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DTSTART;TZID=America/New_York:20220729T170000
DTEND;TZID=America/New_York:20220729T174500
DTSTAMP:20260705T012627
CREATED:20220722T204038Z
LAST-MODIFIED:20220727T172507Z
UID:10003222-1659114000-1659116700@parrishart.org
SUMMARY:Tour | Another Justice: US is Them
DESCRIPTION:REGISTER | 5 PM  REGISTER | 6 PM\nJoin us at the Parrish for a gallery tour of Another Justice: US is Them—Hank Willis Thomas | For Freedoms with Curatorial Fellow\, Brianna L. Hernández. Tours will begin at 5 PM and 6 PM in the Museum lobby. \nThe Parrish Art Museum has invited Hank Willis Thomas\, a conceptual artist working with themes related to identity\, commodity\, media\, and popular culture\, and For Freedoms–the artist coalition he co-founded to model and increase creative civic engagement\, discourse\, and direct action—to consider the Museum as a site for works that encourage new ways to experience art\, architecture\, landscape\, and community. On view in the Parrish galleries\, outdoors on the Museum grounds\, and as digital billboards on the Shinnecock Monuments on Sunrise Highway\, Another Justice: US is Them includes nearly 30 works by 12 contemporary artists—many created specifically for the exhibition—in mixed media\, sculpture\, site-specific installation\, wall painting\, and photography. \nArtists include Zoë Buckman\, Pamela Council\, Jeremy Dennis\, Jeffrey Gibson\, Eric Gottesman\, Christine Sun Kim\, Muna Malik\, Joiri Minaya\, Koyoltzintli Miranda-Rivadeneira\, Kambui Olujimi\, Hank Willis Thomas\, and Marie Watt. \nAnother Justice: US is Them is organized by Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, with support from Brianna Hernández\, Curatorial Fellow\, and is co-curated by Hank Willis Thomas and Carly Fischer. \nBrianna L. Hernández is a Chicana artist\, curator\, educator\, and death doula guided by socially engaged practices. In developing as an artist Brianna credits her late mother\, Sylvia D. Hernández\, as her most significant mentor. In the studio\, Brianna focuses on end-of-life care\, grieving processes\, and mourning rituals based on lived experience\, cultural research\, and collaborations with peers. As a curator\, Brianna works with artists to make socially-charged topics publicly accessible in order to create opportunities for education and empathy. In addition to her role as Curatorial Fellow at the Parrish\, Brianna proudly serves as Curator and Board Secretary of Ma’s House & BIPOC Art Studio on the Shinnecock Indian Reservation in Southampton\, New York. \nMore information surrounding our COVID-19 protocol → \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/tour-another-justice-us-is-them-hank-willis-thomas-for-freedoms/2022-07-29/1/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Public Tours
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220715T180000
DTEND;TZID=America/New_York:20220715T193000
DTSTAMP:20260705T012627
CREATED:20220621T201619Z
LAST-MODIFIED:20220711T163659Z
UID:10003203-1657908000-1657913400@parrishart.org
SUMMARY:Music | Jacques Schwarz-Bar: Jewish Chants and Afro-Caribbean Jazz Quintet
DESCRIPTION:REGISTER \nSummer concerts on the Terrace continue with a live jazz performance by Jacques Schwarz-Bart: Jewish Chants and Afro-Caribbean Jazz Quintet\, co-presented with Hamptons Jazz Fest. As part of the second annual Hamptons Jazz Fest\, Schwarz-Bart brings exciting lyrical jazz styles to the Parrish.  \nBorn in Guadalupe\, Jacques Schwarz-Bart pursued a path of music and mysticism\, playing alongside luminaries such as Roy Hargrove\, Danilo Perez\, Ari Hoenig\, Meshell n’Degeocello and D’angelo or Chucho Valdes. He outright created two surging new styles: Gwoka Jazz\, and Voodoo Jazz\, reuniting jazz music with its Afro-Caribbean and spiritual origins. With impressionistic writing\, powerful tone\, and wide-ranging language – both lyrical and angular – these jazz styles have fueled a growing presence on the world stage. Leading the Gwoka Jazz Project\, Schwarz-Bart recorded two albums for Universal\, Soné Ka La and Abyss\, which built his career as an internationally acclaimed jazz musician and band leader.  \nIn 2010\, he released Rise Above\, which revives his long-lasting collaboration with singer – and spouse – Stephanie McKay and blends NY urban mood and Caribbean feelings. Schwarz-Bart went on to work on projects and recordings including The Art of Dreaming\, Jazz Racine Haiti\, Creole Spirits\, Voodoo Jazz Trio and Hazzan. In 2016\, Schwarz-Bart joined the faculty at Berklee College of Music as an Associate Professor for ensembles of jazz and neo-soul music. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nAttendees at events in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/music-jacques-schwarz-bart-and-sone-kala-afro-caribbean-futuristic-quintet/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220701T180000
DTEND;TZID=America/New_York:20220701T193000
DTSTAMP:20260705T012627
CREATED:20220531T154213Z
LAST-MODIFIED:20220629T210510Z
UID:10003182-1656698400-1656703800@parrishart.org
SUMMARY:Music | Elegant People Fusion Explosion
DESCRIPTION:REGISTER \nSummer Jazz on the Parrish Terrace kicks off with Elegant People Fusion Explosion as part of the second annual Hamptons Jazz Fest! In partnership with The Jam Session\, this live jazz concert features Eric Schugren\, saxophone\, Randolph Hudson\, bass\, Fred Gilde\, keyboard\, and Claes Brondal\, drums.  \nElegant People Fusion Explosion combines jazz harmonies and improvisation with funky grooves and Latin and rock rhythms\, creating what became known as fusion music\, drawing influence from Weather Report\, Pat Metheny\, Miles Davis\, John Abercrombie among others. The group was founded in 2020 to celebrate the fusion music of the 1970s and 1980s\, while also bringing this timeless music to a new audience. Elegant People have embraced this style of music\, giving it new life and exposure\, while remaining true to old school sounds and effects. Their repertoire is a mix of fusion hits and soundscapes\, giving the audience a brief but carefully curated journey back to the heydays of fusion.  \nNo outside food or drink is permitted. Food\, drink\, and picnic baskets are available to purchase in the Café at the Parrish. Preorder options are available here. This event takes place on the Museum’s Terrace\, rain or shine. Please bring your own chairs\, no Museum seating is available. All the summer concerts in collaboration with Hamptons Jazz Fest are recorded for 88.3 WLIW\, Long Island’s only NPR Station\, based in Southampton. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nAttendees at all ticketed events on the terrace or in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/music-elegant-people-fusion-explosion/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/05/ParrishMuseum_ElegantPeople_Jazz.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220617T180000
DTEND;TZID=America/New_York:20220617T193000
DTSTAMP:20260705T012627
CREATED:20220412T181112Z
LAST-MODIFIED:20220616T151451Z
UID:10003142-1655488800-1655494200@parrishart.org
SUMMARY:Film & Talk | Decoy by Michael Blackwood
DESCRIPTION:REGISTER\n$15 | Adults \n$5 | Members and Students with ID \nDecoy\n1972\, 18 minutes\nDirector: Michael Blackwood\nShown in conjunction with the current exhibition An Art of Changes: Jasper Johns Prints\, 1960 – 2018\, this short documentary explores how Jasper Johns created Decoy—a series of paintings and prints\, one of which is featured in this exhibition—and how it is rooted inside the notions of reproduction\, transformation\, and memory. \nBelieving that an image gains new meaning each time it is presented\, Johns boldly confronts his own past work\, most notably Ale Cans (1964)\, and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes in the film\, “each time a motif is used and reused additional memories accrue\, new layers of meaning\, and the image itself begins to acquire its own history.” It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art\, thus redirecting society’s interpretation. \nDiscussion to follow with Alicia G. Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education and Lorena Salcedo-Watson\, Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook University in the Lichtenstein Theater. \nLorena Salcedo-Watson | Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook\nUniversity \nLorena Salcedo-Watson is an artist and master printmaker whose work consists of large-scale drawings and prints focused on the relationships between the structures and essential qualities of life forms. Based on a fascination with human anatomy\, botany\, and entomology\, her imagery transforms and re-interprets aspects of nature\, filtering through personal experience\, observation\, and imagination. \nAs an educator\, Salcedo-Watson taught intaglio printmaking at Cooper Union for seven years and was on the faculty of St. Joseph’s College. Salcedo-Watson worked at Universal Limited Art Editions (ULAE) for fourteen years as a master printer and collaborator. Salcedo-Watson has worked with artists including Elizabeth Murray\, Terry Winters\, Jasper Johns\, Robert Rauschenberg\, James Rosenquist\, Kiki Smith\, Suzanne McClelland\, Carroll Dunham\, Susan Rothenberg\, Julian Lethbridge\, Jane Hammond\, Lisa Yuskavage\, Ellen Gallagher\, and Malcolm Morley. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nAttendees at events in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-decoy-by-michael-blackwood/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/04/Decoy_MichaelBlackwood_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220610T180000
DTEND;TZID=America/New_York:20220610T200000
DTSTAMP:20260705T012627
CREATED:20220503T224650Z
LAST-MODIFIED:20220607T135937Z
UID:10003165-1654884000-1654891200@parrishart.org
SUMMARY:Film & Talk | The Gardener
