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DTSTART;TZID=America/New_York:20200103T180000
DTEND;TZID=America/New_York:20200103T200000
DTSTAMP:20260601T031314
CREATED:20191111T155050Z
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SUMMARY:FILM & TALK: Sanctuary
DESCRIPTION:  \n  \n2019\, Documentary\, 52 minutes\nDirector: Lillian Ball \nJoin Artists Choose Artists juror and environmental activist Lillian Ball for her full film premiere about the Lumbini Crane Sanctuary within the Sacred Garden in Nepal where Siddhartha Gautama was born and charismatic young monk Venerable Metteyya as he seeks to reverse plans to replace it with hotels and a meditation center. Followed by a conversation with Ball and Parrish Director Terrie Sultan. \nAn ecological artist and pro-activist who works with wetland issues from interdisciplinary backgrounds in anthropology\, ethnographic film\, and sculpture\, Lillian Ball (American\, b. 1955) believes that innovative artwork with stakeholders on conservation initiatives benefits wildlife\, communities\, and visitors. Her WATERWASH® public projects along the Bronx River and Mattituck Inlet combine native habitat restoration\, stormwater remediation\, and preservation. Ball’s documentary Sanctuary depicts efforts by a Buddhist monk to preserve native flora and fauna in Lumbini\, Nepal\, to protect the Sarus cranes nesting at Buddha’s birthplace\, endangered by over-development. Ball exhibits and lectures at international institutions including at Kathmandu’s Taragaon Museum; Seville Biennale; and Reina Sofia\, Madrid. Awards include NYFA Fellowships\, Guggenheim Foundation Fellowship\, and NEA grant. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-sanctuary/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Lillian-Ball.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200110T180000
DTEND;TZID=America/New_York:20200110T200000
DTSTAMP:20260601T031314
CREATED:20191011T170712Z
LAST-MODIFIED:20200110T232536Z
UID:10000755-1578679200-1578686400@parrishart.org
SUMMARY:TALK: The Artist's View: Artists Choose Artists
DESCRIPTION:  \nJoin this multigenerational group of artists who all address environmental issues from different vantage points—Juror Lillian Ball\, her two selectees Scott Bluedorn and Janet Culbertson\, and Irina Alimanestianu (selected by Alexis Rockman)—as they converse with ecologist Carl Safina about how art and science can interact to draw attention to these issues. Moderated by Corinne Erni\, Senior Curator of ArtsReach and Special Projects. The program will take place in the Lichtenstein Theater\, followed by informal visits to the galleries. \nAn ecological artist and pro-activist who works with wetland issues from interdisciplinary backgrounds in anthropology\, ethnographic film\, and sculpture\, Lillian Ball (American\, b. 1955) believes that innovative artwork with stakeholders on conservation initiatives benefits wildlife\, communities\, and visitors. Her WATERWASH® public projects along the Bronx River and Mattituck Inlet combine native habitat restoration\, stormwater remediation\, and preservation. Ball’s documentary Sanctuary depicts efforts by a Buddhist monk to preserve native flora and fauna in Lumbini\, Nepal\, to protect the Sarus cranes nesting at Buddha’s birthplace\, endangered by over-development. Ball exhibits and lectures at international institutions including at Kathmandu’s Taragaon Museum; Seville Biennale; and Reina Sofia\, Madrid. Awards include NYFA Fellowships\, Guggenheim Foundation Fellowship\, and NEA grant. \nIrina Alimanestianu’s (American\, b. 1957) paintings have been shown in numerous exhibitions in Los Angeles and New York\, and her writings on art and artists have appeared in Art Issues and other publications. On view in Artists Choose Artists is the mixed media\, large-scale painting Deep Sea Vent (2017)\, which combines oil\, ink\, pencil\, glitter\, and watercolor on oil paper in an explosion of organic shapes and dynamic color. Akin to the way natural elements or instances in life seek equilibrium after disruption\, the artist introduces chaos before returning to harmony. Born in Nyack\, NY\, and raised in New York\, Switzerland\, and France\, Alimanestianu has a BFA from New York University\, an MBA from Columbia University\, and an MFA from Claremont Graduate University. \nScott Bluedorn (American\, b. 