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DTSTART;TZID=America/New_York:20220401T180000
DTEND;TZID=America/New_York:20220401T193000
DTSTAMP:20260608T164956
CREATED:20220208T154854Z
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SUMMARY:Music | Bill O'Connell Quartet featuring Craig Handy
DESCRIPTION:$20 | $10 Parrish Members \nTICKETS\nJoin us in the Lichtenstein Theater for the second concert of the Hamptons Jazz Fest Winter Series with Grammy Award Nominee Bill O’Connell with his Quartet featuring Lincoln Goines on bass\, Robby Ameen on drums\, and special guest saxophonist Craig Handy. \nAfter a 40-year career that has seen him excel as a leader\, soloist\, arranger\, musical director\, and accompanist for some of the most celebrated names in jazz and Latin music\, Bill O’Connell can lay claim to a track record of challenging and artistically diverse triumphs. As a recording artist\, his 13 albums have drawn universal critical acclaim while his talents as a pianist and arranger have been tapped by a diverse range of noted soloists. Today\, O’Connell is both a respected educator and leader of The Latin Jazz All-Stars. Bill O’Connell is nominated for the 64th Annual Grammy Awards for Best Arrangement\, Instrumental and A Capella for Chopsticks. \nO’Connell will be joined by saxophonist Craig Handy. Born in Oakland\, CA\, as a music-hungry youngster\, Handy experimented on guitar\, trombone\, and piano before settling on his first true love\, the saxophone. At the age of 11 while listening to the radio\, Handy fell under the spell of the transcendent saxophone playing of jazz legend Dexter Gordon. Berkeley High School’s (CA) reputable Jazz Program soon beckoned\, and Handy joined the ranks of graduating stellar saxophone talent including David Murray\, Peter Apfelbaum\, and Joshua Redman\, to name a few. He attended North Texas State University and won the coveted Charlie Parker Scholarship which enabled his early college experience as a psychology major and frontrunner in the school’s exceptional One O’Clock Jazz Ensemble. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol here →\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by Weill Cornell Medicine – Southampton\, The Corcoran Group\, and Sandy & Stephen Perlbinder
URL:https://parrishart.org/event/music-bill-oconnell-quartet-featuring-craig-handy/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/HamptonsJazz_BillOConnell_ParrishMuseum_event.png
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DTSTART;TZID=America/New_York:20220408T180000
DTEND;TZID=America/New_York:20220408T193000
DTSTAMP:20260608T164956
CREATED:20220301T193401Z
LAST-MODIFIED:20220404T135344Z
UID:10003112-1649440800-1649446200@parrishart.org
SUMMARY:Film | The 100 Years Show starring Carmen Herrera
DESCRIPTION:2015\, 40 min\, Directed by Alison Klayman \n$15 | $5 Parrish Members \nREGISTER \nJoin us for a screening of the documentary\, The 100 Years Show\, starring Carmen Herrera shortly before what would be her 107th birthday\, as we commemorate the life and work of the prolific artist who recently passed away. The 100 Years Show highlights Herrera’s oeuvre which went virtually unknown for most of her life. The screening will be followed by a livestreamed Q&A with director Alison Klayman and Senior Curator Corinne Erni. \nFrom architecture studies in Cuba to New York’s Art Students League to Le Salon des Réalités Nouvelles in Paris\, Herrera’s life has spanned continents and art movements and demonstrates a persistent devotion to her work. She was a pioneer and a peer of many male artists who received great recognition in their time. Her story is just one example of the many great artists whose accomplishments were overlooked because of their gender\, ethnicity\, or nationality. The 100 Years Show demonstrates the power of artistic vision to sustain itself. \nABOUT CARMEN HERRERA \nBorn in 1915 in Havana\, Cuba\, Herrera was educated in Havana and Paris\, studying art\, art history\, and architecture. Herrera regularly exhibited her work with the Salon des Réalités Nouvelles\, an international group of artists\, and developed a distilled\, geometric style of abstraction\, reducing her palette to three colors for each composition\, then further to two. Herrera’s hard-edged canvases