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DTSTART;TZID=America/New_York:20220121T180000
DTEND;TZID=America/New_York:20220121T190000
DTSTAMP:20260705T143900
CREATED:20211221T110242Z
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SUMMARY:Talk | peter campus\, Virginia Jaramillo\, and John Torreano
DESCRIPTION:Join us for a special conversation with three seminal East End artists at the height of their creative powers\, featured in solo exhibitions this fall. Chief Curator Alicia Longwell will talk with peter campus\, Virginia Jaramillo\, and John Torreano about their decades-long careers and how their practices intersect.\nABOUT PETER CAMPUS \npeter campus (American\, b. New York\, New York 1937) is a seminal artist in the canons of new media and video art. In a solitary pursuit over the past year\, campus positioned his camera around the shores of Shinnecock Bay\, not far from his home in Patchogue\, NY. The resulting six works\, all to be shown in the exhibition\, invite the viewer to meditate on the sublime beauty of the natural landscape\, while noting the gap between what we perceive\, what the camera records\, and what the artist brings to the fore in the video. \nABOUT VIRGINIA JARAMILLO \nA pioneering minimalist whose career has spanned six decades\, Virginia Jaramillo (American\, b. El Paso\, Texas\, 1939) creates work from sources that span history and cross cultures. The exhibition brings together never before seen paintings and drawings completed in her Hampton Bays studio over the past two years. Harmony between Line and Space features two 12-foot canvases\, Quantum Entanglement and Quanta\, in which expansive fields of color are crisscrossed by impossibly uniform razor-thin lines. “The color field was not negative space\,” notes Jaramillo\, “but a space filled with life and possibilities.” \nABOUT JOHN TORREANO \nWith the universe as his muse\, New York and Sag Harbor-based artist John Torreano (American\, b. Flint\, Michigan\, 1941) combines realism infused with abstraction to create works that conflate time and space. Often mapping out ideas on paper first and expanding in paintings\, Torreano has been inspired by the myriad images recorded by the Hubble Space Telescope to create works that contrast the physical with the illusory. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-peter-campus-virginia-jaramillo-and-john-torreano-rescheduled/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/talk_petercampus_VirginiaJaramillo_JohnTorreano_parrishartmuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T190000
DTSTAMP:20260705T143900
CREATED:20211110T160344Z
LAST-MODIFIED:20211110T162716Z
UID:10003040-1637344800-1637348400@parrishart.org
SUMMARY:Curator Tour | Alicia Longwell on peter campus\, Virginia Jaramillo\, and John Torreano
DESCRIPTION:TICKETS\nJoin a special gallery tour led by Alicia Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education\, of three recently opened solo exhibitions by East End artists peter campus (American\, b. 1937)\, Virginia Jaramillo (American\, b. 1939)\, and John Torreano (American\, b.1941). The exhibitions\, organized by Longwell\,  feature predominantly new\, never-before-seen work by artists in the seventh decade of their careers and at the top of their creative powers. \n  \nVirginia Jaramillo: The Harmony between Line and Space presents five newly created paintings by the pioneering minimalist who has practiced for more than six decades. Two paintings represent the artist’s visualization of communication between quantum particles across the vastness of space. John Torreano: Painting Outer Space/Inner Space\, 1989 to Present\, features 10 large-scale paintings on plywood panels\, studded with gems and wood balls. The artist reflects on the mysteries and wonders of the cosmos in these works\, which were inspired by images transmitted by the Hubble Space Telescope. when the hurly burly’s done features nine videographs by new media and video artist peter campus\, captured at sites around the shores of Shinnecock Bay. These continuous video loops—presented on separate screens—invite the viewer to experience the sublime beauty of the natural and the ordinary. \n  \nSpace is limited. Advance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/curator-tour-alicia-longwell-on-peter-campus-virginia-jaramillo-and-john-torreano/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/11/3Exhibitions_ParrishArtMuseum_November6_Invitation10241024_1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T190000
DTSTAMP:20260705T143900
CREATED:20211110T151006Z
LAST-MODIFIED:20211110T192921Z
UID:10003035-1637344800-1637348400@parrishart.org
SUMMARY:Curator Tour | Alicia Longwell on peter campus\, Virginia Jaramillo\, & John Torreano
DESCRIPTION:REGISTER\nJoin Alicia Longwell\,  Ph.D.\, The Lewis B. and Dorothy Cullman Chief Curator\, for an intimate & informative walkthrough of the Museum’s three recently opened solo exhibitions by artists peter campus\, Virginia Jaramillo\, and John Torreano. Organized by Longwell\,  the exhibitions feature predominantly new\, never-before-seen work by artists in the seventh decade of their careers and at the top of their creative powers. \n  \npeter campus: when the hurly burly’s done\nIn a solitary pursuit during COVID-19\, peter campus positioned his camera around Shinnecock Bay to create videographs that invite us to meditate on nature\, while noting the gap between what we perceive and what the camera records.⁠ \nVirginia Jaramillo: The Harmony between Line and Space\nA pioneering minimalist who has practiced for more than six decades\, Jaramillo creates her work from sources that span histories and cultures. \nJohn Torreano: Painting Outer/Inner Space 1989 to Present\nExperience Torreano’s works—inspired by the myriad images recorded by the Hubble Space Telescope—that contrast the physical with the illusory. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/exhibition-tour-alicia-longwell-on-peter-campus-virginia-jaramillo-john-torreano/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/curatedtalk_campus_jaramillo_torreano_3exhibitons_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211112T180000
DTEND;TZID=America/New_York:20211112T200000
DTSTAMP:20260705T143900
CREATED:20211005T002030Z
LAST-MODIFIED:20211108T191919Z
UID:10002986-1636740000-1636747200@parrishart.org
SUMMARY:Music | Nadejda Vlaeva
DESCRIPTION:TICKETS   LIVESTREAM\nPianist Nadejda Vlaeva\, who has performed countless recitals and has appeared as a soloist with orchestras throughout Europe\, Asia\,  and the U.S.\, brings her overwhelming musicality\, poetic nature\, and electrifying virtuosity to Salon Series. \nPROGRAM \nIntermezzo in G minor (Op. 55)  | Paul Klengel \nSonata No. 18 in E flat major\, “The Hunt” (Op. 31\, No. 3)   | Ludwig van Beethoven\nI.   Allegro\nII.   Scherzo – Allegretto vivace\nIII.   Menuetto. Moderato e grazioso\nIV.   Presto con fuoco \nLiebestraum No. 3 | Franz Liszt \nLiebeslied (Widmung) | Robert Schumann\, arranged by Franz Liszt \nIsolde’s Liebestod (Love-Death) | Richard Wagner\, arranged by Franz Liszt \nINTERMISSION \nWaltz in E-flat Major (Op. 18) | Frédéric Chopin \nWaltz in A Minor (Op. 34\, No. 2) \nWaltz in C-sharp minor (Op. 64\, No. 2) \nSonata No. 2 in G-sharp minor (Op. 19) | Alexander Scriabin \nI.   Andante\nII.   Presto \nSilent Words | Nadejda Vlaeva \nExotic Prelude (Op. 17\, No. 3) “In Spanish Style” | Pancho Vladigerov \nABOUT NADEJDA VLAEVA \nBorn in Sofia\, Bulgaria\, Nadejda Vlaeva won First Prize at the Liszt competition in Lucca\, Italy at the age of 15. The Yamaha and Hyperion recording artist was the first pianist to record the complete Bach Transcriptions by Camille Saint-Saëns. American composer Lowell Liebermann composed his Nocturne No. 9 and his Variations on a Theme of Schubert for Vlaeva\, both of which she premiered. She also debuted some recently discovered works by the 19th-century composers Sergei Bortkiewicz and Vladimir Drozdoff at Carnegie Hall’s Zankel Hall. Splitting her time between New York and Europe\, she is a frequent guest at the EG Conference where she has collaborated with BBC’s Planet Earth and violinist Joshua Bell. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n\nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\n 
URL:https://parrishart.org/event/music-nadejda-vlaeva/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/NADEJDAVLAEVA_SalonSeries_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211105T180000
DTEND;TZID=America/New_York:20211105T190000
DTSTAMP:20260705T143900
CREATED:20211005T003234Z
LAST-MODIFIED:20211104T185732Z
UID:10002987-1636135200-1636138800@parrishart.org
SUMMARY:Music | Solomon Eichner
DESCRIPTION:TICKETS   LIVESTREAM\n  \nInternational piano competition winner Solomon Eichner\, recognized for his commanding performances of the keyboard repertoire from the Romantic period\, returns to Salon Series. \nPROGRAM \nPrelude in B Minor | Johann Sebastian Bach\, arranged by Alexander Siloti \nMelody from Orfeo | Cristoph Gluck\, arranged by Giovanni Sgambat \nClair de Lune | Claude Debussy \nNocturne Op.9 No.2 in E flat Major | Frédéric Chopin\nNocturne in C sharp minor Op. Posth. \nLiebestraume No.3 in A flat Major | Franz Liszt \nWidmung | Robert Schumann\, arranged by Franz Liszt \nJazz Prelude in F major\, Opus. 53 No. 23 | Nikolai Kapustin \nDance of the Four Swans | Pyotr Ilyich Tchaikovsky\, arranged by Earl Wild \nLilacs | Sergei Rachmaninoff \nVocalise | Sergei Rachmaninoff\, arranged by Vyacheslav Gryaznov \nPrelude Op.23: No.4 in D Major | Sergei Rachmaninoff\nPrelude Op.23 No.5 in G minor \nABOUT SOLOMON EICHNER \nOriginally from Baltimore\, Eichner received his Bachelors from the Manhattan School of Music\, Masters from Peabody Conservatory\, and Doctorate from the University of South Carolina with a full scholarship and assistantship. He has performed at Steinway Hall\, Carnegie Hall’s Weill Recital Hall\, and Merkin Concert Hall in New York. Concert series include the Bluthner Concert Series in Adamstown\, MD; Johns Hopkins University’s Sheldon Hall Concert Series\, Baltimore; and Enoch Pratt Library Salon Concert Series\, Baltimore. Other recitals include Rice Music House Steinway Concert Series\, Sandhills\, SC; “The Lives of the Piano” Chopin Marathon Concert at Manhattan School of Music in New York; and “Afternoon Concert Series” at the State Department in Washington. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.
