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DTSTART;TZID=America/New_York:20200605T170000
DTEND;TZID=America/New_York:20200605T180000
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CREATED:20200529T181317Z
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SUMMARY:THIS WEEK'S PROGRAM SUSPENDED
DESCRIPTION:  \nThis week’s Friday Nights Live program is suspended. Please enjoy time with your family and friends. We will be back next week. \nALICIA LONGWELL IN CONVERSATION WITH PHOTOGRAPHER MARY ELLEN BARTLEY WILL TAKE PLACE AT A LATER DATE TO BE ANNOUNCED. \nAlicia G. Longwell\, Ph.D.\, The Lewis B. and Dorothy Cullman Chief Curator at the Museum\, will lead a live-stream illustrated conversation with Sag Harbor-based photographer and Parrish collection artist Mary Ellen Bartley\, who recently completed a 30-day photography project in quarantine. \n“Mary Ellen Bartley’s story unfolded during a socially-distanced conversation on a neighboring front porch and I immediately wanted to delve into this fascinating project\,” said Longwell. \nBartley is known for her photographs exploring the tactile and formal qualities of the printed book\, and its potential for abstraction. By emphasizing the unique “aura” and materiality of printed matter\, her work offers a celebration of textural and tactile properties\, a particularly potent act in this increasingly digital age. Earlier this year\, the artist was in Bologna\, Italy\, for her dream project: photographing the studio and library of acclaimed artist Giorgio Morandi. That mission was cut short by the outbreak of COVID-19 in that region\, and Bartley returned to the United States in mid-March. In quarantine back home in Sag Harbor\, the artist set up seven household objects in her attic studio\, resolving to make a photograph on each of the 30 days of April “no matter what.” The resulting images—an homage to Morandi’s process of reduction\, repetition\, and restraint—also chronicle Bartley’s daily resolve to continue her work.  Many of those photographs will be shown during Longwell’s talk with the artist. \nAbout Mary Ellen Bartley\nBorn in New York\, NY\, in 1959\, Bartley has had exhibitions in numerous museums and galleries including The Queens Museum and Parrish Art Museum NY; The Walker Art Center\, Minneapolis; Houston Center for Photography; and National Museum of Archeology and Ethnology\, Guatemala City. Bartley has taken part in residencies including at The Queens Museum\, NY; Visual Studies Workshop\, Rochester\, NY; and Watermill Center\, NY. Her work is in the collection of the Parrish Art Museum; Walker Art Center\, Minneapolis; The Watermill Collection\, Water Mill\, NY. A significant aspect of her practice is working in unique libraries and archives where she responds to collections and their habitats\, developing projects over time spent with them. Bartley was a Watermill Center 2015 Artist in Residence and worked with the library there to create the installation and book Reading Robert Wilson. In 2017\, she created the installation Library Copies at The Queens Museum working with Andrew Beccone’s Reanimation Library. Her series Reading Grey Gardens both archived and reinvented the collection of books at the famed East Hampton estate. The artist\, who received her BFA from Purchase College\, SUNY\, lives and works in Sag Harbor. \n  \n  \n  \n  \n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/conversation-alicia-longwell-mary-ellen-bartley/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/05/Mary-Ellen-Bartley-Image.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200612T170000
DTEND;TZID=America/New_York:20200612T180000
DTSTAMP:20260530T170038
CREATED:20200605T185410Z
LAST-MODIFIED:20200728T200610Z
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SUMMARY:Corinne Erni in Conversation with 2020 Platform Artist Tomashi Jackson
DESCRIPTION:Join Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, and 2020 Platform artist Tomashi Jackson for a live-stream talk to discuss The Land Claim\, Jackson’s project that focuses on the historic and contemporary lived experiences of Latinx\, Black\, and Indigenous families on the East End of Long Island. The Land Claim will be rolled out in phases over the next 12 months\, beginning with a series of talks throughout the summer with the community advocates and historians interviewed by the artist earlier this year. The project culminates in an exhibition of new paintings and installation at the Parrish\, slated for summer\, 2021. \nIn her multimedia practice\, Jackson