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DTSTART;TZID=America/New_York:20211118T163000
DTEND;TZID=America/New_York:20211118T180000
DTSTAMP:20260626T035004
CREATED:20211029T175519Z
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SUMMARY:The Art of Influencing II
DESCRIPTION:REGISTER\n  \nReady to learn more about social media and how it can work for you? Business Council Members and local business owners are invited to join us to share stories and ask questions about defining and executing a small business social media strategy. This event will circle back to the themes and strategies introduced on October 21 by local business owners and provide a comfortable and informal forum for sharing your own successes and challenges. Participants will have the opportunity to participate in conversations around one or more focus areas including: defining your audience\, creating a distinct voice and brand presence\, exploring various content areas\, and the mechanics of social media such as timing and frequency. \nThe event will kick off with a short presentation by communications expert\, Stacey Cohen\, President & CEO\, Co-Communications.\n \n \nABOUT STACEY COHEN \nStacey is an award-winning marketing professional who earned her stripes on Madison Avenue and at major networks before launching her own agency.  She is Founder and CEO of Co-Communications\, a full-service PR and marketing firm with offices in New York and Connecticut. Stacey specializes in finding\, cultivating and perfecting brands. Under her leadership\, Co-Communications has been awarded the Advertising Club’s “Best of Show” three times. Stacey has been recognized as City & State NY/Power 100 and named PRSA Practitioner of the Year in recognition of her professional achievements\, experience\, and reputation in the profession. A TEDx speaker and staple at industry conferences\, Stacey is a blogger at Huff Post\, Thrive Global  and has been featured in Entrepreneur\, Forbes\, Crain’s\, and Inc.\,  She holds a B.S. from Syracuse University\, MBA from Fordham University and recently completed a certificate program in Media\, Technology and Entertainment at NYU Leonard Stern School of Business\n \nWe wish to thank the October 21 presenters who shared insights from their social media presence with us: Amber Otto\, Eastport General Store @eastportgeneralstore; Vanessa Gordon\, East End Taste Magazine @eastendtaste; and Julie Alvarado\, Badilla Painters\, Inc @badillapainters.\n \nThere is limited capacity for this event. Event is intended for active Business Members and their guests\, and all local business owners. \nYou must RSVP to attend. Please feel free to arrive early and visit the Museum galleries. \nThis indoor event requires all attendees to be fully vaccinated or show proof of recent negative PCR test. medical grade face masks must be worn at all times. Masks will be provided to anyone who needs one. To expedite your check-in process we recommend sending your proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title (The Art of Influencing) in your subject line.
URL:https://parrishart.org/event/the-art-of-influencing-2/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Member Events,Talks,Upcoming
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DTSTART;TZID=America/New_York:20211029T180000
DTEND;TZID=America/New_York:20211029T200000
DTSTAMP:20260626T035004
CREATED:20211018T182805Z
LAST-MODIFIED:20220307T211917Z
UID:10002998-1635530400-1635537600@parrishart.org
SUMMARY:Panel & Round Table | Reflections from The Land Claim Collaborators
DESCRIPTION:TICKETS   LIVESTREAM\n \nFOLLOWED BY A LIGHT RECEPTION\nSpend an evening with some of the artists\, historians\, keepers of heritage\, and advocates who generously contributed the stories and images of their families and communities to Tomashi Jackson’s The Land Claim exhibition and helped unearth many untold stories of communities of color on the East End. Join us in the Theater for an illustrated panel as they bring to life the people in the images that informed Jackson’s paintings—documenting family and community life\, moments of struggle and celebration\, work and everyday life\, public spaces\, and historical sites.\nTomashi Jackson: The Land Claim is a multipart exhibition centered on the historic and contemporary lived experiences of Indigenous\, Black\, and Latinx families on the East End of Long Island\, on view at the Museum through November 7. \n  \nBonnie Cannon | Executive Director of the Bridgehampton Child Care & Recreational Center (BHCCRC) \nJeremy Dennis | Fine art photographer and Shinnecock Indian Nation member \nKelly Dennis | Attorney specializing in Federal Indian law and Secretary of the Shinnecock Council of Trustees \nDr. Georgette Grier-Key | Executive Director and Chief Curator of the Eastville Community Historical Society \nMinerva Perez| Executive Director of OLA (Organización Latino-Americana) of Eastern Long Island \nTela Loretta Troge | Attorney and counselor at law \nRichard “Juni” Wingfield | A long-time community liaison for the Southampton School District \nWe thank Donnamarie Barnes\, Curator\, and Archivist for Sylvester Manor Educational Farm in Shelter Island\, who cannot be with us that evening. \nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\n 
URL:https://parrishart.org/event/panel-round-table-reflections-from-the-land-claim-collaborators/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211023T150000
DTEND;TZID=America/New_York:20211023T160000
DTSTAMP:20260626T035004
CREATED:20211005T020426Z
LAST-MODIFIED:20211026T172428Z
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SUMMARY:Talk |  Roy Lichtenstein and Pop Art: Before & After the Dots
DESCRIPTION:One of the progenitors of Pop Art\, Roy Lichtenstein’s work of the 1950s reveals much about the preoccupations of a younger generation of artists in the post-war U.S. as they attempted to work their way through and out of the shadows of Abstract Expressionism. Lichtenstein’s wide-ranging explorations of subject matter and form would lead to his groundbreaking Pop paintings\, first shown in New York in 1962\, ushering in a new attitude towards art from which there was no turning back. \nOn this closing weekend of Roy Lichtenstein: History in the Making\, 1948-1960\, join Dorothy Lichtenstein\, former director of the pioneering Paul Bianchini Gallery\, New York\, who worked closely with many of the Pop artists\, and Donna De Salvo\, Senior Adjunct Curator\, Dia Art Foundation\, and Curator of Hand-Painted Pop: American Art in Transition\, 1955-1962\, for a lively conversation about this legendary artist and pivotal period in art in the United States. \nABOUT DONNA DE SALVO \nDonna De Salvo is a curator\, writer\, and consultant who has worked with numerous national and international artists and museum collections.  She is currently Senior Adjunct Curator\, Special Projects\, Dia Art Foundation. She held several positions at the Whitney Museum of American Art\, becoming its first Chief Curator and Deputy Director for Programs where she oversaw the museum’s curatorial department and program of exhibitions and acquisitions and was centrally involved in the development and design of the Whitney’s new building and exhibition galleries. \nABOUT DOROTHY LICHTENSTEIN \nDorothy Lichtenstein is President of the Roy Lichtenstein Foundation\, which is dedicated to the encouragement of a broad understanding of the art of Roy Lichtenstein and the artists of his time. After studying art history at Arcadia University (formerly Beaver College)\, she became director of the pioneering Bianchini Art Gallery in New York\, organizing exhibitions and projects dealing with emerging Pop art. She is equally committed to scientific research as she also serves on the Leadership Council of the New York Stem Cell Foundation and is a recipient of the Chevalier of Arts and Letters from the French Government. \nAdvanced registration is recommended. Limited tickets will be available at the door. This program is offered at no cost in conjunction with the third Welcome Day on October 23\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.
