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DTSTART:20210314T070000
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DTSTART;TZID=America/New_York:20210416T180000
DTEND;TZID=America/New_York:20210416T190000
DTSTAMP:20260424T015233
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SUMMARY:Live-Stream Awards: 2021 Student Exhibition
DESCRIPTION:The Parrish’s annual student exhibition is a 65-year tradition and a highlight of every year. Join Parrish Education Director Cara Conklin-Wingfield and Neill Slaughter\, a painter and professor emeritus of Visual Art at Long Island University\, in a live-stream awards ceremony recognizing select high school seniors for their talent and skill. Slaughter will present these awards\, as well as “Ones to Watch” honors to underclassmen. \nSTUDENT EXHIBITION HONOREES WITH COMMENTARY \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/2021-student-exhibition-awards-ceremony/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
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DTSTART;TZID=America/New_York:20210420T170000
DTEND;TZID=America/New_York:20210420T180000
DTSTAMP:20260424T015233
CREATED:20210406T194601Z
LAST-MODIFIED:20210426T171540Z
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SUMMARY:Live-Stream Talk: Proenza Schouler
DESCRIPTION:Jack McCollough and Lazaro Hernandez\, co-founders and designers of Proenza Schouler\, and Parrish Art Museum Director Kelly Taxter discuss the intersection of fashion\, art\, architecture\, and nature. Proenza Schouler’s presentation of its Fall Winter 2021 collection at New York Fashion Week was filmed in and on the grounds of the Museum in Water Mill\, New York\, and included Ella Emhoff in her modeling debut.
URL:https://parrishart.org/event/proenzaschouler/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/04/Proenza-Schouler_Lazaro-Hernandez-Jack-McCollough_Daniel-Weiss-copy-scaled.jpg
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DTSTART;TZID=America/New_York:20210423T180000
DTEND;TZID=America/New_York:20210423T193000
DTSTAMP:20260424T015233
CREATED:20210406T204649Z
LAST-MODIFIED:20210426T171424Z
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SUMMARY:Live-Stream Performance: Lonnie Holley Concert and Conversation
DESCRIPTION:The Parrish Art Museum presents a special live-stream evening of conversation and performance with visual artist\, musician\, filmmaker\, and educator Lonnie Holley. Throughout the program\, Holley will be in conversation with Chief Curator Alicia Longwell\, play the keyboard and sing\, and will be accompanied by Washington Duke on drums/percussion.\n \nHolley\, whose exhibition\, Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House\, will be on view at the Parrish from April 24-September 6\, was a recent Artist-in-Residence at the Elaine de Kooning House in East Hampton\, NY. He did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event\, concert\, and recording. In Holley’s original art environment\, he would construct and deconstruct his visual works\, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music\, likewise\, are the result of decades of evolving experimentation. \nHolley’s artwork has most recently been in exhibitions at The Fine Arts Museums of San Francisco\, The Metropolitan Museum of Art\, the National Gallery of Art\, the Philadelphia Museum of Art\, and MASS MoCA. In September of 2018\, he released his third studio album\, MITH\, on Jagjaguwar. The album made numerous “best of” year-end lists\, including those of the New Yorker and Newsweek. His first film\, I Snuck Off the Slave Ship\, premiered in 2019 at the Sundance Film Festival. \nAbout Lonnie Holley\nLonnie Holley was born in 1950 in Birmingham\, Alabama. From the age of five\, he worked various jobs: picking up trash at a drive-in movie theatre\, washing dishes\, and cooking. He lived with foster parents in a whiskey house\, boarded on one side by the state fairgrounds and on another by a drive-in movie theater\, until the age of eleven\, when he was picked up by the Birmingham Police Department for violating the city-wide curfew\, imposed during the height of the Civil Rights Movement. He was sent to the Alabama Industrial School for Negro Children\, which was little more than a slave camp for African American youth. His early life was chaotic\, to say the least\, and Holley was never afforded the pleasure of a real childhood. After his birth family discovered his whereabouts\, he returned to Birmingham to live with his paternal grandmother. For the next ten years he would have a series of jobs\, which included working for the Campbell Soup Company picking vegetables\, working as a greenskeeper at a Country Club in Florida\, and working as a chef at the Walt Disney World resort in Orlando when it opened. He returned to Birmingham in his early 20s. \nSince 1979\, Holley has devoted his life to the practice of improvisational creativity. His art and music\, born out of struggle\, hardship\, but perhaps more importantly\, out of furious curiosity and biological necessity\, has manifested itself in drawing\, painting\, sculpture\, photography\, performance\, filmmaking\, printmaking\, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects\, already imbued with cultural and artistic metaphor\, are combined into narrative sculptures that commemorate places\, people\, and events. His work is now in collections of major museums throughout the country\, on permanent display in the United Nations\, and have been displayed in the White