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DTSTART;TZID=America/New_York:20220211T180000
DTEND;TZID=America/New_York:20220211T193000
DTSTAMP:20260422T182851
CREATED:20220120T170906Z
LAST-MODIFIED:20220211T145915Z
UID:10003072-1644602400-1644607800@parrishart.org
SUMMARY:Film | A Choice of Weapons: Inspired by Gordon Parks
DESCRIPTION:2021\, Documentary\, 89 minutesDirector: John Maggio\nFree for all \nREGISTER \nIn recognition of Black History Month\, the Parrish Art Museum presents a two-part program in collaboration with Eastville Community Historical Society. A free screening of A Choice of Weapons: Inspired by Gordon Parks on February 11 will be followed by a panel discussion on the importance and impact of Gordon Parks on contemporary Black photography on February 18. \nA Choice of Weapons: Inspired by Gordon Parks chronicles the many ways renowned photographer\, writer\, composer\, activist and filmmaker Gordon Parks (1912-2006) documented his narrative as a Black American in the 20th century and beyond. The film explores the power of images in advancing racial\, economic\, and social equality as seen through the lens of Parks\, one of the most trailblazing artists\, and the generation of young photographers\, filmmakers\, and activists he inspired. Through the lens of three contemporary photographers\, we see Gordon’s legacy come to life. Devin Allen whose photograph “Baltimore Uprising” of the Freddie Gray protests was featured on the cover of Time Magazine; LaToya Ruby Frazier who for five years followed the Flint\, Michigan water crisis and most recently photographed Breonna Taylor’s family for Vanity Fair; and Jamel Shabazz whose photographs on the streets of New York form a visual history of the hip hop era while simultaneously presenting affirming images for his community. \nA Choice of Weapons: Inspired by Gordon Parks is a co-production of Kunhardt Films and HBO. Film for this screening provided by Kunhardt Film Foundation. \nThis screening is presented at no cost and is made possible by the Kunhardt Film Foundation\, Gordon Parks Foundation\, and Michon Boston Group. Donations are welcome. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-a-choice-of-weapons-inspired-by-gordon-parks-and-panel/
LOCATION:NY
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/GordonParks_AChoiceOfWeapon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220114T180000
DTEND;TZID=America/New_York:20220114T193000
DTSTAMP:20260422T182851
CREATED:20211207T224211Z
LAST-MODIFIED:20220104T215152Z
UID:10003052-1642183200-1642188600@parrishart.org
SUMMARY:Film & Workshop | An Evening With Jeremy Dennis
DESCRIPTION:REGISTER\n \nJoin Parrish Collection artist and fine art photographer Jeremy Dennis\, member of the Shinnecock Indian Nation\, for an evening-length program featuring a short documentary and conversation about an artist residency he founded and a postcard workshop to draw attention to the sacred land of the Shinnecock Hills. \nIn the documentary\, Ma’s House\, presented as part of the ALL ARTS ongoing initiative The First Twenty\, Dennis discusses the building of Ma’s House & BIPOC Art Studio\, an artist retreat and communal art space on the Shinnecock Indian Reservation in Southampton. With the studio\, Dennis aims to provide a safe space for free creativity and healing for BIPOC artists. The film explores the challenges he and his family met while renovating his grandmother’s house and how he hopes the space will serve the community now and in the future. \nDuring the second part of the evening\, visitors are invited to participate in a workshop with the artist designing postcards advocating for a building moratorium in Shinnecock Hills. Dennis will share a brief background about Shinnecock Hills and its significance to the Shinnecock Nation\, answer any questions\, and show how to create postcards. Materials will be provided. \n“The Shinnecock Hills are a sacred landscape for the Shinnecock People\,” says Jeremy Dennis. “Ancestors\, dating back over three thousand years\, are buried here. In 1859\, Southampton Town stole the Shinnecock Hills using lies\, deceit\, and forged signatures. The Shinnecock Nation pursued and received Federal Recognition to regain these lands with the help of New York State but have yet to receive support from any NYS Governor that has held office since 2010.” \n \nABOUT JEREMY DENNIS \nJeremy Dennis (b. 1990) explores indigenous identity\, culture\, and assimilation in his work. In 2018\, he participated in the Parrish Road Show with an exhibition at the Arts Center at Duck Creek\, East Hampton. He was one of 10 recipients of a 2016 Dreamstarter Grant from the national non-profit organization Running Strong for American Indian Youth. He was awarded $10\,000 to pursue his project\, On This Site\, which uses photography and an interactive online map to showcase culturally significant Native American sites on Long Island\, a topic of special meaning for Dennis\, who was raised on the Shinnecock Nation Reservation. He also created a book and exhibition from this project. Most recently\, Dennis received the Creative Bursar Award from Getty Images in 2018 to continue his series Stories. In 2013\, Dennis began working on the series\, Stories—Indigenous Oral Stories\, Dreams and Myths. Inspired by North American indigenous stories\, the artist staged supernatural images that transform these myths and legends to depictions of an actual experience in a photograph. \n  \nABOUT ALL ARTS \nALL ARTS is breaking new ground as a destination for inspiration\, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by The WNET Group\, the community-supported home of New York’s PBS stations. With the aim of being accessible to viewers everywhere\, ALL ARTS’ Webby-nominated programming—from digital shorts to feature films—is available online nationwide through AllArts.org\, the free ALL ARTS app on all major streaming platforms. The First Twenty explores events that have caused a shift in the collective American consciousness with artists as guides. Audiences can witness their responses to incidents or moments in the first 20 years of the 21st century. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-workshop-an-evening-with-jeremy-dennis/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Classes and Workshops,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/12/JeremyDennis_MasHouse_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211211T123000
DTEND;TZID=America/New_York:20211211T134500
DTSTAMP:20260422T182851
CREATED:20211018T172311Z
LAST-MODIFIED:20211103T143346Z
UID:10002996-1639225800-1639230300@parrishart.org
SUMMARY:Film | NYICFF ¡Viva Kid Flicks!