URL:https://parrishart.org/event/talk-donna-de-salvo-dorothy-lichtenstein-on-roy-lichtenstein/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211021T163000
DTEND;TZID=America/New_York:20211021T180000
DTSTAMP:20260626T035004
CREATED:20210924T211750Z
LAST-MODIFIED:20211018T142440Z
UID:10002972-1634833800-1634839200@parrishart.org
SUMMARY:The Art of Influencing
DESCRIPTION:REGISTER\n  \nDefining and executing a social media strategy may seem overwhelming with the rapid changes in the industry and the many hats you already wear—but it doesn’t have to be. Come hear local business owners share their unique stories and strategies for gaining visibility and connecting with their audience. How did they get started? How did they decide which platform would be most effective for promoting and marketing their business? What were the challenges? And how did they leverage graphic and editorial elements to boost and support brand recognition? Hearing their stories will give you fresh ideas\, and maybe the boost of confidence you need to get started. \nWe will kick off our evening with an introduction by Parrish Art Museum Digital Manager\, Alexandra Paul Zotov\, who will share her insights gained from working with leading institutions and organizations in New York and beyond. \nGuest presenters include Amber Otto\, owner of Eastport General Store\, Julie Alvarado and Joe Sarasky of Badilla Painters\, and Vanessa Gordon\, CEO and Publisher\, East End Taste Magazine. \nABOUT AMBER OTTO | Eastport General Store \nAfter growing up in Montauk and following careers in retail\, interior design\, and construction\, Amber Otto opened the Eastport General Store in 2020 to provide a unique community-oriented shopping experience and bring new vibrancy to the small hamlet’s business district. A modern take on traditional general stores of the past\, Eastport General Store focuses on local\, handmade\, and artisan products sourced from other small mom-and-pop companies.” \nABOUT JULIE ALVARADO | Badilla Painters \nAs Associate Manager for Badilla Painters\, Julie Alvarado’s hands-on approach to the details for all of the Badilla Painters projects has made her an important part of the strategy team for social media marketing and branding. Alvarado holds a Bachelor’s degree in finance and a Master’s degree in Business Administration from State University of New York at Stony Brook. Her expertise in business finance and years of detailed real estate project responsibilities have helped make Badilla Painters the premier painting and refinishing company throughout the Hamptons and Manhattan. \nABOUT VANESSA GORDON | East End Taste Magazine \nVanessa Gordon is the CEO and Publisher of East End Taste Magazine\, a digital publication based in the Hamptons and part-time in the UK. Gordon is also the Founder and Host of the Hamptons Interactive Brunch\, an annual summer event series in New York. She lives in the Hamptons with her husband and two children. You can find Gordon @EastEndTaste on most major social media platforms. Her soon-to-launch personal Instagram account is @vanessapgordon \nABOUT ALEXANDRA PAUL ZOTOV | Parrish Art Museum \nCommitted to the accessibility and advancement of socially engaged work\, Zotov concepts\, crafts\, and positions communications for physical and digital engagements. Before her present position at the Parrish\, she worked with artists such as Marina Abramovic\, Young Thug\, Rashid Johnson\, and Jenny Holzer to translate and share their creative perspectives at the Venice Biennale\, Art Basel\, Art Basel Miami Beach\, the Guggenheim\, among others. Her words and work have previously appeared in publications such as Vogue\, SUITED\, Harper’s Bazaar\, NOWNESS\, Flaunt\, and Office Magazine. \nThis event will be followed by The Art of Influencing: Practice and Reflections on November 18 at 4:30 PM\, which will circle back to the themes and strategies introduced in Part One. The event will provide a comfortable and informal forum for sharing your successes and challenges. To get the best experience we encourage you to attend both events. Stacey Cohen\, President and CEO\, Co-Communications\, will help us kick off the event. \nThere is limited capacity for this event. Event is intended for active Business Members and their guests\, and all local business owners. \nYou must RSVP to attend. Please feel free to arrive early and visit the Museum galleries. \nThis indoor event requires all attendees to be fully vaccinated or show proof of recent negative PCR test. medical grade face masks must be worn at all times. Masks will be provided to anyone who needs one. To expedite your check-in process we recommend sending your proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title (The Art of Influencing) in your subject line.
URL:https://parrishart.org/event/the-art-of-influencing/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Member Events,Talks,Upcoming
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211015T190000
DTEND;TZID=America/New_York:20211015T203000
DTSTAMP:20260626T035004
CREATED:20210920T144008Z
LAST-MODIFIED:20211026T172319Z
UID:10002971-1634324400-1634329800@parrishart.org
SUMMARY:Talk | Justin Beal & Katie Yamasaki
DESCRIPTION:  \nJustin Beal will discuss his new book\, Sandfuture\, an account of the life and work of the architect Minoru Yamasaki with Yamasaki’s granddaughter\, the muralist and children’s book author\, Katie Yamasaki. \nSandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview\, and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT KATIE YAMASAKI \nKatie Yamasaki is a muralist and children’s book artist. She has painted over 80 murals with diverse communities around the world that explore local issues of social justice. Her children’s books focus on stories from underrepresented communities. Yamasaki co-authored Everything Naomi Loved\, with Ian Lendler for Norton Young Readers\, about facing the hard changes of gentrification. When the Cousins Came and Fish for Jimmy recount personal family stories about the internment camps of WWII and growing up in a multi-racial family. Yamasaki earned her MFA from the School of Visual Arts in NYC\, where she served on the faculty for several years. She worked for 14 years as a public school Spanish and Art teacher in both the Detroit and NYC public schools. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-justin-beal-katie-yamasaki/
LOCATION:NY
CATEGORIES:Book Signings,Friday Nights,Talks
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211008T180000
DTEND;TZID=America/New_York:20211008T190000
DTSTAMP:20260626T035004
CREATED:20210820T201812Z
LAST-MODIFIED:20211026T172210Z
UID:10002936-1633716000-1633719600@parrishart.org
SUMMARY:Talk | 2021 Road Show Artist: Darlene Charneco with Corinne Erni
DESCRIPTION:  \nJoin artist Darlene Charneco in conversation with Corinne Erni\, Senior Curator of ArtsReach and Special Project\, as they discuss Charneco’s 2021 Parrish Road Show exhibition Symbiosome Schoolhouse. The site-specific exhibition is on view through October 24 at Oysterponds Historical Society in Orient\, in both the Old Point Schoolhouse and on the Historical Society grounds. Charneco presents new works on paper\, sculpture\, and video\, as well as the artist’s signature wall reliefs which she calls Touchmaps\, created largely while in residency at the William Steeple Davis Trust in Orient. \nABOUT DARLENE CHARNECO \nDarlene Charneco (b. 1971\, New York City) attended Stony Brook University for MFA Studies and Long Island University Southampton for her BFA. Exhibiting throughout the U.S. and globally\, she participated in PINTA Fair London and the Korean International Art Fair. Charneco’s work is part of Guild Hall Museum’s permanent collection\, and was featured in the Princeton Architectural Press book The Map as Art: Contemporary Artists Explore Cartography by Katherine Harmon\, and How Architecture Learned to Speculate by Mihall & Serbest through the University of Stuttgart. Charneco was awarded the 2017 Pollock-Krasner Foundation Grant. \nABOUT PARRISH ROAD SHOW \nNow in its tenth year\, Parrish Road Show is the Museum’s off-site project designed to encourage engagement and interaction between artists and the communities outside the Museum’s walls. Each year\, selected artists work with the Parrish and partner venues to create new work and to provide unique opportunities for visitors to see and experience art in unexpected places\, from public parks and highways to historical sites and community centers. \nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Medical grade face masks must be worn all times. Masks will be provided to anyone who needs one. \nTo help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.
