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DTSTART;TZID=America/New_York:20191101T180000
DTEND;TZID=America/New_York:20191101T193000
DTSTAMP:20260601T155707
CREATED:20190709T154443Z
LAST-MODIFIED:20191101T230245Z
UID:10002153-1572631200-1572636600@parrishart.org
SUMMARY:TALK: Parrish Road Show Artists’ Talk
DESCRIPTION:  \nParrish Road Show artists Candace Hill Montgomery and Laurie Lambrecht will be in conversation with Corinne Erni\, Senior Curator of ArtsReach and Special Projects. \n  \nPARRISH ROAD SHOW 2019\nCANDACE HILL MONTGOMERY: HILLS & VALLEYS \nThe Sag Harbor Whaling and Historical Museum\nMay 17–June 16\, 2019 \n  \nPARRISH ROAD SHOW 2019\nLAURIE LAMBRECHT: LIMN TO LIMB \nThe Madoo Conservancy\nOctober 5–November 3\, 2019 \n  \nAbout Candace Hill Montgomery \nCandace Hill Montgomery (American\, b. 1945) makes weavings that explore the many ways in which threads can tell stories and make cultural commentary. Using a wide variety of fibers—linen\, cashmere\, cotton\, wool\, even horsehair—she creates complex layers of allegories and fables that reference her own life as well as current social and political challenges. While creating this visual dialogue about race\, feminism\, poverty\, and the environment\, Hill Montgomery integrates subtle inner observations into the weaves. Made on handmade looms\, the works are mounted on fabricated hangers\, found objects\, or vintage farm equipment from the South that reference her family’s heritage. Her partnership with the Sag Harbor Whaling & Historical Museum resonates with her visits to the museum as a child during summer vacations spent in Sag Harbor with her family. \nHill Montgomery’s work has been presented in exhibitions at major arts institutions\, including the Bronx Museum for the Arts\, New Museum\, Printed Matter\, Artists Space\, Franklin Furnace\, Fashion Moda\, and Creative Time\, among others. She was an artist-in-residence at the Studio Museum in Harlem (1979)\, and a recipient of the John Simon Guggenheim Fellowship (1985) and a fellowship from the National Endowment for the Arts (1981). In 1985\, Hill Montgomery curated a group exhibition including Lorna Simpson with Lucy R. Lippard titled Working Women/Working Artists/Working Together at Gallery 1199. Her work is in the Digital Archive of the New Museum. Her essays have been published in the Women’s Art Journal. She received a master’s degree in Art Education from Hunter College. \n  \nAbout Laurie Lambrecht \nLaurie Lambrecht\, a native of Bridgehampton who works in photography and fiber\, has been featured in numerous solo exhibitions in the U.S. and abroad\, and her photographs are in the collections of the National Gallery of Art\, D.C.\, and the Parrish Art Museum\, among others. In the early 1990’s\, as administrative assistant to Roy Lichtenstein\, Lambrecht photographed the artist and his process. Roy Lichtenstein in His Studio\, the monograph of her project\, was published by Monacelli Press in 2011. She has worked with theater artist Robert Wilson at the Watermill Center since 1993\, and from 2012–2014 Lambrecht photographed a documentary project for the Rauschenberg Foundation (Florida). She was recently a fellow at artist residencies there and at the Virginia Center of the Creative Arts and Vermont Studio Center. This spring Lambrecht will be an artist in residence at the Watermill Center \nLambrecht has taught workshops in the Literacy through Photography program in Medellin\, Colombia\, and locally\, at Project Most in Bridgehampton and the Art Barge in Montauk. She has given talks about her work at The Morgan Library\, New York\, and The Art Institute of Chicago\, and The National Gallery of Art\, among other venues. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\nParrish Road Show 2019 is made possible\, in part\, by the generous support of The Dorothy Lichtenstein ArtsReach Fund\, established by Agnes Gund; Deborah Buck; Sandy and Stephen Perlbinder; and Jane Wesman and Donald Savelson. Public funding provided by Suffolk County.\n 
URL:https://parrishart.org/event/talk-parrish-road-show-artists-talk/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/07/candl.jpg
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DTSTART;TZID=America/New_York:20191108T180000
DTEND;TZID=America/New_York:20191108T200000
DTSTAMP:20260601T155707
CREATED:20190816T195602Z
LAST-MODIFIED:20191109T002205Z
UID:10002166-1573236000-1573243200@parrishart.org
SUMMARY:FILM & TALK: SAW