DESCRIPTION:REGISTER\n$15 | Admission \n$5 | Members\, Seniors\, and Students with ID \nThe Gardener\n2016\, 84 minutes\nDirected by Sébastien Chabot\nFollowed by a conversation and Q&A with Alicia Whitaker\, horticulturist and Thackston Crandall\, landscape architect\n\nThe Gardener is a film that reflects upon the meaning of gardening and its impact on our lives. Co-presented with Hamptons Doc Fest and in conjunction with  Landscape Pleasures\, the documentary features the influential gardener and plantsman Frank Cabot shortly before his passing at the age of 86. Cabot recounts his personal quest for perfection at Les Quatre Vents\, his 20-acre English style garden and summer estate\, which he opened to a film crew for the first time in 2009. \nNestled amid the rolling hills of the Charlevoix County in Quebec\, Les Quatre Vents has become one of the world’s foremost private gardens. Created over the course of 75 years and three generations\, this horticultural masterpiece of the 21st century is an enchanted place of beauty and surprise. Through remarks by Cabot and his family\, and with the participation of gardening experts and writers\, the film looks back at this remarkable man’s personal story and the artistic philosophy that gave birth to one of the greatest gardens in the world. \n  \nAbout the Director \nSébastien Chabot (b. 1976\, Sainte-Florence\, Quebec) is a Canadian writer\, cinematographer\, and producer\, who published his debut novel Ma mère est une marmotte in 2004. He was awarded the Prix Jovette-Bernier in 2006 for his sequel\, L’Angoisse des poulets sans plumes\, and was recently shortlisted for the Governor General’s Award for French-language fiction for the novel Noir métal. Discussing The Gardener in a feature article in Point of View Magazine\, Chabot said that working with Frank Cabot was about cultivating a film that would be as finely crafted as the garden it depicts. “Doing a personal movie about one’s personal garden might be the best way to reveal someone.” Chabot received his education at the Université du Québec à Rimouski and the Université du Québec à Montréal. He is a professor of literature at the Cégep de Rimouski. \nAbout Alicia Whitaker \nAlicia Whitaker is an executive leadership coach and consultant who has worked to support her gardening habit for decades. A home gardener and active participant in the East End gardening community\, she is past president (2019-2021) and long-time board member of the Horticultural Alliance of the Hamptons\, and recently joined the Board of Directors of the Westhampton Garden Club where she serves as Chair of Horticulture and member of the Pollinator Team responsible for a fledgling Pollinator Garden at the Quogue Library. She is co-author\, with Betsy Pinover Schiff\, of The Sidewalk Gardens of New York (Monacelli Press\, 2016) which describes the many ways NYC has become a greener city in the past two decades. Whitaker became a Master Gardener in 2021 after completing a course offered by Cornell Cooperative Extension Service. She holds a BA from the University of Massachusetts at Amherst and an MBA from Harvard Business School. \nAbout Thackston Crandall \nThackston Crandall is a licensed Landscape Architect and Senior Associate with LaGuardia Design Group\, located in Watermill NY and NYC. As a member of the LDG team\, Thackston enjoys collaborating with colleagues and clients on a range of projects including residential\, commercial\, and cultural landscapes. Thackston received a Bachelor of Landscape Architecture from Clemson University and a Master of Landscape Architecture from Cornell University. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \n 
URL:https://parrishart.org/event/film-the-gardener/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/05/TheGardner_film_FrankCabot_SébastienChabot_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220603T180000
DTEND;TZID=America/New_York:20220603T190000
DTSTAMP:20260705T012627
CREATED:20220503T222315Z
LAST-MODIFIED:20220517T170811Z
UID:10003164-1654279200-1654282800@parrishart.org
SUMMARY:PechaKucha Night Vol. 36
DESCRIPTION:TICKETS  LIVESTREAM\nMeet the many creatives who call the East End their home at our high-energy PechaKucha Nights. Artists\, writers\, musicians\, gardeners\, farmers\, baymen\, winemakers\, chefs\, designers\, and architects present their work and passions in just under 7 minutes as they use a simple format of 20 images x 20 seconds per image. \nAs the official site for the Hamptons\, the Parrish joins over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from your neighbors. \n  \nJohn Melillo\, Eastport \nJohn Melillo grew up on the east end of Long Island and is an avid fisherman. He is a disabled Vietnam Veteran who finds solace through contemporary realistic oil painting of his heritage. His art is geared to detail and storytelling through realistic presentation\, enabling the viewer to create their own narrative. Melillo started his career by taking numerous classes at the Art League of LI\, Suffolk County Community College\, the School of Visual Arts\, NY Academy of Art and the Metropolitan Museum. He has business certificates from Christies and Sotheby’s and has been featured in many articles & TV appearances. \n  \nCamille Perrottet\, East Hampton \nCamille Perrottet is a multi-disciplinary artist\, working in photography\, mural\, painting\, video and installation. Born in France and raised in Paris\, Perrottet moved to New York City in 1979 and has been based in East Hampton since 1993. Perrottet’s work has been influenced by the geographic locations she lived in\, the artistic communities she was in relationship with\, new art mediums she experimented with\, and the socio-political issues of the time\, surrounding the themes of women\, sexuality\, and politics. \n  \nBrianna L. Hernández\, Southampton \nBrianna L. Hernández is a Chicana artist\, curator\, educator\, and death doula guided by socially engaged practices. In developing as an artist and creative professional Hernández credits her late mother\, Sylvia D. Hernández\, as her most significant mentor and inspiration for the creativity\, resilience\, and compassion she demonstrated throughout her life. Her ongoing artwork focuses on the experience of providing end-of-life care\, grieving processes\, and mourning rituals based on her lived experiences\, cultural research\, and collaborations with others in the field. \n  \nDenise Silva-Dennis\, Shinnecock \nDenise Silva Dennis\, 1960\, whose Indigenous name is WeeTahMoe\, is a member of the Shinnecock Nation\, Southampton\, NY and Hassanamisco Nation\, Grafton\, Massachusetts. Silva-Dennis is a multi-disciplinary artist\, a social justice activist\, a public speaker\, and a retired Southampton Elementary School Art Teacher. WeeTahMoe is also an accomplished beadwork craftswoman. The traditional Eastern Woodland style of beadwork was handed down to her from the elder women of the Shinnecock and Hassanamisco Nipmuc Nation\, whose work includes traditional jewelry\, beaded walking sticks\, beaded pouches and beaded cradleboards. \n  \nTed Nemeth \nTed Nemeth\, currently enthralled with the challenges of his 5th professional career: a gypsy with a camera\, previously worked on Wall Street for several years\, as well as two technology start-ups. Moving beyond those endeavors\, Nemeth worked with developmentally disabled adults for several years\, and became a renowned leather craftsman with celebrity clients and private projects around the world for 11 years before picking up a camera. As a third-generation filmmaker\, Nemeth started his production company\, Currently Filming Optimism\, travelling the world creating videos for artists and charities to help drive awareness & donations. \n  \nSarah Alford \nSarah Alford is a writer\, photographer and software designer. Her work has appeared in East\, The East Hampton Star and the Sag Harbor Express magazine. Alford’s interest in horticulture extends to the animal world\, and she revels in using photography to capture easily unseen moments in nature. Alford is especially inspired by the microcosms of native host trees and plants which have a unique relationship with the creatures they support.    \n  \nMark Seidenfeld \nMark Seidenfeld lives and works in Bridgehampton\, New York. Seidenfeld was academically trained as a lawyer. He represented many galleries around the world and hovered around art until 1992 when Elisa Breton\, the widow of Andre Breton\, convinced him to start painting. Once begun\, that activity unleashed a volcano of creativity. Seidenfeld’s artistic mission is to create and cultivate his own unique visual language. Using an intuitive mind guided by the inspiration emotions\, he aims to take artistic journeys into the unknown in the process of making artworks. Both his photography and painting have won awards and have been subject to articles in various art publications as well as exhibitions and representation in New York galleries.\n \nLearn more about PechaKucha Night Hamptons  → \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/pechakucka-night-volume-36/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,PechaKucha
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/05/PechaKucha_June3_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220513T180000
DTEND;TZID=America/New_York:20220513T190000
DTSTAMP:20260705T012627
CREATED:20220405T143524Z
LAST-MODIFIED:20220405T144813Z
UID:10003135-1652464800-1652468400@parrishart.org
SUMMARY:Music | Ariel Horowitz
DESCRIPTION:TICKETS\nSalon Series\, the Parrish Art Museum’s concert program featuring world-class artists performing in an intimate\, casual setting. \nJoin us for a special concert featuring internationally acclaimed soloist Ariel Horowitz on violin. Hailed by The Washington Post as “Sweetly Lyrical\,” violinist Ariel Horowitz enjoys an active concert schedule playing staples alongside works by lesser-known composers from backgrounds historically underrepresented in classical music. She has performed as a soloist with the Baltimore Symphony Orchestra\, the Kammerphilharmonie Hamburg\, and the Santa Fe ProMusica Orchestra and\, in recent seasons\, she premiered two of her original pieces for violin and voice at Carnegie Hall’s Weill Hall and the Kennedy Center’s Terrace Theater. Ariel is a prizewinner of the Grumiaux\, Stulberg\, and Klein International Competitions as well as the Salon De Virtuosi Career Grant. In 2020\, Ariel won the Concert Artists Guild Ambassador Prize and joined the CAG roster. Ariel is also the Founder and Artistic Director of The Heartbeat Music Project\, a tuition-free program providing instruments\, music\, and Navajo (Diné) cultural knowledge to K-12 children living in the Navajo Nation. \nAt home in a variety of musical genres and disciplines including improvisation\, Ariel has performed with acclaimed artist-activists Dr. Bernice Johnson Reagon of Sweet Honey In The Rock\, Toshi Reagon and BIGLovely\, Holly Near\, and Pete Seeger. In 2021\, Ariel and her CAG colleague Britton-René Collins founded their ensemble Vision Duo\, centering classical works with a contemporary twist. The duo performs improvised\, multi-genre works alongside classics of the canon and contemporary classical music\, all the while striving to break down barriers of access in classical music structures such as concert halls and conservatories. \n  \nPROGRAM\nYsaye Sonata Op. 27\, no. 3 ‘Ballade’\nHorowitz: Selections of Songs for Singing Violinist\nWynton Marsalis Fiddle Dance Suite: I. Sidestep Reel\n— intermission —\nErroll Garner\, Misty (arr. Horowitz)\nJessie Montgomery\, Rhapsody for Solo Violin no. 2\nSelections from JS Bach Partita no. 2 in D minor\nLouis Armstrong\, What a Wonderful World (arr. Horowitz) \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/music-salon-series-ariel-horowitz/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/04/ArielHorowitz_SalonSeries_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220506T180000
DTEND;TZID=America/New_York:20220506T190000
DTSTAMP:20260705T012627
CREATED:20220405T131111Z