URL:https://parrishart.org/event/road-show-artist-talk-darlene-charneco-with-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211007T120000
DTEND;TZID=America/New_York:20211007T130000
DTSTAMP:20260626T035004
CREATED:20210816T235432Z
LAST-MODIFIED:20211015T201610Z
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SUMMARY:Talk | Roy Lichtenstein: Look\, Mickey
DESCRIPTION:Conversation 3/3 of Brown Bag Lunch talk series by Alicia Longwell on Roy Lichtenstein\n\nIn a series of three informal lunchtime talks\, Lewis B. and Dorothy Cullman Chief Curator Alicia Longwell will explore the world of Roy Lichtenstein. \nOur story ends at the close of the 1950s\, just on the cusp of full-blown Pop Art\, when Lichtenstein is exhibiting in New York and immersing himself in the heady art world of Alan Kaprow’s “Happenings\,” Claes Oldenburg’s soft sculpture\, and Jim Dine’s oversized hearts. \nThe talk takes place in the Lichtenstein Theater with tables and chairs.  The Parrish Café will be open and we invite you to purchase lunch before the start of the program and then bring your meal into the Lichtenstein Theater. \nKeeping in accordance with the CDC\, state\, local guidelines\, and rapidly evolving health risks in our community related to the COVID-19 pandemic\, the Parrish is requiring all museum visitors and event attendees to wear medical-grade face masks indoors and out.\nAdvance registration is required. This indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\n  \n 
URL:https://parrishart.org/event/talk-roy-lichtenstein-look-mickey/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210930T120000
DTEND;TZID=America/New_York:20210930T130000
DTSTAMP:20260626T035004
CREATED:20210817T000904Z
LAST-MODIFIED:20211015T201524Z
UID:10002928-1633003200-1633006800@parrishart.org
SUMMARY:Talk | Roy Lichtenstein: Mythic America
DESCRIPTION:Conversation 2/3 of Brown Bag Lunch talk series by Alicia Longwell on Roy Lichtenstein. \n\nIn a series of three informal lunchtime talks\, Lewis B. and Dorothy Cullman Chief Curator Alicia Longwell will explore the world of Roy Lichtenstein. \nStoried heroes like cowboys\, gunslingers\, and even General George Washington crossing the Delaware River are fair game in Lichtenstein’s scrutiny of legendary characters and the histrionics of the American narrative past. \nThe talk takes place in the Lichtenstein Theater with tables and chairs.  The Parrish Café will be open and we invite you to purchase lunch before the start of the program and then bring your meal into the Lichtenstein Theater. \nKeeping in accordance with the CDC\, state\, local guidelines\, and rapidly evolving health risks in our community related to the COVID-19 pandemic\, the Parrish is requiring all museum visitors and event attendees to wear medical-grade face masks indoors and out.\nAdvanced registration is required. This indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title (Mythic America) in your subject line.\n 
URL:https://parrishart.org/event/talk-roy-lichtenstein-mythic-america/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/RoyLichtenstein_WashingtonCrossingTheDelaware_ParrishArtMuseum_EventSlider_web.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210923T120000
DTEND;TZID=America/New_York:20210923T130000
DTSTAMP:20260626T035004
CREATED:20210817T140625Z
LAST-MODIFIED:20211015T201433Z
UID:10002929-1632398400-1632402000@parrishart.org
SUMMARY:Talk | Roy Lichtenstein: Self-Portrait at An Easel
DESCRIPTION:Conversation 1/3 of Brown Bag Lunch talk series by Alicia Longwell on Roy Lichtenstein. \n\nIn a series of three informal lunchtime talks\, Lewis B. and Dorothy Cullman Chief Curator Alicia Longwell will explore the world of Roy Lichtenstein. \nLichtenstein looks back in this painting that evokes early Renaissance style and folk-art flourishes\, topped off by a bowler hat\, announcing the arrival of a young artist who will take the long view to the past. \nThis indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\n  \n  \n 
URL:https://parrishart.org/event/talk-roy-lichtenstein-self-portrait-at-easel/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/RoyLichtenstein_SelfPortrait_ParrishArtMuseum_EventSlider_web.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210918T100000
DTEND;TZID=America/New_York:20210918T113000
DTSTAMP:20260626T035004
CREATED:20210607T183944Z
LAST-MODIFIED:20210917T141645Z
UID:10002137-1631959200-1631964600@parrishart.org
SUMMARY:Tour | Behind the Vault
DESCRIPTION:REGISTER \nMembers at the Patron level and above are invited to an exclusive look behind the Museum’s closed doors\, exploring the art vault and other restricted areas. Alicia Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education will lead the tour\, followed by individually packaged light refreshments in The Fairholme Foundation Board Room. \nSpace is limited for this Giving Circle Members-only event; reservations required. \nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Medical grade face masks must be worn all times. Masks will be provided to anyone who needs one. \nNot a Member at the Patron level or above? Join today! \nFor more information\, to join or upgrade your membership\, please contact e-mail membership@parrishart.org or call 631-283-2118.
URL:https://parrishart.org/event/giving-circle-members-behind-the-scenes-tour/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Member Events,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2016/11/de-Kooning-Untitled-XXXVIII.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210910T180000
DTEND;TZID=America/New_York:20210910T200000
DTSTAMP:20260626T035004
CREATED:20210811T180021Z
LAST-MODIFIED:20211026T171852Z
UID:10002925-1631296800-1631304000@parrishart.org
SUMMARY:Talk & Book Signing | Justin Beal: Sandfuture
DESCRIPTION:Join artist Justin Beal\, introduced by Parrish Director Kelly Taxter\, about Sandfuture (MIT Press September 2021)\, his forthcoming book about the life of World Trade Center architect Minoru Yamasaki (1912–1986)\, who remains on the margins of history despite the enormous influence of his work on American architecture and society. \nPresented on the eve of the 20th anniversary of 9/11\, Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \n  \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT MINORU YAMASAKI \nThe son of Japanese immigrants in Seattle\, Minoru Yamasaki overcame endemic racism in both his country and his profession to rise to prominence with a humanistic approach to modern architecture—an unorthodox style exemplified by projects including the McGregor Memorial Conference Center\, the Century Plaza Hotel in Los Angeles\, and the Dhahran Airfield in Saudi Arabia. In 1963\, Yamasaki appeared on the cover of Time magazine\, but the critical rebuke of the World Trade Center and the spectacular demise of the Pruitt-Igoe apartments in St. Louis pushed him to the margins of the profession in the latter half of his career. Today\, Yamasaki remains largely unknown despite his enormous influence on the history of American architecture and the astonishing coincidence that his two best-known projects were both destroyed on live television. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available\, with surfaces disinfected regularly for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-book-signing-justin-beal-on-sandfuture/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Book Signings,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/MinoruYamasaki_JustinBeal_Sandfutures_PArrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210828T160000
DTEND;TZID=America/New_York:20210828T180000
DTSTAMP:20260626T035004
CREATED:20210607T185903Z
LAST-MODIFIED:20220608T210357Z
UID:10002896-1630166400-1630173600@parrishart.org
SUMMARY:Body Language at Exhibition The Barn
DESCRIPTION:REGISTER \nJoin Parrish Contemporaries Circle Members for an exclusive walkthrough of the new installation of art and design at Exhibition The Barn in Bridgehampton\, featuring artist-led discussions of the work on view. After the tour\, socialize in the indoor-outdoor space over a glass of wine. Hosted by Frampton Co\, an interior design studio and art advisory that likes to be surprised. \nBody Language is a new installation at Frampton Co’s experimental art and design gallery in Bridgehampton. Curated by Elena Frampton\, Body Language introduces work by three female artists: Aliana Grace Bailey\, Molly Findlay\, and DZ Maciel. The colorful\, tactile works represent and encourage bombastic play\, audacious movement\, and the softness of connection anew. \nThis event is for Parrish Contemporaries Circle Members and emerging collectors and art-lovers interested in learning more about PCC Membership. \nLimited space; reservations required. \nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nFor more information\, to join or upgrade your Membership\, please contact us at membership@parrishart.org or 631-283-2118. \n\nThis event was organized by the Parrish Contemporaries Circle Committee.  Current Members: \n\nChair Christine Berry\, Berry Campbell\nKurt Carstensen\, AMG Parade\nKelcey Edwards\, Iron Gate East\nElena Frampton\, Frampton Co.\nChelsea Hrynick Browne\, Artist\nJohn S. Kiely\, Blank Rome LLP\nHeidi Lee Komaromi\, HLK Art Group\nJoseph Lesko\, Global Capital Strategies\nSusan Vecsey\, Artist\nKara Winters\, Eric Firestone Gallery
URL:https://parrishart.org/event/the-barn/
LOCATION:Exhibition The Barn\, 141 Maple Lane\, Bridgehampton\, NY\, 11932\, United States
CATEGORIES:Exhibitions,Member Events,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/Frampton-Co-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210807T100000
DTEND;TZID=America/New_York:20210807T113000
DTSTAMP:20260626T035004
CREATED:20210607T193858Z
LAST-MODIFIED:20210607T193858Z
UID:10002897-1628330400-1628335800@parrishart.org
SUMMARY:Giving Circles Private Tour of Roy Lichtenstein: History in the Making\, 1948–1960
DESCRIPTION:REGISTER \nJoin Museum Chief Curator Alicia Longwell for an intimate look at the Museum’s newest special exhibition\, Roy Lichtenstein: History in the Making\, 1948–1960 (on view August 1 – October 24\, 2021). Afterwards\, Members are invited to enjoy individually packaged refreshments on the Terrace. \nThere is a limited capacity for this Giving Circles event and advanced registration is required. \nFor more information\, to join or upgrade your Membership\, please contact us at membership@parrishart.org or 631-283-2118.