DESCRIPTION:REGISTER\n\n\n$5 Adults | $3 Seniors\nChildren & Members Free\n\n\nRuntime: 65 min. | Recommended Ages: 8+\n  \n\n\n\n\n\nJoin us for a screening from the New York International Children’s Film Festival. ¡Viva Kid Flicks! celebrates the best Spanish-language short films from around the globe. These brilliant tales\, with a range of kids’ perspectives\, speak volumes in any tongue.\n\n11:40\nArgentina | East Coast Premiere\nLive Action\, Claudia Ruiz\, 2018\, 12 min.\nIn Spanish\, with English subtitlesWhen Damián gets a watch for his birthday\, he and his little brother Matias can’t stop checking it\, anxiously waiting for 11:40 to arrive.  \n3feet | 3pies\nColombia | East Coast Premiere\nLive-Action\, Giselle Geney\, 2018\, 14 min.\nIn Spanish\, with English subtitles \nGet your (soccer) kicks on the way to school with Gonzalo as he hilariously tries his very best to keep things clean and stay in the game. \n  \nAilín on the Moon | Ailin en la luna\nArgentina | New York Premiere\nAnimation\, Claudia Ruiz\, 2018\, 5 min.\nIn Spanish\, with English subtitles \nA mother and daughter’s love is orbited by joys and challenges. \n  \nDoze | Duermevela\nColombia | North American Premiere\nLive Action\, Alfonso Acosta\, 2019\, 7 min.\nIn Spanish\, with English subtitles \nGrowing up is never easy\, especially since Daniel must navigate some of it alone—until support turns up in an unexpected form. \n  \nMy Brother Luca\nMexico\nAnimation\, Carlos Algara & Catalina Serna\, 2019\, 9 min. \nWhen an imaginative little girl discovers that her brother might have superpowers\, she sets out on a quest to make sure everyone else sees him as she does. \n  \nThe Size of Things | El Tamano de las Cosas\nColombia | North American Premiere\nLive Action\, Carlos Felipe Montoya\, 2019\, 12 min.\nIn Spanish\, with English subtitles \nDiego and his dad live a life of simple means in the forest\, so when Diego comes across an unexpected find\, its magnitude grows curiouser and curiouser. \n  \nLessons Learnt by the Sea\nCuba | New York Premiere\nDocumentary\, Néstor Kim Enríquez\, 2018\, 5 min.\nIn Spanish\, with English subtitles \nEleven-year-old Alejandro surfs off the coast of Havana every afternoon\, learning lessons of resilience from the ultimate teacher\, the sea.
URL:https://parrishart.org/event/nyicff-viva-kid-flicks/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/Ailinenlaluna_ClaudiaRuiz_Web_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211127T123000
DTEND;TZID=America/New_York:20211127T134500
DTSTAMP:20260422T182851
CREATED:20211018T155215Z
LAST-MODIFIED:20211103T143611Z
UID:10002995-1638016200-1638020700@parrishart.org
SUMMARY:Film | NYICFF Kid Flicks One
DESCRIPTION:TICKETS\n$5 Adults | $3 Seniors\nChildren & Members Free\nRuntime: 68 min. | Recommended Ages: 3+ \n  \nJoin us for a screening from the New York International Children’s Film Festival! Jump-start your little ones’ love of cinema with Kid Flicks One\, curated to charm all ages and especially introduce our youngest viewers\, ages 3+\, to their very first screen experiences. \n  \na film by m+m \nUnited States | East Coast Premiere\nAnimation\, Megan McShane & Matthew Yang\, 2020\, 2 min.\nNo dialogue \nTwo wacky wizard friends bump and cruise through a fantastical land\, powered by green in more ways than one! \n  \nA Lynx in the Town\nFrance\, Switzerland\nAnimation\, Nina Bisiarina\, 2019\, 7 min.\nNo dialogue \nYou’ve heard of King Kong\, now meet this king cat\, a giant feline who falls for the big city\, with its skyscraper scratching posts and inhabitants who marvel at her size. \n  \nInk\nNetherlands\nAnimation\, Joost van den Bosch & Erik Verkerk\, 2020\, 2 min.\nNo dialogue \nBeing a neat freak is easy when you’ve got eight arms and live underwater\, but try keeping up with this octopus teacher’s hilarious lesson! \nKenya’s Symphony\nUnited States\nAnimation\, Carlos Douglas Jr.\, 2020\, 5 min.\nIn English \nA stubborn 5-year-old reluctantly heads off to a performance with her mom. When the music starts\, will a passion bloom? \n  \nKiri and Lou — Air\nCanada\, New Zealand | US Premiere\nAnimation\, Harry Sinclair\, 2020\, 5 min.\nIn English \nKiri and Lou are the silliest creatures around\, but they’re smart enough to know a good thing when they’ve got it. \n\nLeaf\nBelarus\, Czech Republic\nAnimation\, Aliona Baranova\, 2020\, 6 min.\nNo dialogue \nA larger-than-life sailor is reminded of home when a passenger’s daughter brings aboard a tiny red leaf\, inspiring a grand new journey. \n  \nMido and the Instrumentals\nFrance | North American Premiere\nAnimation\, Roman Guillanton\, 2020\, 6 min.\nNo dialogue \nYoung Mido wants to be part of the band\, but he just might need to tune his wild and wooly style to jam with these cool creatures. \n  \nSum of its Parts\nUnited States\nAnimation\, Alisa Stern\, 2019\, 3 min.\nNo dialogue \nWondrous creatures bop\, slither\, and shake to the beat of the forest in this silly sylvan symphony. \n  \nThe Yogi Walrus\nUnited Kingdom | North American Premiere\nAnimation\, Daleya Marohn\, 2019\, 4 min.\nIn English \nLittle Emi craves ice cream and always wants more. Learning to savor is the cherry on top. \n  \nUmbrellas\nFrance\, Spain | New York Premiere\nAnimation\, Jose Prats & Alvaro Robles\, 2020\, 12 min.\nNo dialogue \nSafe and dry\, Kyna has her dad’s love and protection to carry her through…until her dog\, Nana\, needs a rescue. \n  \nAdvance ticket purchase with pre-registration is required. Enrollment is limited. All tickets are sold online only. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. Learn more about our safety protocols here.