places formal and material investigations in dialogue with recent histories of displacement and disenfranchisement. For Platform\, the artist delves into issues that have consistently linked past and present communities of color on the East End of Long Island: housing\, transportation\, livelihood in relation to migration and agriculture. To create her multilayered Platform project\, Jackson will continue the research she began in January\,  interviewing leaders of community organizations including Organización Latino-Americana (OLA) of Eastern Long Island\, the Eastville Community Historical Society of Sag Harbor\, Bridgehampton Child Care & Recreational Center\, and the Shinnecock Nation. \nAs another aspect of Platform\, Jackson will create a digital archive\, publication\, learning material\, and a body of new paintings\, video collages\, and installations based on archival images and documents\, original drawings\, and transcripts of the interviews. \nJackson’s Platform project was originally planned as an exhibition at the Museum in the summer and fall of 2020\, prior to the Museum’s temporary closure due to COVID-19. The artist had been invited by the Watermill Center to produce part of that work as their 2020 Inga Maren Otto Fellow\, which has been postponed. \nAbout Tomashi Jackson\nDrawing centrally from Josef Albers’s research on the relativity of color and the unconscious processes by which the brain organizes and reconciles information\, Jackson’s work bridges gaps between geometric experimentation and the systematization of injustice\, incorporating images printed and hand painted from photographs and materials chosen for their relevance into formalist compositions. She uses properties of color perception as an aesthetic strategy to investigate the value of human life in public space. Jackson’s research driven projects and visual interrogation of shared language around societal and chromatic color offers a narrative framework from which she constructs her own language of abstraction. \nTomashi Jackson was born in Houston and raised in Los Angeles. She earned her MFA in Painting and Printmaking from Yale University School of Art in 2016; a Master of Science in Art\, Culture and Technology from the MIT School of Architecture and Planning in 2012\, and a BFA from Cooper Union in 2010. Her solo exhibitions include Forever My Lady at Night Gallery\, Los Angeles (2020)\, Time Out of Mind at Tilton Gallery (2019)\, Los Angeles \, Interstate Love Song at the Zuckerman Museum of Art\, Kennesaw\, Georgia (2018)\, and The Subliminal is Now at Tilton Gallery (2016). Her work was included in the 2019 Whitney Biennial and additional group exhibitions at The Los Angeles Museum of Contemporary Art (LACMA)\, Mass MoCA\, The Bakalar & Paine Galleries at the Massachusetts College of Art\, Boston\, and the Contemporary Art Center\, New Orleans\, as well as in the public collections of the Whitney Museum of American Art\, LACMA\, and the Baltimore Museum of Art. \nJackson was a 2019 Resident Artist at the Skowhegan School of Painting & Sculpture and the 2019 Resident Artist at the ARCAthens Residency Program\, Athens\, Greece. She has taught at the Rhode Island School of Design\, the Massachusetts College of Art\, Boston\, and The Cooper Union for the Advancement of Science and Art\, NY\, and she has been a visiting artist lecturer at Boston University\, New York University\, Yale University\, and School of Visual Arts\, NY. She lives and works in Cambridge and New York City. Her work is represented by Tilton Gallery in New York City and Night Gallery in Los Angeles\, CA. \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/corinne-erni-and-tomashi-jackson/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Tomashi-Jackson-in-Studio_NYT-5.9.19_Photographer-Christopher-Gregory.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200619T170000
DTEND;TZID=America/New_York:20200619T180000
DTSTAMP:20260530T170038
CREATED:20200605T151136Z
LAST-MODIFIED:20200728T200907Z
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SUMMARY:David Pagel and Mary McCleary Discuss Her Work in Telling Stories