URL:https://parrishart.org/event/giving-circles-lichtenstein-tour/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Member Events,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/01/Mickey-Mouse-I-c-1.-1958_for-web-768x580-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210718T110000
DTEND;TZID=America/New_York:20210718T120000
DTSTAMP:20260626T035004
CREATED:20210712T155746Z
LAST-MODIFIED:20220307T212557Z
UID:10002917-1626606000-1626609600@parrishart.org
SUMMARY:Conversation: Gwen Smith & Beth Coleman with Corinne Erni
DESCRIPTION:Join artist Gwen Smith and research scientist and artist Beth Coleman in a conversation about Smith’s The Black Woman Project and their upcoming collaboration on the creation of The Black Woman Project Foundation\, followed by a book signing. The talk will be introduced by Parrish Director Kelly Taxter and moderated by Senior Curator Corinne Erni. Attend the program in the Lichtenstein Theater or watch the livestream on our YouTube channel. Masks are required throughout the program. \nGwen Smith’s The Black Woman Project (Vol. 1 & 2) is a collection of her painted portraits of renowned Black women. Smith uses selfies to reference each time she entered her studio over a period of two and a half years\, creating a rhythm by merging her identity as a Black woman with her subjects. Some of the women Smith chooses to paint are artists\, scientists\, educators\, politicians\, writers\, poets\, and performers\, and provide the impetus for Smith’s ongoing self-exploration. \nBeth Coleman is a research scientist and artist. She is Associate Professor of Data & Cities at the Institute of Communication\, Culture\, Information and Technology and Faculty of Information\, University of Toronto\, where she directs the City as Platform lab. She is the co-founder of SoundLab Cultural Alchemy\, multimedia art and sound platform. A 2021 Google Artists and Machines Intelligence awardee\, Coleman is currently working on “Speculative AI: Octavia Butler and Other Possible Worlds.” \n  \nREGISTER FOR IN-PERSON \nREGISTER FOR LIVESTREAM \n  \nA book signing will take place after the talk. The Black Woman Project (Vol. 1 & 2)\, Soft Network handkerchiefs\, and new zines will be available for sale in-person at the Museum shop.
URL:https://parrishart.org/event/gwen-smith-in-conversation-and-beth-coleman-with-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Book Signings,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/07/TheBlackWomanProject_GwenSmith_Programming_ParrishArtMuseum_.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210717T113000
DTEND;TZID=America/New_York:20210717T130000
DTSTAMP:20260626T035004
CREATED:20210608T004957Z
LAST-MODIFIED:20210610T202528Z
UID:10002899-1626521400-1626526800@parrishart.org
SUMMARY:Contemporaries Circle Tour of Affinities for Abstraction
DESCRIPTION:REGISTER \nJoin Museum Chief Curator Alicia Longwell for an intimate look at the Museum’s newest special exhibition\, Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020 (on view through July 18\, 2021). Afterwards\, unwind in great company on the Museum’s Terrace. \nThis event is for Parrish Contemporaries Circle Members and emerging collectors and art-lovers interested in learning more about PCC Membership.  There is limited space and advanced reservations are required. \nFor more information\, to join or upgrade your Membership\, please contact us at membership@parrishart.org or 631-283-2118. \n\nThis event was organized by the Parrish Contemporaries Circle Committee.  Current Members: \n\nChair Christine Berry\, Berry Campbell\nKurt Carstensen\, AMG Parade\nKelcey Edwards\, Iron Gate East\nElena Frampton\, Frampton Co.\nChelsea Hrynick Browne\, Artist\nJohn S. Kiely\, Blank Rome LLP\nHeidi Lee Komaromi\, HLK Art Group\nJoseph Lesko\, Global Capital Strategies\nSusan Vecsey\, Artist\nKara Winters\, Eric Firestone Gallery
URL:https://parrishart.org/event/pcc-affinities-exhibition-tour/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Member Events,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Parrish_May2021_037-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210709T180000
DTEND;TZID=America/New_York:20210709T190000
DTSTAMP:20260626T035004
CREATED:20210630T143734Z
LAST-MODIFIED:20210630T143920Z
UID:10002914-1625853600-1625857200@parrishart.org
SUMMARY:Recorded Online Talk: Tomashi Jackson\, K-Sue Park\, Kelly Dennis\, and Corinne Erni
DESCRIPTION:Enjoy a recorded conversation with Tomashi Jackson\, before the opening of her new exhibition\, The Land Claim on July 11. The talk also features K-Sue Park\, Associate Professor of Law at Georgetown University Law Center; Kelly Dennis\, a member of the Shinnecock Nation and attorney specializing in Federal American Indian law; and Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, who moderates the discussion. The Land Claim focuses on the historic and contemporary lived experiences of Indigenous\, Black\, and Latinx families on the East End of Long Island. In her work for the exhibition\, Jackson juxtaposes current and historical racial segregation in the region\, similar to her work in the 2019 Whitney Biennial. \nPlease use the link below to register for the online talk. After registering\, you will receive a link to watch the program on the Parrish’s YouTube channel.\nREGISTER  \nAbout the Participants\nKelly Dennis is an attorney specializing in Federal American Indian law. She has represented her tribe\, the Shinnecock Indian Nation\, and other sovereign tribal nations on matters such as land rights\, civil rights\, cultural and natural resources protection\, as well as tribal governance and business development. She continues to represent individual tribe members on education law\, family law\, small business\, and other matters as an Of-Counsel Attorney with The Law Offices of Tela L. Troge\, PLLC located in Southampton\, New York. Dennis integrates her legal background with her passion for the arts through social justice advocacy efforts for the rights and welfare of indigenous peoples. As such\, she has served as the Public Programs & Residency Coordinator at The Watermill Center (WMC)\, an interdisciplinary laboratory for the arts and humanities located in Water Mill\, New York. \nK-Sue Park’s scholarship examines the creation of the American real estate system and the historical connections between property law\, immigration law\, and American Indian law. Prior to Georgetown\, she was the Critical Race Studies Fellow at UCLA School of Law and an Equal Justice Works Fellow and staff attorney in El Paso\, where she investigated predatory mortgage lending schemes. Park earned her B.A. summa cum laude\, Phi Beta Kappa honors from Cornell University\, where she was a College Scholar\, her M.Phil with Distinction in Social and Political Sciences from the University of Cambridge\, her J.D. cum laude from Harvard Law School\, where she was a Presidential Scholar\, and her Ph.D. in Rhetoric from UC Berkeley\, where she was a Javits Fellow. A former Fulbright Scholar\, Park’s writings have appeared in the Harvard Law Review\, Law & Society Review\, and The New York Times. \nAbout Tomashi Jackson\nDrawing centrally from Josef Albers’s research on the relativity of color and the unconscious processes by which the brain organizes and reconciles information\, Jackson’s work bridges gaps between geometric experimentation and the systematization of injustice\, incorporating images printed and hand painted from photographs and materials chosen for their relevance into formalist compositions. She uses properties of color perception as an aesthetic strategy to investigate the value of human life in public space. Jackson’s research driven projects and visual interrogation of shared language around societal and chromatic color offers a narrative framework from which she constructs her own language of abstraction. \nTomashi Jackson was born in Houston and raised in Los Angeles. She earned her MFA in Painting and Printmaking from Yale University School of Art in 2016; a Master of Science in Art\, Culture and Technology from the MIT School of Architecture and Planning in 2012\, and a BFA from Cooper Union in 2010. Her solo exhibitions include Forever My Lady at Night Gallery\, Los Angeles (2020)\, Time Out of Mind at Tilton Gallery (2019)\, Los Angeles \, Interstate Love Song at the Zuckerman Museum of Art\, Kennesaw\, Georgia (2018)\, and The Subliminal is Now at Tilton Gallery (2016). Her work was included in the 2019 Whitney Biennial and additional group exhibitions at The Los Angeles Museum of Contemporary Art (LACMA)\, Mass MoCA\, The Bakalar & Paine Galleries at the Massachusetts College of Art\, Boston\, and the Contemporary Art Center\, New Orleans\, as well as in the public collections of the Whitney Museum of American Art\, LACMA\, and the Baltimore Museum of Art. \nJackson was a 2019 Resident Artist at the Skowhegan School of Painting & Sculpture and the 2019 Resident Artist at the ARCAthens Residency Program\, Athens\, Greece. She has taught at the Rhode Island School of Design\, the Massachusetts College of Art\, Boston\, and The Cooper Union for the Advancement of Science and Art\, NY\, and she has been a visiting artist lecturer at Boston University\, New York University\, Yale University\, and School of Visual Arts\, NY. She lives and works in Cambridge and New York City. Her work is represented by Tilton Gallery in New York City and Night Gallery in Los Angeles\, CA. \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/recorded-online-talk-tomashi-jackson-k-sue-park-kelly-dennis-and-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Tomashi-Park-Kelly_hires.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210625T180000