URL:https://parrishart.org/event/nyicff-kid-flicks-one/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/MidoandtheInstrumals_RomanGuillanton_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211126T180000
DTEND;TZID=America/New_York:20211126T193000
DTSTAMP:20260422T182851
CREATED:20211105T191350Z
LAST-MODIFIED:20211116T223653Z
UID:10003034-1637949600-1637955000@parrishart.org
SUMMARY:Film | Broken Molds
DESCRIPTION:TICKETS\nAmongst today’s boom of surfing and the birth of so many new watersports\, windsurfing’s legacy to watersports is lost. \nThe origin story of windsurfing is complicated\, and as always\, great success is almost always paired with controversy. Broken Molds begins in 1960s California where Hoyle Schweitzer and his pals Tom Morey\, Hobie Alter\, and Grubby Clark were just surfers who didn’t care that much about anything else\, but would all go on to make products that would change the world. Introduced by Gerry Lopez\, the story moves quickly between generations and sports with never-before-seen 16mm archival film mixed with contemporary footage that transport the viewer to seminal moments in watersport history. Ultimately\, this raises the question\, who invented windsurfing? \nWhile others have thought of harnessing the wind before\, as Laird Hamilton explains\, ‘It’s what you do with that thought that separates you from other people.’ This is a family drama challenged by cancer\, lawsuits\, and broken friendships. Broken Molds is a true documentary about the relentless drive to make windsurfing into the fastest growing sport in the World. \n  \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-broken-molds/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/BrokenMolds_film_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210917T183000
DTEND;TZID=America/New_York:20210917T220000
DTSTAMP:20260422T182851
CREATED:20210820T211224Z
LAST-MODIFIED:20210909T134945Z
UID:10002937-1631903400-1631916000@parrishart.org
SUMMARY:Screening | OLA Outdoor Film Festival: La Llorona
DESCRIPTION:$15 | Admission for film\, tour & reception \n$5 | Members and Students with ID \nRegistrarse para el recorrido\, la recepción y la película cuesta $ 15 | $5 para miembros y estudiantes con identificación \nREGISTER \n  \nJoin us for the 18th annual OLA Latino Film Festival organized in collaboration with OLA\, Organización Latino-Americana of Eastern Long Island\, featuring an outdoor screening of the award-winning film La Llorona by Jayro Bustamante\, followed by a recorded Q&A with the filmmaker. \nÚnase a nosotros para el 18º Festival Anual de Cine Latino OLA organizado en colaboración con OLA\, Organización Latino-Americana of Eastern Long Island\, con una proyección al aire libre de la premiada película La Llorona de Jayro Bustamante\, seguida de una sesión de preguntas y respuestas grabada con el cineasta. \n  \n6 pm \nDoors open \nPuertas abren \n  \n6:30 pm \nLight reception and museum tour of the exhibition Tomashi Jackson: The Land Claim \n\nRecepción breve y recorrido al museo de la exposición Tomashi Jackson: El Reclamo de Tierras  \n\n\n  \n7:30 pm \nLa Llorona / The Weeping Woman\n2019\, R\, 97 min\, in Spanish and Maya with English subtitles\nen español y maya con subtítulos en inglés \nDirector: Jayro Bustamante\nRealizador: Jayro Bustamante \nA slow-burn political drama that merges the real-life horrors of the Guatemalan genocide with one of Latin America’s most famous folklores\, the award-winning feature La Llorona is a story about the ghosts of the past bleeding into the present. Accused of the genocide of Mayan people\, retired general Enrique is trapped in his home by massive protests. Abandoned by his staff\, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes. Acclaimed filmmaker Jayro Bustamante presents an urgent and frightening reimagining of the iconic Latin American fable. \n\nUn drama político que fusiona los horrores de la vida real del genocidio guatemalteco con uno de los folklores más famosos de América Latina\, la premiada película La Llorona es una historia sobre los fantasmas del pasado que se desvanecen en el presente. Acusado del genocidio del pueblo Maya\, el general retirado Enrique está atrapado en su casa por protestas masivas. Abandonado por su personal\, el anciano indignado y su familia deben enfrentar la devastadora verdad de sus acciones y la creciente sensación de que una fuerza sobrenatural airada los está atacando por sus crímenes. El aclamado cineasta Jayro Bustamante presenta una reimaginación urgente y aterradora de la icónica fábula latinoamericana. \n\nA recorded conversation with the director will be shared after the screening. \nSe compartirá una conversación grabada con el director después de la proyección. \nLa Llorona was premiered at the 2019 Venice Film Festival and screened at the 2019 Toronto International Film Festival. It was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards\, making the shortlist of 15 films. \nLa Llorona se estrenó en el Festival de Cine de Venecia del 2019 y se proyectó en el Festival Internacional de Cine de Toronto del 2019. Fue seleccionada como la entrada guatemalteca a Mejor Largometraje Internacional en los 93º Premios de la Academia\, quedando en la lista corta de 15 películas. \nSpace on the terrace is limited\, please use the links below to register.