URL:https://parrishart.org/event/music-solomon-eichner/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/SOLOMONEICHNER_SalonSeries_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211015T190000
DTEND;TZID=America/New_York:20211015T203000
DTSTAMP:20260705T143900
CREATED:20210920T144008Z
LAST-MODIFIED:20211026T172319Z
UID:10002971-1634324400-1634329800@parrishart.org
SUMMARY:Talk | Justin Beal & Katie Yamasaki
DESCRIPTION:  \nJustin Beal will discuss his new book\, Sandfuture\, an account of the life and work of the architect Minoru Yamasaki with Yamasaki’s granddaughter\, the muralist and children’s book author\, Katie Yamasaki. \nSandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview\, and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT KATIE YAMASAKI \nKatie Yamasaki is a muralist and children’s book artist. She has painted over 80 murals with diverse communities around the world that explore local issues of social justice. Her children’s books focus on stories from underrepresented communities. Yamasaki co-authored Everything Naomi Loved\, with Ian Lendler for Norton Young Readers\, about facing the hard changes of gentrification. When the Cousins Came and Fish for Jimmy recount personal family stories about the internment camps of WWII and growing up in a multi-racial family. Yamasaki earned her MFA from the School of Visual Arts in NYC\, where she served on the faculty for several years. She worked for 14 years as a public school Spanish and Art teacher in both the Detroit and NYC public schools. \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-justin-beal-katie-yamasaki/
LOCATION:NY
CATEGORIES:Book Signings,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/09/MinoruYamasaki_PrincetonUniversity_BalthazarKorab_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211008T180000
DTEND;TZID=America/New_York:20211008T190000
DTSTAMP:20260705T143900
CREATED:20210820T201812Z
LAST-MODIFIED:20211026T172210Z
UID:10002936-1633716000-1633719600@parrishart.org
SUMMARY:Talk | 2021 Road Show Artist: Darlene Charneco with Corinne Erni
DESCRIPTION:  \nJoin artist Darlene Charneco in conversation with Corinne Erni\, Senior Curator of ArtsReach and Special Project\, as they discuss Charneco’s 2021 Parrish Road Show exhibition Symbiosome Schoolhouse. The site-specific exhibition is on view through October 24 at Oysterponds Historical Society in Orient\, in both the Old Point Schoolhouse and on the Historical Society grounds. Charneco presents new works on paper\, sculpture\, and video\, as well as the artist’s signature wall reliefs which she calls Touchmaps\, created largely while in residency at the William Steeple Davis Trust in Orient. \nABOUT DARLENE CHARNECO \nDarlene Charneco (b. 1971\, New York City) attended Stony Brook University for MFA Studies and Long Island University Southampton for her BFA. Exhibiting throughout the U.S. and globally\, she participated in PINTA Fair London and the Korean International Art Fair. Charneco’s work is part of Guild Hall Museum’s permanent collection\, and was featured in the Princeton Architectural Press book The Map as Art: Contemporary Artists Explore Cartography by Katherine Harmon\, and How Architecture Learned to Speculate by Mihall & Serbest through the University of Stuttgart. Charneco was awarded the 2017 Pollock-Krasner Foundation Grant. \nABOUT PARRISH ROAD SHOW \nNow in its tenth year\, Parrish Road Show is the Museum’s off-site project designed to encourage engagement and interaction between artists and the communities outside the Museum’s walls. Each year\, selected artists work with the Parrish and partner venues to create new work and to provide unique opportunities for visitors to see and experience art in unexpected places\, from public parks and highways to historical sites and community centers. \nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Medical grade face masks must be worn all times. Masks will be provided to anyone who needs one. \nTo help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.
URL:https://parrishart.org/event/road-show-artist-talk-darlene-charneco-with-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/DarleneCharneco_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210917T183000
DTEND;TZID=America/New_York:20210917T220000
DTSTAMP:20260705T143900
CREATED:20210820T211224Z
LAST-MODIFIED:20210909T134945Z
UID:10002937-1631903400-1631916000@parrishart.org
SUMMARY:Screening | OLA Outdoor Film Festival: La Llorona
DESCRIPTION:$15 | Admission for film\, tour & reception \n$5 | Members and Students with ID \nRegistrarse para el recorrido\, la recepción y la película cuesta $ 15 | $5 para miembros y estudiantes con identificación \nREGISTER \n  \nJoin us for the 18th annual OLA Latino Film Festival organized in collaboration with OLA\, Organización Latino-Americana of Eastern Long Island\, featuring an outdoor screening of the award-winning film La Llorona by Jayro Bustamante\, followed by a recorded Q&A with the filmmaker. \nÚnase a nosotros para el 18º Festival Anual de Cine Latino OLA organizado en colaboración con OLA\, Organización Latino-Americana of Eastern Long Island\, con una proyección al aire libre de la premiada película La Llorona de Jayro Bustamante\, seguida de una sesión de preguntas y respuestas grabada con el cineasta. \n  \n6 pm \nDoors open \nPuertas abren \n  \n6:30 pm \nLight reception and museum tour of the exhibition Tomashi Jackson: The Land Claim \n\nRecepción breve y recorrido al museo de la exposición Tomashi Jackson: El Reclamo de Tierras  \n\n\n  \n7:30 pm \nLa Llorona / The Weeping Woman\n2019\, R\, 97 min\, in Spanish and Maya with English subtitles\nen español y maya con subtítulos en inglés \nDirector: Jayro Bustamante\nRealizador: Jayro Bustamante \nA slow-burn political drama that merges the real-life horrors of the Guatemalan genocide with one of Latin America’s most famous folklores\, the award-winning feature La Llorona is a story about the ghosts of the past bleeding into the present. Accused of the genocide of Mayan people\, retired general Enrique is trapped in his home by massive protests. Abandoned by his staff\, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes. Acclaimed filmmaker Jayro Bustamante presents an urgent and frightening reimagining of the iconic Latin American fable. \n\nUn drama político que fusiona los horrores de la vida real del genocidio guatemalteco con uno de los folklores más famosos de América Latina\, la premiada película La Llorona es una historia sobre los fantasmas del pasado que se desvanecen en el presente. Acusado del genocidio del pueblo Maya\, el general retirado Enrique está atrapado en su casa por protestas masivas. Abandonado por su personal\, el anciano indignado y su familia deben enfrentar la devastadora verdad de sus acciones y la creciente sensación de que una fuerza sobrenatural airada los está atacando por sus crímenes. El aclamado cineasta Jayro Bustamante presenta una reimaginación urgente y aterradora de la icónica fábula latinoamericana. \n\nA recorded conversation with the director will be shared after the screening. \nSe compartirá una conversación grabada con el director después de la proyección. \nLa Llorona was premiered at the 2019 Venice Film Festival and screened at the 2019 Toronto International Film Festival. It was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards\, making the shortlist of 15 films. \nLa Llorona se estrenó en el Festival de Cine de Venecia del 2019 y se proyectó en el Festival Internacional de Cine de Toronto del 2019. Fue seleccionada como la entrada guatemalteca a Mejor Largometraje Internacional en los 93º Premios de la Academia\, quedando en la lista corta de 15 películas. \nSpace on the terrace is limited\, please use the links below to register.\nEl espacio en la terraza es limitado\, utilice el enlace para registrarse. \nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\nEl evento se lleva a cabo al aire libre en la terraza del museo y en el césped\, llueva o haga sol. Por favor traiga sus propias sillas\, no hay asientos disponibles en el Museo. \nAdvance ticket purchase with pre-event registration is required.\nSe requiere la compra anticipada de boletos con registro previo al evento. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nTodas las entradas se venden antes del evento y solo en línea. No hay ventas en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nEste evento al aire libre requiere que todos los asistentes muestren prueba de su estado de vacunación o prueba reciente de COVID negativa (dentro de las 72 horas previas). No se requerirá el uso de máscara para adultos y niños mayores de 12 años cuando estén al aire libre. Las máscaras siempre se requieren en interiores. Los niños menores de 12 años deben usar máscaras en todo momento\, en interiores o exteriores. Puede proporcionarnos su prueba por adelantado para acelerar su proceso de registro enviándola por correo electrónico a healthfirst@parrishart.org. Ponga el título del evento en su línea de asunto. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nNo se permite comida ni bebidas del exterior. Los alimentos y bebidas empaquetados individualmente estarán disponibles para su compra a través del vendedor de café\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nLos baños estarán abiertos durante el evento. Habrá toallitas y desinfectante para manos. El Parrish se desinfecta con regularidad para la seguridad de nuestro personal y visitantes. \nNo pets are allowed on the Museum grounds or in the galleries.\n\nNo se permiten mascotas en los terrenos del Museo ni en las galerías. \n\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival-la-llorona-and-jon/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/LaLorna_ParrishArtMuseum-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210910T180000