DTEND;TZID=America/New_York:20210625T190000
DTSTAMP:20260626T035004
CREATED:20210618T183235Z
LAST-MODIFIED:20210627T161845Z
UID:10002907-1624644000-1624647600@parrishart.org
SUMMARY:Livestream Talk: Alicia Longwell with Claire A. Nivola\, Adrian Nivola\, and Teresa Kittler
DESCRIPTION:Join Chief Curator Alicia G. Longwell in a livestream conversation with children’s book author Claire A. Nivola; Brooklyn-based artist Adrian Nivola; and Dr. Teresa Kittler\, Scholar-in-Residence at Magazzino as they explore the work of Ruth Nivola.\n\nRuth Guggenheim Nivola (American\, born Germany\, 1917–2008) grew up in Europe before settling in the U.S. in 1939 at the outbreak of World War II. She and her husband\, the Sardinian-born sculptor Costantino Nivola\, came to New York and eventually bought a small farmhouse in Springs\, East Hampton\, near friends and neighbors Saul Steinberg\, Frederick Kiesler\, and Harold Rosenberg. \nSome of Ruth Nivola’s extraordinary artwork\, whose richness of material\, craft\, and beauty defies such traditional categories as sculpture or ornament\, talisman or adornment\, is currently on view at the Parrish in the exhibition\,  Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020 and will be the subject of an in-depth conversation among those who know her work best: her daughter\, well−known children’s book author Claire A. Nivola; Brooklyn-based artist Adrian Nivola\, who often spent time with his grandmother when she was creating her pieces; and Dr. Teresa Kittler\, Scholar-in-Residence at Magazzino\, an artspace devoted to Italian art in Cold Spring\, New York\, where she has curated the current exhibition Nivola: Sandscapes.  \n  \n  \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/livestream-talk-alicia-longwell-with-claire-nivola-adrian-nivola-and-teresa-kittler/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/RuthGuggenheim-Nivola_ParrishArtMuseum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210618T180000
DTEND;TZID=America/New_York:20210618T193000
DTSTAMP:20260626T035004
CREATED:20210511T175044Z
LAST-MODIFIED:20210622T195055Z
UID:10002891-1624039200-1624044600@parrishart.org
SUMMARY:PechaKucha Night Hamptons\, Vol. 33
DESCRIPTION:As the official site for the Hamptons\, we join over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. The format is simple: each invited presenter gets 20 images x 20 seconds per image to talk about living creatively. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from the many creatives who call Long Island home. \nPresenters: Artist Michael De Feo; Photographer Jaime Lopez; Artist Steven Molina Contreras; Artist/Art Educator Joyce Raimondo; Photographer Matthew Raynor; Artist and Gallery Owner Mark Van Wagner; Artist Susan Vecsey\nLearn more about PechaKucha Night Hamptons.\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/pechakucha-night-hamptons-vol-33/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/PechaKucha-Hamptons-208FC7-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T180000
DTEND;TZID=America/New_York:20210611T190000
DTSTAMP:20260626T035004
CREATED:20210607T230528Z
LAST-MODIFIED:20210630T165212Z
UID:10002898-1623434400-1623438000@parrishart.org
SUMMARY:Talk: Alicia Longwell and Michelle Stuart
DESCRIPTION:Join us for an intimate conversation between longtime friends\, Chief Curator Alicia G. Longwell and Michelle Stuart\, in a broad ranging exchange about the artist’s approach to nature and abstraction and how that process has evolved throughout her career. Stuart is a participating artist in Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020\, an exhibition with works by a multigenerational roster of 42 artists who expanded the language of abstraction–and called the Hamptons home. \nPlease see the links below to attend the program in the Lichtenstein Theater or to watch the livestream on the Parrish’s YouTube channel. Socially distanced seating in the theater is limited and masks are required throughout the program.\nAbout Michelle Stuart\nSince the 1960s\, Michelle Stuart (b.1933) has created work that stems from her lifelong interest in the natural world and the universe. Her multifaceted body of work includes large-scale earth works\, complex multi-media installations\, earth drawings\, encaustic paintings\, sculptural objects\, drawings and prints. The photographic image has been an ancillary part of her work in the past; it is currently the primary medium. Stuart has also written and published artist’s books. Her work references a range of influences\, from history\, astronomy\, botany and her extensive travels to ancient archaeological sites. \n\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/alicia-longwell-and-michelle-stuart/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/1-Stuart_final.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T130000
DTEND;TZID=America/New_York:20210528T140000
DTSTAMP:20260626T035004
CREATED:20210524T172350Z
LAST-MODIFIED:20210622T194641Z
UID:10002120-1622206800-1622210400@parrishart.org
SUMMARY:Livestream Talk: Martin Creed and Kelly Taxter
DESCRIPTION:Join artist Martin Creed and Parrish director Kelly Taxter in an online livestream conversation about Creed’s installation at the Museum\, Work No. 2210: EVERYTHING IS GOING TO BE ALRIGHT (2015). The 70-foot-long neon sculpture installed on the south-facing façade of the building is displaying a single line of unpunctuated\, rainbow hued text that reads “EVERYTHING IS GOING TO BE ALRIGHT.” The work is an expression of Creed’s desire to communicate\, connect\, and provoke. According to the artist\, “50% about what I make and 50% about what other people make of it.” \nThe sculpture was first presented in 1999 as a temporary public art commission for the Clapton Portico in Hackney\, East London\, which was derelict at the time. Built in 1825\, the Portico was home to the London Orphan Asylum until a local typhoid epidemic in 1867 forced the orphans to be relocated. Both the genesis and the first iteration of EVERYTHING IS GOING TO BE ALRIGHT resonate with current circumstances around COVID-19\, which is lessening in some places and continues to devastate in others\, a disparity all too often linked to economic and racial privilege. The Parrish installation aims to inspire critical thought as well as optimism: like pandemics past\, these difficult times will end and so too\, the systems that perpetuate them. \nEVERYTHING IS GOING TO BE ALRIGHT is the most recent addition to Field of Dreams an outdoor sculpture exhibition in the Parrish meadow\, featuring works by an international\, multi-generational group of artists who engage and respond to the Museum’s architecture and landscape. Other variations of the artwork have been installed across internationally renowned institutions and buildings\, most recently at Braemar Castle in Aberdeenshire\, Scotland (Work No. 3435\, 2020); Christchurch Art Gallery\, Christchurch New Zealand\, (Work No. 2314\, 2015); MMOMA\, Moscow\, Russia (Work No. 1081\, 2010); Scottish National Gallery of Modern Art\, Edinburgh\, UK (Work No. 975\, 2008); MOCA Detroit\, Michigan\, USA (Work No. 790\, 2007); and Tate Modern\, London\, UK (Work No. 203\, 1999). The version to be presented at the Parrish was first shown at the Aspen Art Museum as part of the exhibition Stories We Tell Ourselves (2015) and at Hauser & Wirth Los Angeles (2019). \nABOUT THE ARTIST:\nMartin Creed was born in Wakefield\, UK in 1968 and grew up in Glasgow. Today he lives and works in London. He has exhibited extensively worldwide\, and in 2001 won the Turner Prize for Work 227: The lights going on and off. Major solo exhibitions and projects include: Kistefos Museet\, Hodgkin and Creed: Inside Out\, Oslo\, Norway (2019); Centro Botín\, Martin Creed\, Santander\, Spain (2019); Martin Creed: ARTIST ROOMS\, Harris Museum and Art Gallery\, Preston\, UK (2017); SAY CHEESE! Museum Voorlinden\, Wassenaar\, The Netherlands (2017); Martin Creed\, Galerie im Taxispalais\, Innsbruck\, Austria (2017); Work No. 2630: UNDERSTANDING\, Brooklyn Bridge Park\, New York NY (2016); Martin Creed. The Back Door\, Park Avenue Armory\, New York NY (2016); What You Find\, Hauser & Wirth\, Somerset\, UK (2016); Kunstverein Heilbronn\, Heilbronn\, Germany (2015); Martin Creed. What’s the point of it?