House Rose Garden. \nSince 2010\, he has lived and worked out of Atlanta\, Georgia. \nAbout Washington Duke\nPlaying drums seemed to come naturally to Washington (Washy) Duke. At the age of ten\, his first music teacher gave him a drum kit\, and mastering the instrument became a lifelong pursuit. By thirteen years old\, Washy had a band\, covering Led Zeppelin and Jimi Hendrix at friends’ birthday parties. At eighteen\, he was recruited by Dr. Paul Jeffrey to come to Duke University to play drums in the Jazz Ensemble. Jeffrey noticed an innate musicality to Washy’s playing\, and hired him to play in his own quartet\, even though Jazz was still a foreign idiom to Washy. But\, having been a protégé of Sonny Rollins\, Thelonious Monk\, and Charles Mingus\, Jeffrey took a sink or swim approach\, and gave Washy most of his education on the bandstand. In his first year at Duke\, Washy performed with Jazz greats John Stubblefield\, Walter Bishop Jr.\, Ray Bryant\, and Curtis Fuller. At the end of that year\, Jeffrey and Fuller asked Washy to come to France and record on their album\, Together in Monaco. Washy was nineteen years old. He has since gone on to study with legendary drummer and teacher Michael Carvin and has spent the better part of the last twenty years as a drummer and bandleader for numerous acts across all genres of popular music. 2020 made performing nearly impossible\, but Washy used the time to practice daily\, and return to his study of the art of drumming. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/live-stream-performance-lonnie-holley-concert-and-conversation/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/04/Holley-and-Duke-Picstitch-scaled.jpg
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DTSTART;TZID=America/New_York:20210430T170000
DTEND;TZID=America/New_York:20210430T180000
DTSTAMP:20260424T015233
CREATED:20210407T165725Z
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SUMMARY:Recorded Online Talk: Sheree Hovsepian with Kelly Taxter
DESCRIPTION:Enjoy a recorded conversation with Parrish Director Kelly Taxter and artist Sheree Hovsepian\, who uses film-based cameras\, light-sensitive paper\, objects\, and the human body to produce her acclaimed assemblage. Work by Hovsepian will be featured in the Museum’s new exhibition Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950—2020\, opening May 2\, 2021.\n \nAbout Sheree Hovsepian\nSheree Hovsepian (American b. Iran) earned her MFA from the School of the Art Institute of Chicago in 2002\, a dual BFA/BA from the University of Toledo in 1999\, and studied at the Glasgow School of Art\, Scotland in 1998. Her work highlights the physicality of the photograph and photography’s relationship to the human body. Coaxed into sculptural forms\, layered with tactile materials\, and assembled into larger compositions\, Hovsepian’s pictures oscillate between object and image\, creating a sensuous\, bodily experience of the photographic document. \nRecent solo and two-person exhibitions have been organized by The Tang Teaching Museum at Skidmore College (Never Done: 100 Years of Women in Politics and Beyond\, 2020 -2021) Saratoga Springs\, NY\, Halsey Mckay Gallery\, East Hampton\, NY (2020)\, Higher Pictures Gallery\, New York (2019) Team Bungalow\, Los Angeles with Paul Mpagi Sepuya\, (2019): and Monique Meloche Gallery\, Chicago (2018) Recent group exhibitions include Arches and Ink\, Rachel Uffner Gallery\, New York (2021); and Inertial Dynamics\, Half Gallery\, New York (2020). Hovsepian’s work is in the permanent collections of the Art Institute of Chicago\, the Bronx Museum\, the Solomon R. Guggenheim Museum\, and the Studio Museum in Harlem\, among others. Hovsepian serves on the Art Advisory Committee of Baxter Street Camera Club of New York. Sheree lives and works between New York City and Bridgehampton\, NY. \nAbout Kelly Taxter \nKelly Taxter is the new Director of the Parrish Art Museum. \nShe joined the Jewish Museum in 2013 and was most recently the Barnett and Annalee Newman Curator of Contemporary Art\, the Museum’s first endowed and named contemporary curator position. While at the Jewish Museum\, Taxter organized major surveys of Marc Camille Chaimowicz and Rachel Feinstein\, and will serve as guest curator for the first U.S. survey of filmmaker Jonas Mekas in 2022; she led commissions\, projects\, and exhibitions with Math Bass\, Eliza Douglas\, Alex Israel\, Eva LeWitt\, Peter Shire\, Laurie Simmons\, Valeska Soares\, Vivan Suter\, and Lawrence Weiner\, among others; and co-curated an exhibition on Isaac Mizrahi and thematic group exhibitions including Take Me (I’m Yours) and Unorthodox. From 2012 to 2013 she was Consulting Curator at the Aldrich Contemporary Art Museum in Ridgefield\, Connecticut\, where she organized major solo exhibitions of Martin Creed\, Harry Dodge\, and Robert Longo. \nIn 2003\, Taxter co-founded Taxter & Spengemann (with Pascal Spengemann)\, a gallery where she represented artists Lutz Bacher\, Frank Benson\, Xavier Cha\, Matt Johnson\, Kalup Linzy\, Wardell Milan\, and A.L. Steiner\, among others. Taxter studied fine art at the School of the Museum of Fine Arts\, Boston and Tufts University\, where she earned her B.A. She received her M.A. from the Center for Curatorial Studies\, Bard College. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/recorded-online-talk-sheree-hovsepian-with-kelly-taxter/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Sheree-Kelly-jpeg-new.jpg
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