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SUMMARY:PechaKucha Night Vol. 36
DESCRIPTION:TICKETS  LIVESTREAM\nMeet the many creatives who call the East End their home at our high-energy PechaKucha Nights. Artists\, writers\, musicians\, gardeners\, farmers\, baymen\, winemakers\, chefs\, designers\, and architects present their work and passions in just under 7 minutes as they use a simple format of 20 images x 20 seconds per image. \nAs the official site for the Hamptons\, the Parrish joins over 700 cities globally in hosting PechaKucha Nights\, named for the sound of “chit-chat” in Japanese. This is a great opportunity to establish new relationships\, learn about local resources\, and hear from your neighbors. \n  \nJohn Melillo\, Eastport \nJohn Melillo grew up on the east end of Long Island and is an avid fisherman. He is a disabled Vietnam Veteran who finds solace through contemporary realistic oil painting of his heritage. His art is geared to detail and storytelling through realistic presentation\, enabling the viewer to create their own narrative. Melillo started his career by taking numerous classes at the Art League of LI\, Suffolk County Community College\, the School of Visual Arts\, NY Academy of Art and the Metropolitan Museum. He has business certificates from Christies and Sotheby’s and has been featured in many articles & TV appearances. \n  \nCamille Perrottet\, East Hampton \nCamille Perrottet is a multi-disciplinary artist\, working in photography\, mural\, painting\, video and installation. Born in France and raised in Paris\, Perrottet moved to New York City in 1979 and has been based in East Hampton since 1993. Perrottet’s work has been influenced by the geographic locations she lived in\, the artistic communities she was in relationship with\, new art mediums she experimented with\, and the socio-political issues of the time\, surrounding the themes of women\, sexuality\, and politics. \n  \nBrianna L. Hernández\, Southampton \nBrianna L. Hernández is a Chicana artist\, curator\, educator\, and death doula guided by socially engaged practices. In developing as an artist and creative professional Hernández credits her late mother\, Sylvia D. Hernández\, as her most significant mentor and inspiration for the creativity\, resilience\, and compassion she demonstrated throughout her life. Her ongoing artwork focuses on the experience of providing end-of-life care\, grieving processes\, and mourning rituals based on her lived experiences\, cultural research\, and collaborations with others in the field. \n  \nDenise Silva-Dennis\, Shinnecock \nDenise Silva Dennis\, 1960\, whose Indigenous name is WeeTahMoe\, is a member of the Shinnecock Nation\, Southampton\, NY and Hassanamisco Nation\, Grafton\, Massachusetts. Silva-Dennis is a multi-disciplinary artist\, a social justice activist\, a public speaker\, and a retired Southampton Elementary School Art Teacher. WeeTahMoe is also an accomplished beadwork craftswoman. The traditional Eastern Woodland style of beadwork was handed down to her from the elder women of the Shinnecock and Hassanamisco Nipmuc Nation\, whose work includes traditional jewelry\, beaded walking sticks\, beaded pouches and beaded cradleboards. \n  \nTed Nemeth \nTed Nemeth\, currently enthralled with the challenges of his 5th professional career: a gypsy with a camera\, previously worked on Wall Street for several years\, as well as two technology start-ups. Moving beyond those endeavors\, Nemeth worked with developmentally disabled adults for several years\, and became a renowned leather craftsman with celebrity clients and private projects around the world for 11 years before picking up a camera. As a third-generation filmmaker\, Nemeth started his production company\, Currently Filming Optimism\, travelling the world creating videos for artists and charities to help drive awareness & donations. \n  \nSarah Alford \nSarah Alford is a writer\, photographer and software designer. Her work has appeared in East\, The East Hampton Star and the Sag Harbor Express magazine. Alford’s interest in horticulture extends to the animal world\, and she revels in using photography to capture easily unseen moments in nature. Alford is especially inspired by the microcosms of native host trees and plants which have a unique relationship with the creatures they support.    \n  \nMark Seidenfeld \nMark Seidenfeld lives and works in Bridgehampton\, New York. Seidenfeld was academically trained as a lawyer. He represented many galleries around the world and hovered around art until 1992 when Elisa Breton\, the widow of Andre Breton\, convinced him to start painting. Once begun\, that activity unleashed a volcano of creativity. Seidenfeld’s artistic mission is to create and cultivate his own unique visual language. Using an intuitive mind guided by the inspiration emotions\, he aims to take artistic journeys into the unknown in the process of making artworks. Both his photography and painting have won awards and have been subject to articles in various art publications as well as exhibitions and representation in New York galleries.\n \nLearn more about PechaKucha Night Hamptons  → \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/pechakucka-night-volume-36/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,PechaKucha
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DTSTART;TZID=America/New_York:20220610T180000
DTEND;TZID=America/New_York:20220610T200000
DTSTAMP:20260615T113730
CREATED:20220503T224650Z
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SUMMARY:Film & Talk | The Gardener
