1594404000@parrishart.org
SUMMARY:Corinne Erni in Conversation with Tomashi Jackson\, K-Sue Park\, and Kelly Dennis
DESCRIPTION:Join a live-stream talk featuring Tomashi Jackson\, the Museum’s 2020 Platform artist; K-Sue Park\, Associate Professor of Law at Georgetown University Law Center; Kelly Dennis\, a member of the Shinnecock Nation and attorney specializing in Federal American Indian law; and Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, who will moderate the discussion. Jackson will focus on historical land rights and appropriation in the United States—specifically the Shinnecock Indian Nation in Southampton\, on the East End of Long Island—as it relates to her multi-faceted project\, The Land Claim. \nThe Land Claim focuses on the historic and contemporary lived experiences of Indigenous\, Black\, and Latinx families on the East End of Long Island. In her work for the exhibition\, Jackson juxtaposes current and historical racial segregation in the region\, similar to her work in the 2019 Whitney Biennial. \nAbout the Participants\nKelly Dennis is an attorney specializing in Federal American Indian law. She has represented her tribe\, the Shinnecock Indian Nation\, and other sovereign tribal nations on matters such as land rights\, civil rights\, cultural and natural resources protection\, as well as tribal governance and business development. She continues to represent individual tribe members on education law\, family law\, small business\, and other matters as an Of-Counsel Attorney with The Law Offices of Tela L. Troge\, PLLC located in Southampton\, New York. Dennis integrates her legal background with her passion for the arts through social justice advocacy efforts for the rights and welfare of indigenous peoples. As such\, she has served as the Public Programs & Residency Coordinator at The Watermill Center (WMC)\, an interdisciplinary laboratory for the arts and humanities located in Water Mill\, New York. \nK-Sue Park’s scholarship examines the creation of the American real estate system and the historical connections between property law\, immigration law\, and American Indian law. Prior to Georgetown\, she was the Critical Race Studies Fellow at UCLA School of Law and an Equal Justice Works Fellow and staff attorney in El Paso\, where she investigated predatory mortgage lending schemes. Park earned her B.A. summa cum laude\, Phi Beta Kappa honors from Cornell University\, where she was a College Scholar\, her M.Phil with Distinction in Social and Political Sciences from the University of Cambridge\, her J.D. cum laude from Harvard Law School\, where she was a Presidential Scholar\, and her Ph.D. in Rhetoric from UC Berkeley\, where she was a Javits Fellow. A former Fulbright Scholar\, Park’s writings have appeared in the Harvard Law Review\, Law & Society Review\, and The New York Times. \nAbout Tomashi Jackson\nDrawing centrally from Josef Albers’s research on the relativity of color and the unconscious processes by which the brain organizes and reconciles information\, Jackson’s work bridges gaps between geometric experimentation and the systematization of injustice\, incorporating images printed and hand painted from photographs and materials chosen for their relevance into formalist compositions. She uses properties of color perception as an aesthetic strategy to investigate the value of human life in public space. Jackson’s research driven projects and visual interrogation of shared language around societal and chromatic color offers a narrative framework from which she constructs her own language of abstraction. \nTomashi Jackson was born in Houston and raised in Los Angeles. She earned her MFA in Painting and Printmaking from Yale University School of Art in 2016; a Master of Science in Art\, Culture and Technology from the MIT School of Architecture and Planning in 2012\, and a BFA from Cooper Union in 2010. Her solo exhibitions include Forever My Lady at Night Gallery\, Los Angeles (2020)\, Time Out of Mind at Tilton Gallery (2019)\, Los Angeles \, Interstate Love Song at the Zuckerman Museum of Art\, Kennesaw\, Georgia (2018)\, and The Subliminal is Now at Tilton Gallery (2016). Her work was included in the 2019 Whitney Biennial and additional group exhibitions at The Los Angeles Museum of Contemporary Art (LACMA)\, Mass MoCA\, The Bakalar & Paine Galleries at the Massachusetts College of Art\, Boston\, and the Contemporary Art Center\, New Orleans\, as well