\nEl espacio en la terraza es limitado\, utilice el enlace para registrarse. \nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\nEl evento se lleva a cabo al aire libre en la terraza del museo y en el césped\, llueva o haga sol. Por favor traiga sus propias sillas\, no hay asientos disponibles en el Museo. \nAdvance ticket purchase with pre-event registration is required.\nSe requiere la compra anticipada de boletos con registro previo al evento. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nTodas las entradas se venden antes del evento y solo en línea. No hay ventas en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nEste evento al aire libre requiere que todos los asistentes muestren prueba de su estado de vacunación o prueba reciente de COVID negativa (dentro de las 72 horas previas). No se requerirá el uso de máscara para adultos y niños mayores de 12 años cuando estén al aire libre. Las máscaras siempre se requieren en interiores. Los niños menores de 12 años deben usar máscaras en todo momento\, en interiores o exteriores. Puede proporcionarnos su prueba por adelantado para acelerar su proceso de registro enviándola por correo electrónico a healthfirst@parrishart.org. Ponga el título del evento en su línea de asunto. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nNo se permite comida ni bebidas del exterior. Los alimentos y bebidas empaquetados individualmente estarán disponibles para su compra a través del vendedor de café\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nLos baños estarán abiertos durante el evento. Habrá toallitas y desinfectante para manos. El Parrish se desinfecta con regularidad para la seguridad de nuestro personal y visitantes. \nNo pets are allowed on the Museum grounds or in the galleries.\n\nNo se permiten mascotas en los terrenos del Museo ni en las galerías. \n\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival-la-llorona-and-jon/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/08/LaLorna_ParrishArtMuseum-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210723T200000
DTEND;TZID=America/New_York:20210723T223000
DTSTAMP:20260422T182851
CREATED:20210702T212931Z
LAST-MODIFIED:20220825T120732Z
UID:10002916-1627070400-1627079400@parrishart.org
SUMMARY:Outdoor Black Film Festival: The Last Black Man in San Francisco and elephant
DESCRIPTION:The Parrish Art Museum is partnering with Bridgehampton Child Care & Recreational Center to present an outdoor Black Film Festival on July 23 and July 30 featuring feature films and shorts. Entrance opens at 8 pm. Film will begin after dark\, at approximately 8:30 pm. The event takes place outdoors\, please bring your own chairs\, no Museum seating is available. Please use the link below to register. \n$15 | $5 Parrish Members | Friends of BHCCRC\nFree for Students and Children \nREGISTER \nelephant\n2020\, NR\, 15 minutes\nDirector: Gladys San Juan \nelephant is a short film about Nicole\, a woman in her late 30s who appears to have it all; a caring husband\, two children and a good job. But Nicole is suffering from a crippling depression that\, due to the stigma attached to mental illness\, she is trying to keep secret. Set over 24 hours\, The Elephant shows how a series of otherwise minor events\, coupled with Nicole’s dissociation from family and friends\, lead her to a state of utter desperation. \nThe Last Black Man in San Francisco\n2019\, R\, 121 minutes\nDirector: Joe Talbot \nJimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont\, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. As he struggles to reconnect with his family and reconstruct the community he longs for\, his hopes blind him to the reality of his situation. \nA wistful odyssey populated by skaters\, squatters\, street preachers\, playwrights\, and other locals on the margins\, The Last Black Man in San Francisco is a poignant and sweeping story of hometowns and how they’re made—and kept alive—by the people who love them. \nAll sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors\, please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-black-film-festival-the-last-black-man-in-san-francisco-and-elephant/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/07/ParrishArtMuseum_TheLastBlackManinSanFrancisco.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210604T180000
DTEND;TZID=America/New_York:20210604T200000
DTSTAMP:20260422T182851
CREATED:20210511T155444Z
LAST-MODIFIED:20210603T153109Z
UID:10002890-1622829600-1622836800@parrishart.org
SUMMARY:Talk and Film: The Proposal
DESCRIPTION:Please Note: Due to weather\, the program has moved indoors\, with an earlier start time of 6 pm.\nJoin us in the Lichtenstein Theater for The Proposal\, co-presented with Hamptons Doc Fest\, in collaboration with Dia. The screening will be preceded by a conversation with Senior Curator Corinne Erni\, Filmmaker and Artist Jill Magid\, and Dia Art Foundation Associate Curator Matilde Guidelli-Guidi. \nREGISTER \nKnown as “the artist among architects”\, Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988\, much of his work was locked away in a Swiss bunker\, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art\, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself–a high-wire act of negotiation that explores how far an artist will go to democratize access to art. \nAbout Jill Magid\nAmerican artist Jill Magid’s work is deeply ingrained in her lived experience\, exploring and blurring the boundaries between art and life. Through her performance-based