DTEND;TZID=America/New_York:20210910T200000
DTSTAMP:20260705T143900
CREATED:20210811T180021Z
LAST-MODIFIED:20211026T171852Z
UID:10002925-1631296800-1631304000@parrishart.org
SUMMARY:Talk & Book Signing | Justin Beal: Sandfuture
DESCRIPTION:Join artist Justin Beal\, introduced by Parrish Director Kelly Taxter\, about Sandfuture (MIT Press September 2021)\, his forthcoming book about the life of World Trade Center architect Minoru Yamasaki (1912–1986)\, who remains on the margins of history despite the enormous influence of his work on American architecture and society. \nPresented on the eve of the 20th anniversary of 9/11\, Sandfuture is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life\, Sandfuture spirals outward to include reflections on a wide range of subjects\, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how\, and for whom\, cities are built. \n  \nABOUT JUSTIN BEAL \nJustin Beal is an artist with an extensive exhibition history in the United States and Europe. Beal graduated from Yale University with a degree in architecture and design and continued his studies at the Whitney Independent Study Program and the University of Southern California. His work has been reviewed in the New York Times\, the New Yorker\, Artforum\, Frieze\, Art in America\, Interview and the Los Angeles Times and is included in the permanent collections of the Albright Knox Museum\, the Hammer Museum\, and the Museum of Contemporary Art Los Angeles. Beal currently teaches at Hunter College. \nABOUT MINORU YAMASAKI \nThe son of Japanese immigrants in Seattle\, Minoru Yamasaki overcame endemic racism in both his country and his profession to rise to prominence with a humanistic approach to modern architecture—an unorthodox style exemplified by projects including the McGregor Memorial Conference Center\, the Century Plaza Hotel in Los Angeles\, and the Dhahran Airfield in Saudi Arabia. In 1963\, Yamasaki appeared on the cover of Time magazine\, but the critical rebuke of the World Trade Center and the spectacular demise of the Pruitt-Igoe apartments in St. Louis pushed him to the margins of the profession in the latter half of his career. Today\, Yamasaki remains largely unknown despite his enormous influence on the history of American architecture and the astonishing coincidence that his two best-known projects were both destroyed on live television. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of vaccination (vaccine card/Excelsior Pass) or a negative PCR test within 72 hours. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available\, with surfaces disinfected regularly for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-book-signing-justin-beal-on-sandfuture/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Book Signings,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/MinoruYamasaki_JustinBeal_Sandfutures_PArrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210903T180000
DTEND;TZID=America/New_York:20210903T193000
DTSTAMP:20260705T143900
CREATED:20210612T142443Z
LAST-MODIFIED:20211026T171727Z
UID:10002901-1630692000-1630697400@parrishart.org
SUMMARY:Music on the Terrace: The HooDoo Loungers
DESCRIPTION:Start Labor Day Weekend off right with The HooDoo Loungers\, who take their inspiration from the Gri Gri of Dr. John to the swingin’ rock n’ roll of Fats Domino. Blending it all together with a bit of classic soul and New Orleans Swing\, the band brings it together for an inspired and original musical gumbo.\n \nSpace on the terrace is limited\, please use the links below to register.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\n  \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/music-on-the-terrace-the-hoodoo-loungers/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/06/hoodoo_loungers_band_promo_1_press_1280_960_300dpi.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210820T183000
DTEND;TZID=America/New_York:20210820T210000
DTSTAMP:20260705T143900
CREATED:20210622T193216Z
LAST-MODIFIED:20210825T204945Z
UID:10002908-1629484200-1629493200@parrishart.org
SUMMARY:Pachanga Featuring Mambo Loco and Mila Tina
DESCRIPTION:Dance the night away at Pachanga featuring the “Old School” Latin Music of Mambo Loco. The event kicks off with Mila Tina’s innovative mix of drums\, percussion\, dance\, martial arts\, and visual design. Svitlana Zavialova is an actress\, martial artist\, physical theater performer\, and a world champion in traditional Wushu experienced in a wide array of traditional kung fu styles and weapons. \nBaile toda la noche en Pachanga con la música latina “Old School” de Mambo Loco. El evento comienza con la innovadora combinación de batería\, percusión\, danza\, artes marciales y diseño visual de Mila Tina.  \nThe program is organized in partnership with OLA\, the Latin-American Organization of the East End. \nEste programa fue organizado en colaboración con OLA\, Organización Latino-Americana of Eastern Long Island. \n$12 Adults | $5 Parrish Members\nFree for Students and Children \n$ 12 Adultos | $ 5 Miembros del Museo Parrish\nGratis para estudiantes y niños \nSpace on the terrace is limited\, please use the link below to register.\nEl espacio en la terraza es limitado\, use el enlace a continuación para registrarse. \nThe event takes place outdoors on the Museum’s Terrace\, rain or shine. Please bring your own chairs\, no Museum seating is available.\n\nEl evento se lleva a cabo al aire libre en la Terraza del Museo\, llueva o truene. Por favor traiga sus propias sillas\, no hay asientos disponibles en el Museo.\nREGISTER \nIn the interest of health and safety\, the Parrish requires all museum visitors and event attendees to wear medical grade face masks at all times\,  indoors and out. \nEn aras de la salud y la seguridad\, el Parrish exige que todos los visitantes del museo y los asistentes al evento usen máscaras faciales de grado médico en todo momento\, tanto en los lugares interiores como exteriores.\nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs.\n\nNo se permite comida ni bebida del exterior. Los alimentos y bebidas empaquetados individualmente estarán disponibles para su compra a través del vendedor de café\, Elegant Affairs.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nLos baños estarán abiertos durante el evento. Habrá toallitas y desinfectante para manos. El Parrish se desinfecta con regularidad para la seguridad de nuestro personal y visitantes.\nNo pets are allowed on the Museum grounds or in the galleries.\n\nNo se permiten mascotas en los terrenos del Museo ni en las galerías.\n \n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/pachanga-featuring-mambo-loco-and-mila-tina/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/Mambo-Loco_courtesy-of-the-musicians.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210806T180000
DTEND;TZID=America/New_York:20210806T193000
DTSTAMP:20260705T143900
CREATED:20210604T210914Z
LAST-MODIFIED:20211026T171559Z
UID:10002131-1628272800-1628278200@parrishart.org
SUMMARY:Jazz on the Terrace: Michael Sarian's New Aurora Quartet
DESCRIPTION:Join us for Jazz on the Terrace: Michael Sarian’s New Aurora Quartet. You may also watch the livestream of the concert on the Parrish’s YouTube channel. \nSpace on the terrace is limited\, please use the links below to register.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\n \nTrumpeter and composer Michael Sarian has been praised for his “unique compositional and instrumental voice… reminiscent of [his] lyrical contemporaries such as Ralph Alessi\, Ambrose Akinmusire\, or Avishai Cohen…certainly deserving of a large audience and much recognition.” (Friedrich Kunzmann\, All About Jazz) \nBorn in Toronto and raised in Buenos Aires\, Michael relocated to New York City in 2012 to pursue a master’s degree in Jazz Studies at New York University\, where he studied with great musicians such as Laurie Frink\, Alan Ferber\, Brad Shepik\, Ralph Alessi\, and Mike Rodriguez. Michael has performed at the Montreux Jazz Festival\, BRIC JazzFest\, Getxo Blues Festival\, Blue Note Jazz Club\, Jazz at Lincoln Center\, The Beacon Theater\, Central Park SummerStage\, Teatro Colón\, has appeared on WNYC’s Soundcheck with John Schaefer\, NPR’s World Cafe\, and many more. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available. \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces.\nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/jazz-on-the-terrace-michael-sarians-new-aurora-quartet/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/Michael-Sarian-by-Alessio-Romano-6-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210806T173000
DTEND;TZID=America/New_York:20210806T183000
DTSTAMP:20260705T143900
CREATED:20210519T142255Z
LAST-MODIFIED:20210608T200759Z
UID:10002894-1628271000-1628274600@parrishart.org
SUMMARY:Business Member Meet-Up