as in the public collections of the Whitney Museum of American Art\, LACMA\, and the Baltimore Museum of Art. \nJackson was a 2019 Resident Artist at the Skowhegan School of Painting & Sculpture and the 2019 Resident Artist at the ARCAthens Residency Program\, Athens\, Greece. She has taught at the Rhode Island School of Design\, the Massachusetts College of Art\, Boston\, and The Cooper Union for the Advancement of Science and Art\, NY\, and she has been a visiting artist lecturer at Boston University\, New York University\, Yale University\, and School of Visual Arts\, NY. She lives and works in Cambridge and New York City. Her work is represented by Tilton Gallery in New York City and Night Gallery in Los Angeles\, CA. \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/corinne-erni-tomashi-jackson-kelly-dennis-k-sue-park/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Tomashi-Park-Kelly_hires.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200717T180000
DTEND;TZID=America/New_York:20200717T193000
DTSTAMP:20260614T074716
CREATED:20200702T185327Z
LAST-MODIFIED:20200728T193145Z
UID:10000830-1595008800-1595014200@parrishart.org
SUMMARY:Music on the Terrace: Hector Martignon and the Foreign Affair
DESCRIPTION:Two-time Grammy nominee Hector Martignon will return to the Parrish with a stellar lineup from the Foreign Affair Quartet including Christos Rafalides (vibes)\, Gabriel Vivas (bass) and Samuel Torres (percussion). The quartet has performed at the Brooklyn Academy of Music’s annual “The Next Wave” festival and at leading jazz venues in New York including Joe’s Pub/The Public Theater\, nationally\, and worldwide. A master in fusing traditional Latin American tunes\, European classical music\, and Afro-Cuban jazz\, Colombian-born and New York-based Martignon has composed\, orchestrated\, produced\, performed\, and recorded music in a wide spectrum of genres\, from classical and crossover\, to jazz and world music\, to rock and pop. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. A link to purchase items will be sent to you the week of the program.  \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/hector-martignon-and-the-foreign-affair/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/HectorMartignon_SEP2018_CorinneErni_edited-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200724T200000
DTEND;TZID=America/New_York:20200724T230000
DTSTAMP:20260614T074716
CREATED:20200710T202721Z
LAST-MODIFIED:20200725T020139Z
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SUMMARY:Outdoor Films: Aquarela and Blues for the Glaciers
DESCRIPTION:Join us at the Parrish for an outdoor screening of a short film\, Blues for the Glaciers\, followed by our feature film\, Aquarela. Entrance opens at 7:30 pm. Film will begin after dark\, at approximately 8:45 pm. \nCome back and drive by the Museum on Saturday night\, July 25 between 9-11 pm\, to experience the projection of Watershed. \nBlues for the Glaciers\n2015\, Documentary\, 6 minutes\nLocation: Rhone Glacier\, Swiss Alps.\nMusician: George Steinmann Film: Manuel Schüpfer Sound: Markus Fehlmann. \nThe video “Blues for the Glaciers” by Swiss artist George Steinmann shows the artist playing the blues on a disappearing glacier in the Swiss alps. The film is part of his project “Symbioses of Responsibility\,” an artistic research project on climate change\, water governance\, and transdisciplinary co-operation\, commissioned by ARTPORT_making waves for the UN Climate Conference COP21 in Paris. The aim is to broaden the scientific and political debate on climate change with aesthetic and artistic perception. \nAquarela\n2019\, Documentary\, 90 minutes\nDirector: Victor Kossakovsky \nAQUARELA\, distributed by Sony Pictures Classics\, takes audiences on a deeply cinematic journey through the transformative beauty and raw power of water. A visceral wake-up call that humans are no match for the sheer force and capricious will of Earth’s most precious element. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the throes of Hurricane Irma to Venezuela’s mighty Angel Falls\, water is AQUARELA’s main character. \nVictor Kossakovsky’s AQUARELA poses a thought-provoking question: what would a movie feel like if its main character — its driving emotional heartbeat — was not human at all\, but an element of nature? \nSpanning the globe\, AQUARELA unfolds as a fiercely lyrical\, multi-sensorial experience that seeks to break the boundaries between human and nature. The film includes footage captured in seven different countries — Scotland\, Mexico\, Russia\, Greenland\, Venezuela\, Portugal and the U.S. — plus dramatic\, exclusive footage taken cross the Atlantic Ocean. The screen becomes an access point for audiences to give in to pure sensation — seeing\, hearing and viscerally feeling the essence of a substance so essential to us that we usually take all its glories — and its incipient threats — for granted. At a time rife with catastrophic images that overwhelm\, AQUARELA attempts something entirely different. It invites audiences to come closer\, and even closer\, so that you might enter nature’s power and experience our own raw fragility in a new way. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, July 23: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-film-aquarela/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/Aquarela_Stine-Heilmann.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200725T210000
DTEND;TZID=America/New_York:20200725T230000
DTSTAMP:20260614T074716
CREATED:20200716T161641Z
LAST-MODIFIED:20200716T161641Z
UID:10002720-1595710800-1595718000@parrishart.org
SUMMARY:PROJECTION: Watershed
DESCRIPTION:WATERSHED is a large-scale public art project by Anita Glesta that serves as a metaphor and sobering reminder about dwindling marine life on our planet. The projections of fish in flooding water has been featured in different cities around the world and will be projected onto the south façade of the Parrish Art Museum on Saturday\, July 25 (rain date Sunday\, July 26)\, from 9-11 pm\, as a unique drive-by experience from Montauk Highway. \nThe fish that swim in WATERSHED are the Pirucuru of South America\, a species that were once near extinction in the Amazon and are now returning\, and carp. Carp are a paradoxical fish as in some cultures they are food or considered “good luck” and in other places\, they are an invasive species. Because this work is now installed in Long Island\, native Sea Bass are also incorporated into the video. \nWATERSHED originated from a commission by ARTPORT_ making waves for (Re-) Cycles of Paradise\, an exhibition commissioned for the COP15 UN Climate Conference in Copenhagen in 2009. Glesta continued to develop THE WATERSHED Project with a fellowship from the LABA Foundation\, and it was installed as part of the New Museum’s Ideas City Festival in Downtown New York (2013); projected onto the façade of the Royal National Theater in London where millions of people were able to see the giant fish on the façade (2015); installed as an immersive video projection commissioned by Al Gore covering the entire floor of the lobby of the Customs House on Ellis Island\, New York City (2016); and installed as an 80’ projection on the sidewalk in front of the Brooklyn Public Library to commemorate the fifth anniversary of Super Storm Sandy (2017).
URL:https://parrishart.org/event/projections-watershed/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/20200708_205616-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200731T180000
DTEND;TZID=America/New_York:20200731T193000
DTSTAMP:20260614T074716
CREATED:20200702T190742Z
LAST-MODIFIED:20200805T160125Z
UID:10000831-1596218400-1596223800@parrishart.org
SUMMARY:Music on the Terrace: Antoine Drye and Quartet
DESCRIPTION:Trumpet player Antoine Drye will be joined by guitarist Mark Whitfield\, drummer Donald Edwards\, and bassist Mike Noordzy for a special performance. Drye works across musical genres with a wide range of artists including his mentors Ellis Marsalis and Harold Battiste\, as well as Delfeayo Marsalis\, Jason Marsalis\, Wycliffe Gordon\, The Mingus Big Band\, The Count Basie and Duke Ellington Orchestras\, Lafayette Harris\, and Paul Simon\, among others. Drye lives and works in New York City\, where he can be heard in local clubs such as Dizzy’s Club Coca Cola\, Smalls\, Fat Cat\, Smoke Jazz Bistro\, The Jazz Standard\, Mezzrow. Drye has 2 self-released albums\, Oblation (2002) and Oblation vol. II: Dualism (2019). Drye is also a partner at the Samurai Hotel Recording Studio\, where he produces music for records\, film\, television\, and radio. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, July 30: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-on-the-terrace-antoine-drye-and-quartet/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/AntoineDrye.jpg
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