practice\, Magid has initiated intimate relations with a number of organizations and structures of authority. She explores the emotional\, philosophical\, and legal tensions between the individual and ‘protective’ institutions\, such as intelligence agencies or the police. To work alongside or within large organizations\, Magid makes use of institutional quirks\, systemic loopholes that allow her to make contact with people ‘on the inside’. Her work tends to be characterized by the dynamics of seduction\, the resulting narratives often taking the form of a love story. It is typical of Magid’s practice that she follows the rules of engagement with an institution to the letter – sometimes to the point of absurdity. \n2018\, Documentary\, 83 minutes\nDirector: Jill Magid\n$15 | $5 Parrish Members\nFree for Students\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\n\n\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-the-proposal/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Film-Still-from-The-Proposal.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210409T180000
DTEND;TZID=America/New_York:20210409T200000
DTSTAMP:20260422T182851
CREATED:20210311T154858Z
LAST-MODIFIED:20210413T171557Z
UID:10001979-1617991200-1617998400@parrishart.org
SUMMARY:Film and Talk: Black Art: In the Absence of Light
DESCRIPTION:The Parrish\, in collaboration with Hamptons Doc Fest\, is pleased to present HBO’s newly released film. Inspired by the late David Driskell’s landmark 1976 exhibition\, “Two Centuries of Black American Art\,” the documentary Black Art: In the Absence of Light offers an illuminating introduction to the work of some of the foremost Black visual artists working today. A pre-recorded conversation between the director\, Sam Pollard\, and Senior Curator Corinne Erni will follow the screening. \nPlease use the link below to register.\n$20 | $10 Parrish Members\nFree for Students\nREGISTER FOR 6 PM SCREENING \n2021\, Documentary\, 85 minutes\nDirector: Sam Pollard\nDirected by Sam Pollard\, the film shines a light on the extraordinary impact of Driskell’s exhibit on generations of Black artists who have staked a claim on their rightful place within the 21st-Century art world. Interweaving insights and context from scholars and historians\, along with interviews from a new generation of working African American curators and artists including Theaster Gates\, Kerry James Marshall\, Faith Ringgold\, Amy Sherald\, and Carrie Mae Weems\, the documentary is a look at the Contributions of Black American artists in today’s contemporary art world. \nBlack Art: In the Absence of Light is produced and directed by Sam Pollard; produced by Daphne McWilliams; cinematography\, Henry Adebonojo; editing\, Steven Wechsler; original music\, Kathryn Bostic. Executive producers\, Henry Louis Gates\, Jr.\, Jacqueline Glover; consulting producer\, Thelma Golden. \n\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-and-talk-black-art-in-the-absence-of-light/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Film-Still_Amy-Sherald_Courtesy-of-HBO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210402T180000
DTEND;TZID=America/New_York:20210402T200000
DTSTAMP:20260422T182851
CREATED:20210225T165457Z
LAST-MODIFIED:20210402T141500Z
UID:10002808-1617386400-1617393600@parrishart.org
SUMMARY:Film: Gerhard Richter Painting
DESCRIPTION:Screening Is Currently Full\n2012\, Documentary\, 97 minutes\nDirector: Corinna Belz\nOne of the world’s greatest living painters\, the German artist Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas\, addressing historical crises and mass media representation alongside explorations of chance procedures. Infamously media-shy\, he agreed to appear on camera for the first time in 15 years for a 2007 short by filmmaker Corinna Belz called Gerhard Richter’s Window. \nHer follow-up\, Gerhard Richter Painting\, is exactly that: a thrilling document of Richter’s creative process\, juxtaposed with intimate conversations (with his critics\, his collaborators\, and his American gallerist Marian Goodman)\, and rare archive material. From our fly-on-the-wall perspective\, we watch the 79-year-old create a series of large-scale abstract canvasses\, using fat brushes and a massive squeegee to apply (and then scrape off) layer after layer of brightly colored paint. This mesmerizing footage\, of a highly charged process of creation and destruction\, turns Belz’s portrait of an artist into a work of art itself. \n$15 | $5 Parrish Members\nFree for Students\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-gerhard-richter-painting/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/the-film.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201113T180000
DTEND;TZID=America/New_York:20201115T180000
DTSTAMP:20260422T182851
CREATED:20201022T211336Z
LAST-MODIFIED:20201116T011120Z
UID:10001180-1605290400-1605463200@parrishart.org
SUMMARY:OLA FILM FESTIVAL: NO