1986) addresses climate change by integrating cultural anthropology\, primitivism\, and nautical tradition into his imagery that speaks to the collective unconscious\, particularly through myth and visual storytelling\, in a world he refers to as “maritime cosmology.” His new large-scale drawing Genesis Flux is a surreal vision of climactic upheaval\, including change\, renewal\, and flux in the unnatural Anthropocene era and sixth mass extinction. The drawing Integrated Ocean Energy Farm is the artist’s proposition to repurpose existing structures like oil drilling platforms into floating multipurpose ‘farms’ for growing kelp (for food\, biofuels\, and regenerative ecosystem services)\, while combining value-added energy production including solar\, wind\, and wave power. Bluedorn\, who received his BFA from the School of Visual Arts in New York (2009)\, lives and works in East Hampton\, NY. \nThrough her extensive travels to experience the planet\, eco-feminist and activist Janet Culbertson (American\, b. 1932) has painted the dark volcanic islands of the Galapagos\, the vanishing animals of Africa\, and the degradation of the earth’s once wild places. Galapagos Tortoise (1975)\, a 90 x 72 inch portrait on view in Artists Choose Artists\, is majestic even as the creature seems to fade and decompose; Abyss (1976–2003) is an unapologetic representation of a dystopic exploitation of nature. Culbertson\, who lives and works in Shelter Island\, NY\, was raised in Western Pennsylvania\, where she attended Carnegie Mellon University. She relocated to New York in 1954 to earn her Masters from NYU\, and taught painting at Pace University and Pratt Art Institute. \nCarl Safina is the first Endowed Professor for Nature and Humanity at Stony Brook University (where he formerly co-chaired the Alan Alda Center for Communicating Science)\, and he leads the not-for-profit Safina Center. His writing about the living world has won a MacArthur “Genius” Award\, Pew\, and Guggenheim Fellowships; book awards from Lannan\, Orion\, and the National Academies; and the John Burroughs\, James Beard\, and George Rabb medals. His seabird studies earned him a PhD in ecology from Rutgers. Safina spent a decade working to ban high-seas drift nets and to overhaul U.S. fishing policy and hosted the PBS series Saving the Ocean. He is author of Song for the Blue Ocean; and his seventh book is Beyond Words; What Animals Think and Feel. \n  \n\n\n\n\n\n\n\nArtists Choose Artists is the Parrish Art Museum’s triennial exhibition that highlights the dynamic relationships among the multi-generational artist community of Long Island’s East End\, encouraging mentorship and conversations between artists at varying stages in their careers. \n\n\nLearn more about Artists Choose Artists 2019 \n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists Choose Artists exhibition is made possible\, in part\, thanks to the generous support of the Robert Lehman Foundation; The Evelyn Toll Family Foundation; Jacqueline Brody; Herman Goldman Foundation; Linda and Gregory Fischbach\, and Fred Schmeltzer. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/gallery-talk-the-artists-view-artists-choose-artists3/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/10/stitch01.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200117T180000
DTEND;TZID=America/New_York:20200117T200000
DTSTAMP:20260601T031314
CREATED:20191115T214700Z
LAST-MODIFIED:20200117T234925Z
UID:10002194-1579284000-1579291200@parrishart.org
SUMMARY:FILM & TALK: Louise Bourgeois: The Spider\, the Mistress and the Tangerine
DESCRIPTION:  \n2008\, Documentary\, 99 minutes\nDirector: Marion Cajori and Amei Wallach \nPart of The Artist’s Lens series\, co-presented with Hamptons Doc Fest. \nLouise Bourgeois: The Spider\, the Mistress and the Tangerine is a cinematic journey inside the life and imagination of an icon of modern art. As a screen presence\, Louise Bourgeois is magnetic\, mercurial\, and emotionally raw. There is no separation between her life as an artist and the memories and emotions that affect her every day. Her process is on full display in this extraordinary documentary. As an artist\, Louise Bourgeois has for six decades been at the forefront of successive new developments\, but always on her own powerfully inventive and disquieting terms. In 1982\, at the age of 71\, she became the first woman