emerged while Ellsworth Kelly\, whose time in France overlapped with Herrera’s\, began producing his own abstractions and around the same time that Frank Stella began producing his famous black paintings. \nHerrera’s ascetic compositions\, which prefigured the development of Minimalism by almost a decade\, did not find a warm reception when she returned to New York in 1954. Since the 1990s\, Herrera’s work garnered increasing attention\, selling her first painting in 2004\, followed by an explosion of attention\, exhibitions\, and acquisitions at the Museum of Modern Art\, Walker Art Center\, Hirshhorn Museum and Sculpture Garden\, Boston Museum of Fine Arts\, and Tate Modern. Herrera’s life spanned continents and art movements and demonstrated a persistent devotion to her work. She continued to work out of her Flatiron District studio until her death at age 106. \n\nABOUT THE DIRECTOR \nAlison Klayman’s debut feature documentary Ai Weiwei: Never Sorry won a Special Jury Prize at the 2012 Sundance Film Festival. The film went on to be released theatrically around the globe and shortlisted for an Academy Award\, nominated for two Emmys and two Cinema Eye Honors\, and earned Alison a Director’s Guild of America nomination. She is a regular contributor to the New York Times’ Op-Docs series and was named one of the “20 Directors to Watch” on A.O. Scott and Manohla Dargis’ list of international filmmakers under 40. Alison also filmed and co-edited The 100 Years Show. She is a regular guest speaker at major art museums and universities around the world. She graduated from Brown University in 2006 with an honors B.A. in History. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-the-100-years-show-starring-carmen-herrera/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/CarmenHerrera_The100YearsShow_AlisonKlayman_ParrishArtMuseum.png
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DTSTART;TZID=America/New_York:20220415T180000
DTEND;TZID=America/New_York:20220415T190000
DTSTAMP:20260608T164956
CREATED:20220401T163754Z
LAST-MODIFIED:20220404T135356Z
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SUMMARY:Online Talk | Donna de Salvo and Dorothy Lichtenstein: Roy Lichtenstein and Pop Art Before and After the Dots
DESCRIPTION:REGISTER\nTune into the lively conversation that took place six months ago in conjunction with the exhibition Roy Lichtenstein: History in the Making\, 1948-1960\, on view at the Museum\, August 1–October 24\, 2021. \nDorothy Lichtenstein\, former director of the pioneering Paul Bianchini Gallery\, New York\, and who worked closely with many of the Pop artists\, was joined in conversation with Donna De Salvo\, Senior Adjunct Curator\, Dia Art Foundation\, and Curator of Hand-Painted Pop: American Art in Transition\, 1955-1962\, about this legendary artist and pivotal period in art in the United States. \nOne of the progenitors of Pop Art\, Roy Lichtenstein’s work of the 1950s reveals much about the preoccupations of a younger generation of artists in the post-war U.S. as they attempted to work their way through and out of the shadows of Abstract Expressionism. Lichtenstein’s wide-ranging explorations of subject matter and form would lead to his groundbreaking Pop paintings\, first shown in New York in 1962\, ushering in a new attitude towards art from which there was no turning back. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/online-talk-donna-de-salvo-and-dorothy-lichtenstein-roy-lichtenstein-and-pop-art-before-and-after-the-dots/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/RoyLichtenstein_DonnaDeSalvo_ParrishArtMuseum.png
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DTSTART;TZID=America/New_York:20220422T180000
DTEND;TZID=America/New_York:20220422T193000
DTSTAMP:20260608T164956
CREATED:20220325T155403Z
LAST-MODIFIED:20220411T144923Z
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SUMMARY:Talk |  Earth Day: Restoring Water & Cultural Practice