DESCRIPTION:Join us for the 17th annual OLA Film Festival curated in collaboration with the Organización Latino-Americana of Eastern Long Island (OLA). You can watch the film online anytime during a two-day period\, Friday\, November 13\, 6 pm–Sunday\, November 15\, 6 pm. Please see the link below to register to watch the film online.\nAcompáñenos en el 17• Festival de Cine de OLA curado en colaboración con la Organización Latinoamericana del East End de Long Island (OLA). Tu puedes ver la pelicula en línea en cualquier momento durante un período de dos días\, desde el viernes 13 de noviembre a las 6 pm hasta el domingo 15 de noviembre a las 6 pm. Por favor consulte el siguiente enlace para registrarse a ver la película en línea.\nVIEW INTERVIEW WITH ISABEL SEPULVEDA DE SCANLON \n2012\, R\, 118 minutes\, in Spanish with English subtitles\nDirector: Pablo Larraín\nChile\, Oscar Nominee and winner of 13 awards\nIn 1988\, Chilean military dictator Augusto Pinochet\, due to international pressure\, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders for the NO persuade a brash young advertising executive\, Rene Saavedra (Gael Garcia Bernal)\, to spearhead their campaign. Against all odds\, with scant resources and under scrutiny by the despot‘s minions\, Saavedra and his team devise an audacious plan to win the election and set Chile free. \n2012\, R\, 118 minutos\, en español con subtítulos en inglés\nDirector: Pablo Larraín\nChile\, nominada al Oscar y ganadora de 13 premios\nEn 1988 el dictador militar Chileno Augusto Pinochet\, debido a la presión internacional\, se ve obligado a convocar un plebiscito sobre su presidencia. El país votará SI o NO a que Pinochet extienda su gobierno por otros ocho años. Líderes de la oposición por el NO persuaden a un joven y temerario ejecutivo publicitario\, Rene Saavedra (Gael García Bernal) para que lidere la campaña. Contra todos los pronósticos\, con escasos recursos y bajo el escrutinio de los secuaces del déspota\, Saavedra y su equipo idean un audaz plan para ganar las elecciones y liberar a Chile. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nSe requiere la compra anticipada de entradas con registro previo al evento. Todas las entradas se venden antes del evento  y únicamente en línea. No se venderán en la puerta. Todas las ventas son finales\, no transferibles y no reembolsables.\nEl evento tiene lugar en el Teatro Lichtenstein con asientos limitados y socialmente distante.  Debes usar mascarilla durante todo el programa. Los baños estarán abiertos durante el evento. Desinfectante para manos y to alitas húmedas estarán disponibles. El Parrish está siendo desinfectado regularmente para la seguridad de nuestro personal y visitantes.\n\n  \n  \n  \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival-no/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/10/NO_Film-Still_Sony-Pictures-Classic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201023T204500
DTEND;TZID=America/New_York:20201023T230000
DTSTAMP:20260422T182851
CREATED:20200916T202601Z
LAST-MODIFIED:20201120T195040Z
UID:10002755-1603485900-1603494000@parrishart.org
SUMMARY:Film and Talk: Aggie
DESCRIPTION:The second screening will be followed by a pre-recorded conversation with Agnes Gund\, Catherine Gund\, and Maria Hinojosa\, anchor and executive producer of Latino USA on National Public Radio. \n\n$20 | $10 Parrish Members\nFree for Students and Children\n \n \nThe conversation with Agnes Gund\, Catherine Gund\, and Dorothy Lichtenstein\, moderated by Senior Curator Corinne Erni\, will be recorded and available for streaming after the screening.\n2020\, Documentary\, 92 minutes\nDirector: Catherine Gund\nThis in-person event only will take place in the Lichtenstein Theater. Aggie is a feature-length documentary that explores the nexus of art\, race\, and justice through the story of art collector and philanthropist Agnes “Aggie” Gund’s life. Emmy-nominated director Catherine Gund focuses on her mother’s journey to give viewers an understanding of the power of art to transform consciousness and inspire social change. Aggie is internationally recognized for her robust and prescient support of artists–particularly women and people of color–and her unwavering commitment to social justice issues. After falling in love with art as a high-school student\, Aggie discovers a new way of looking at the world. The film opens with Aggie selling Roy Lichtenstein’s “Masterpiece” for $165 million to start the Art for Justice Fund. The proceeds from one of the highest grossing artworks ever sold fuel a monumental effort to reform the American criminal justice system and end mass incarceration. The film captures Aggie as a true maverick who demonstrates the unique role and potential of collectors and benefactors to use art to fight justice. This is untapped terrain\, and we see Aggie leading the way. \nCatherine Gund\, Director/Producer\nFounder of Aubin Pictures\, Gund is an Emmy-nominated producer\, director\, writer\, and activist. Her media work focuses on strategic and sustainable social transformation\, arts and culture\, HIV/AIDS and reproductive health\, and the environment. Gund’s most recent projects include: Dispatches from Cleveland\, a five-chapter documentary that looks at the police murder of 12-year-old Tamir Rice; and Chavela\, a documentary about the life of the iconic Latin-American gender-bending diva\, Chavela Vargas. her past films include America\, Born to Fly\, What’s On Your Plate?