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X-WR-CALNAME:Parrish Art Museum
X-ORIGINAL-URL:https://parrishart.org
X-WR-CALDESC:Events for Parrish Art Museum
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DTSTART:20230312T070000
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DTSTART;TZID=America/New_York:20230505T180000
DTEND;TZID=America/New_York:20230505T193000
DTSTAMP:20260418T191917
CREATED:20230311T190527Z
LAST-MODIFIED:20230503T163048Z
UID:10003332-1683309600-1683315000@parrishart.org
SUMMARY:Listen | Alexandria Le\, Solo Piano
DESCRIPTION:REGISTER \n$25 Members | $35 Adults (Nonmembers) | $20 for Students\, Children \nJoin us for a special Salon Series concert featuring soloist Alexandria Le\, laureate of the Pro Musicis International Award and the Ackerman Chamber Music Competition. In 2012\, Le won a coveted fellowship position with Ensemble Connect (formerly Ensemble ACJW\, the Academy of Carnegie Hall and the Juilliard School and the Weill Institute of Music) and has performed regularly at Carnegie Hall\, the Juilliard School\, and other venues around New York City. \nAmong the many selections in her Salon Series program\, Le’s dynamic pairings of American and non-American musical works will include two works that combine classical and pop music genres. French composer Francis Poulenc’s florid\, lyrical Improvisation no. 15: Hommage à Édith Piaf—the quintessential French chanteuse—is coupled with a piano arrangement of George Gershwin’s distinctly American Rhapsody in Blue that combines elements of classical and jazz\, established with the iconic opening siren-like clarinet riff and continuing with sections that evoke the hustle and bustle of the Big Apple in the 1920s. Her program also includes Claude Debussy’s Clair de Lune\, a hallmark of French Impressionism\, paired with Summerland from the 1935 suite Three Visions by William Grant Still\, often referred to as the “Dean of Afro-American Composers.” The suite tells the story of the soul’s journey\, with Summerland a metaphor for entering into heaven. \nPROGRAM \nThree Visions: 1. Dark Horsemen by William Grant Still (1895-1978) \nDanzas Argentinas\, Op. 2 no. 3. by Alberto Ginastera (1916-1983) \nDance of the Renegade Cowboy by Alberto Ginastera (1916-1983) \n  \nPairings to Three Character Flaws by Daniel Weymouth (b.1953) \nThe One About B (Natural): Point and Line to Plane by Daniel Weymouth (b.1953) \nMusica Ricercata\, no. 7 by György Ligeti (1923-2006) \n  \nThe One about E-flat by Frédéric Chopin and Bill Evans Weymouth \nMeet for a Late-Night Supper \nNocturne in E-flat major\, Op. 9 no. 2 by Frédéric Chopin (1810-1849) \n  \nThe One about F#: What Florestan Knew by Bill Evans Weymouth \nCarnaval\, Op. 9\, no. 6\, Florestan by Robert Schumann (1810-1856) \nSonata No. 2 in G minor\, Op. 22 by Robert Schumann (1810-1856) \nI. As Fast as Possible \n  \n— Intermission — \n  \nSummerland (from Three Visions) Still \nSuite bergamasque\, no. 3\, Clair de lune by Claude Debussy (1862-1918) \n  \nImprovisation no.15 (Hommage à Édith Piaf) by Francis Poulenc (1899–1963) \nRhapsody in Blue by George Gershwin (1898-1937) \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust and sponsored by Yamaha Artist Services\, Inc. \nFriday Night Programming is made possible\, in part\, by Weill-Cornell Medicine – Southampton and The Corcoran Group.
URL:https://parrishart.org/event/salon-series-alexandria-l/
LOCATION:NY
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2023/04/AlexandriaLe_ParrishArtMuseum_SalonSeries.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230512T180000
DTEND;TZID=America/New_York:20230512T193000
DTSTAMP:20260418T191917
CREATED:20230311T190958Z
LAST-MODIFIED:20230508T191629Z
UID:10003333-1683914400-1683919800@parrishart.org
SUMMARY:Listen | Wynona Wang\, Solo Piano
DESCRIPTION:REGISTER \n$25 Members | $35 Adults (Nonmembers) | $20 for Students\, Children \nSalon Series\, the Parrish Art Museum’s classical music program featuring world-class artists\, continues its spring schedule with a solo performance by Chinese pianist Wynona Wang. \nWang begins the concert with the Dante Sonata by Hungarian composer Franz Liszt\, inspired Victor Hugo‘s poem Après un lecture du Dante (After a reading of Dante). The first theme evokes the wailing of souls in Hell; the second is a chorale representing the joy of souls in Heaven. Following are two Preludes by Aristea Mellos: the rhythmically dynamic Me cansé de vivir me caso (I’m tired of living so I’m getting married) and the lush\, dreamlike Go to sleep my beloved… (Djoko’s Lullaby). The first act ends with Ludwig Van Beethoven’s Sonata No. 23\, “Appassionata\,” considered one of his