LAST-MODIFIED:20220405T131155Z
UID:10003134-1651860000-1651863600@parrishart.org
SUMMARY:Music | Parker Ramsay
DESCRIPTION:TICKETS\nSalon Series\, the Parrish Art Museum’s concert program featuring world-class artists performing in an intimate\, casual setting. \nIn a unique performance at the Museum\, harpist Parker Ramsay will bring new energy to the harp repertoire\, expanding the capability of the instrument in unexpected new ways. Integrating contemporary music and historical performance\, his work defies easy categorization. Equally at home on modern and period harps\, Ramsay is dedicated to invigorating the existing canon while delving into new and underperformed works. \nA native of Nashville\, Tennessee\, Ramsay began harp studies with his mother at a young age before moving to the UK at age 16. He was awarded the undergraduate organ scholarship at King’s College\, Cambridge where he served under the direction of Stephen Cleobury. His tenure with the Choir of King’s College included performing for the Festival of Nine Lessons and Carols in 2012\, as well as six international tours and four recordings. Parker has performed at the Concertgebouw in\, the Royal Albert Hall\, the Musée d’Orsay\, the National Center for the Performing Arts\, Sejong Center for the Performing Arts\, Verizon Hall\, and Alice Tully Hall. \nAfter receiving his bachelor’s degree in history at Cambridge\, Ramsay pursued graduate studies in historical keyboards at Oberlin Conservatory. In 2014\, he was awarded First Prize at the Sweelinck International Organ Competition. He then studied modern harp at The Juilliard School\, under the tutelage of Nancy Allen. He is a regular contributor for VAN Magazine\, and his writing has appeared in Cleveland Classical\, The New York Times and The Washington Post. \nParker is co-director of A Golden Wire\, a period-instrument ensemble devoted to French and English music from the seventeenth century. He has appeared with the Shanghai Camerata\, the Academy of Sacred Drama\, Ruckus\, Teatro Nuovo and Apollo’s Fire. \nPROGRAM\nGoldberg Variations\, BWV 988 \nJ.S. Bach (1685-1750) \n  \nAria \nVariatio 1. a 1 Clav. \nVariatio 2. a 1 Clav. \nVariatio 3. Canone all’Unisono. a 1 Clav. \nVariatio 4. a 1 Clav. \nVariatio 5. a 1 ô vero 2 Clav. \nVariatio 6. Canone alla Seconda. a 1 Clav. \nVariatio 7. a 1 ô vero 2 Clav. al tempo di Giga \nVariatio 8. a 2 Clav. \nVariatio 9. Canone alla Terza. a 1 Clav. \nVariatio 10. Fughetta. a 1 Clav. \nVariatio 11. a 2 Clav. \nVariatio 12. a 1 Clav. Canone alla Quarta in moto contrario \nVariatio 13. a 2 Clav. \nVariatio 14. a 2 Clav. \nVariatio 15. Canone alla Quinta. a 1 Clav.: Andante \nVariatio 16. Ouverture. a 1 Clav. \nVariatio 17. a 2 Clav. \nVariatio 18. Canone alla Sesta. a 1 Clav. \nVariatio 19. a 1 Clav. \nVariatio 20. a 2 Clav. \nVariatio 21. Canone alla Settima \nVariatio 22. a 1 Clav. alla breve \nVariatio 23. a 2 Clav. \nVariatio 24. Canone all’Ottava. a 1 Clav. \nVariatio 25. a 2 Clav.: Adagio \nVariatio 26. a 2 Clav. \nVariatio 27. Canone alla Nona. a 2 Clav. \nVariatio 28. a 2 Clav. \nVariatio 29. a 1 ô vero 2 Clav. \nVariatio 30. a 1 Clav. Quodlibet \nAria da Capo \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/music-parker-ramsay/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/04/ParkerRamsey_Harp_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220429T180000
DTEND;TZID=America/New_York:20220429T190000
DTSTAMP:20260705T012627
CREATED:20220309T194922Z
LAST-MODIFIED:20220405T131530Z
UID:10003120-1651255200-1651258800@parrishart.org
SUMMARY:Music | Pegasus: the Orchestra
DESCRIPTION:TICKETS\nSalon Series\, the Parrish Art Museum’s concert program featuring world-class artists performing in an intimate\, casual setting. \nJoin us for a special concert focused on some of the most innovative Baroque masterpieces performed by Pegasus: the Orchestra\, conducted by Karén Hakobyan from the harpsichord. The program will include Vivaldi’s Trio Sonata in D Major and Bach’s Brandenburg Concerti No. 4 and No. 5\, featuring soloists Eiko Kano\, violin\, and Kaori Fujii\, flute. \n  \nPROGRAM \nVivaldi\,  Trio Sonata in D Major\, RV 84 \nBach\, Brandenburg Concerto No. 4 in G major\, BWV 1049 \nI. Allegro \nII. Andante \nIII. Presto \nBach\, Brandenburg Concerto No. 5 in D major\, BWV 1050 \nI. Allegro \nII. Affettuoso \nIII. Allegro \nPERFORMERS  \nPegasus: The Orchestra \nKarén Hakobyan | Artistic director\, principal conductor\, & harpsichord \nEiko Kano | Concertmaster & violin soloist \nEdson Scheid | Violin\, principal \nStani Dimitrova | Violin\, principal \nWilliam Hakim | Viola\, principal \nConnor Kim | Cello\, principal \nMilad Daniari | Contrabass\, principal \nKaori Fujii | Flute\, principal \nKatie Althen | Flute \n  \nABOUT THE SOLOISTS \nEIKO KANO | Concertmaster & violin soloist  \nPraised as an artist with “electrifying intensity and lyrical expression\,” New York City-based Japanese violinist Eiko Kano is an internationally recognized soloist as well as a chamber musician frequently collaborating with distinguished artists. A prizewinner of international competitions\, Kano serves as assistant concertmaster at the Albany Symphony Orchestra and regularly plays in the New York Philharmonic. She is the concertmaster and senior artistic advisor of Pegasus: The Orchestra. In 2016\, she launched the critically acclaimed production A Manhattan Story with a unique style of violin music and storytelling. In 2018\, Kano founded the ensemble The New Yorkers\, featuring Karén Hakobyan as her duo partner. They have been performing extensively in the U.S. and Japan. \nKAORI FUJII | Flute \nBorn in Tokyo and residing in New York City\, Kaori Fujii has emerged as one of the leading imaginative and creative flutists to come out of the classical music world. Fujii has graced the stage of leading concert halls\, such as The John F. Kennedy Center\, Carnegie Hall\, Alte Oper Frankfurt\, and Tokyo Opera City Concert Hall. In 2014\, Fujii founded Music Beyond\, Inc.—a nonprofit organization that harnesses the universal power of music to empower and transform people’s lives in the Democratic Republic of the Congo (DRC) in Central Africa. She frequently visits DRC to provide music teacher training and women’s empowerment programs and help build music curriculum for local schools. \nKARÉN HAKOBYAN | Principal conductor & harpsichord \nDescribed as “a musician of abundant gifts and bountiful ideas” by New York Concert Review\, and “an immensely talented and dynamic performer” by Deseret Morning News\, Armenian American pianist\, composer\, and conductor Karén Hakobyan is a versatile force on the international music scene. Since his Carnegie Hall debut at the age of seventeen\, he has performed in major concert halls in Armenia\, Argentina\, Mexico\, Germany\, UK\, Belgium\, France\, Japan\, and the U.S. Hakobyan is a top prizewinner of multiple international piano and composition competitions and holds degrees from the Manhattan School of Music\, Mannes College of Music\, and the University of Utah. \nPEGASUS: THE ORCHESTRA  \nPegasus: the Orchestra is a nonprofit professional orchestra\, founded by Karén Hakobyan in 2017. The Orchestra brings together musicians and audiences of diverse backgrounds and cultural heritages by harnessing the power of music. The ensemble’s versatility is one of its greatest strengths; compact and flexible\, Pegasus performs music of all types of instrumentations\, from duos to full orchestra. Pegasus’ chamber series\, featuring its world-class principals\, fulfills its mission to provide an artistic platform through performance opportunities. Passionate about fostering artistic freedom\, programming an innovative repertoire\, and weaving a strong community fabric\, Pegasus advocates for the right to music education\, and promotes humanity and equality. \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/music-pegasus-the-orchestra/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/Pegasus_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220422T180000
DTEND;TZID=America/New_York:20220422T193000
DTSTAMP:20260705T012627
CREATED:20220325T155403Z
LAST-MODIFIED:20220411T144923Z
UID:10003125-1650650400-1650655800@parrishart.org
SUMMARY:Talk |  Earth Day: Restoring Water & Cultural Practice
DESCRIPTION:REGISTER  LIVESTREAM\nIn celebration of Earth Day 2022\, the Parrish Art Museum presents a panel discussion with Danielle “Munnannock” Hopson-Begun\, Tela Troge\, Gaelin Rosenwaks\, and Kathleen J Graves exploring the relationship between water quality\, cultural practices\, and environmental activism on the East End. \nModerated by Senior Curator of ArtsReach and Special Projects Corinne Erni\, the panelists will bring perspectives from the visual arts and design\, Indigenous environmental restoration\, and marine biology research. \nABOUT THE PANELISTS\nDanielle “Munnannock” Hopson-Begun & Tela Troge are tribal members of the Shinnecock Indian Nation and  members of Shinnecock Kelp Farmers. The Shinnecock Kelp Farmers is a seed to sale\, multigenerational collective of six Indigenous women addressing the climate crisis. Through the cultivation and harvesting of sugar kelp in Shinnecock Bay\, their work is focused on restoring the bay and creating an environmentally friendly fertilizer from the matured kelp. \nGaelin Rosenwaks is a marine scientist\, explorer\, photographer\, and filmmaker. She began her career at the Woods Hole Oceanographic Institution conducting research in Antarctica and then earned her Master’s Degree in Coastal Environmental Management from Duke University researching Giant Bluefin Tunas. Alarmed by the changes happening in the oceans\, Gaelin founded Global Ocean Exploration Inc to share her passion for ocean exploration\, marine conservation\, and storytelling. She now participates and conducts expeditions in every ocean to alert the public not only to the challenges facing the oceans\, but also to what science is doing to understand these changes. She has published articles in scientific journals\, newspapers and magazines and has delivered lectures at global conferences and many institutions. She has appeared as an expert and host on TV programs including on The Discovery Channel\, Science Channel\, CBS News\, and National Geographic Channel. Her photography has been displayed in many exhibitions\, including solo exhibitions at Duke University\, The Maritime Aquarium\, and the Patagonia Upper West Side Store in NYC. Her latest film project\, Finding Physty\, about her personal connection with sperm whales is the cover story in the June/July 2020 issue of Outside Magazine. \nKathleen J Graves is an artist and photographer whose work is based on her love of nature and technology\, reflecting on changing weather patterns worldwide and flooding in the Long Island area where she lives. In her Bot Studies she builds 3D objects by using organic elements and re-purposing throwaway materials and electronics. The Bots are based on science and its discoveries about Artificial Intelligence; they are becoming a species with their own intentions\, abilities\, ideas\, and purpose. They could become a threat to humans—it is this dilemma that interests the artist. The Bots are also a reference to how we live\, what we manufacture and buy\, what we forget about and throw away. Graves tries to bridge the divide between our alienation from technology’s forms and our ability to humanize them. They help her reflect on our participation in cyborg and robot formats\, their usefulness\, and our enjoyment of them. Graves has shown her work in New York\, Miami\, the Czech Republic\, Italy\, and Korea. She was an Adjunct Assistant Professor of Art at New York University\, and taught at Sarah Lawrence College\, Pratt Manhattan\, and the International Center of Photography in NYC. She was the Director of the Advanced Digital Print Studio at NYU between 2005-2012. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID.\nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/talk-water-culture-and-the-environment-with-danielle-hopson-begun-gaelin-rosenwaks/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/Shinnecock_KelpFarmers_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220415T180000