DESCRIPTION:Business Members are invited to enjoy networking with fellow art-loving business leaders of the East End prior the Museum’s Jazz on the Terrace event.  Enjoy drink specials from the Museum Café and conversation al fresco while you mix and mingle with culturally engaged entrepreneurs.  Then stick around for an outdoor performance by Michael Sarian’s New Aurora Quartet. \nThere is limited capacity for this event\, intended for active Business Members and invited guests.  Not a Member?  Join today! \nREGISTER \nAbout the Jazz on the Terrace Performance\nMichael Sarian’s New Aurora Quartet\, 6-7:30 pm \nTrumpeter and composer Michael Sarian has been praised for his “unique compositional and instrumental voice… reminiscent of [his] lyrical contemporaries such as Ralph Alessi\, Ambrose Akinmusire or Avishai Cohen…certainly deserving of a large audience and much recognition.” (Friedrich Kunzmann\, All About Jazz) \nBorn in Toronto and raised in Buenos Aires\, Michael relocated to New York City in 2012 to pursue a master’s degree in Jazz Studies at New York University\, where he studied with great musicians such as Laurie Frink\, Alan Ferber\, Brad Shepik\, Ralph Alessi\, and Mike Rodriguez. Michael has performed at the Montreux Jazz Festival\, BRIC JazzFest\, Getxo Blues Festival\, Blue Note Jazz Club\, Jazz at Lincoln Center\, The Beacon Theater\, Central Park SummerStage\, Teatro Colón\, has appeared on WNYC’s Soundcheck with John Schaefer\, NPR’s World Cafe\, and many more. \nHis fourth album as a bandleader\, New Aurora\, released September 4 with ears&eyes Records\, features a new acoustic quartet with Michael’s horn at the fore-front of the ensemble. \n\nThis event is planned and sponsored by the Parrish Business Council\, a volunteer committee of East End professionals serving culturally engaged business leaders and organizations by providing programming and networking opportunities for Parrish Business Members. Current Councilpersons: \n\nLiz Brodar\, White Fences Inn\nKeith Davis\, The Golden Pear Café \nEmil K. Everett\, New Amsterdam\, LLC\nErik Fredrickson\, Fredrickson Consulting Group\nNadine Homann\, NH Design Studios Inc.\nChelsea Hrynick Browne\, Artist\nAleksandra Kardwell\, Hamptons Employment Agency\nRobin L. Long\, Esq. Attorney at Law\nDiana Pepi Stott\, Pepi Design Group\, LLC\nLisa Saladino\, The Hackett Group\, Merrill Lynch\nDiane Tucci\, Long Island Winterfest\n\n 
URL:https://parrishart.org/event/business-member-meet-up-2/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Member Events
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/2021-05-Open-For-Business-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210723T200000
DTEND;TZID=America/New_York:20210723T223000
DTSTAMP:20260705T143900
CREATED:20210702T212931Z
LAST-MODIFIED:20220825T120732Z
UID:10002916-1627070400-1627079400@parrishart.org
SUMMARY:Outdoor Black Film Festival: The Last Black Man in San Francisco and elephant
DESCRIPTION:The Parrish Art Museum is partnering with Bridgehampton Child Care & Recreational Center to present an outdoor Black Film Festival on July 23 and July 30 featuring feature films and shorts. Entrance opens at 8 pm. Film will begin after dark\, at approximately 8:30 pm. The event takes place outdoors\, please bring your own chairs\, no Museum seating is available. Please use the link below to register. \n$15 | $5 Parrish Members | Friends of BHCCRC\nFree for Students and Children \nREGISTER \nelephant\n2020\, NR\, 15 minutes\nDirector: Gladys San Juan \nelephant is a short film about Nicole\, a woman in her late 30s who appears to have it all; a caring husband\, two children and a good job. But Nicole is suffering from a crippling depression that\, due to the stigma attached to mental illness\, she is trying to keep secret. Set over 24 hours\, The Elephant shows how a series of otherwise minor events\, coupled with Nicole’s dissociation from family and friends\, lead her to a state of utter desperation. \nThe Last Black Man in San Francisco\n2019\, R\, 121 minutes\nDirector: Joe Talbot \nJimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont\, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. As he struggles to reconnect with his family and reconstruct the community he longs for\, his hopes blind him to the reality of his situation. \nA wistful odyssey populated by skaters\, squatters\, street preachers\, playwrights\, and other locals on the margins\, The Last Black Man in San Francisco is a poignant and sweeping story of hometowns and how they’re made—and kept alive—by the people who love them. \nAll sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors\, please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-black-film-festival-the-last-black-man-in-san-francisco-and-elephant/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/07/ParrishArtMuseum_TheLastBlackManinSanFrancisco.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210716T180000
DTEND;TZID=America/New_York:20210716T193000
DTSTAMP:20260705T143900
CREATED:20210604T202500Z
LAST-MODIFIED:20211026T155558Z
UID:10002129-1626458400-1626463800@parrishart.org
SUMMARY:Jazz on the Terrace: Morris Goldberg & SafroJazz with Diego Urcola & Bakithi Kumalo
DESCRIPTION:We are pleased to partner with The Jam Session\, Inc. as a venue for the first annual Hamptons Jazz Fest 2021 in presenting Morris Goldberg & SafroJazz with Diego Urcola & Bakithi Kumalo! The concert is being offered free of charge thanks to the generosity of The Jam Session\, in collaboration with a major donor and life-long jazz enthusiast who celebrate this true American art form and the return of live music. You may also watch the livestream of the concert on our YouTube channel. \n \nMorris Goldberg was born in Cape Town\, South Africa. He came to New York to study at the Manhattan School of Music\, where he received both his bachelor’s and master’s degrees. \nGoldberg has worked and toured with Miriam Makeba\, Hugh Masekela\, and Harry Belafonte\, among many others. He recorded for Paul Simon on the Graceland album\, playing soprano sax and the pennywhistle solo on “You Can Call Me Al”. He also served as the woodwind specialist on The Rosie O’Donnell Show for the six years. Every morning\, the show would open with a shot of his Yamaha alto saxophone’s bell. In addition\, he played for many artists including Tony Bennett and Phil Collins. \nGoldberg formed his own group called Ojoyo\, which specializes in South African flavored jazz – Safrojazz. The group has recorded three albums of original music\, and played at many Jazz festivals and clubs throughout the United States with Hugh Masekela. \nHe teaches at the Ross School in East Hampton and performs throughout New York City and Long Island. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn. Please bring your own chairs\, no Museum seating is available. \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces.\nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n \nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/jazz-on-the-terrace-morris-goldberg-safrojazz/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/06/MorrisGoldberg_FridayNights_Programming_ParrishArtMuseum_07132021.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210716T173000
DTEND;TZID=America/New_York:20210716T183000
DTSTAMP:20260705T143900
CREATED:20210519T141900Z
LAST-MODIFIED:20210608T200518Z
UID:10002893-1626456600-1626460200@parrishart.org
SUMMARY:Business Member Meet-Up
DESCRIPTION:Business Members are invited to enjoy networking with fellow art-loving business leaders of the East End prior the Museum’s Jazz on the Terrace event.  Enjoy a glass of wine and conversation al fresco while you mix and mingle with culturally engaged entrepreneurs.  Then stick around for an outdoor performance by Morris Goldberg. \nThere is limited capacity for this event\, intended for active Business Members and invited guests.  Not a Member?  Join today! \nREGISTER \nAbout the Jazz on the Terrace Performance\nMorris Goldberg SafroJazz\, 6-7:30 pm \nMorris Goldberg was born in Cape Town\, South Africa. He came to New York to study at the Manhattan School of Music\, where he received both bachelor’s and master’s degrees. \nGoldberg has worked and toured with Miriam Makeba\, Hugh Masekela\, and Harry Belafonte\, among many others. He also recorded for Paul Simon on the Graceland album\, playing soprano sax\, and the pennywhistle solo on “You Can Call Me Al”. He also served as the woodwind specialist on The Rosie O’Donnell Show for the six years it ran. Every morning\, the show would open with a shot of his Yamaha alto saxophone’s bell. In addition\, he played for many artists including Tony Bennett and Phil Collins. \nGoldberg formed his own group called Ojoyo\, which specializes in South African flavored jazz – Safrojazz. The group has recorded three albums of original music\, and played at many Jazz festivals and clubs throughout the United States with Hugh Masekela.  He teaches at the Ross School in East Hampton\, New York\, and performs around the New York City and Long Island area. \n\nThis event is planned and sponsored by the Parrish Business Council\, a volunteer committee of East End professionals serving culturally engaged business leaders and organizations by providing programming and networking opportunities for Parrish Business Members. Current Councilpersons: \n\nLiz Brodar\, White Fences Inn\nKeith Davis\, The Golden Pear Café \nEmil K. Everett\, New Amsterdam\, LLC\nErik Fredrickson\, Fredrickson Consulting Group\nNadine Homann\, NH Design Studios Inc.\nChelsea Hrynick Browne\, Artist\nAleksandra Kardwell\, Hamptons Employment Agency\nRobin L. Long\, Esq. Attorney at Law\nDiana Pepi Stott\, Pepi Design Group\, LLC\nLisa Saladino\, The Hackett Group\, Merrill Lynch\nDiane Tucci\, Long Island Winterfest
URL:https://parrishart.org/event/business-member-meet-up/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Member Events
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/02/untitled-44_750px-wide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210709T180000
DTEND;TZID=America/New_York:20210709T190000
DTSTAMP:20260705T143900
CREATED:20210630T143734Z
LAST-MODIFIED:20210630T143920Z
UID:10002914-1625853600-1625857200@parrishart.org
SUMMARY:Recorded Online Talk: Tomashi Jackson\, K-Sue Park\, Kelly Dennis\, and Corinne Erni