DESCRIPTION:  \nCo-presented with Sag Harbor Cinema \nGuest curated by filmmaker Micaela Durand\, SAW is a program of six short films that features the work of seven filmmakers who investigate the relationship between seeing and being seen. The films address how individuals present\, perform\, and reveal in an age of constant documentation. As technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. \nThe screening will be followed by a conversation with Durand\, Jordan Lord and Corinne Erni\, Senior Curator of ArtsReach and Special Projects at the Parrish. This first collaboration between SHC and the Parrish forwards the Museum’s mission of bringing together art\, artists\, and the community for engaging programs that illuminate the creative process; as well as partnering with important arts organizations. \n  \nEverything and More by Rachel Rose\, 2015\nLong Count III (Thrilla in Manila) by Paul Pfeiffer\, 2001\nAfter….After….(Access) by Jordan Lord\, 2018\nOops! by Laurel Nakadate\, 2000\nE-Ticket by Simon Liu\, 2019\nFirst by Micaela Durand and Daniel Chew\, 2019 \n  \nAbout the Films \nAs technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. Paul Pfeiffer presents the third of his seminal three-part video installations\, Long Count III (Thrilla in Manila) (2001)\, which shows the fight in 1975 between heavyweight champions Muhammad Ali and Joe Frazier. Pfeiffer digitally erases the boxers from the film so that the viewers’ attention shifts from watching the missing fighters\, to the roaring crowd cheering back at them. Navigating the pressures of structures is also explored in Rachel Rose’s Everything and More (2015). As an astronaut describes the sensation of leaving earth behind\, the viewer falls into a similar void through associative and digital manipulations. Reconstructing memory is examined in E-Ticket (2019). Simon Liu recomposes his personal archive of vacation ephemera into a pulsating performance that alludes to the contemporary condition of media exposure. Jordan Lord’s After….After….(Access) (2018) proposes a new kind of engagement with accessibility in mind\, by rendering what is seen and heard into subtitles as the filmmaker documents their own open heart surgery. Micaela Durand and Daniel Chew’s film First (2019) follows a teenage girl as she negotiates the interrelationship of online and real world interactions. Laurel Nakadate explores similar entanglements in Oops! (2000)\, in which the artist is invited into the homes of men through chance encounters and asks them to dance with her to Britney Spears’s iconic song Oops!…I Did It Again. \n  \nTo learn about the filmmakers\, click HERE \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/saw/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/sawposter.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T173000
DTEND;TZID=America/New_York:20191115T210000
DTSTAMP:20260601T155707
CREATED:20190903T201545Z
LAST-MODIFIED:20191116T001357Z
UID:10000746-1573839000-1573851600@parrishart.org
SUMMARY:OLA FILM FESTIVAL: Antes Que Llegue el Ferry (Before the Ferry Arrives)
DESCRIPTION:  \n \nANTES QUE LLEGUE EL FERRY – Trailer from FESTIVAL DE MÁLAGA on Vimeo. \n  \nJoin us for a screening of Antes Que Llegue el Ferry (Before the Ferry Arrives\, Cuba\, 2018\, NR\, 85 minutes)\, a dark comedy portraying a near-future Havana that is still in the midst of the restoration of U.S.-Cuba relations\, as part of the 16th annual\, multi-venue OLA Film Festival curated by the Organización Latino-Americana of Eastern Long Island (OLA). \nThe program includes a bi-lingual (Spanish/English) docent-led tour in the galleries\, where photographer Tria Giovan will give a short talk on her photos from the 1993 series The Cuba Archive\, currently on view in Artists Choose Artists. The film and a talk follow a cocktail reception with special hors d’oeuvres from the Golden Pear Café. \n5:30 pm– Bilingual (Spanish/English) docent tour\, with photographer Tria Giovan\n6:00 pm– Free Reception with food and wine\n7:15 pm– Film screening\, followed by a discussion with filmmakers via livestream \nAntes Que Llegue el Ferry (Recommended for ages 14 and older)\nDirectors: Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar \nAn Official Selection of the 2018 Ventana Sur and BAFICI film festivals\, and the 2019 Málaga Spanish Film Festival\, Antes Que Llegue El Ferry—directed by Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar Delgado—explores the sense of expectation and ambiguity experienced by Cubans when it was announced in 2015 that\, after more than 50 years\, a ferry service would resume between that country and the United States. Bold in form and structure and mixing elements of animation with live action\, experimental and documentary film\, this debut of the three directors captures a time of uncertainty and vertigo as Cuba continues to wait for the first ferry to arrive. \nGuests for the evening have another opportunity to experience Cuba through the photographs of Tria Giovan (American\, b. 1961). Giovan travelled extensively to Cuba during the economic depression of the Special Period (1990–1996)\, shot over 25\,000 images\, and created The Cuba Archive—a body of work that captured the subtleties and complexities of the country’s day-to-day life. The photographs reveal resiliency\, creative defiance through aesthetics\, and the unquashable human spirit amid oppression. The photograph Tres Muchachas-El Malecon\, Havana\, Cuba (1993)\, is on view for the first time in a museum. \n  \n  \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/09/cuba.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T180000