DTEND;TZID=America/New_York:20220415T190000
DTSTAMP:20260705T012627
CREATED:20220401T163754Z
LAST-MODIFIED:20220404T135356Z
UID:10003130-1650045600-1650049200@parrishart.org
SUMMARY:Online Talk | Donna de Salvo and Dorothy Lichtenstein: Roy Lichtenstein and Pop Art Before and After the Dots
DESCRIPTION:REGISTER\nTune into the lively conversation that took place six months ago in conjunction with the exhibition Roy Lichtenstein: History in the Making\, 1948-1960\, on view at the Museum\, August 1–October 24\, 2021. \nDorothy Lichtenstein\, former director of the pioneering Paul Bianchini Gallery\, New York\, and who worked closely with many of the Pop artists\, was joined in conversation with Donna De Salvo\, Senior Adjunct Curator\, Dia Art Foundation\, and Curator of Hand-Painted Pop: American Art in Transition\, 1955-1962\, about this legendary artist and pivotal period in art in the United States. \nOne of the progenitors of Pop Art\, Roy Lichtenstein’s work of the 1950s reveals much about the preoccupations of a younger generation of artists in the post-war U.S. as they attempted to work their way through and out of the shadows of Abstract Expressionism. Lichtenstein’s wide-ranging explorations of subject matter and form would lead to his groundbreaking Pop paintings\, first shown in New York in 1962\, ushering in a new attitude towards art from which there was no turning back. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/online-talk-donna-de-salvo-and-dorothy-lichtenstein-roy-lichtenstein-and-pop-art-before-and-after-the-dots/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/RoyLichtenstein_DonnaDeSalvo_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T180000
DTEND;TZID=America/New_York:20220408T193000
DTSTAMP:20260705T012627
CREATED:20220301T193401Z
LAST-MODIFIED:20220404T135344Z
UID:10003112-1649440800-1649446200@parrishart.org
SUMMARY:Film | The 100 Years Show starring Carmen Herrera
DESCRIPTION:2015\, 40 min\, Directed by Alison Klayman \n$15 | $5 Parrish Members \nREGISTER \nJoin us for a screening of the documentary\, The 100 Years Show\, starring Carmen Herrera shortly before what would be her 107th birthday\, as we commemorate the life and work of the prolific artist who recently passed away. The 100 Years Show highlights Herrera’s oeuvre which went virtually unknown for most of her life. The screening will be followed by a livestreamed Q&A with director Alison Klayman and Senior Curator Corinne Erni. \nFrom architecture studies in Cuba to New York’s Art Students League to Le Salon des Réalités Nouvelles in Paris\, Herrera’s life has spanned continents and art movements and demonstrates a persistent devotion to her work. She was a pioneer and a peer of many male artists who received great recognition in their time. Her story is just one example of the many great artists whose accomplishments were overlooked because of their gender\, ethnicity\, or nationality. The 100 Years Show demonstrates the power of artistic vision to sustain itself. \nABOUT CARMEN HERRERA \nBorn in 1915 in Havana\, Cuba\, Herrera was educated in Havana and Paris\, studying art\, art history\, and architecture. Herrera regularly exhibited her work with the Salon des Réalités Nouvelles\, an international group of artists\, and developed a distilled\, geometric style of abstraction\, reducing her palette to three colors for each composition\, then further to two. Herrera’s hard-edged canvases emerged while Ellsworth Kelly\, whose time in France overlapped with Herrera’s\, began producing his own abstractions and around the same time that Frank Stella began producing his famous black paintings. \nHerrera’s ascetic compositions\, which prefigured the development of Minimalism by almost a decade\, did not find a warm reception when she returned to New York in 1954. Since the 1990s\, Herrera’s work garnered increasing attention\, selling her first painting in 2004\, followed by an explosion of attention\, exhibitions\, and acquisitions at the Museum of Modern Art\, Walker Art Center\, Hirshhorn Museum and Sculpture Garden\, Boston Museum of Fine Arts\, and Tate Modern. Herrera’s life spanned continents and art movements and demonstrated a persistent devotion to her work. She continued to work out of her Flatiron District studio until her death at age 106. \n\nABOUT THE DIRECTOR \nAlison Klayman’s debut feature documentary Ai Weiwei: Never Sorry won a Special Jury Prize at the 2012 Sundance Film Festival. The film went on to be released theatrically around the globe and shortlisted for an Academy Award\, nominated for two Emmys and two Cinema Eye Honors\, and earned Alison a Director’s Guild of America nomination. She is a regular contributor to the New York Times’ Op-Docs series and was named one of the “20 Directors to Watch” on A.O. Scott and Manohla Dargis’ list of international filmmakers under 40. Alison also filmed and co-edited The 100 Years Show. She is a regular guest speaker at major art museums and universities around the world. She graduated from Brown University in 2006 with an honors B.A. in History. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-the-100-years-show-starring-carmen-herrera/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/CarmenHerrera_The100YearsShow_AlisonKlayman_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220401T180000
DTEND;TZID=America/New_York:20220401T193000
DTSTAMP:20260705T012627
CREATED:20220208T154854Z
LAST-MODIFIED:20220329T155806Z
UID:10003092-1648836000-1648841400@parrishart.org
SUMMARY:Music | Bill O'Connell Quartet featuring Craig Handy
DESCRIPTION:$20 | $10 Parrish Members \nTICKETS\nJoin us in the Lichtenstein Theater for the second concert of the Hamptons Jazz Fest Winter Series with Grammy Award Nominee Bill O’Connell with his Quartet featuring Lincoln Goines on bass\, Robby Ameen on drums\, and special guest saxophonist Craig Handy. \nAfter a 40-year career that has seen him excel as a leader\, soloist\, arranger\, musical director\, and accompanist for some of the most celebrated names in jazz and Latin music\, Bill O’Connell can lay claim to a track record of challenging and artistically diverse triumphs. As a recording artist\, his 13 albums have drawn universal critical acclaim while his talents as a pianist and arranger have been tapped by a diverse range of noted soloists. Today\, O’Connell is both a respected educator and leader of The Latin Jazz All-Stars. Bill O’Connell is nominated for the 64th Annual Grammy Awards for Best Arrangement\, Instrumental and A Capella for Chopsticks. \nO’Connell will be joined by saxophonist Craig Handy. Born in Oakland\, CA\, as a music-hungry youngster\, Handy experimented on guitar\, trombone\, and piano before settling on his first true love\, the saxophone. At the age of 11 while listening to the radio\, Handy fell under the spell of the transcendent saxophone playing of jazz legend Dexter Gordon. Berkeley High School’s (CA) reputable Jazz Program soon beckoned\, and Handy joined the ranks of graduating stellar saxophone talent including David Murray\, Peter Apfelbaum\, and Joshua Redman\, to name a few. He attended North Texas State University and won the coveted Charlie Parker Scholarship which enabled his early college experience as a psychology major and frontrunner in the school’s exceptional One O’Clock Jazz Ensemble. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol here →\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by Weill Cornell Medicine – Southampton\, The Corcoran Group\, and Sandy & Stephen Perlbinder
URL:https://parrishart.org/event/music-bill-oconnell-quartet-featuring-craig-handy/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/HamptonsJazz_BillOConnell_ParrishMuseum_event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220325T180000
DTEND;TZID=America/New_York:20220325T193000
DTSTAMP:20260705T012627
CREATED:20220224T192819Z
LAST-MODIFIED:20220316T164522Z
UID:10003110-1648231200-1648236600@parrishart.org
SUMMARY:PechaKucha Night Hamptons Vol. 35
DESCRIPTION:TICKETS  LIVESTREAM\n\nJoin high school students and art educators featured in the 2022 Student Exhibition from schools across the East End as they present their work and passion during a special PechaKucha Night. \nAs the official site for the Hamptons\, the Parrish joins over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. The format is simple: each invited presenter gets 20 images x 20 seconds per image to talk about living creatively. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from the many creatives who call Long Island home. \nParticipants: Shelter Island School teacher Catherine Brigham and student Margaret Schultheis; Southampton High School teacher Pamela Collins and student Talus Pinto; Bridgehampton School teacher Robin Gianis and students Luna Paucar and Pearl Ann V. Cherry Brown; and East Hampton High School teacher Margaret Zubarriain with student Kym Bermeo. \n  \nABOUT THE PRESENTERS \nSHELTER ISLAND UNION FREE SCHOOL DISTRICT \nCatherine Brigham teaches art to 15 grade levels\, ranging from 3–19 years old. Brigham earned an undergraduate degree in Art and Design in Education from Pratt Institute\, and a Master’s in Teaching Students with Disabilities from Long Island University. She lives on Shelter Island full time. \nMargaret Schultheis\, in the 11th grade\, is currently participating in the drama club and art club. Her plans for the future include tattooing and illustration. \nSOUTHHAMPTON HIGH SCHOOL \nPamela Collins has an MFA in Painting/ Drawing from Brooklyn College and both a BFA in Painting/Drawing and a BS in Art Education from SUNY New Paltz. At Southampton\, she teaches Studio in Art\, Mural Painting and Set Design\, Drawing and Painting\, College Level Drawing\, Advanced Painting\, and Portfolio Development. Collins also teaches classes at the Parrish Art Museum. \nTalus Pinto\, who works in photography\, is a senior at SHS and plans to attend the School of Visual Arts in New York City upon graduation. Pinto has been part of the SHS’s art club for 4 years and is grateful for his participation in the club. His hope for those seeing his work is\, “I hope you embrace my vision of the world through the fine arts of photography.” \nBRIDGEHAMPTON SCHOOL \nOriginally from Cambridge\, MA\, art teacher Robin Gianis found her way to the East End after graduating from Sarah Lawrence College. After an early career in retail management\, she transitioned into art education. She has taught K-12 at the Bridgehampton School and has served on the Parrish Art Museum Education Committee. A ceramic artist\, Gianis will be featured in the event Encounters with Artists: Insights into the Artistic Process at the Parrish Art Museum. \nLuna Paucar is a junior at the Bridgehampton High School whose interests include design and ceramics. This year\, she contributed to the design portions of Student Council\, National Honor Society\, Culture Club\, and the Robotics team. Paucar’s favorite subjects are Marimba and art\, and she shares these talents with friends and family from Honduras and Ecuador. By combining her culture\, Marimba\, and art\, Paucar’s goal is to attend the Rhode Island School of Design. \nOne of Pearl Ann V. Cherry Brown’s favorite classes is studio art\, and she especially loves to make props out of cardboard. She spends much of her time drawing\, and her hobbies include crafting and listening to music. \nEAST HAMPTON HIGH SCHOOL \nMargaret Zubarriain graduated from Parsons/New School of Design with a BFA in Illustration. She worked as an intern prop builder for The Jim Henson Company\, a set painter for Women’s Expressive Theater in New York\, and created murals in the Bronx\, Manhattan\, and most recently a large commission at Gurney’s in Montauk. A mother of two\, Zubarriain is in her sixth year teaching Drawing\, Painting\, and Sculpture at East Hampton High School. \nSenior Kym Bermeo\, a Latinx queer artist who lives in Springs and participates in the art club at East Hampton High School\, is member of the Teen Arts Council at Guild Hall\, and works at The Golden Eagle Art supply store. Bermeo’s goal through her work is to shine light on the hardships of her community and their identity. She is heavily involved in the art community and hopes to continue evolving her work in college. \nLearn more about PechaKucha Night Hamptons. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/pechakucha-night-hamptons-vol-35/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Friday Nights,Hamptons Art,PechaKucha,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/TeenPechakucha_TaraProut_OliviaBono_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220318T180000
DTEND;TZID=America/New_York:20220318T200000
DTSTAMP:20260705T012627
CREATED:20220121T201652Z
LAST-MODIFIED:20220314T203548Z
UID:10003074-1647626400-1647633600@parrishart.org
SUMMARY:Film | Beyond the Visible: Hilma af Klint
DESCRIPTION:In the Lichtenstein Theater \n$15 | $5 Parrish Members\, Seniors\, and Students \n2019\, 93 min\, Director Halina Dyrschka \nREGISTER  LIVESTREAM \nIn celebration of Women’s History Month\, the Parrish Art Museum in partnership with Hamptons Doc Fest and as part of the Artist’s Lens Series\, will present a screening of Beyond the Visible: Hilma af Klint.  \nHilma af Klint was an abstract artist before the term existed\, a visionary\, trailblazing figure who\, inspired by spiritualism\, modern science\, and the riches of the natural world\, began in 1906 to create unprecedented\, large-scale\, colorful\, and sensual paintings. The subject of a recent retrospective at the Guggenheim Museum\, af Klint was for years an all-but-forgotten figure in art historical discourse\, before her long-delayed rediscovery. Director Halina Dryschka’s documentary describes not only the life and craft of af Klint\, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Interviews with af Klint’s family and friends\, artists\, historians\, and collectors share untold stories that depict a heroine whose pursuit of art\, questions of life and fulfillment go beyond the visible. \nThe screening will be followed by a conversation with artists Dannielle Tegeder and Sharmistha Ray who co-founded Hilma’s Ghost\, a feminist artist collective\, in 2020. The collective seeks to address existing art historical gaps by cultivating a global network of women\, nonbinary\, and trans practitioners whose work addresses spirituality. Hilma af Klint’s groundbreaking exhibition at the Guggenheim in 2018 served as a reckoning for art history’s blindspots\, especially for women artists considered too ‘mystical’ for the conservative art world. \nABOUT THE DIRECTOR \nDirector Halina Dyrschka was born in Berlin\, Germany and is active as a director and producer. After studying acting\, classical singing\, and film production she founded the company Ambrosia AMBROSIA FILM in Berlin. The first film she directed\, 9andahalf’s Goodbye was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint. \nABOUT HILMA’S GHOST \nThe collective created the ABSTRACT FUTURES TAROT Deck inspired by af Klint\, which was exhibited at the 2021 Armory Show\, and organized Cosmic Geometries\, an exhibition of intergenerational and intersectional artists that examines the spiritual and aesthetic functions of abstract painting and geometry\, currently on view at The Elizabeth Foundation for the Arts. Hilma’s Ghost has produced online workshops attended by over 700 people worldwide. \nBrooklyn-based artist/art critic/educator Sharmistha Ray has explored subjective experience through the lens of queerness\, language\, and memory. They have exhibited their work—which includes drawing\, painting\, sculpture\, video installation\, and photography—in solo exhibitions in Mumbai\, New York\, and Singapore\, as well as group exhibitions worldwide. A recipient of the Joan Mitchell M.F.A. Grant with an M.F.A. in Painting from Pratt Institute\, they teach in the M.F.A. programs at Carnegie Mellon University and Parsons School of Design. \nThe work of Dannielle Tegeder\, an artist and professor at CUNY Lehman College\, has explored abstraction through the lens of systems\, architecture\, and modernism through her paintings\, drawings\, large-scale installation and other media\, as well as through collaborations with composers\, dancers\, and writers. In 2020 Tegeder founded The Pandemic Salon\, a community-centric online environment that showcases topics related to the pandemic by bringing together creative minds from around the world. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-beyond-the-visible-hilma-af-klint/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/HilmaafKlimt_ParrishArtMuseum_HalinaDyrschka.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220311T180000
DTEND;TZID=America/New_York:20220311T193000
DTSTAMP:20260705T012627
CREATED:20220225T210754Z
LAST-MODIFIED:20220310T160436Z
UID:10003111-1647021600-1647027000@parrishart.org
SUMMARY:Film & Talk | Experimental shorts by Women Artist Filmmakers from the 1970s
DESCRIPTION:TICKETS\nIn recognition of Women’s History Month\, join us for a special screening of experimental films made by members of Women Artist Filmmakers\, a network established in 1974 to discover\, celebrate\, and support women artists who make films. Members included Dorothy Beskind\, Susan Brockman\, Doris Chase\, Silvianna Goldsmith\, Maria Lassnig\, Carolee Schneemann\, Rosalind Schneider\, Olga Spiegel\, and Alida Walsh. In 1975\, its members organized a film series as part of the exhibition Women Artists Here and Now at Ashawagh Hall in Springs\, NY. The exhibition was co-organized by visual artists Joyce Kozloff and Joan Semmel and included numerous female artists who were and are active in the East End\, including Semmel\, Lynda Benglis\, Hedda Sterne\, and Miriam Schapiro\, among others. \nThe program will be introduced by visual artist Sara VanDerBeek\, a Springs resident and co-founder of Soft Network. A Q+A with VanDer Beek and Rosalind Schneider will take place after the screening\, moderated by Senior Curator Corinne Erni. \nSelfportrait (Maria Lassnig\, Austria/USA\, 1971\, 5 min). Courtesy SixPackFilms\, Vienna. Plumb Line (Carolee Schneemann\, USA\, 1968-71\, 14 min). Courtesy EAI\, New York and the Carolee Schneemann Foundation.Depot (Susan Brockman\, USA\, 1975\, 10 min). Courtesy Susan Brockman estate. Circles II (Doris Chase\, USA\, 1972\, 14 min). Courtesy Filmmakers’ Cooperative.Parallax (Rosalind Schneider\, USA\, 1973\, 21 min). Courtesy the Artist. \n  \nAbout the screening \nThis selection of films was organized by Schneider and Martha Edelheit\, one of the group’s original members\, for a commemorative screening conducted at The Arts Center at Duck Creek in Springs in 2021. The event was the conclusion of Soft Network’s multi-venue programming entitled Interior Scroll or What I Did on My Vacation which explored feminist\, inter-generational\, and multi-disciplinary artistic interactions that have been integral to the ongoing development of the arts communities of the East End. \n\nAbout Soft Network \nSoft Network is a cooperative platform established by Chelsea Spengemann and Sara VanDerBeek for connective arts programming. They work between past and present to explore ways in which the archive and archival interactions can become integral modes of exchange\, collaboration\, creativity and commerce. Soft Network’s mission is to provide opportunities for living artists and the representatives of non-living artists to support each other through sharing resources\, labor\, and profits by generating new projects in collaboration with existing platforms. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-women-filmmakers-at-ashawagh-hall/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/MariaLassnig_AshawaghHall_HenryEdelheit_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220225T180000
DTEND;TZID=America/New_York:20220225T193000
DTSTAMP:20260705T012627
CREATED:20211207T223238Z
LAST-MODIFIED:20220104T220053Z
UID:10003051-1645812000-1645817400@parrishart.org
SUMMARY:Music | Greg Lewis Organ Monk Trio featuring Jerry Weldon