DESCRIPTION:Enjoy a recorded conversation with Tomashi Jackson\, before the opening of her new exhibition\, The Land Claim on July 11. The talk also features K-Sue Park\, Associate Professor of Law at Georgetown University Law Center; Kelly Dennis\, a member of the Shinnecock Nation and attorney specializing in Federal American Indian law; and Corinne Erni\, Senior Curator of ArtsReach and Special Projects\, who moderates the discussion. The Land Claim focuses on the historic and contemporary lived experiences of Indigenous\, Black\, and Latinx families on the East End of Long Island. In her work for the exhibition\, Jackson juxtaposes current and historical racial segregation in the region\, similar to her work in the 2019 Whitney Biennial. \nPlease use the link below to register for the online talk. After registering\, you will receive a link to watch the program on the Parrish’s YouTube channel.\nREGISTER  \nAbout the Participants\nKelly Dennis is an attorney specializing in Federal American Indian law. She has represented her tribe\, the Shinnecock Indian Nation\, and other sovereign tribal nations on matters such as land rights\, civil rights\, cultural and natural resources protection\, as well as tribal governance and business development. She continues to represent individual tribe members on education law\, family law\, small business\, and other matters as an Of-Counsel Attorney with The Law Offices of Tela L. Troge\, PLLC located in Southampton\, New York. Dennis integrates her legal background with her passion for the arts through social justice advocacy efforts for the rights and welfare of indigenous peoples. As such\, she has served as the Public Programs & Residency Coordinator at The Watermill Center (WMC)\, an interdisciplinary laboratory for the arts and humanities located in Water Mill\, New York. \nK-Sue Park’s scholarship examines the creation of the American real estate system and the historical connections between property law\, immigration law\, and American Indian law. Prior to Georgetown\, she was the Critical Race Studies Fellow at UCLA School of Law and an Equal Justice Works Fellow and staff attorney in El Paso\, where she investigated predatory mortgage lending schemes. Park earned her B.A. summa cum laude\, Phi Beta Kappa honors from Cornell University\, where she was a College Scholar\, her M.Phil with Distinction in Social and Political Sciences from the University of Cambridge\, her J.D. cum laude from Harvard Law School\, where she was a Presidential Scholar\, and her Ph.D. in Rhetoric from UC Berkeley\, where she was a Javits Fellow. A former Fulbright Scholar\, Park’s writings have appeared in the Harvard Law Review\, Law & Society Review\, and The New York Times. \nAbout Tomashi Jackson\nDrawing centrally from Josef Albers’s research on the relativity of color and the unconscious processes by which the brain organizes and reconciles information\, Jackson’s work bridges gaps between geometric experimentation and the systematization of injustice\, incorporating images printed and hand painted from photographs and materials chosen for their relevance into formalist compositions. She uses properties of color perception as an aesthetic strategy to investigate the value of human life in public space. Jackson’s research driven projects and visual interrogation of shared language around societal and chromatic color offers a narrative framework from which she constructs her own language of abstraction. \nTomashi Jackson was born in Houston and raised in Los Angeles. She earned her MFA in Painting and Printmaking from Yale University School of Art in 2016; a Master of Science in Art\, Culture and Technology from the MIT School of Architecture and Planning in 2012\, and a BFA from Cooper Union in 2010. Her solo exhibitions include Forever My Lady at Night Gallery\, Los Angeles (2020)\, Time Out of Mind at Tilton Gallery (2019)\, Los Angeles \, Interstate Love Song at the Zuckerman Museum of Art\, Kennesaw\, Georgia (2018)\, and The Subliminal is Now at Tilton Gallery (2016). Her work was included in the 2019 Whitney Biennial and additional group exhibitions at The Los Angeles Museum of Contemporary Art (LACMA)\, Mass MoCA\, The Bakalar & Paine Galleries at the Massachusetts College of Art\, Boston\, and the Contemporary Art Center\, New Orleans\, as well as in the public collections of the Whitney Museum of American Art\, LACMA\, and the Baltimore Museum of Art. \nJackson was a 2019 Resident Artist at the Skowhegan School of Painting & Sculpture and the 2019 Resident Artist at the ARCAthens Residency Program\, Athens\, Greece. She has taught at the Rhode Island School of Design\, the Massachusetts College of Art\, Boston\, and The Cooper Union for the Advancement of Science and Art\, NY\, and she has been a visiting artist lecturer at Boston University\, New York University\, Yale University\, and School of Visual Arts\, NY. She lives and works in Cambridge and New York City. Her work is represented by Tilton Gallery in New York City and Night Gallery in Los Angeles\, CA. \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/recorded-online-talk-tomashi-jackson-k-sue-park-kelly-dennis-and-corinne-erni/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/06/Tomashi-Park-Kelly_hires.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210702T180000
DTEND;TZID=America/New_York:20210702T193000
DTSTAMP:20260705T143900
CREATED:20210601T222716Z
LAST-MODIFIED:20210916T200900Z
UID:10002125-1625248800-1625254200@parrishart.org
SUMMARY:Jazz on the Terrace: The Seth Weaver Quartet
DESCRIPTION:Join us for our first outdoor Jazz concert of the season featuring The Seth Weaver Quartet! You may also watch the livestream of the concert on the Parrish’s YouTube channel.\n \nThe spaces for in-person attendance have sold out\, please use the link below watch the livestream online.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\nSeth Weaver has rapidly established a reputation as one of the most exciting new jazz names on the NYC jazz scene. Whether through his brilliant improvised trombone solos\, rich baritone vocals\, original compositions\, or his dedicated teaching\, his passion for music and unique talent shines through. Weaver’s latest project is a big band album titled “Truth\,” released in March 2020\, and was showcased at Birdland in an April 2020 concert. \nWeaver has performed at Dizzy’s\, Carnegie Hall\, Kennedy Center\, and Bass Performance Hall\, to name a few\, and has performed in Amsterdam and Dublin. He has shared the stage with Ben Folds\, Alfredo “Chocolate” Armenteros\, Larry Harlow\, Bucky Pizzarelli\, Michael Dease\, Ulysses Owens Jr.\, Adam Neely\, Luis Bonilla\, and Manhattan Transfer. He was featured as a guest artist with the New London Big Band\, and served as artist in residence at Millersville University. He appeared on TV for “An American Big Band Christmas\,” broadcast nationally. \nWeaver is a sought after composer and arranger and his music has been performed all over the world. His brilliant composition “Frost” debuted at Carnegie Hall in 2018\, as did his composition “The Hudson\,” in 2016. He composed the original score for the off-Broadway play\, “For What It’s Worth.” Weaver’s transcription and analysis of Michael Dease’s album “Coming Home” is available through Warwick Music Publications. \nOriginally from Tennessee\, Weaver was the winner of the Texas State Jazz Trombone Competition and was one of three finalists in the International Trombone Association’s Carl Fontana Jazz Competition two years in a row. He won the American Trombone Workshop’s National Jazz Competition in 2017. In addition to his big band album release\, Weaver has a Big Band EP and a single titled “Isle of Skye” for an Irish fusion project in the works. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place outdoors on the Museum’s Terrace and Event Lawn. Please bring your own chairs\, no Museum seating is available. \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces.\nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/jazz-on-the-terrace-the-seth-weaver-quartet/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/sethweaver-58_Sara-Bill-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210625T180000
DTEND;TZID=America/New_York:20210625T190000
DTSTAMP:20260705T143900
CREATED:20210618T183235Z
LAST-MODIFIED:20210627T161845Z
UID:10002907-1624644000-1624647600@parrishart.org
SUMMARY:Livestream Talk: Alicia Longwell with Claire A. Nivola\, Adrian Nivola\, and Teresa Kittler
DESCRIPTION:Join Chief Curator Alicia G. Longwell in a livestream conversation with children’s book author Claire A. Nivola; Brooklyn-based artist Adrian Nivola; and Dr. Teresa Kittler\, Scholar-in-Residence at Magazzino as they explore the work of Ruth Nivola.\n\nRuth Guggenheim Nivola (American\, born Germany\, 1917–2008) grew up in Europe before settling in the U.S. in 1939 at the outbreak of World War II. She and her husband\, the Sardinian-born sculptor Costantino Nivola\, came to New York and eventually bought a small farmhouse in Springs\, East Hampton\, near friends and neighbors Saul Steinberg\, Frederick Kiesler\, and Harold Rosenberg. \nSome of Ruth Nivola’s extraordinary artwork\, whose richness of material\, craft\, and beauty defies such traditional categories as sculpture or ornament\, talisman or adornment\, is currently on view at the Parrish in the exhibition\,  Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020 and will be the subject of an in-depth conversation among those who know her work best: her daughter\, well−known children’s book author Claire A. Nivola; Brooklyn-based artist Adrian Nivola\, who often spent time with his grandmother when she was creating her pieces; and Dr. Teresa Kittler\, Scholar-in-Residence at Magazzino\, an artspace devoted to Italian art in Cold Spring\, New York\, where she has curated the current exhibition Nivola: Sandscapes.  \n  \n  \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/livestream-talk-alicia-longwell-with-claire-nivola-adrian-nivola-and-teresa-kittler/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/RuthGuggenheim-Nivola_ParrishArtMuseum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210618T180000