\, Hayward Gallery\, London\, UK (2014); Hauser & Wirth and Gavin Brown’s enterprise\, New York NY (2013); The Warhol\, Pittsburgh PA (2013); Work No. 202\, National Gallery of Canada\, Ottowa\, Canada (2012); Museum of Contemporary Art\, Chicago IL (2012); Work No. 1059\, The Scotsman Steps\, Edinburgh\, UK (2011); Nasher Sculpture Center\, Dallas TX (2011); Things\, The Common Guild\, Glasgow\, UK (2010); Work No. 409\, Royal Festival Hall Elevator\, London\, UK (2010); Work No. 245\, Centre Pompidou-Metz\, Metz\, France (2009); Hiroshima City Museum of Contemporary Art\, Hiroshima\, Japan (2009); and the Duveen’s Commission\, Tate Britain\, London\, UK (2008). \n  \n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/martincreed/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Martin-Creed-at-MOMA-Moscow-Dec-2019_Photo_Ivan-Novikov-Dvinsky.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210507T180000
DTEND;TZID=America/New_York:20210507T190000
DTSTAMP:20260626T035004
CREATED:20210429T172850Z
LAST-MODIFIED:20210518T171221Z
UID:10002115-1620410400-1620414000@parrishart.org
SUMMARY:Livestream Talk: Alicia Longwell with Virva Hinnemo and Dorothea Rockburne
DESCRIPTION:Join Chief Curator Alicia G. Longwell in a livestream conversation with Virva Hinnemo and Dorothea Rockburne about their process and work featured in Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020\, an exhibition with works by a multigenerational roster of 42 artists who expanded the language of abstraction–and called the Hamptons home for a week\, a season\, or a lifetime. \n  \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-alicia-longwell-and-artists-in-affinities/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Parrish_May2021_029-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210430T170000
DTEND;TZID=America/New_York:20210430T180000
DTSTAMP:20260626T035004
CREATED:20210407T165725Z
LAST-MODIFIED:20210504T165857Z
UID:10002817-1619802000-1619805600@parrishart.org
SUMMARY:Recorded Online Talk: Sheree Hovsepian with Kelly Taxter
DESCRIPTION:Enjoy a recorded conversation with Parrish Director Kelly Taxter and artist Sheree Hovsepian\, who uses film-based cameras\, light-sensitive paper\, objects\, and the human body to produce her acclaimed assemblage. Work by Hovsepian will be featured in the Museum’s new exhibition Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950—2020\, opening May 2\, 2021.\n \nAbout Sheree Hovsepian\nSheree Hovsepian (American b. Iran) earned her MFA from the School of the Art Institute of Chicago in 2002\, a dual BFA/BA from the University of Toledo in 1999\, and studied at the Glasgow School of Art\, Scotland in 1998. Her work highlights the physicality of the photograph and photography’s relationship to the human body. Coaxed into sculptural forms\, layered with tactile materials\, and assembled into larger compositions\, Hovsepian’s pictures oscillate between object and image\, creating a sensuous\, bodily experience of the photographic document. \nRecent solo and two-person exhibitions have been organized by The Tang Teaching Museum at Skidmore College (Never Done: 100 Years of Women in Politics and Beyond\, 2020 -2021) Saratoga Springs\, NY\, Halsey Mckay Gallery\, East Hampton\, NY (2020)\, Higher Pictures Gallery\, New York (2019) Team Bungalow\, Los Angeles with Paul Mpagi Sepuya\, (2019): and Monique Meloche Gallery\, Chicago (2018) Recent group exhibitions include Arches and Ink\, Rachel Uffner Gallery\, New York (2021); and Inertial Dynamics\, Half Gallery\, New York (2020). Hovsepian’s work is in the permanent collections of the Art Institute of Chicago\, the Bronx Museum\, the Solomon R. Guggenheim Museum\, and the Studio Museum in Harlem\, among others. Hovsepian serves on the Art Advisory Committee of Baxter Street Camera Club of New York. Sheree lives and works between New York City and Bridgehampton\, NY. \nAbout Kelly Taxter \nKelly Taxter is the new Director of the Parrish Art Museum. \nShe joined the Jewish Museum in 2013 and was most recently the Barnett and Annalee Newman Curator of Contemporary Art\, the Museum’s first endowed and named contemporary curator position. While at the Jewish Museum\, Taxter organized major surveys of Marc Camille Chaimowicz and Rachel Feinstein\, and will serve as guest curator for the first U.S. survey of filmmaker Jonas Mekas in 2022; she led commissions\, projects\, and exhibitions with Math Bass\, Eliza Douglas\, Alex Israel\, Eva LeWitt\, Peter Shire\, Laurie Simmons\, Valeska Soares\, Vivan Suter\, and Lawrence Weiner\, among others; and co-curated an exhibition on Isaac Mizrahi and thematic group exhibitions including Take Me (I’m Yours) and Unorthodox. From 2012 to 2013 she was Consulting Curator at the Aldrich Contemporary Art Museum in Ridgefield\, Connecticut\, where she organized major solo exhibitions of Martin Creed\, Harry Dodge\, and Robert Longo. \nIn 2003\, Taxter co-founded Taxter & Spengemann (with Pascal Spengemann)\, a gallery where she represented artists Lutz Bacher\, Frank Benson\, Xavier Cha\, Matt Johnson\, Kalup Linzy\, Wardell Milan\, and A.L. Steiner\, among others. Taxter studied fine art at the School of the Museum of Fine Arts\, Boston and Tufts University\, where she earned her B.A. She received her M.A. from the Center for Curatorial Studies\, Bard College. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/recorded-online-talk-sheree-hovsepian-with-kelly-taxter/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Sheree-Kelly-jpeg-new.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210423T180000
DTEND;TZID=America/New_York:20210423T193000
DTSTAMP:20260626T035004
CREATED:20210406T204649Z
LAST-MODIFIED:20210426T171424Z
UID:10002816-1619200800-1619206200@parrishart.org
SUMMARY:Live-Stream Performance: Lonnie Holley Concert and Conversation
DESCRIPTION:The Parrish Art Museum presents a special live-stream evening of conversation and performance with visual artist\, musician\, filmmaker\, and educator Lonnie Holley. Throughout the program\, Holley will be in conversation with Chief Curator Alicia Longwell\, play the keyboard and sing\, and will be accompanied by Washington Duke on drums/percussion.\n \nHolley\, whose exhibition\, Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House\, will be on view at the Parrish from April 24-September 6\, was a recent Artist-in-Residence at the Elaine de Kooning House in East Hampton\, NY. He did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event\, concert\, and recording. In Holley’s original art environment\, he would construct and deconstruct his visual works\, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music\, likewise\, are the result of decades of evolving experimentation. \nHolley’s artwork has most recently been in exhibitions at The Fine Arts Museums of San Francisco\, The Metropolitan Museum of Art\, the National Gallery of Art\, the Philadelphia Museum of Art\, and MASS MoCA. In September of 2018\, he released his third studio album\, MITH\, on Jagjaguwar. The album made numerous “best of” year-end lists\, including those of the New Yorker and Newsweek. His first film\, I Snuck Off the Slave Ship\, premiered in 2019 at the Sundance Film Festival. \nAbout Lonnie Holley\nLonnie Holley was born in 1950 in Birmingham\, Alabama. From the age of five\, he worked various jobs: picking up trash at a drive-in movie theatre\, washing dishes\, and cooking. He lived with foster parents in a whiskey house\, boarded on one side by the state fairgrounds and on another by a drive-in movie theater\, until the age of eleven\, when he was picked up by the Birmingham Police Department for violating the city-wide curfew\, imposed during the height of the Civil Rights Movement. He was sent to the Alabama Industrial School for Negro Children\, which was little more than a slave camp for African American youth. His early life was chaotic\, to say the least\, and Holley was never afforded the pleasure of a real childhood. After his birth family