DESCRIPTION:REGISTER  LIVESTREAM\nIn celebration of Earth Day 2022\, the Parrish Art Museum presents a panel discussion with Danielle “Munnannock” Hopson-Begun\, Tela Troge\, Gaelin Rosenwaks\, and Kathleen J Graves exploring the relationship between water quality\, cultural practices\, and environmental activism on the East End. \nModerated by Senior Curator of ArtsReach and Special Projects Corinne Erni\, the panelists will bring perspectives from the visual arts and design\, Indigenous environmental restoration\, and marine biology research. \nABOUT THE PANELISTS\nDanielle “Munnannock” Hopson-Begun & Tela Troge are tribal members of the Shinnecock Indian Nation and  members of Shinnecock Kelp Farmers. The Shinnecock Kelp Farmers is a seed to sale\, multigenerational collective of six Indigenous women addressing the climate crisis. Through the cultivation and harvesting of sugar kelp in Shinnecock Bay\, their work is focused on restoring the bay and creating an environmentally friendly fertilizer from the matured kelp. \nGaelin Rosenwaks is a marine scientist\, explorer\, photographer\, and filmmaker. She began her career at the Woods Hole Oceanographic Institution conducting research in Antarctica and then earned her Master’s Degree in Coastal Environmental Management from Duke University researching Giant Bluefin Tunas. Alarmed by the changes happening in the oceans\, Gaelin founded Global Ocean Exploration Inc to share her passion for ocean exploration\, marine conservation\, and storytelling. She now participates and conducts expeditions in every ocean to alert the public not only to the challenges facing the oceans\, but also to what science is doing to understand these changes. She has published articles in scientific journals\, newspapers and magazines and has delivered lectures at global conferences and many institutions. She has appeared as an expert and host on TV programs including on The Discovery Channel\, Science Channel\, CBS News\, and National Geographic Channel. Her photography has been displayed in many exhibitions\, including solo exhibitions at Duke University\, The Maritime Aquarium\, and the Patagonia Upper West Side Store in NYC. Her latest film project\, Finding Physty\, about her personal connection with sperm whales is the cover story in the June/July 2020 issue of Outside Magazine. \nKathleen J Graves is an artist and photographer whose work is based on her love of nature and technology\, reflecting on changing weather patterns worldwide and flooding in the Long Island area where she lives. In her Bot Studies she builds 3D objects by using organic elements and re-purposing throwaway materials and electronics. The Bots are based on science and its discoveries about Artificial Intelligence; they are becoming a species with their own intentions\, abilities\, ideas\, and purpose. They could become a threat to humans—it is this dilemma that interests the artist. The Bots are also a reference to how we live\, what we manufacture and buy\, what we forget about and throw away. Graves tries to bridge the divide between our alienation from technology’s forms and our ability to humanize them. They help her reflect on our participation in cyborg and robot formats\, their usefulness\, and our enjoyment of them. Graves has shown her work in New York\, Miami\, the Czech Republic\, Italy\, and Korea. She was an Adjunct Assistant Professor of Art at New York University\, and taught at Sarah Lawrence College\, Pratt Manhattan\, and the International Center of Photography in NYC. She was the Director of the Advanced Digital Print Studio at NYU between 2005-2012. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID.\nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/talk-water-culture-and-the-environment-with-danielle-hopson-begun-gaelin-rosenwaks/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/Shinnecock_KelpFarmers_ParrishArtMuseum.png
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DTSTART;TZID=America/New_York:20220429T180000
DTEND;TZID=America/New_York:20220429T190000
DTSTAMP:20260608T164956
CREATED:20220309T194922Z
LAST-MODIFIED:20220405T131530Z
UID:10003120-1651255200-1651258800@parrishart.org
SUMMARY:Music | Pegasus: the Orchestra