DESCRIPTION:TICKETS\n \nJoin us in the Lichtenstein Theater for a Jazz extravaganza with virtuoso organist\, pianist\, and composer Greg Lewis\, a highly accomplished mainstay on New York City’s jazz\, blues\, and funk scenes. Deeply committed to discovering his musical language through specific jazz techniques\, the NYC native has said\, “I’m creating music for the next generation of jazz innovators.” Lewis\, who uses the Hammond B3 organ’s enormous sonic range to playfully turn traditional jazz melodies and notes into harmonic insights\, was named one of “Top 5 Rising Stars” on organ on DownBeat’s 64th annual critic’s poll in 2016. \nLewis will be joined by internationally renowned tenor saxophonist Jerry Weldon\, noted for his involvement in various groups such as Lionel Hampton Orchestra\, Harry Connick\, Jr.s big band\, and with guitarist/singer George Benson. A “veteran” of the New York jazz scene\, he has been on the jazz scene for more than 35 years and has eight CDs under his belt. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-greg-lewis-organ-monk-trio-featuring-jerry-weldon/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/12/GregLewisOrganMonkTrio_-JerryWeldon_ParrishArt.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220218T180000
DTEND;TZID=America/New_York:20220218T190000
DTSTAMP:20260705T012627
CREATED:20220128T125038Z
LAST-MODIFIED:20220207T145959Z
UID:10003090-1645207200-1645210800@parrishart.org
SUMMARY:Talk | Beyond the Lens: Capturing Culture and Conscience
DESCRIPTION:IN-PERSON   LIVESTREAM\nIn the Lichtenstein Theater and Livestreamed \nOn the second evening of a two-part program in recognition of Black History Month\, the Parrish Art Museum in collaboration with Eastville Community Historical Society will present a panel discussion on the noted artistic pioneer and activist Gordon Parks\, his significant contributions and achievements in the field of photography\, and his lasting influence on photographers. \nDr. Georgette Grier-Key\, Executive Director and Chief Curator of the Eastville Community Historical Society\, will be joined by Donnamarie Barnes\, Director of History and Heritage at Sylvester Manor Educational Farm in Shelter Island\, and Steven John Irby\, Co-Founder & Director of Street Dreams magazine\, in a conversation surrounding the art of the photograph and its transformational power in documenting and amplifying social\, cultural\, racial\, and political issues and movements of the day. Parks’ unique style of photography and filmmaking is an enduring body of work that constantly informs us. The panelists—artists and photographers in their own right—will reexamine Parks’ work and talk about various techniques of photography and strategies for storytelling. \n  \nABOUT THE PANELISTS \nDr. Georgette Grier-Key is the Executive Director and Chief Curator of Eastville Community Historical Society of Sag Harbor and has worked in various museums\, historical societies\, and service organizations with a focus on organizational sustainability. She currently serves on the board of the Museum Association of New York and the board of the Preservation League of New York State. Additionally\, Dr. Grier-Key dedicates herself to her community by leading and serving on local and regional boards such as the NAACP Brookhaven Town Branch where she is the duly elected President. Dr. Grier- Key is an adjunct assistant professor at CUNY Medgar Evers College and the director of the Long Island History Institute at SUNY Nassau Community College. Dr. Grier-Key is a historian\, preservationist\, and curator\, using her skills and experience as an organizer and activist to further the agenda of inclusion in traditional frameworks that have practiced institutional and structural exclusion. She is a not-for-profit management specialist and practitioner with more than 20 years of experience in both business and non-profit organizations. She provides consultant services from small to mid-sized organizations including several municipalities. \n Donnamarie Barnes joined Sylvester Manor in 2014 as a volunteer and history docent\, in 2016 became the Curator & Archivist\, and now serves as the Director of History & Heritage. Over the past four years\, she has curated exhibitions at the Sylvester Manor house including Women of the Manor\, A Place in Pictures\, and All That Has Been: Our Roots Revealed. Her ongoing work of conserving the various collections\, researching and uncovering the lives and identities of the enslaved and indigenous people of Sylvester Manor is an integral part of the organization’s mission to preserve\, cultivate and share the stories of all the people of Sylvester Manor. Barnes is also Co-Director of the Plain Sight Project\, which is dedicated to uncovering\, naming\, and counting the enslaved people of the East End of Long Island. In 2015\, she curated a highly acclaimed historic tintype photography exhibition at the Eastville Community Historical Society in Sag Harbor\, entitled Collective Identity. For over thirty years Barnes worked in the editorial photography field as a photographer and photo editor for publications such as People and Essence magazines and as a photo editor at the Gamma Liaison news photo agency. A life-long summer and full-time resident of Nineveh Beach in the historic SANS Community in Sag Harbor\, Barnes grew up photographing the community and the beach landscape\, and photography remains at the heart of all of her work. She holds a Bachelor of Fine Arts degree in Photography from the Cooper Union School of Art. \nSteven John Irby (A.K.A. Steve Sweatpants) is an artist cut directly from the cloth of Brooklyn and Queens. Photographer\, creative consultant\, and aspiring director\, Irby is an artist of the people\, dissolving the arbitrary division between low brow and high brow. His stunning black and white photographs invoke the spirit of Henri Cartier-Bresson but with a modern twist. As a result\, Irby has been called the 21st-century heir of The Decisive Moment. To experience Irby’s work is “to catch the name of God as in a dream—fleeting\, dazzling\, genuflecting.” Irby proves art need not be opaque. It need only ask the right questions. For Irby\, it is\, “Which moments are worth stopping time for?” There are many answers\, of course. His work answers with unflinching fortitude\, “Any moment in which the unbreakable power of the Black experience announces itself”—the worthiness of every single Black moment\, no matter how mundane. “If you would mourn the loss of Black life\, you damn well better celebrate a Black smile\, a rowdy porch playing dominos\, and a flawless cross-up at the local basketball court.” Irby is the co-founder & director of Street Dreams magazine and an artist of many disciplines. He has provided work for Sony\, Nike\, Cartier\, The New Yorker\, and more. He was honored by the City of New York in 2020 for his efforts in the arts and his local community. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-beyond-the-lens-capturing-culture-and-conscience-moderated-by-dr-georgette-grier-key-with-donnamarie-barnes-and-steven-john-irby/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/BeyondtheLens_CapturingCultureandConscience_DrGeorgetteGrierKey_DonnamarieBarnes_StevenJohnIrbyParrishMuseum_event-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220211T180000
DTEND;TZID=America/New_York:20220211T193000
DTSTAMP:20260705T012627
CREATED:20220120T170906Z
LAST-MODIFIED:20220211T145915Z
UID:10003072-1644602400-1644607800@parrishart.org
SUMMARY:Film | A Choice of Weapons: Inspired by Gordon Parks
DESCRIPTION:2021\, Documentary\, 89 minutesDirector: John Maggio\nFree for all \nREGISTER \nIn recognition of Black History Month\, the Parrish Art Museum presents a two-part program in collaboration with Eastville Community Historical Society. A free screening of A Choice of Weapons: Inspired by Gordon Parks on February 11 will be followed by a panel discussion on the importance and impact of Gordon Parks on contemporary Black photography on February 18. \nA Choice of Weapons: Inspired by Gordon Parks chronicles the many ways renowned photographer\, writer\, composer\, activist and filmmaker Gordon Parks (1912-2006) documented his narrative as a Black American in the 20th century and beyond. The film explores the power of images in advancing racial\, economic\, and social equality as seen through the lens of Parks\, one of the most trailblazing artists\, and the generation of young photographers\, filmmakers\, and activists he inspired. Through the lens of three contemporary photographers\, we see Gordon’s legacy come to life. Devin Allen whose photograph “Baltimore Uprising” of the Freddie Gray protests was featured on the cover of Time Magazine; LaToya Ruby Frazier who for five years followed the Flint\, Michigan water crisis and most recently photographed Breonna Taylor’s family for Vanity Fair; and Jamel Shabazz whose photographs on the streets of New York form a visual history of the hip hop era while simultaneously presenting affirming images for his community. \nA Choice of Weapons: Inspired by Gordon Parks is a co-production of Kunhardt Films and HBO. Film for this screening provided by Kunhardt Film Foundation. \nThis screening is presented at no cost and is made possible by the Kunhardt Film Foundation\, Gordon Parks Foundation\, and Michon Boston Group. Donations are welcome. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-a-choice-of-weapons-inspired-by-gordon-parks-and-panel/
LOCATION:NY
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/GordonParks_AChoiceOfWeapon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220128T180000
DTEND;TZID=America/New_York:20220128T190000
DTSTAMP:20260705T012627
CREATED:20220120T185855Z
LAST-MODIFIED:20220124T183527Z
UID:10003073-1643392800-1643396400@parrishart.org
SUMMARY:Online Talk | Corinne Erni and Andras Szanto on The Future of the Museum
DESCRIPTION:REGISTER\nOnline only \nAlmost exactly a year ago\, Senior Curator Corinne Erni talked with museum strategist and author András Szántó about his book\, The Future of the Museum: 28 Dialogues. Listen to their conversation where they addressed questions that are still relevant to museums today—how they adapt to new realities and what some of the most exciting approaches are. Szántó is currently working on a follow up book on the future of museums in conversation with architects\, including Herzog & de Meuron who designed the Parrish. \nHow do museums adapt to new realities around the world today? What are some of the most exciting approaches? As museums worldwide shuttered in 2020 because of the coronavirus\, Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic\, political\, and cultural shifts are signaling the start of a new era\, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the 28 conversations in the book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open\, democratic\, inclusive\, experimental and experiential\, technologically savvy\, culturally polyphonic\, attuned to the needs of their visitors and communities\, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. \nABOUT ANDRÁS SZÁNTÓ\nSzántó advises museums\, foundations\, educational institutions\, and leading brands on cultural strategy. His writings on the art world and art market have appeared in The New York Times\, Artforum\, The Art Newspaper\, and many international publications. He has directed the National Arts Journalism Program at Columbia University and has overseen the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. He is based in New York and Brookhaven Hamlet\, Long Island. He is currently working on the Frankenthaler Climate Art Award\, in a collaboration between The Helen Frankenthaler Foundation\, Asia Society\, National Gallery of Art\, Hirshhorn Museum\, Phillips Collection\, and the Environmental Defense Fund for an open call\, which is live on climateartawards.org \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/online-talk-corinne-erni-and-andras-szanto-on-the-future-of-museum/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/ParrishArtMuseum_AndrasSzanto.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220121T180000