discovered his whereabouts\, he returned to Birmingham to live with his paternal grandmother. For the next ten years he would have a series of jobs\, which included working for the Campbell Soup Company picking vegetables\, working as a greenskeeper at a Country Club in Florida\, and working as a chef at the Walt Disney World resort in Orlando when it opened. He returned to Birmingham in his early 20s. \nSince 1979\, Holley has devoted his life to the practice of improvisational creativity. His art and music\, born out of struggle\, hardship\, but perhaps more importantly\, out of furious curiosity and biological necessity\, has manifested itself in drawing\, painting\, sculpture\, photography\, performance\, filmmaking\, printmaking\, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects\, already imbued with cultural and artistic metaphor\, are combined into narrative sculptures that commemorate places\, people\, and events. His work is now in collections of major museums throughout the country\, on permanent display in the United Nations\, and have been displayed in the White House Rose Garden. \nSince 2010\, he has lived and worked out of Atlanta\, Georgia. \nAbout Washington Duke\nPlaying drums seemed to come naturally to Washington (Washy) Duke. At the age of ten\, his first music teacher gave him a drum kit\, and mastering the instrument became a lifelong pursuit. By thirteen years old\, Washy had a band\, covering Led Zeppelin and Jimi Hendrix at friends’ birthday parties. At eighteen\, he was recruited by Dr. Paul Jeffrey to come to Duke University to play drums in the Jazz Ensemble. Jeffrey noticed an innate musicality to Washy’s playing\, and hired him to play in his own quartet\, even though Jazz was still a foreign idiom to Washy. But\, having been a protégé of Sonny Rollins\, Thelonious Monk\, and Charles Mingus\, Jeffrey took a sink or swim approach\, and gave Washy most of his education on the bandstand. In his first year at Duke\, Washy performed with Jazz greats John Stubblefield\, Walter Bishop Jr.\, Ray Bryant\, and Curtis Fuller. At the end of that year\, Jeffrey and Fuller asked Washy to come to France and record on their album\, Together in Monaco. Washy was nineteen years old. He has since gone on to study with legendary drummer and teacher Michael Carvin and has spent the better part of the last twenty years as a drummer and bandleader for numerous acts across all genres of popular music. 2020 made performing nearly impossible\, but Washy used the time to practice daily\, and return to his study of the art of drumming. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/live-stream-performance-lonnie-holley-concert-and-conversation/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/04/Holley-and-Duke-Picstitch-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210420T170000
DTEND;TZID=America/New_York:20210420T180000
DTSTAMP:20260626T035004
CREATED:20210406T194601Z
LAST-MODIFIED:20210426T171540Z
UID:10002815-1618938000-1618941600@parrishart.org
SUMMARY:Live-Stream Talk: Proenza Schouler
DESCRIPTION:Jack McCollough and Lazaro Hernandez\, co-founders and designers of Proenza Schouler\, and Parrish Art Museum Director Kelly Taxter discuss the intersection of fashion\, art\, architecture\, and nature. Proenza Schouler’s presentation of its Fall Winter 2021 collection at New York Fashion Week was filmed in and on the grounds of the Museum in Water Mill\, New York\, and included Ella Emhoff in her modeling debut.
URL:https://parrishart.org/event/proenzaschouler/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/04/Proenza-Schouler_Lazaro-Hernandez-Jack-McCollough_Daniel-Weiss-copy-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210416T180000
DTEND;TZID=America/New_York:20210416T190000
DTSTAMP:20260626T035004
CREATED:20210301T195157Z
LAST-MODIFIED:20210426T171027Z
UID:10002812-1618596000-1618599600@parrishart.org
SUMMARY:Live-Stream Awards: 2021 Student Exhibition
DESCRIPTION:The Parrish’s annual student exhibition is a 65-year tradition and a highlight of every year. Join Parrish Education Director Cara Conklin-Wingfield and Neill Slaughter\, a painter and professor emeritus of Visual Art at Long Island University\, in a live-stream awards ceremony recognizing select high school seniors for their talent and skill. Slaughter will present these awards\, as well as “Ones to Watch” honors to underclassmen. \nSTUDENT EXHIBITION HONOREES WITH COMMENTARY \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/2021-student-exhibition-awards-ceremony/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210319T180000
DTEND;TZID=America/New_York:20210319T193000
DTSTAMP:20260626T035004
CREATED:20210218T165421Z
LAST-MODIFIED:20210426T172313Z
UID:10002803-1616176800-1616182200@parrishart.org
SUMMARY:PechaKucha Night Hamptons\, Vol. 32
DESCRIPTION:As the official site for the Hamptons\, we join over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. The format is simple: each invited presenter gets 20 images x 20 seconds per image to talk about living creatively. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from the many creatives who call Long Island home. \nPresenters: Photojournalist Hugh Patrick Brown; Artist/Architect/Educator Nishan Kazazian; Artist Lauren Ruiz.\nLearn more about PechaKucha Night Hamptons.\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\n  \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-pechakucha-night-hamptons-vol-32/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/PechaKucha-Hamptons-208FC7-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210312T170000
DTEND;TZID=America/New_York:20210312T180000
DTSTAMP:20260626T035004
CREATED:20210212T222104Z
LAST-MODIFIED:20210316T165557Z
UID:10002797-1615568400-1615572000@parrishart.org
SUMMARY:2021 Student Exhibition Tour and Discussion
DESCRIPTION:The Parrish’s annual student exhibition is a 65-year tradition and a highlight of every year. Join Parrish Education Director Cara Conklin-Wingfield and participating educators to discuss the adjustments and challenges of teaching during the 2020-21 school year. The program will begin with a video tour of the 2021 Student Exhibition followed by a live conversation with regional art teachers and chat with the audience. Participants include: Dina Rose\, Mattituck Jr-Sr High School; Heather Evans\, Unified Arts Department Coordinator\, East Hampton School District; Pam Collins\, Southampton High School; Meg Mandell\, Sag Harbor Elementary School; Robin Gianis\, Bridgehampton School. \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/2021-student-exhibition-tour-and-discussion/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/IMG_0758-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210305T170000
DTEND;TZID=America/New_York:20210305T180000
DTSTAMP:20260626T035004
CREATED:20210202T184035Z
LAST-MODIFIED:20210316T165800Z
UID:10002782-1614963600-1614967200@parrishart.org
SUMMARY:TALK: Women and Migration: Responses in Art and History
DESCRIPTION:In celebration of International Women’s Day\, join Senior Curator Corinne Erni in a live-streamed conversation about women artists and their profound and turbulent experiences of migration through the lenses of politics and war\, love\, and family. Erni will be joined by Kathy Engel\, Associate Arts Professor of the Department of Art & Public Policy\, Tisch School of the Arts\, NYU; Ellyn Toscano\, Senior Director of Programing\, Partnerships and Community Engagement for NYU in Brooklyn; and Grace Aneiza Ali\, Founder and Editorial Director\, OF NOTE. All three women writers are contributors to Women and Migration: Responses in Art and History\, and will present their work from the book. \nWomen and Migration: Responses in Art and History (edited by Deborah Willis\, Ellyn Toscano\, and Kalia Brooks Nelson) is a collection of essays that chart how women’s experiences of migration have been articulated in writing\, photography\, art\, and film\, covering the Caribbean Diaspora\, refugees\, and slavery. The contributors\, which include academics and artists\, offer both personal and critical points of view on the artistic and historical repositories of these experiences. \nAbout the Speakers\nGrace Aneiza Ali is an independent curator and a faculty member in the Department of Art and Public Policy\, Tisch School of the Arts\, NYU. She has organized two major exhibitions in the US focused on contemporary Guyanese artists at Aljira\, a Center for Contemporary Art and the Caribbean Cultural Center African Diaspora Institute. Ali is also the Editorial Director of the award-winning OF NOTE\, an online magazine that features global artists using the arts as catalysts for