\, A Touch of Greatness\, Motherland Afghanistan\, Making Grace\, On Hostile Ground\, and Hallelujah! Ron Athey\, which have screened around the world in festivals\, theaters\, museums\, and schools; on PBS the Discovery Channel\, Sundance Channel\, Netflix\, and Amazon. \nAgnes Gund\nAgnes Gund is president emerita of the Museum of Modern Art and chair of its International Council. She is also chair of MoMA PS1. Ms. Gund joined the MoMa Board in 1976 and served as president from 1991 until 2002. Ms. Gund is a founder and chair emerita of Studio in a School\, a non-profit organization she established in 1977 in response to budget cuts that virtually eliminated arts classes from New York City public schools. A philanthropist and collector of modern and contemporary art\, Ms. Gund serves on the board of the Cleveland Museum of Art\, the Foundation for Art and Preservation in Embassies\, and the Morgan Library & Museum. She is co-founder and chair of the Center for Curatorial Leadership\, as well as an honorary trustee of the National YoungArts Foundation\, Independent Curators International\, and the Museum of Contemporary Art\, Cleveland. A civic leader and staunch supporter of education\, environmental concerns and social justice\, Ms. Gund has served on the boards of the Aaron Diamond AIDS Research Center\, the Andy Warhol Foundation\, the Barnes Foundation\, Chess in Schools\, the Frick Collection\, the Foundation for Contemporary Arts\, the New York City Mayor’s Cultural Affairs Advisory Commission\, and the Robert Rauschenberg Foundation. In June 2017\, she launched the Art for Justice Fund in partnership with the Ford Foundation and Rockefeller Philanthropy Advisors to support criminal justice reform in the U.S. Ms. Gund was elected Honorary Fellow of the Royal Academy of Arts (2016). She received the National Medal of the Arts from President Clinton (1977) and the J. Paul Getty Medal (2018). \nDorothy Lichtenstein\nDorothy Lichtenstein is President of the Roy Lichtenstein Foundation\, which is dedicated to the encouragement of a broad understanding of the art of Roy Lichtenstein and the artists of his time\, and was established after the artist’s death in 1997. After studying art history at Arcadia University (formerly Beaver College)\, she became director of the pioneering Bianchini Art Gallery in New York\, organizing exhibitions and projects dealing with emerging Pop art\, and with William Coply\, edited and published portfolios of artists’ works for The Letter Edged in Black Press. Dorothy Lichtenstein has remained committed to art and culture as she serves on the boards of Studio in a School and Studio Institute\, Robert Rauschenberg Foundation\, Trisha Brown Dance Company\, Stony Brook Foundation\, Foundation for Art and Preservation in Embassies (FAPE); and on the International Advisory Board of the LongHouse Reserve\, the Director’s Advisory Council of MASS MoCA\, and the Advisory Committee of the Pollock-Krasner House & Study Center\, and is a Lifetime Trustee of the Parrish Art Museum. She is equally committed to scientific research as she serves on the Leadership Council of The New York Stem Cell Foundation. She is a recipient of the Chevalier of Arts and Letters from the French Government. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-and-talk-aggie/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/09/3_-_AGGIE_still1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200928T000000
DTEND;TZID=America/New_York:20200930T235900
DTSTAMP:20260422T182851
CREATED:20200928T141314Z
LAST-MODIFIED:20200928T141828Z
UID:10002759-1601251200-1601510340@parrishart.org
SUMMARY:Online Film: The New Bauhaus
DESCRIPTION:Please use the link below to purchase a ticket to watch the film online. Ticket purchasers for the online screening will receive a link to watch the film at any time during a one-week window\, September 23 through September 30.\nREGISTER TO VIEW THE FILM ONLINE\n2019\, Documentary\, 85 minutes\nDirector/Producer: Alysa Nahmias \nIn 1937\, László Moholy-Nagy came to Chicago to start the New Bauhaus\, an art institute that aimed to pioneer the development and dissemination of modern design. The film’s narrative weaves original interviews with archival footage\, voiceover\, and stylized filming featuring Hans-Ulrich Obrist. The result is a new perspective view of a man who was ahead of his time and is increasingly relevant in today’s contemporary art and design discourses. Following recent retrospectives of Moholy-Nagy’s work at major museums\, this film offers a more accessible and intimate\, emotional journey through his life and his work as an artist\, designer\, visionary\, and teacher. Moholy-Nagy believed that designing was “not a profession but an attitude\,” he brought together art students and design students—something unheard of at the time—and challenged them to look at the world differently. \nThe screening is preceded by a conversation with executive producer Marquise Stillwell; producer\, cinematographer\, and designer/animator Petter Ringbom; and co-producer Ashley Lukasik; moderated by András Szántó\, author\, cultural strategist\, and Art Basel Conversations host. \nAlysa Nahmias\, Director\nAlysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Alysa’s debut feature\, Unfinished Spaces\, won a 2012 Independent Spirit Award\, numerous festival prizes\, and is in the permanent collection at the Museum of Modern Art\, New York. Alysa recently directed and produced The New Bauhaus (2019)\, and her producing credits include the Emmy-nominated and Sundance award-winning Unrest (2017) directed by Jennifer Brea. Her films have been distributed on platforms such as Netflix\, PBS and HBO. Alysa is the lead creative advisor for Film Independent’s Global Media Makers Documentary Track\, and she is a 2019 Sundance Momentum Fellow.