DTEND;TZID=America/New_York:20210618T193000
DTSTAMP:20260705T143900
CREATED:20210511T175044Z
LAST-MODIFIED:20210622T195055Z
UID:10002891-1624039200-1624044600@parrishart.org
SUMMARY:PechaKucha Night Hamptons\, Vol. 33
DESCRIPTION:As the official site for the Hamptons\, we join over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. The format is simple: each invited presenter gets 20 images x 20 seconds per image to talk about living creatively. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from the many creatives who call Long Island home. \nPresenters: Artist Michael De Feo; Photographer Jaime Lopez; Artist Steven Molina Contreras; Artist/Art Educator Joyce Raimondo; Photographer Matthew Raynor; Artist and Gallery Owner Mark Van Wagner; Artist Susan Vecsey\nLearn more about PechaKucha Night Hamptons.\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/pechakucha-night-hamptons-vol-33/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/PechaKucha-Hamptons-208FC7-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T180000
DTEND;TZID=America/New_York:20210611T190000
DTSTAMP:20260705T143900
CREATED:20210607T230528Z
LAST-MODIFIED:20210630T165212Z
UID:10002898-1623434400-1623438000@parrishart.org
SUMMARY:Talk: Alicia Longwell and Michelle Stuart
DESCRIPTION:Join us for an intimate conversation between longtime friends\, Chief Curator Alicia G. Longwell and Michelle Stuart\, in a broad ranging exchange about the artist’s approach to nature and abstraction and how that process has evolved throughout her career. Stuart is a participating artist in Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020\, an exhibition with works by a multigenerational roster of 42 artists who expanded the language of abstraction–and called the Hamptons home. \nPlease see the links below to attend the program in the Lichtenstein Theater or to watch the livestream on the Parrish’s YouTube channel. Socially distanced seating in the theater is limited and masks are required throughout the program.\nAbout Michelle Stuart\nSince the 1960s\, Michelle Stuart (b.1933) has created work that stems from her lifelong interest in the natural world and the universe. Her multifaceted body of work includes large-scale earth works\, complex multi-media installations\, earth drawings\, encaustic paintings\, sculptural objects\, drawings and prints. The photographic image has been an ancillary part of her work in the past; it is currently the primary medium. Stuart has also written and published artist’s books. Her work references a range of influences\, from history\, astronomy\, botany and her extensive travels to ancient archaeological sites. \n\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/alicia-longwell-and-michelle-stuart/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/06/1-Stuart_final.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210604T180000
DTEND;TZID=America/New_York:20210604T200000
DTSTAMP:20260705T143901
CREATED:20210511T155444Z
LAST-MODIFIED:20210603T153109Z
UID:10002890-1622829600-1622836800@parrishart.org
SUMMARY:Talk and Film: The Proposal
DESCRIPTION:Please Note: Due to weather\, the program has moved indoors\, with an earlier start time of 6 pm.\nJoin us in the Lichtenstein Theater for The Proposal\, co-presented with Hamptons Doc Fest\, in collaboration with Dia. The screening will be preceded by a conversation with Senior Curator Corinne Erni\, Filmmaker and Artist Jill Magid\, and Dia Art Foundation Associate Curator Matilde Guidelli-Guidi. \nREGISTER \nKnown as “the artist among architects”\, Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988\, much of his work was locked away in a Swiss bunker\, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art\, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself–a high-wire act of negotiation that explores how far an artist will go to democratize access to art. \nAbout Jill Magid\nAmerican artist Jill Magid’s work is deeply ingrained in her lived experience\, exploring and blurring the boundaries between art and life. Through her performance-based practice\, Magid has initiated intimate relations with a number of organizations and structures of authority. She explores the emotional\, philosophical\, and legal tensions between the individual and ‘protective’ institutions\, such as intelligence agencies or the police. To work alongside or within large organizations\, Magid makes use of institutional quirks\, systemic loopholes that allow her to make contact with people ‘on the inside’. Her work tends to be characterized by the dynamics of seduction\, the resulting narratives often taking the form of a love story. It is typical of Magid’s practice that she follows the rules of engagement with an institution to the letter – sometimes to the point of absurdity. \n2018\, Documentary\, 83 minutes\nDirector: Jill Magid\n$15 | $5 Parrish Members\nFree for Students\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\n\n\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-the-proposal/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Film-Still-from-The-Proposal.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T130000
DTEND;TZID=America/New_York:20210528T140000
DTSTAMP:20260705T143901
CREATED:20210524T172350Z
LAST-MODIFIED:20210622T194641Z
UID:10002120-1622206800-1622210400@parrishart.org
SUMMARY:Livestream Talk: Martin Creed and Kelly Taxter
DESCRIPTION:Join artist Martin Creed and Parrish director Kelly Taxter in an online livestream conversation about Creed’s installation at the Museum\, Work No. 2210: EVERYTHING IS GOING TO BE ALRIGHT (2015). The 70-foot-long neon sculpture installed on the south-facing façade of the building is displaying a single line of unpunctuated\, rainbow hued text that reads “EVERYTHING IS GOING TO BE ALRIGHT.” The work is an expression of Creed’s desire to communicate\, connect\, and provoke. According to the artist\, “50% about what I make and 50% about what other people make of it.” \nThe sculpture was first presented in 1999 as a temporary public art commission for the Clapton Portico in Hackney\, East London\, which was derelict at the time. Built in 1825\, the Portico was home to the London Orphan Asylum until a local typhoid epidemic in 1867 forced the orphans to be relocated. Both the genesis and the first iteration of EVERYTHING IS GOING TO BE ALRIGHT resonate with current circumstances around COVID-19\, which is lessening in some places and continues to devastate in others\, a disparity all too often linked to economic and racial privilege. The Parrish installation aims to inspire critical thought as well as optimism: like pandemics past\, these difficult times will end and so too\, the systems that perpetuate them. \nEVERYTHING IS GOING TO BE ALRIGHT is the most recent addition to Field of Dreams an outdoor sculpture exhibition in the Parrish meadow\, featuring works by an international\, multi-generational group of artists who engage and respond to the Museum’s architecture and landscape. Other variations of the artwork have been installed across internationally renowned institutions and buildings\, most recently at Braemar Castle in Aberdeenshire\, Scotland (Work No. 3435\, 2020); Christchurch Art Gallery\, Christchurch New Zealand\, (Work No. 2314\, 2015); MMOMA\, Moscow\, Russia (Work No. 1081\, 2010); Scottish National Gallery of Modern Art\, Edinburgh\, UK (Work No. 975\, 2008); MOCA Detroit\, Michigan\, USA (Work No. 790\, 2007); and Tate Modern\, London\, UK (Work No. 203\, 1999). The version to be presented at the Parrish was first shown at the Aspen Art Museum as part of the exhibition Stories We Tell Ourselves (2015) and at Hauser & Wirth Los Angeles (2019). \nABOUT THE ARTIST:\nMartin Creed was born in Wakefield\, UK in 1968 and grew up in Glasgow. Today he lives and works in London. He has exhibited extensively worldwide\, and in 2001 won the Turner Prize for Work 227: The lights going on and off. Major solo exhibitions and projects include: Kistefos Museet\, Hodgkin and Creed: Inside Out\, Oslo\, Norway (2019); Centro Botín\, Martin Creed\, Santander\, Spain (2019); Martin Creed: ARTIST ROOMS\, Harris Museum and Art Gallery\, Preston\, UK (2017); SAY CHEESE! Museum Voorlinden\, Wassenaar\, The Netherlands (2017); Martin Creed\, Galerie im Taxispalais\, Innsbruck\, Austria (2017); Work No. 2630: UNDERSTANDING\, Brooklyn Bridge Park\, New York NY (2016); Martin Creed. The Back Door\, Park Avenue Armory\, New York NY (2016); What You Find\, Hauser & Wirth\, Somerset\, UK (2016); Kunstverein Heilbronn\, Heilbronn\, Germany (2015); Martin Creed. What’s the point of it?\, Hayward Gallery\, London\, UK (2014); Hauser & Wirth and Gavin Brown’s enterprise\, New York NY (2013); The Warhol\, Pittsburgh PA (2013); Work No. 202\, National Gallery of Canada\, Ottowa\, Canada (2012); Museum of Contemporary Art\, Chicago IL (2012); Work No. 1059\, The Scotsman Steps\, Edinburgh\, UK (2011); Nasher Sculpture Center\, Dallas TX (2011); Things\, The Common Guild\, Glasgow\, UK (2010); Work No. 409\, Royal Festival Hall Elevator\, London\, UK (2010); Work No. 245\, Centre Pompidou-Metz\, Metz\, France (2009); Hiroshima City Museum of Contemporary Art\, Hiroshima\, Japan (2009); and the Duveen’s Commission\, Tate Britain\, London\, UK (2008). \n  \n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/martincreed/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Martin-Creed-at-MOMA-Moscow-Dec-2019_Photo_Ivan-Novikov-Dvinsky.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210521T180000
DTEND;TZID=America/New_York:20210521T190000
DTSTAMP:20260705T143901
CREATED:20210317T192712Z
LAST-MODIFIED:20211026T155423Z