DESCRIPTION:REGISTER\n$15 | Admission \n$5 | Members\, Seniors\, and Students with ID \nThe Gardener\n2016\, 84 minutes\nDirected by Sébastien Chabot\nFollowed by a conversation and Q&A with Alicia Whitaker\, horticulturist and Thackston Crandall\, landscape architect\n\nThe Gardener is a film that reflects upon the meaning of gardening and its impact on our lives. Co-presented with Hamptons Doc Fest and in conjunction with  Landscape Pleasures\, the documentary features the influential gardener and plantsman Frank Cabot shortly before his passing at the age of 86. Cabot recounts his personal quest for perfection at Les Quatre Vents\, his 20-acre English style garden and summer estate\, which he opened to a film crew for the first time in 2009. \nNestled amid the rolling hills of the Charlevoix County in Quebec\, Les Quatre Vents has become one of the world’s foremost private gardens. Created over the course of 75 years and three generations\, this horticultural masterpiece of the 21st century is an enchanted place of beauty and surprise. Through remarks by Cabot and his family\, and with the participation of gardening experts and writers\, the film looks back at this remarkable man’s personal story and the artistic philosophy that gave birth to one of the greatest gardens in the world. \n  \nAbout the Director \nSébastien Chabot (b. 1976\, Sainte-Florence\, Quebec) is a Canadian writer\, cinematographer\, and producer\, who published his debut novel Ma mère est une marmotte in 2004. He was awarded the Prix Jovette-Bernier in 2006 for his sequel\, L’Angoisse des poulets sans plumes\, and was recently shortlisted for the Governor General’s Award for French-language fiction for the novel Noir métal. Discussing The Gardener in a feature article in Point of View Magazine\, Chabot said that working with Frank Cabot was about cultivating a film that would be as finely crafted as the garden it depicts. “Doing a personal movie about one’s personal garden might be the best way to reveal someone.” Chabot received his education at the Université du Québec à Rimouski and the Université du Québec à Montréal. He is a professor of literature at the Cégep de Rimouski. \nAbout Alicia Whitaker \nAlicia Whitaker is an executive leadership coach and consultant who has worked to support her gardening habit for decades. A home gardener and active participant in the East End gardening community\, she is past president (2019-2021) and long-time board member of the Horticultural Alliance of the Hamptons\, and recently joined the Board of Directors of the Westhampton Garden Club where she serves as Chair of Horticulture and member of the Pollinator Team responsible for a fledgling Pollinator Garden at the Quogue Library. She is co-author\, with Betsy Pinover Schiff\, of The Sidewalk Gardens of New York (Monacelli Press\, 2016) which describes the many ways NYC has become a greener city in the past two decades. Whitaker became a Master Gardener in 2021 after completing a course offered by Cornell Cooperative Extension Service. She holds a BA from the University of Massachusetts at Amherst and an MBA from Harvard Business School. \nAbout Thackston Crandall \nThackston Crandall is a licensed Landscape Architect and Senior Associate with LaGuardia Design Group\, located in Watermill NY and NYC. As a member of the LDG team\, Thackston enjoys collaborating with colleagues and clients on a range of projects including residential\, commercial\, and cultural landscapes. Thackston received a Bachelor of Landscape Architecture from Clemson University and a Master of Landscape Architecture from Cornell University. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \n 
URL:https://parrishart.org/event/film-the-gardener/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
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DTSTART;TZID=America/New_York:20220617T180000
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SUMMARY:Film & Talk | Decoy by Michael Blackwood
DESCRIPTION:REGISTER\n$15 | Adults \n$5 | Members and Students with ID \nDecoy\n1972\, 18 minutes\nDirector: Michael Blackwood\nShown in conjunction with the current exhibition An Art of Changes: Jasper Johns Prints\, 1960 – 2018\, this short documentary explores how Jasper Johns created Decoy—a series of paintings and prints\, one of which is featured in this exhibition—and how it is rooted inside the notions of reproduction\, transformation\, and memory. \nBelieving that an image gains new meaning each time it is presented\, Johns boldly confronts his own past work\, most notably Ale Cans (1964)\, and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes in the film\, “each time a motif is used and reused additional memories accrue\, new layers of meaning\, and the image itself begins to acquire its own history.” It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art\, thus redirecting society’s interpretation. \nDiscussion to follow with Alicia G. Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education and Lorena Salcedo-Watson\, Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook University in the Lichtenstein Theater. \nLorena Salcedo-Watson | Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook\nUniversity \nLorena Salcedo-Watson is an artist and master printmaker whose work consists of large-scale drawings and prints focused on the relationships between the structures and essential qualities of life forms. Based on a fascination with human anatomy\, botany\, and entomology\, her imagery transforms and re-interprets aspects of nature\, filtering through personal experience\, observation\, and imagination. \nAs an educator\, Salcedo-Watson taught intaglio printmaking at Cooper Union for seven years and was on the faculty of St. Joseph’s College. Salcedo-Watson worked at Universal Limited Art Editions (ULAE) for fourteen years as a master printer and collaborator. Salcedo-Watson has worked with artists including Elizabeth Murray\, Terry Winters\, Jasper Johns\, Robert Rauschenberg\, James Rosenquist\, Kiki Smith\, Suzanne McClelland\, Carroll Dunham\, Susan Rothenberg\, Julian Lethbridge\, Jane Hammond\, Lisa Yuskavage\, Ellen Gallagher\, and Malcolm Morley. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nAttendees at events in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-decoy-by-michael-blackwood/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
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