DESCRIPTION:TICKETS\nSalon Series\, the Parrish Art Museum’s concert program featuring world-class artists performing in an intimate\, casual setting. \nJoin us for a special concert focused on some of the most innovative Baroque masterpieces performed by Pegasus: the Orchestra\, conducted by Karén Hakobyan from the harpsichord. The program will include Vivaldi’s Trio Sonata in D Major and Bach’s Brandenburg Concerti No. 4 and No. 5\, featuring soloists Eiko Kano\, violin\, and Kaori Fujii\, flute. \n  \nPROGRAM \nVivaldi\,  Trio Sonata in D Major\, RV 84 \nBach\, Brandenburg Concerto No. 4 in G major\, BWV 1049 \nI. Allegro \nII. Andante \nIII. Presto \nBach\, Brandenburg Concerto No. 5 in D major\, BWV 1050 \nI. Allegro \nII. Affettuoso \nIII. Allegro \nPERFORMERS  \nPegasus: The Orchestra \nKarén Hakobyan | Artistic director\, principal conductor\, & harpsichord \nEiko Kano | Concertmaster & violin soloist \nEdson Scheid | Violin\, principal \nStani Dimitrova | Violin\, principal \nWilliam Hakim | Viola\, principal \nConnor Kim | Cello\, principal \nMilad Daniari | Contrabass\, principal \nKaori Fujii | Flute\, principal \nKatie Althen | Flute \n  \nABOUT THE SOLOISTS \nEIKO KANO | Concertmaster & violin soloist  \nPraised as an artist with “electrifying intensity and lyrical expression\,” New York City-based Japanese violinist Eiko Kano is an internationally recognized soloist as well as a chamber musician frequently collaborating with distinguished artists. A prizewinner of international competitions\, Kano serves as assistant concertmaster at the Albany Symphony Orchestra and regularly plays in the New York Philharmonic. She is the concertmaster and senior artistic advisor of Pegasus: The Orchestra. In 2016\, she launched the critically acclaimed production A Manhattan Story with a unique style of violin music and storytelling. In 2018\, Kano founded the ensemble The New Yorkers\, featuring Karén Hakobyan as her duo partner. They have been performing extensively in the U.S. and Japan. \nKAORI FUJII | Flute \nBorn in Tokyo and residing in New York City\, Kaori Fujii has emerged as one of the leading imaginative and creative flutists to come out of the classical music world. Fujii has graced the stage of leading concert halls\, such as The John F. Kennedy Center\, Carnegie Hall\, Alte Oper Frankfurt\, and Tokyo Opera City Concert Hall. In 2014\, Fujii founded Music Beyond\, Inc.—a nonprofit organization that harnesses the universal power of music to empower and transform people’s lives in the Democratic Republic of the Congo (DRC) in Central Africa. She frequently visits DRC to provide music teacher training and women’s empowerment programs and help build music curriculum for local schools. \nKARÉN HAKOBYAN | Principal conductor & harpsichord \nDescribed as “a musician of abundant gifts and bountiful ideas” by New York Concert Review\, and “an immensely talented and dynamic performer” by Deseret Morning News\, Armenian American pianist\, composer\, and conductor Karén Hakobyan is a versatile force on the international music scene. Since his Carnegie Hall debut at the age of seventeen\, he has performed in major concert halls in Armenia\, Argentina\, Mexico\, Germany\, UK\, Belgium\, France\, Japan\, and the U.S. Hakobyan is a top prizewinner of multiple international piano and composition competitions and holds degrees from the Manhattan School of Music\, Mannes College of Music\, and the University of Utah. \nPEGASUS: THE ORCHESTRA  \nPegasus: the Orchestra is a nonprofit professional orchestra\, founded by Karén Hakobyan in 2017. The Orchestra brings together musicians and audiences of diverse backgrounds and cultural heritages by harnessing the power of music. The ensemble’s versatility is one of its greatest strengths; compact and flexible\, Pegasus performs music of all types of instrumentations\, from duos to full orchestra. Pegasus’ chamber series\, featuring its world-class principals\, fulfills its mission to provide an artistic platform through performance opportunities. Passionate about fostering artistic freedom\, programming an innovative repertoire\, and weaving a strong community fabric\, Pegasus advocates for the right to music education\, and promotes humanity and equality. \n  \nSalon Series is generously supported by Louis K. and Susan P. Meisel\, Sandy and Stephen Perlbinder\, and the Jeanette and H. Peter Kriendler Charitable Trust. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/music-pegasus-the-orchestra/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Friday Nights,Music
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/Pegasus_ParrishArtMuseum.png
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