UID:10001991-1621620000-1621623600@parrishart.org
SUMMARY:Livestream Salon Concert: Pianist Nadejda Vlaeva
DESCRIPTION:Enjoy the brilliance and artistry of the Salon musician livestreamed from the Parrish in the comfort of your home. Please use the link below to register for this special livestream performance.\n \nVlaeva’s Music Program:\nAlexander Scriabin (1872-1915)\nSonata-Fantasia No. 2 Op. 19\nI. Andante\nII. Presto \nPancho Vladigerov (1899-1978)\nExotic Prelude Op. 17 No. 4\n“Evening Song” (In modo arabo) \nNadejda Vlaeva\n“Between Two Worlds” \nFranz Liszt (1811-1886)\nLiebestraum No. 3 \nFranz Liszt (1811-1886)\nSonata in B minor \nNadejda Vlaeva’s overwhelming musicality\, poetic nature\, and electrifying virtuosity have garnered accolades from many world-famous musicians. Lazar Berman called her talent “God-given”; Maestro Hans Graf observed that “her musicality and the depth of her interpretation amazed me\,” and Arnold Steinhardt\, leader of the Guarneri String Quartet\, praised her as “one of those people of extraordinary ability whom we hope for\, but rarely see.” \nMs. Vlaeva has given solo recitals and appeared with orchestras throughout Europe\, Asia\, and North America. She has been invited to numerous music festivals\, including the Bortkiewicz Festival and the Northern Musical Evenings festival in Ukraine\, Husum Rarities of Piano Music Festival in Germany\, the Chopin Festival in Kosovo\, Evmelia festival in Greece\, Portland Piano International\, Houston International Piano Festival\, and she has performed in many prestigious concert halls such as Carnegie’s Zankel Hall\, the Rose Hall at Lincoln Center\, the Concertgebouw in The Netherlands\, and the Oriental Arts Center in Shanghai. \nMs. Vlaeva is a Hyperion Recording Artist\, and was the first pianist to record the complete Bach Transcriptions of Camille Saint-Saëns [“positively stunning\,” BBC Music Magazine Instrumental CD of the Month]. The CD’s opening track inspired the award winning short animation movie “Ouverture” that premiered at the Lincoln Center Film Festival in New York. Vlaeva received the Grand Prix ‘Liszt’ du Disque for her “Piano Music of Liszt” CD. Her newest CD\, with world-premiere recordings of works by the noted Bulgarian composer Pancho Vladigerov\, is being released by Hyperion Records in May 2021. \nMs. Vlaeva has been a frequent guest at “The EG Conference” where she has collaborated with BBC Planet Earth and with the violinist Joshua Bell. Ms. Vlaeva is a strong advocate of music from her own country and frequently performs works by Bulgarian composers. As part of a piano duo with the pianist Ivajla Kirova\, she recorded works by Vladigerov and Raichev/Krushev. Vlaeva’s original composition “Cascades” is being published this year by Contemporary Composer’s Circle\, and her own arrangement and recording of Brahms’ Lullaby is available on the disc “Lullabies”\, recently released by Weltklassik am Klavier. \nNadejda Vlaeva was born in Sofia\, Bulgaria. At age 15 she won First Prize at the Liszt competition in Lucca\, Italy. Among other prizes and awards earned by Ms. Vlaeva are Third Prize at the International Liszt Competition in Budapest\, and the Yamaha Award for the best interpretation of Brahms in Weimar. She currently divides her time between New York and Europe. \nNadejda Vlaeva is a Yamaha Artist. \n  \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\nFriday Nights are made possible\, in part\, by Presenting Sponsor\, Bank of America.\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/live-stream-salon-concert-pianist-nadejda-vlaeva/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Nadejda-Vlaeva_Lisa-Marie-Mazzucco_resize_2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210514T180000
DTEND;TZID=America/New_York:20210514T190000
DTSTAMP:20260705T143901
CREATED:20210317T190902Z
LAST-MODIFIED:20211026T155300Z
UID:10001990-1621015200-1621018800@parrishart.org
SUMMARY:Livestream Salon Concert: Pianist Wynona Wang
DESCRIPTION:Enjoy the brilliance and artistry of the Salon musician livestreamed from the Parrish in the comfort of your home.\n\nWang’s Music Program:\nDomenico Scarlatti (1685-1757)\nTwo Sonata\, K 206 and K 29 \nChen Yi (b. 1953)\nBa Ban \nSergei Rachmaninoff (1873-1943)\nSonata No. 1 in D minor\, Op. 28 \nChinese pianist Wynona Wang was selected as First Prize winner of the 2018 Concert Artists Guild International Competition\, which is just the latest in a series of impressive first prize performances\, along with the 2017 Wideman International Piano Competition in Louisiana. Among the many performance prizes awarded to her with these victories\, she will make her New York recital debut at Carnegie Hall’s Weill Recital Hall during the 2019-20 season on the CAG Winners series. \nAn active performer in China\, Europe and the United States\, Wang recently earned her Performer’s Diploma under the tutelage of the eminent pianist Alessio Bax at Southern Methodist University in Dallas. While at SMU. she appeared in multiple concerto performances as well as numerous recitals and chamber music concerts\, including collaborations with cellist Andres Diaz and with the Escher String Quartet. Her upcoming itinerary features recitals in New York and Florida\, and concerto engagements in California and Texas. Her recent North American performances include the Northwest Florida Symphony Orchestra\, and the Meadows Symphony Orchestra of SMU in Dallas\, and such major festivals as PianoTexas\, Morningside Music Bridge in Calgary\, Canada\, the International Keyboard Institute & Festival in New York City\, and the Chautauqua Institution. \nBorn in Beijing\, Wang began playing piano at age 4\, and went on to study at both the Music Elementary and Secondary schools at the prestigious Central Conservatory of Music (CCOM) in Beijing. In fall 2016\, she was awarded a full scholarship for her Performer’s Diploma at Southern Methodist University in Dallas\, and she now lives in New York while pursuing her undergraduate degree at The Juilliard School as a student of Dr. Robert McDonald. \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, The Jeannette and H. Peter Kriendler Charitable Trust\, and sponsored by Yamaha Artist Services\, Inc.\nFriday Nights are made possible\, in part\, by Presenting Sponsor\, Bank of America.\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/live-stream-salon-concert-pianist-wynona-wang/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Wynona-Wang_photo_Yujun-Ma-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210507T180000
DTEND;TZID=America/New_York:20210507T190000
DTSTAMP:20260705T143901
CREATED:20210429T172850Z
LAST-MODIFIED:20210518T171221Z
UID:10002115-1620410400-1620414000@parrishart.org
SUMMARY:Livestream Talk: Alicia Longwell with Virva Hinnemo and Dorothea Rockburne
DESCRIPTION:Join Chief Curator Alicia G. Longwell in a livestream conversation with Virva Hinnemo and Dorothea Rockburne about their process and work featured in Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950-2020\, an exhibition with works by a multigenerational roster of 42 artists who expanded the language of abstraction–and called the Hamptons home for a week\, a season\, or a lifetime. \n  \n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/talk-alicia-longwell-and-artists-in-affinities/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210430T170000
DTEND;TZID=America/New_York:20210430T180000
DTSTAMP:20260705T143901
CREATED:20210407T165725Z
LAST-MODIFIED:20210504T165857Z
UID:10002817-1619802000-1619805600@parrishart.org
SUMMARY:Recorded Online Talk: Sheree Hovsepian with Kelly Taxter
DESCRIPTION:Enjoy a recorded conversation with Parrish Director Kelly Taxter and artist Sheree Hovsepian\, who uses film-based cameras\, light-sensitive paper\, objects\, and the human body to produce her acclaimed assemblage. Work by Hovsepian will be featured in the Museum’s new exhibition Affinities for Abstraction: Women Artists on Eastern Long Island\, 1950—2020\, opening May 2\, 2021.\n \nAbout Sheree Hovsepian\nSheree Hovsepian (American b. Iran) earned her MFA from the School of the Art Institute of Chicago in 2002\, a dual BFA/BA from the University of Toledo in 1999\, and studied at the Glasgow School of Art\, Scotland in 1998. Her work highlights the physicality of the photograph and photography’s relationship to the human body. Coaxed into sculptural forms\, layered with tactile materials\, and assembled into larger compositions\, Hovsepian’s pictures oscillate between object and image\, creating a sensuous\, bodily experience of the photographic document. \nRecent solo and two-person exhibitions have been organized by The Tang Teaching Museum at Skidmore College (Never Done: 100 Years of Women in Politics and Beyond\, 2020 -2021) Saratoga Springs\, NY\, Halsey Mckay Gallery\, East Hampton\, NY (2020)\, Higher Pictures Gallery\, New York (2019) Team Bungalow\, Los Angeles with Paul Mpagi Sepuya\, (2019): and Monique Meloche Gallery\, Chicago (2018) Recent group exhibitions include Arches and Ink\, Rachel Uffner Gallery\, New York (2021); and Inertial Dynamics\, Half Gallery\, New York (2020). Hovsepian’s work is in the permanent collections of the Art Institute of Chicago\, the Bronx Museum\, the Solomon R. Guggenheim Museum\, and the Studio Museum in Harlem\, among others. Hovsepian serves on the Art Advisory Committee of Baxter Street Camera Club of New York. Sheree lives and works between New York City and Bridgehampton\, NY. \nAbout Kelly Taxter \nKelly Taxter is the new Director of the Parrish Art Museum. \nShe joined the Jewish Museum in 2013 and was most recently the Barnett and Annalee Newman Curator of Contemporary Art\, the Museum’s first endowed and named contemporary curator position. While at the Jewish Museum\, Taxter organized major surveys of Marc Camille Chaimowicz and Rachel Feinstein\, and will serve as guest curator for the first U.S. survey of filmmaker Jonas Mekas in 2022; she led commissions\, projects\, and exhibitions with Math Bass\, Eliza Douglas\, Alex Israel\, Eva LeWitt\, Peter Shire\, Laurie Simmons\, Valeska Soares\, Vivan Suter\, and Lawrence Weiner\, among others; and co-curated an exhibition on Isaac Mizrahi and thematic group exhibitions including Take Me (I’m Yours) and Unorthodox. From 2012 to 2013 she was Consulting Curator at the Aldrich Contemporary Art Museum in Ridgefield\, Connecticut\, where she organized major solo exhibitions of Martin Creed\, Harry Dodge\, and Robert Longo. \nIn 2003\, Taxter co-founded Taxter & Spengemann (with Pascal Spengemann)\, a gallery where she represented artists Lutz Bacher\, Frank Benson\, Xavier Cha\, Matt Johnson\, Kalup Linzy\, Wardell Milan\, and A.L. Steiner\, among others. Taxter studied fine art at the School of the Museum of Fine Arts\, Boston and Tufts University\, where she earned her B.A. She received her M.A. from the Center for Curatorial Studies\, Bard College. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/recorded-online-talk-sheree-hovsepian-with-kelly-taxter/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/Sheree-Kelly-jpeg-new.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210423T180000