DESCRIPTION:Join Adjunct Curator David Pagel in a live-stream conversation with artist Mary McCleary\, who painstakingly pieces together ordinary materials and found objects in the service of intricate collages layered with symbolism and meaning. McCleary is one of 8 artists whose work is featured in Telling Stories: Reframing the Narratives –a robust online exhibition of work by eight contemporary artists who transform their unique personal histories into participatory dramas. \nAbout Mary McCleary\nBorn in Houston\, Texas in 1951\, Mary Fielding McCleary received her B.F.A.\, cum laude in printmaking/drawing at Texas Christian University and her M.F.A. in graphics from the University of Oklahoma. In 2011\, she was named Texas Artist of the Year by the Art League of Houston. In 2019\, she was named Texas 2-D Artist of the Year by the Texas Legislature. She is Regent’s Professor of Art Emeritus at Stephen F. Austin State University\, in Nacogdoches\, Texas\, where she taught from 1975 to 2005.  Since 1970\, McCleary has participated in over 350 one-person and group exhibits in museums and galleries in 29 states\, Mexico\, Canada\, and Russia. These venues include the Crystal Bridges Museum of American Art\, the National Museum of Women in the Arts in Washington\, D.C.\, MOBIA in New York City\, the Grey Gallery at NYU\, the Parrish Art Museum in Water Mill\, NY\,  the Boston Museum of Art\, the Dallas Museum of Art\, the Contemporary Art Museum in Houston\, the San Antonio Museum of Art\, and the Nelson-Atkins Museum in Kansas City. She is also a recipient of a Mid-America Arts Alliance/National Endowment of the Arts Fellowship. McCleary’s work is in many public collections including those of the Museum of Fine Arts Houston\, the Crystal Bridges Museum of American Art in Bentonville\, Arkansas\, the El Paso Museum of Art\, the San Antonio Museum of Art\, the Art Museum of South Texas in Corpus Christi\, and the Art Museum of Southeast Texas in Beaumont. \nAbout David Pagel\nParrish Adjunct Curator David Pagel is an art critic who writes regularly for the Los Angeles Times\, and a professor of art theory and history at Claremont Graduate University. Recent publications include Jim Shaw (Lund Humphries\, 2019) and Talking Beauty: A Conversation between Joseph Raffael and David Pagel about Art\, Life\, Death\, and Creativity (Zero+\, 2019). \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/david-pagel-and-mary-mccleary-telling-stories/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Mary-McCleary-Photo.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200626T170000
DTEND;TZID=America/New_York:20200626T180000
DTSTAMP:20260530T170038
CREATED:20200618T160130Z
LAST-MODIFIED:20200728T201141Z
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SUMMARY:Alicia Longwell in Conversation with Artist Joe Zucker
DESCRIPTION:Alicia G. Longwell\, Ph.D.\, The Lewis B. and Dorothy Cullman Chief Curator at the Museum\, will give a livestream illustrated talk with collection artist Joe Zucker about his new monograph\, Joe Zucker (Thames & Hudson\, 2020). Zucker’s art is rooted in a conceptual framework where tools\, materials\, processes\, procedures\, content\, and subject matter are all interrelated. The career-spanning survey covers nearly a half century of the Bridgehampton-based artist’s entire body of work—from the 1960s grid paintings to his latest work\, including the monumental 1000 Brushstrokes (2015–2016). \nZucker\, employs materials such as cotton balls\, sash cords\, and pegboards\, and acrylic and rhoplex in his work\, exploring themes including the history of cotton\, ancient civilizations. Over the past five decades\, Zucker’s work has ranged from personal to complex\, often relating to the processes and materials. The 256 page monograph\, published by Thames & Hudson and covering the breadth and depth of his output\, features an introduction by author John Elderfield\, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art\, New York. Other contributing essayists include Terry R. Myers critic\, curator\, and professor at the Art Institute of Chicago; Alex Bacon\, scholar\, writer\, and curator; and Phong Bui\, artist\, writer\, curator\, and publisher of The Brooklyn Rail. \nAbout Joe Zucker\nJoe Zucker (American\, born 1941) is originally from Chicago\, has been a resident of East Hampton for nearly 40 years. He received a B.F.A. and M.F.A. from the School of the Art Institute of Chicago. His work has been shown at The Art Institute of Chicago\, the Carnegie Museum of Art\, the Albright-Knox Art Gallery\, the Mary and Leigh Block Museum of Art\, the Museum of Modern Art\, New York\, the Smithsonian American Art Museum\, and the Walker Art Center. \n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/alicia-longwell-in-conversation-with-joe-zucker/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Alicia-Longwell-and-Joe-Zucker_cropped-2.jpg
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