DTEND;TZID=America/New_York:20220121T190000
DTSTAMP:20260705T012627
CREATED:20211221T110242Z
LAST-MODIFIED:20220307T212341Z
UID:10003055-1642788000-1642791600@parrishart.org
SUMMARY:Talk | peter campus\, Virginia Jaramillo\, and John Torreano
DESCRIPTION:Join us for a special conversation with three seminal East End artists at the height of their creative powers\, featured in solo exhibitions this fall. Chief Curator Alicia Longwell will talk with peter campus\, Virginia Jaramillo\, and John Torreano about their decades-long careers and how their practices intersect.\nABOUT PETER CAMPUS \npeter campus (American\, b. New York\, New York 1937) is a seminal artist in the canons of new media and video art. In a solitary pursuit over the past year\, campus positioned his camera around the shores of Shinnecock Bay\, not far from his home in Patchogue\, NY. The resulting six works\, all to be shown in the exhibition\, invite the viewer to meditate on the sublime beauty of the natural landscape\, while noting the gap between what we perceive\, what the camera records\, and what the artist brings to the fore in the video. \nABOUT VIRGINIA JARAMILLO \nA pioneering minimalist whose career has spanned six decades\, Virginia Jaramillo (American\, b. El Paso\, Texas\, 1939) creates work from sources that span history and cross cultures. The exhibition brings together never before seen paintings and drawings completed in her Hampton Bays studio over the past two years. Harmony between Line and Space features two 12-foot canvases\, Quantum Entanglement and Quanta\, in which expansive fields of color are crisscrossed by impossibly uniform razor-thin lines. “The color field was not negative space\,” notes Jaramillo\, “but a space filled with life and possibilities.” \nABOUT JOHN TORREANO \nWith the universe as his muse\, New York and Sag Harbor-based artist John Torreano (American\, b. Flint\, Michigan\, 1941) combines realism infused with abstraction to create works that conflate time and space. Often mapping out ideas on paper first and expanding in paintings\, Torreano has been inspired by the myriad images recorded by the Hubble Space Telescope to create works that contrast the physical with the illusory. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-peter-campus-virginia-jaramillo-and-john-torreano-rescheduled/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/talk_petercampus_VirginiaJaramillo_JohnTorreano_parrishartmuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T190000
DTSTAMP:20260705T012627
CREATED:20211110T160344Z
LAST-MODIFIED:20211110T162716Z
UID:10003040-1637344800-1637348400@parrishart.org
SUMMARY:Curator Tour | Alicia Longwell on peter campus\, Virginia Jaramillo\, and John Torreano
DESCRIPTION:TICKETS\nJoin a special gallery tour led by Alicia Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education\, of three recently opened solo exhibitions by East End artists peter campus (American\, b. 1937)\, Virginia Jaramillo (American\, b. 1939)\, and John Torreano (American\, b.1941). The exhibitions\, organized by Longwell\,  feature predominantly new\, never-before-seen work by artists in the seventh decade of their careers and at the top of their creative powers. \n  \nVirginia Jaramillo: The Harmony between Line and Space presents five newly created paintings by the pioneering minimalist who has practiced for more than six decades. Two paintings represent the artist’s visualization of communication between quantum particles across the vastness of space. John Torreano: Painting Outer Space/Inner Space\, 1989 to Present\, features 10 large-scale paintings on plywood panels\, studded with gems and wood balls. The artist reflects on the mysteries and wonders of the cosmos in these works\, which were inspired by images transmitted by the Hubble Space Telescope. when the hurly burly’s done features nine videographs by new media and video artist peter campus\, captured at sites around the shores of Shinnecock Bay. These continuous video loops—presented on separate screens—invite the viewer to experience the sublime beauty of the natural and the ordinary. \n  \nSpace is limited. Advance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/curator-tour-alicia-longwell-on-peter-campus-virginia-jaramillo-and-john-torreano/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/11/3Exhibitions_ParrishArtMuseum_November6_Invitation10241024_1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T190000
DTSTAMP:20260705T012627
CREATED:20211110T151006Z
LAST-MODIFIED:20211110T192921Z
UID:10003035-1637344800-1637348400@parrishart.org
SUMMARY:Curator Tour | Alicia Longwell on peter campus\, Virginia Jaramillo\, & John Torreano
DESCRIPTION:REGISTER\nJoin Alicia Longwell\,  Ph.D.\, The Lewis B. and Dorothy Cullman Chief Curator\, for an intimate & informative walkthrough of the Museum’s three recently opened solo exhibitions by artists peter campus\, Virginia Jaramillo\, and John Torreano. Organized by Longwell\,  the exhibitions feature predominantly new\, never-before-seen work by artists in the seventh decade of their careers and at the top of their creative powers. \n  \npeter campus: when the hurly burly’s done\nIn a solitary pursuit during COVID-19\, peter campus positioned his camera around Shinnecock Bay to create videographs that invite us to meditate on nature\, while noting the gap between what we perceive and what the camera records.⁠ \nVirginia Jaramillo: The Harmony between Line and Space\nA pioneering minimalist who has practiced for more than six decades\, Jaramillo creates her work from sources that span histories and cultures. \nJohn Torreano: Painting Outer/Inner Space 1989 to Present\nExperience Torreano’s works—inspired by the myriad images recorded by the Hubble Space Telescope—that contrast the physical with the illusory. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/exhibition-tour-alicia-longwell-on-peter-campus-virginia-jaramillo-john-torreano/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/curatedtalk_campus_jaramillo_torreano_3exhibitons_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211112T180000
DTEND;TZID=America/New_York:20211112T200000
DTSTAMP:20260705T012627
CREATED:20211005T002030Z
LAST-MODIFIED:20211108T191919Z
UID:10002986-1636740000-1636747200@parrishart.org
SUMMARY:Music | Nadejda Vlaeva
DESCRIPTION:TICKETS   LIVESTREAM\nPianist Nadejda Vlaeva\, who has performed countless recitals and has appeared as a soloist with orchestras throughout Europe\, Asia\,  and the U.S.\, brings her overwhelming musicality\, poetic nature\, and electrifying virtuosity to Salon Series. \nPROGRAM \nIntermezzo in G minor (Op. 55)  | Paul Klengel \nSonata No. 18 in E flat major\, “The Hunt” (Op. 31\, No. 3)   | Ludwig van Beethoven\nI.   Allegro\nII.   Scherzo – Allegretto vivace\nIII.   Menuetto. Moderato e grazioso\nIV.   Presto con fuoco \nLiebestraum No. 3 | Franz Liszt \nLiebeslied (Widmung) | Robert Schumann\, arranged by Franz Liszt \nIsolde’s Liebestod (Love-Death) | Richard Wagner\, arranged by Franz Liszt \nINTERMISSION \nWaltz in E-flat Major (Op. 18) | Frédéric Chopin \nWaltz in A Minor (Op. 34\, No. 2) \nWaltz in C-sharp minor (Op. 64\, No. 2) \nSonata No. 2 in G-sharp minor (Op. 19) | Alexander Scriabin \nI.   Andante\nII.   Presto \nSilent Words | Nadejda Vlaeva \nExotic Prelude (Op. 17\, No. 3) “In Spanish Style” | Pancho Vladigerov \nABOUT NADEJDA VLAEVA \nBorn in Sofia\, Bulgaria\, Nadejda Vlaeva won First Prize at the Liszt competition in Lucca\, Italy at the age of 15. The Yamaha and Hyperion recording artist was the first pianist to record the complete Bach Transcriptions by Camille Saint-Saëns. American composer Lowell Liebermann composed his Nocturne No. 9 and his Variations on a Theme of Schubert for Vlaeva\, both of which she premiered. She also debuted some recently discovered works by the 19th-century composers Sergei Bortkiewicz and Vladimir Drozdoff at Carnegie Hall’s Zankel Hall. Splitting her time between New York and Europe\, she is a frequent guest at the EG Conference where she has collaborated with BBC’s Planet Earth and violinist Joshua Bell. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n\nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\n 
URL:https://parrishart.org/event/music-nadejda-vlaeva/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/NADEJDAVLAEVA_SalonSeries_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211105T180000
DTEND;TZID=America/New_York:20211105T190000
DTSTAMP:20260705T012627
CREATED:20211005T003234Z
LAST-MODIFIED:20211104T185732Z
UID:10002987-1636135200-1636138800@parrishart.org
SUMMARY:Music | Solomon Eichner
DESCRIPTION:TICKETS   LIVESTREAM\n  \nInternational piano competition winner Solomon Eichner\, recognized for his commanding performances of the keyboard repertoire from the Romantic period\, returns to Salon Series. \nPROGRAM \nPrelude in B Minor | Johann Sebastian Bach\, arranged by Alexander Siloti \nMelody from Orfeo | Cristoph Gluck\, arranged by Giovanni Sgambat \nClair de Lune | Claude Debussy \nNocturne Op.9 No.2 in E flat Major | Frédéric Chopin\nNocturne in C sharp minor Op. Posth. \nLiebestraume No.3 in A flat Major | Franz Liszt \nWidmung | Robert Schumann\, arranged by Franz Liszt \nJazz Prelude in F major\, Opus. 53 No. 23 | Nikolai Kapustin \nDance of the Four Swans | Pyotr Ilyich Tchaikovsky\, arranged by Earl Wild \nLilacs | Sergei Rachmaninoff \nVocalise | Sergei Rachmaninoff\, arranged by Vyacheslav Gryaznov \nPrelude Op.23: No.4 in D Major | Sergei Rachmaninoff\nPrelude Op.23 No.5 in G minor \nABOUT SOLOMON EICHNER \nOriginally from Baltimore\, Eichner received his Bachelors from the Manhattan School of Music\, Masters from Peabody Conservatory\, and Doctorate from the University of South Carolina with a full scholarship and assistantship. He has performed at Steinway Hall\, Carnegie Hall’s Weill Recital Hall\, and Merkin Concert Hall in New York. Concert series include the Bluthner Concert Series in Adamstown\, MD; Johns Hopkins University’s Sheldon Hall Concert Series\, Baltimore; and Enoch Pratt Library Salon Concert Series\, Baltimore. Other recitals include Rice Music House Steinway Concert Series\, Sandhills\, SC; “The Lives of the Piano” Chopin Marathon Concert at Manhattan School of Music in New York; and “Afternoon Concert Series” at the State Department in Washington. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.