greatest\, most technically challenging\, and tempestuous piano sonatas. Wang will end her program with a rarely performed sonata by Sergei Rachmaninoff\, the Sonata No. 1 in D minor\, Op. 28. \nBorn in Beijing\, Wang is an active performer in China\, Europe\, and the United States. Recent North American performances include the Northwest Florida Symphony Orchestra\, the Meadows Symphony Orchestra of SMU Dallas\, and major festivals including PianoTexas\, Morningside Music Bridge in Calgary\, Canada\, the International Keyboard Institute & Festival in New York City\, and the Chautauqua Institution. Wang has also garnered top honors at numerous competitions including the Meadows Concerto Competition at SMU\, the Artist Recognition Scholarship Awards Competition at NYC’s International Keyboard Institute & Festival\, the Hamamatsu International Piano Academy Competition in Japan\, and the IX International Competition for Young Pianists in Memory of Vladimir Horowitz in Ukraine\, among other important venues worldwide. \nPROGRAM\nAprès une lecture du Dante: Fantasia quasi by Sonata Franz Liszt (1811-1886) \n(Dante Sonata) \nTwo Preludes by Aristea Mellos (b.1987) \n“Me cansé de vivir me caso” \n(I’m tired of living so I’m getting married) \n“Go to sleep my beloved\, whilst I sing you a lullaby…” \n(Djoko’s Lullaby) \n  \nSonata No. 23 in F minor\, Op. 57 by Ludwig van Beethoven (1770-1827) \n“Appassionata” \nI. Allegro assai \nII. Andante con moto \nIII. Allegro ma non troppo – Presto \n  \n— Intermission — \n  \nSonata No. 1 in D minor\, Op. 28 by Sergei Rachmaninoff (1873-1943) \nI. Allegro moderato \nII. Lento \nIII. Allegro molto \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust and sponsored by Yamaha Artist Services\, Inc. \nFriday Night Programming is made possible\, in part\, by Weill-Cornell Medicine – Southampton and The Corcoran Group.
URL:https://parrishart.org/event/listen-wynona-wang-solo-piano/
LOCATION:NY
CATEGORIES:Exhibitions,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2023/03/WynonaWang_copy-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230519T180000
DTEND;TZID=America/New_York:20230519T193000
DTSTAMP:20260418T191917
CREATED:20230407T153458Z
LAST-MODIFIED:20230503T163238Z
UID:10003596-1684519200-1684524600@parrishart.org
SUMMARY:Listen | Ching-Yun Hu\, Solo Piano
DESCRIPTION:REGISTER \n$25 Members | $35 Adults (Nonmembers) | $20 for Students\, Children \nAs the spring Salon Series concerts conclude\, the Museum welcomes Ching-Yun Hu\, a bright and active Taiwanese American pianist with an illustrious career. Described by the Philadelphia Inquirer as a “first-class talent”\, Ching-Yun has won top prizes at the 12th Arthur Rubinstein International Piano Competition and the Concert Artists Guild Competition\, performing on classical music’s biggest stages\, and fostering the next generation of musicians as an educator and through entrepreneurial and philanthropic initiatives. \nAs a soloist\, Ching-Yun has astounded audiences across the U.S.\, Europe\, and Asia\, performing sold-out concerts at many of the world’s most prestigious venues — including Lincoln Center\, Carnegie Hall\, the Kennedy Center\, Wigmore Hall\, the Concertgebouw\, Taipei National Concert Hall\, and Osaka’s Symphony Hall. Concerto engagements have included performances with the Philadelphia Orchestra\, Israel Philharmonic Orchestra\, and Taiwan Philharmonic. \nPROGRAM\nRachmaninoff at 150 \nAll works composed or arranged by Sergei Rachmaninoff (1873-1943) \n  \nPrelude in C-Sharp Minor\, Op. 3\, no. 2 \nPartita for Violin\, No. 3 in E Major Johann Sebastian Bach (1685-1750) \narr. Rachmaninoff \n1. Prelude \n3. Gavotte en Rondeau \n6. Gigue \n  \nSix Romances\, Op. 16\, no. 1\, Cradle Song Pyotr Tchaikovsky (1840-1893) \narr. Rachmaninoff \n  \nPrelude in G Major\, Op. 32\, no. 5 \n  \nPrelude in G Minor\, Op. 23\, no. 5 \nVocalise\, Op. 34\, no. 14 Rachmaninoff \narr. Zoltán Kocsis (1952–2016) \n  \nPolka de W. R. \n  \n— Intermission — \n  \nÉtudes-Tableaux\, Op. 39 \nNo. 1. Allegro agitato \nNo. 2. Lento assai \nNo. 3. Allegro molto \nNo. 4. Allegro assai \nNo. 5. Appassionato \nNo. 6. Allegro \nNo. 7. Lento lugubre \nNo. 8. Allegro moderato \nNo. 9. Allegro moderato. Tempo di marcia \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust and sponsored by Yamaha Artist Services\, Inc. \nFriday Night Programming is made possible\, in part\, by Weill-Cornell Medicine – Southampton and The Corcoran Group.
URL:https://parrishart.org/event/listen-ching-yun-hu-solo-piano/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2023/04/ChingYunHu_SalonSeries_ParrishArtMuseum-1.png
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