DTEND;TZID=America/New_York:20210423T193000
DTSTAMP:20260705T143901
CREATED:20210406T204649Z
LAST-MODIFIED:20210426T171424Z
UID:10002816-1619200800-1619206200@parrishart.org
SUMMARY:Live-Stream Performance: Lonnie Holley Concert and Conversation
DESCRIPTION:The Parrish Art Museum presents a special live-stream evening of conversation and performance with visual artist\, musician\, filmmaker\, and educator Lonnie Holley. Throughout the program\, Holley will be in conversation with Chief Curator Alicia Longwell\, play the keyboard and sing\, and will be accompanied by Washington Duke on drums/percussion.\n \nHolley\, whose exhibition\, Everything That Wasn’t White: Lonnie Holley at the Elaine de Kooning House\, will be on view at the Parrish from April 24-September 6\, was a recent Artist-in-Residence at the Elaine de Kooning House in East Hampton\, NY. He did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event\, concert\, and recording. In Holley’s original art environment\, he would construct and deconstruct his visual works\, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music\, likewise\, are the result of decades of evolving experimentation. \nHolley’s artwork has most recently been in exhibitions at The Fine Arts Museums of San Francisco\, The Metropolitan Museum of Art\, the National Gallery of Art\, the Philadelphia Museum of Art\, and MASS MoCA. In September of 2018\, he released his third studio album\, MITH\, on Jagjaguwar. The album made numerous “best of” year-end lists\, including those of the New Yorker and Newsweek. His first film\, I Snuck Off the Slave Ship\, premiered in 2019 at the Sundance Film Festival. \nAbout Lonnie Holley\nLonnie Holley was born in 1950 in Birmingham\, Alabama. From the age of five\, he worked various jobs: picking up trash at a drive-in movie theatre\, washing dishes\, and cooking. He lived with foster parents in a whiskey house\, boarded on one side by the state fairgrounds and on another by a drive-in movie theater\, until the age of eleven\, when he was picked up by the Birmingham Police Department for violating the city-wide curfew\, imposed during the height of the Civil Rights Movement. He was sent to the Alabama Industrial School for Negro Children\, which was little more than a slave camp for African American youth. His early life was chaotic\, to say the least\, and Holley was never afforded the pleasure of a real childhood. After his birth family discovered his whereabouts\, he returned to Birmingham to live with his paternal grandmother. For the next ten years he would have a series of jobs\, which included working for the Campbell Soup Company picking vegetables\, working as a greenskeeper at a Country Club in Florida\, and working as a chef at the Walt Disney World resort in Orlando when it opened. He returned to Birmingham in his early 20s. \nSince 1979\, Holley has devoted his life to the practice of improvisational creativity. His art and music\, born out of struggle\, hardship\, but perhaps more importantly\, out of furious curiosity and biological necessity\, has manifested itself in drawing\, painting\, sculpture\, photography\, performance\, filmmaking\, printmaking\, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects\, already imbued with cultural and artistic metaphor\, are combined into narrative sculptures that commemorate places\, people\, and events. His work is now in collections of major museums throughout the country\, on permanent display in the United Nations\, and have been displayed in the White House Rose Garden. \nSince 2010\, he has lived and worked out of Atlanta\, Georgia. \nAbout Washington Duke\nPlaying drums seemed to come naturally to Washington (Washy) Duke. At the age of ten\, his first music teacher gave him a drum kit\, and mastering the instrument became a lifelong pursuit. By thirteen years old\, Washy had a band\, covering Led Zeppelin and Jimi Hendrix at friends’ birthday parties. At eighteen\, he was recruited by Dr. Paul Jeffrey to come to Duke University to play drums in the Jazz Ensemble. Jeffrey noticed an innate musicality to Washy’s playing\, and hired him to play in his own quartet\, even though Jazz was still a foreign idiom to Washy. But\, having been a protégé of Sonny Rollins\, Thelonious Monk\, and Charles Mingus\, Jeffrey took a sink or swim approach\, and gave Washy most of his education on the bandstand. In his first year at Duke\, Washy performed with Jazz greats John Stubblefield\, Walter Bishop Jr.\, Ray Bryant\, and Curtis Fuller. At the end of that year\, Jeffrey and Fuller asked Washy to come to France and record on their album\, Together in Monaco. Washy was nineteen years old. He has since gone on to study with legendary drummer and teacher Michael Carvin and has spent the better part of the last twenty years as a drummer and bandleader for numerous acts across all genres of popular music. 2020 made performing nearly impossible\, but Washy used the time to practice daily\, and return to his study of the art of drumming. \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/live-stream-performance-lonnie-holley-concert-and-conversation/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/04/Holley-and-Duke-Picstitch-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210416T180000
DTEND;TZID=America/New_York:20210416T190000
DTSTAMP:20260705T143901
CREATED:20210301T195157Z
LAST-MODIFIED:20210426T171027Z
UID:10002812-1618596000-1618599600@parrishart.org
SUMMARY:Live-Stream Awards: 2021 Student Exhibition
DESCRIPTION:The Parrish’s annual student exhibition is a 65-year tradition and a highlight of every year. Join Parrish Education Director Cara Conklin-Wingfield and Neill Slaughter\, a painter and professor emeritus of Visual Art at Long Island University\, in a live-stream awards ceremony recognizing select high school seniors for their talent and skill. Slaughter will present these awards\, as well as “Ones to Watch” honors to underclassmen. \nSTUDENT EXHIBITION HONOREES WITH COMMENTARY \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/2021-student-exhibition-awards-ceremony/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Talks,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Eastern-Long-Island-Academy-2019-Student-Exhibition-Award-winners_Photo_Tom-Kochie-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210409T180000
DTEND;TZID=America/New_York:20210409T200000
DTSTAMP:20260705T143901
CREATED:20210311T154858Z
LAST-MODIFIED:20210413T171557Z
UID:10001979-1617991200-1617998400@parrishart.org
SUMMARY:Film and Talk: Black Art: In the Absence of Light
DESCRIPTION:The Parrish\, in collaboration with Hamptons Doc Fest\, is pleased to present HBO’s newly released film. Inspired by the late David Driskell’s landmark 1976 exhibition\, “Two Centuries of Black American Art\,” the documentary Black Art: In the Absence of Light offers an illuminating introduction to the work of some of the foremost Black visual artists working today. A pre-recorded conversation between the director\, Sam Pollard\, and Senior Curator Corinne Erni will follow the screening. \nPlease use the link below to register.\n$20 | $10 Parrish Members\nFree for Students\nREGISTER FOR 6 PM SCREENING \n2021\, Documentary\, 85 minutes\nDirector: Sam Pollard\nDirected by Sam Pollard\, the film shines a light on the extraordinary impact of Driskell’s exhibit on generations of Black artists who have staked a claim on their rightful place within the 21st-Century art world. Interweaving insights and context from scholars and historians\, along with interviews from a new generation of working African American curators and artists including Theaster Gates\, Kerry James Marshall\, Faith Ringgold\, Amy Sherald\, and Carrie Mae Weems\, the documentary is a look at the Contributions of Black American artists in today’s contemporary art world. \nBlack Art: In the Absence of Light is produced and directed by Sam Pollard; produced by Daphne McWilliams; cinematography\, Henry Adebonojo; editing\, Steven Wechsler; original music\, Kathryn Bostic. Executive producers\, Henry Louis Gates\, Jr.\, Jacqueline Glover; consulting producer\, Thelma Golden. \n\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-and-talk-black-art-in-the-absence-of-light/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Film-Still_Amy-Sherald_Courtesy-of-HBO.jpg
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