to be honored with a major retrospective at New York’s Museum of Modern Art. In the decades since\, she has created her most powerful and persuasive work that has been exhibited\, studied\, and lectured on worldwide. Filmed with unparalleled access between 1993 and 2007\, Louise Bourgeois: The Spider\, the Mistress and the Tangerine is a comprehensive and dramatic documentary of creativity and revelation. It is an intimate\, human\, and educational engagement with an artist’s world. \nThe film screening will be followed by a conversation with Amei Wallach and Parrish Director Terrie Sultan. \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/louise-bourgeois/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/louisebourgeois-1112.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T180000
DTEND;TZID=America/New_York:20200124T200000
DTSTAMP:20260601T031314
CREATED:20191011T195551Z
LAST-MODIFIED:20200125T001544Z
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SUMMARY:TALK: The Artist's View: Artists Choose Artists
DESCRIPTION:  \nJoin selected artists as they discuss their work featured in Artists Choose Artists. The presentations will take place in the Lichtenstein Theater\, followed by informal visits to the galleries. \nMargaret Garrett’s (American\, b. 1965) painting practice is largely influenced by her background as a dancer. Born in North Carolina and raised in Pennsylvania\, she began studying dance as a child and was a member of professional dance companies through her teenage and early adult years. Garrett’s work is included in the collections of the Parrish Art Museum and Guild Hall Museum on the East End of Long Island. The artist lives and works on Shelter Island\, NY. \nRonald Reed (American\, b. 1969) is a painter\, sculptor\, and architect who has spent the past three decades exploring the intersections and relationships between built and natural environments\, contemplated design and irrational design\, and their influences on the body politic and contemporary history. Born in Coeur d’ Alene\, Idaho\, he studied fine arts at Boise State University and architecture at the University of Idaho\, where he received his Bachelor of Architecture in 1993. Reed lived and worked in New York from 1996 to 2018\, at which time he relocated with his family to Sag Harbor. \nBorn in Tamworth\, Australia\, and raised in Sydney\, Mark William Wilson (Australian\, b. 1959) studied semiotics and photography at the Sydney College of the Arts before permanently relocating to the U.S. in 1982. He had a transcendent experience at the Metropolitan Museum of Art when he encountered Lucas Cranach’s The Judgment of Paris\, which\, for him\, references the coalescence of the natural world\, humanity\, and the divine in its depiction of three unclothed goddesses in a natural setting. He currently lives in Springs and works in a former potato barn in East Hampton. \n  \nArtists Choose Artists is the Parrish Art Museum’s triennial exhibition that highlights the dynamic relationships among the multi-generational artist community of Long Island’s East End\, encouraging mentorship and conversations between artists at varying stages in their careers. \n\n\n\n\n\n\n\nLearn more about Artists Choose Artists 2019 \n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists Choose Artists exhibition is made possible\, in part\, thanks to the generous support of the Robert Lehman Foundation; The Evelyn Toll Family Foundation; Jacqueline Brody; Herman Goldman Foundation; Linda and Gregory Fischbach\, and Fred Schmeltzer. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/gallery-talk-the-artists-view-artists-choose-artists4/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/10/aca-5.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200131T180000
DTEND;TZID=America/New_York:20200131T193000
DTSTAMP:20260601T031314
CREATED:20191117T141101Z
LAST-MODIFIED:20200131T231502Z
UID:10002195-1580493600-1580499000@parrishart.org
SUMMARY:TALK: The Curator’s View: Alicia Longwell on What We See\, How We See
DESCRIPTION:  \nAlicia Longwell\, the Lewis B. and Dorothy Cullman Chief Curator\, Art and Education\, sheds light on a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/the-curators-view/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/What-We-See_JennyGorman106-Crop.jpg
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