activism and social change. Ali is a Fulbright Scholar\, World Economic Forum Global Shaper\, and Andy Warhol Foundation for the Visual Arts Curatorial Fellow. She was born in Guyana and lives in New York City. \nKathy Engel is Associate Arts Professor of the Department of Art & Public Policy\, Tisch School of the Arts\, New York University. Between 1980 and 2008\, she co-founded and worked as an organizer\, director\, cultural worker\, producer\, communications and strategic consultant for numerous social justice projects and organizations\, locally\, nationally\, and internationally. Her poems and essays have appeared widely in journals and anthologies. Books include Ruth’s Skirts (2007); The Kitchen\, accompanying the art of German Perez (2011); and Banish the Tentative (1987). She co-edited We Begin Here: Poems for Palestine and Lebanon with Kamal Boullata (2007). She is co-producer of the videos talking nicaragua (1983) and On The Cusp (2008)\, Her poem/video #whowillkneelforyou can be viewed on The Root. Her latest book of poems\, The Lost Brother Alphabet was published by Get Fresh Books\, March 2020. \nEllyn Toscano is Senior Director of Programing\, Partnerships and Community Engagement\, NYU in Brooklyn and former Executive Director of New York University Florence\, Italy. She is the founder of La Pietra Dialogues and the founding producer of The Season\, a summer arts festival in Florence. Toscano co-organized Black Portraitures conference at NYU Florence and produced the exhibition ReSignifications in Florence. Earlier\, Toscano served as Chief of Staff and Counsel to Congressman Jose Serrano of New York\, was his chief policy advisor and directed his work on the Appropriations Committee. Toscano also served as counsel to the New York State Assembly Committee on Education for nine years and served on the boards of The Bronx Museum of the Arts and the Brooklyn Academy of Music\, among others. A lawyer by training\, Toscano earned an LLM in International Law from New York University School of Law. \nWomen and Migration: Responses in Art and History is available for purchase through the Museum Shop. Please email\, museumshop@parrishart.org to purchase the book.\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-women-and-migration-responses-in-art-and-history/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/02/Book-Cover-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210219T170000
DTEND;TZID=America/New_York:20210219T180000
DTSTAMP:20260626T035004
CREATED:20210202T220105Z
LAST-MODIFIED:20210302T153850Z
UID:10002783-1613754000-1613757600@parrishart.org
SUMMARY:Talk: Black History on Eastern Long Island: The Plain Sight Project
DESCRIPTION:Join Senior Curator Corinne Erni with Plain Sight Project Co-Directors Donnamarie Barnes (Curator/Archivist at Sylvester Manor Educational Farm and Plain Sight Project Founder and Chair) and David Rattray (Editor\, East Hampton Star) in a live-stream conversation about Barnes’s and Rattray’s ongoing research for The Plain Sight Project. This project identifies enslaved persons and free Blacks on the East End of Long Island from the 1600s to the mid-19th century and their efforts to project\, locate\, and preserve burial grounds\, habitations\, and work sites in the Hamptons. The Plain Sight Project will serve as a significant resource for Platform artist Tomashi Jackson’s research as she prepares for her upcoming exhibition\, The Land Claim\, on view this summer at the Parrish. \nAbout the Plain Sight Project\nAlong with many northern communities\, East Hampton is disconnected from its slave-owning past. By compiling a comprehensive\, public list of enslaved persons from the Colonial period to the last recorded enslaved person in East Hampton in 1830\, the Plain Sight Project is reconciling with this forgotten history while taking a step to place these people and their stories back into our nation’s founding narrative with in-class outreach to public and private schools. www.plainsightproject.org \nAbout the Speakers\nDonnamarie Barnes began working at Sylvester Manor Educational Farm in 2014 as a volunteer and history docent and in 2016 joined the staff full time as Curator and Archivist. She has curated the exhibitions\, Women of the Manor\, A Place in Pictures\, and All That Has Been: Our Roots Revealed. Her ongoing work of conserving the various collections at the Manor\, researching and uncovering the lives and identities of the enslaved and indigenous people of Sylvester Manor is an integral part of the organization’s mission to Preserve\, Cultivate and Share the stories of all the people of Sylvester Manor. She is also Co-Director of the Plain Sight Project\, which is dedicated to uncovering\, naming and counting the enslaved people of the East End of Long Island. For over thirty years Barnes worked in the editorial photography field as a photographer and photo editor for publications such as People and Essence Magazines and as a Photo Editor at the Gamma Liaison photo agency. A life-long summer and full-time resident of Ninevah Beach in the historic SANS Community in Sag Harbor\, Barnes grew up photographing the community and the beach landscape. In 2015 she curated a highly acclaimed historic tintype photography exhibition at the Eastville Community Historical Society in Sag Harbor entitled\, Collective Identity. She holds a Bachelor of Fine Arts degree in photography from the Cooper Union School of Art. \nDavid Rattray is the owner and editor of The East Hampton Star. He is the fifth member of the Rattray family over three generations to have held the post. He graduated from East Hampton High School and then Dartmouth College. Rattray’s first job was as a busboy at the Sea Wolf restaurant in East Hampton and have included a summer as an East Hampton Town lifeguard\, an assistant caretaker on Gardiner’s Island\, selling fish\, setting up party tents\, making table and glassware deliveries for Bermuda Party Rentals\, staffing the liquor checkout counter at a Cambridge\, Mass.\, grocery store\, as a field archaeologist for the American Museum of Natural History. He was associate producer on the public television documentaries The Hurricane of ’38 and Chicago 1968 for the American Experience and Tabloid Truth for Frontline. He worked for Design Division\, a museum design firm in Manhattan\, before returning to East Hampton in 1998 to work at The Star. He became its editor in 2003\, succeeding his mother\, Helen S. Rattray. \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-black-history-on-eastern-long-island-the-plain-sight-project/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/David-Rattray-and-Donnamarie-Barnes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210212T170000
DTEND;TZID=America/New_York:20210212T180000
DTSTAMP:20260626T035004
CREATED:20210114T183405Z
LAST-MODIFIED:20210212T230907Z
UID:10001483-1613149200-1613152800@parrishart.org
SUMMARY:Talk: András Szántó and Corinne Erni on "The Future of the Museum"
DESCRIPTION:Join Senior Curator Corinne Erni and museum strategist and author András Szántó in a live-stream conversation as they discuss his new book\, The Future of the Museum: 28 Dialogues.\n \nHow do museums adapt to new realities around the world today? What are some of the most exciting approaches? As museums worldwide shuttered in 2020 because of the coronavirus\, Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic\, political\, and cultural shifts are signaling the start of a new era\, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the 28 conversations in the book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open\, democratic\, inclusive\, experimental and experiential\, technologically savvy\, culturally polyphonic\, attuned to the needs of their visitors and communities\, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. \nTo purchase the book\, please email booksmomaps1@artbook.com \nAbout András Szántó\nSzántó advises museums\, foundations\, educational institutions\, and leading brands on cultural strategy. His writings on the art world and art market have appeared in The New York Times\, Artforum\, The Art Newspaper\, and many international publications. He has directed the National Arts Journalism Program at Columbia University and has overseen the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. He is based in New York and Brookhaven Hamlet\, Long Island. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/live-stream-talk-corinne-erni-and-andras-szanto-on-the-future-of-the-museum/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/01/Szanto_Erni_picstitch_resize.png
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END:VCALENDAR