URL:https://parrishart.org/event/music-solomon-eichner/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/SOLOMONEICHNER_SalonSeries_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211015T190000
DTEND;TZID=America/New_York:20211015T203000
DTSTAMP:20260705T012627
CREATED:20210920T144008Z
LAST-MODIFIED:20211026T172319Z
UID:10002971-1634324400-1634329800@parrishart.org
SUMMARY:Talk | Justin Beal & Katie Yamasaki
DESCRIPTION:  \nJustin Beal will discuss his new book\, Sandfuture\, an account of the life and work of the architect Minoru Yamasaki with Yamasaki’s granddaughter\, the muralist and children’s book author\, Katie Yamasaki. \nSandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview\, and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT KATIE YAMASAKI \nKatie Yamasaki is a muralist and children’s book artist. She has painted over 80 murals with diverse communities around the world that explore local issues of social justice. Her children’s books focus on stories from underrepresented communities. Yamasaki co-authored Everything Naomi Loved\, with Ian Lendler for Norton Young Readers\, about facing the hard changes of gentrification. When the Cousins Came and Fish for Jimmy recount personal family stories about the internment camps of WWII and growing up in a multi-racial family. Yamasaki earned her MFA from the School of Visual Arts in NYC\, where she served on the faculty for several years. She worked for 14 years as a public school Spanish and Art teacher in both the Detroit and NYC public schools. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-justin-beal-katie-yamasaki/
LOCATION:NY
CATEGORIES:Book Signings,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/09/MinoruYamasaki_PrincetonUniversity_BalthazarKorab_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211008T180000
DTEND;TZID=America/New_York:20211008T190000
DTSTAMP:20260705T012627
CREATED:20210820T201812Z
LAST-MODIFIED:20211026T172210Z
UID:10002936-1633716000-1633719600@parrishart.org
SUMMARY:Talk | 2021 Road Show Artist: Darlene Charneco with Corinne Erni
DESCRIPTION:  \nJoin artist Darlene Charneco in conversation with Corinne Erni\, Senior Curator of ArtsReach and Special Project\, as they discuss Charneco’s 2021 Parrish Road Show exhibition Symbiosome Schoolhouse. The site-specific exhibition is on view through October 24 at Oysterponds Historical Society in Orient\, in both the Old Point Schoolhouse and on the Historical Society grounds. Charneco presents new works on paper\, sculpture\, and video\, as well as the artist’s signature wall reliefs which she calls Touchmaps\, created largely while in residency at the William Steeple Davis Trust in Orient. \nABOUT DARLENE CHARNECO \nDarlene Charneco (b. 1971\, New York City) attended Stony Brook University for MFA Studies and Long Island University Southampton for her BFA. Exhibiting throughout the U.S. and globally\, she participated in PINTA Fair London and the Korean International Art Fair. Charneco’s work is part of Guild Hall Museum’s permanent collection\, and was featured in the Princeton Architectural Press book The Map as Art: Contemporary Artists Explore Cartography by Katherine Harmon\, and How Architecture Learned to Speculate by Mihall & Serbest through the University of Stuttgart. Charneco was awarded the 2017 Pollock-Krasner Foundation Grant. \nABOUT PARRISH ROAD SHOW \nNow in its tenth year\, Parrish Road Show is the Museum’s off-site project designed to encourage engagement and interaction between artists and the communities outside the Museum’s walls. Each year\, selected artists work with the Parrish and partner venues to create new work and to provide unique opportunities for visitors to see and experience art in unexpected places\, from public parks and highways to historical sites and community centers. \nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Medical grade face masks must be worn all times. Masks will be provided to anyone who needs one. \nTo help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.
URL:https://parrishart.org/event/road-show-artist-talk-darlene-charneco-with-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/DarleneCharneco_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210917T183000
DTEND;TZID=America/New_York:20210917T220000
DTSTAMP:20260705T012627
CREATED:20210820T211224Z
LAST-MODIFIED:20210909T134945Z
UID:10002937-1631903400-1631916000@parrishart.org
SUMMARY:Screening | OLA Outdoor Film Festival: La Llorona
DESCRIPTION:$15 | Admission for film\, tour & reception \n$5 | Members and Students with ID \nRegistrarse para el recorrido\, la recepción y la película cuesta $ 15 | $5 para miembros y estudiantes con identificación \nREGISTER \n  \nJoin us for the 18th annual OLA Latino Film Festival organized in collaboration with OLA\, Organización Latino-Americana of Eastern Long Island\, featuring an outdoor screening of the award-winning film La Llorona by Jayro Bustamante\, followed by a recorded Q&A with the filmmaker. \nÚnase a nosotros para el 18º Festival Anual de Cine Latino OLA organizado en colaboración con OLA\, Organización Latino-Americana of Eastern Long Island\, con una proyección al aire libre de la premiada película La Llorona de Jayro Bustamante\, seguida de una sesión de preguntas y respuestas grabada con el cineasta. \n  \n6 pm \nDoors open \nPuertas abren \n  \n6:30 pm \nLight reception and museum tour of the exhibition Tomashi Jackson: The Land Claim \n\nRecepción breve y recorrido al museo de la exposición Tomashi Jackson: El Reclamo de Tierras  \n\n\n  \n7:30 pm \nLa Llorona / The Weeping Woman\n2019\, R\, 97 min\, in Spanish and Maya with English subtitles\nen español y maya con subtítulos en inglés \nDirector: Jayro Bustamante\nRealizador: Jayro Bustamante \nA slow-burn political drama that merges the real-life horrors of the Guatemalan genocide with one of Latin America’s most famous folklores\, the award-winning feature La Llorona is a story about the ghosts of the past bleeding into the present. Accused of the genocide of Mayan people\, retired general Enrique is trapped in his home by massive protests. Abandoned by his staff\, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes. Acclaimed filmmaker Jayro Bustamante presents an urgent and frightening reimagining of the iconic Latin American fable. \n\nUn drama político que fusiona los horrores de la vida real del genocidio guatemalteco con uno de los folklores más famosos de América Latina\, la premiada película La Llorona es una historia sobre los fantasmas del pasado que se desvanecen en el presente. Acusado del genocidio del pueblo Maya\, el general retirado Enrique está atrapado en su casa por protestas masivas. Abandonado por su personal\, el anciano indignado y su familia deben enfrentar la devastadora verdad de sus acciones y la creciente sensación de que una fuerza sobrenatural airada los está atacando por sus crímenes. El aclamado cineasta Jayro Bustamante presenta una reimaginación urgente y aterradora de la icónica fábula latinoamericana. \n\nA recorded conversation with the director will be shared after the screening. \nSe compartirá una conversación grabada con el director después de la proyección. \nLa Llorona was premiered at the 2019 Venice Film Festival and screened at the 2019 Toronto International Film Festival. It was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards\, making the shortlist of 15 films. \nLa Llorona se estrenó en el Festival de Cine de Venecia del 2019 y se proyectó en el Festival Internacional de Cine de Toronto del 2019. Fue seleccionada como la entrada guatemalteca a Mejor Largometraje Internacional en los 93º Premios de la Academia\, quedando en la lista corta de 15 películas. \nSpace on the terrace is limited\, please use the links below to register.\nEl espacio en la terraza es limitado\, utilice el enlace para registrarse. \nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\nEl evento se lleva a cabo al aire libre en la terraza del museo y en el césped\, llueva o haga sol. Por favor traiga sus propias sillas\, no hay asientos disponibles en el Museo. \nAdvance ticket purchase with pre-event registration is required.\nSe requiere la compra anticipada de boletos con registro previo al evento. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nTodas las entradas se venden antes del evento y solo en línea. No hay ventas en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nEste evento al aire libre requiere que todos los asistentes muestren prueba de su estado de vacunación o prueba reciente de COVID negativa (dentro de las 72 horas previas). No se requerirá el uso de máscara para adultos y niños mayores de 12 años cuando estén al aire libre. Las máscaras siempre se requieren en interiores. Los niños menores de 12 años deben usar máscaras en todo momento\, en interiores o exteriores. Puede proporcionarnos su prueba por adelantado para acelerar su proceso de registro enviándola por correo electrónico a healthfirst@parrishart.org. Ponga el título del evento en su línea de asunto. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nNo se permite comida ni bebidas del exterior. Los alimentos y bebidas empaquetados individualmente estarán disponibles para su compra a través del vendedor de café\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nLos baños estarán abiertos durante el evento. Habrá toallitas y desinfectante para manos. El Parrish se desinfecta con regularidad para la seguridad de nuestro personal y visitantes. \nNo pets are allowed on the Museum grounds or in the galleries.\n\nNo se permiten mascotas en los terrenos del Museo ni en las galerías. \n\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival-la-llorona-and-jon/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/LaLorna_ParrishArtMuseum-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210910T180000
DTEND;TZID=America/New_York:20210910T200000
DTSTAMP:20260705T012627
CREATED:20210811T180021Z
LAST-MODIFIED:20211026T171852Z
UID:10002925-1631296800-1631304000@parrishart.org
SUMMARY:Talk & Book Signing | Justin Beal: Sandfuture
DESCRIPTION:Join artist Justin Beal\, introduced by Parrish Director Kelly Taxter\, about Sandfuture (MIT Press September 2021)\, his forthcoming book about the life of World Trade Center architect Minoru Yamasaki (1912–1986)\, who remains on the margins of history despite the enormous influence of his work on American architecture and society. \nPresented on the eve of the 20th anniversary of 9/11\, Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \n  \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT MINORU YAMASAKI \nThe son of Japanese immigrants in Seattle\, Minoru Yamasaki overcame endemic racism in both his country and his profession to rise to prominence with a humanistic approach to modern architecture—an unorthodox style exemplified by projects including the McGregor Memorial Conference Center\, the Century Plaza Hotel in Los Angeles\, and the Dhahran Airfield in Saudi Arabia. In 1963\, Yamasaki appeared on the cover of Time magazine\, but the critical rebuke of the World Trade Center and the spectacular demise of the Pruitt-Igoe apartments in St. Louis pushed him to the margins of the profession in the latter half of his career. Today\, Yamasaki remains largely unknown despite his enormous influence on the history of American architecture and the astonishing coincidence that his two best-known projects were both destroyed on live television. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available\, with surfaces disinfected regularly for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-book-signing-justin-beal-on-sandfuture/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Book Signings,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/MinoruYamasaki_JustinBeal_Sandfutures_PArrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210903T180000
DTEND;TZID=America/New_York:20210903T193000
DTSTAMP:20260705T012627
CREATED:20210612T142443Z
LAST-MODIFIED:20211026T171727Z
UID:10002901-1630692000-1630697400@parrishart.org
SUMMARY:Music on the Terrace: The HooDoo Loungers
DESCRIPTION:Start Labor Day Weekend off right with The HooDoo Loungers\, who take their inspiration from the Gri Gri of Dr. John to the swingin’ rock n’ roll of Fats Domino. Blending it all together with a bit of classic soul and New Orleans Swing\, the band brings it together for an inspired and original musical gumbo.\n \nSpace on the terrace is limited\, please use the links below to register.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\n  \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-on-the-terrace-the-hoodoo-loungers/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/06/hoodoo_loungers_band_promo_1_press_1280_960_300dpi.png
END:VEVENT
END:VCALENDAR