DTEND;TZID=America/New_York:20191122T200000
DTSTAMP:20260601T155707
CREATED:20191007T141406Z
LAST-MODIFIED:20191125T152306Z
UID:10002184-1574445600-1574452800@parrishart.org
SUMMARY:TALK: The Artist's View: Artists Choose Artists
DESCRIPTION:  \nJoin Artists Choose Artists juror Ralph Gibson with the two fellow photographers he selected for the exhibition\, in a conversation moderated by Senior Curator Corinne Erni. After the talk\, artists will be in the galleries to answer questions about their works on view. \n  \nTria Giovan (American\, b. 1961) was born in Chicago and raised on the island of St. Thomas\, U.S.V.I. With a career as a photographer that has spanned a wide range of subject matter\, Giovan’s images have been published in numerous magazines including Esquire\, Coastal Living\, ESPN Sports\, Travel & Leisure\, and House Beautiful. Giovan’s fine art photography is in the collections of the Museum of Modern Art\, New York Public Library\, and the Jewish Museum\, NY; the Brooklyn Museum of Art; and the Parrish Art Museum. She has received many grants and awards including the Tokyo International Foto Awards\, International Photography Awards\, and Artist Space-Exhibition Award\, among others. Giovan currently lives and works in New York City and Sag Harbor\, NY. \nAfter studying archeology and art history\, Thomas Hoepker (German\, b. 1936) worked as a photographer and photo-reporter for magazines including Muenchner Illustrierte\, Kristall\, and Stern. His work with these publications enabled him to travel around the globe to Brazil\, China\, Cuba\, Ethiopia\, Greece\, Peru\, the U.S.\, and other countries. Hoepker became a member of Magnum Photos in 1989 and served as its president from 2003 to 2006. In 2005\, the Foto Museum in Munich presented a retrospective of 230 of his photographs that traveled throughout Germany and across Europe. Hoepker is based in New York City and Southampton\, NY. \nBest known for his photographic books\, Ralph Gibson (American\, b. 1939) has published more than 40 monographs beginning with the landmark publication SOMNAMBULIST (1970). His images often incorporate erotic and mysterious undertones\, building narrative meaning through contextualization and surreal juxtaposition. Recently\, Gibson began to incorporate photographs and musical compositions into film and live performances at New York’s Roulette and The Stone\, among other venues\, and in 2010 he collaborated with Lou Reed on the film Red Shirley. Gibson’s work\, featured in more than 170 museum collections worldwide\, has been the subject of hundreds of solo exhibitions\, including the retrospective Quartet at The High Museum of Art\, Atlanta (2012). Awards include fellowships from the John Simon Guggenheim Foundation and the National Endowment for the Arts\, the Leica Medal of Excellence\, the Lucie Lifetime Award\, and the Silver Plumb Award\, Guild Hall Academy of the Arts Lifetime Artist Achievement Award (2015)\, and Palm Springs Fine Art Festival Photographer of the Year Award (2016). Gibson is a Commandeur de l’Ordre des Arts et des Lettres of France. \n  \nArtists Choose Artists is the Parrish Art Museum’s triennial exhibition that highlights the dynamic relationships among the multi-generational artist community of Long Island’s East End\, encouraging mentorship and conversations between artists at varying stages in their careers. \n\n\nWatch 2016 Artists Choose Artists \n\nLearn more about Artists Choose Artists 2019 \n\n\n\n\n\n\n\n\n\n\n\n\nThe Artists Choose Artists exhibition is made possible\, in part\, thanks to the generous support of the Robert Lehman Foundation; The Evelyn Toll Family Foundation; Jacqueline Brody; Herman Goldman Foundation; Linda and Gregory Fischbach\, and Fred Schmeltzer. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n  \n\n 
URL:https://parrishart.org/event/artists-choose-artists-talk/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/10/Giovan_Hoepker_Gibson.jpg
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