URL:https://parrishart.org/event/online-film-the-new-bauhaus/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/09/thenewbauhaus_poster_horizontal.jpg-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200925T183000
DTEND;TZID=America/New_York:20200925T213000
DTSTAMP:20260422T182851
CREATED:20200902T160912Z
LAST-MODIFIED:20200925T233536Z
UID:10002749-1601058600-1601069400@parrishart.org
SUMMARY:Outdoor Film and Talk: The New Bauhaus
DESCRIPTION:Please use the link below to purchase a ticket to watch the film online. Ticket purchasers for the online screening will receive a link to watch the film at any time during a one-week window\, September 23 through September 30.\n  \nREGISTER TO VIEW THE FILM ONLINE \n  \n2019\, Documentary\, 85 minutes \nDirector/Producer: Alysa Nahmias \nIn 1937\, László Moholy-Nagy came to Chicago to start the New Bauhaus\, an art institute that aimed to pioneer the development and dissemination of modern design. The film’s narrative weaves original interviews with archival footage\, voiceover\, and stylized filming featuring Hans-Ulrich Obrist. The result is a new perspective view of a man who was ahead of his time and is increasingly relevant in today’s contemporary art and design discourses. Following recent retrospectives of Moholy-Nagy’s work at major museums\, this film offers a more accessible and intimate\, emotional journey through his life and his work as an artist\, designer\, visionary\, and teacher. Moholy-Nagy believed that designing was “not a profession but an attitude\,” he brought together art students and design students—something unheard of at the time—and challenged them to look at the world differently. \nThe screening is preceded by a conversation with executive producer Marquise Stillwell; producer\, cinematographer\, and designer/animator Petter Ringbom; and co-producer Ashley Lukasik; moderated by András Szántó\, author\, cultural strategist\, and Art Basel Conversations host. \nAlysa Nahmias\, Director\nAlysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Alysa’s debut feature\, Unfinished Spaces\, won a 2012 Independent Spirit Award\, numerous festival prizes\, and is in the permanent collection at the Museum of Modern Art\, New York. Alysa recently directed and produced The New Bauhaus (2019)\, and her producing credits include the Emmy-nominated and Sundance award-winning Unrest (2017) directed by Jennifer Brea. Her films have been distributed on platforms such as Netflix\, PBS and HBO. Alysa is the lead creative advisor for Film Independent’s Global Media Makers Documentary Track\, and she is a 2019 Sundance Momentum Fellow. \nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available. \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces.\nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, September 24: https://www.parrishartcafe.com/\nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nNo pets are allowed on the Museum grounds or in the galleries.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-film-and-talk-the-new-bauhaus/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/09/thenewbauhaus_poster_horizontal.jpg-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200911T200000
DTEND;TZID=America/New_York:20200911T220000
DTSTAMP:20260422T182851
CREATED:20200819T164826Z
LAST-MODIFIED:20200820T153833Z
UID:10001032-1599854400-1599861600@parrishart.org
SUMMARY:Outdoor Film: Leaning into the Wind—Andy Goldsworthy
DESCRIPTION:Entrance opens at 7:30 pm. Film will begin after dark\, at approximately 8 pm. \n$20 | $10 Parrish Members\nFree for Landscape Pleasures Ticket Holders\, Students\, and Children \nREGISTER \n2017\, PG\, 93 minutes\, Germany\nDirector: Thomas Riedelsheimer \nPresented in conjunction with Parrish Landscape Pleasures and in collaboration with Hamptons Doc Fest. \nThe documentary follows Andy Goldsworthy on his exploration of the layers of his world and the impact of the years on himself and his art. As Goldsworthy introduces his own body into the work it becomes at the same time even more fragile and personal and also sterner and tougher\, incorporating massive machinery and crews on his bigger projects. Riedelsheimer’s exquisite film illuminates Goldsworthy’s mind as it reveals his art. \nAbout Andy Goldsworthy\nAndy Goldsworthy (b. 1956\, Cheshire\, England) lives in Scotland. He makes works of art using the materials and conditions that he encounters wherever he is. Using earth\, rocks\, leaves\, ice\, snow\, rain\, or sunlight\, the resulting artworks exist briefly before they are altered and erased by natural processes. He also uses his own body as a medium\, as with his Rain Shadows\, or through actions such as spitting\, throwing\, climbing and walking. He has undertaken commissions in the Queensland rainforest\, Australia and the New Zealand coast; in Rio de Janeiro\, New York City\, St Louis\, Montreal and San Francisco; in the New Mexico desert\, the mountains of central Spain and Haute-Provence\, France\, and the fells of Cumbria and Dumfriesshire. He has exhibited in the British Museum (1994); the Metropolitan Museum of Art (2004); Yorkshire Sculpture Park\, Wakefield (2007); and the Palacio di Cristal\, Madrid (2007). He contributes widely to group exhibitions and his most recent solo gallery shows have been in New York (2015) and Madrid (2016). Goldsworthy has published many books throughout his career\, beginning with Rain\, sun\, snow\, mist\, calm: Photoworks (1985). \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, September 10: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-film-leaning-into-the-wind-andy-goldsworthy/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/08/1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200821T200000
DTEND;TZID=America/New_York:20200821T230000
DTSTAMP:20260422T182851
CREATED:20200804T193256Z
LAST-MODIFIED:20210702T184648Z
UID:10000842-1598040000-1598050800@parrishart.org
SUMMARY:Outdoor Black Film Festival: The Hate U Give and other
DESCRIPTION:Entrance opens at 7:30 pm. Film will begin after dark\, at approximately 8:30 pm. \n$20 | $10 Parrish Members | Friends of BHCCRC\nFree for Students and Children \nThe Parrish Art Museum is partnering with Bridgehampton Child Care & Recreational Center to present a 2-day outdoor Black Film Festival on August 14 and 21 featuring feature films\, documentaries\, and shorts inspired by the current epic global movement to elevate black lives and eliminate racism. \nThe films\, selected by a committee made up of both organizations\, speak to systemic inequality but also personal stories of hope\, and connect historical civil rights movements to today’s events that sparked protests throughout the country and globally. \n“I am grateful for our ongoing partnership with BHCCRC to present this mini festival that is meant to educate\, entertain\, and inspire so that we all can become part of the conversation about racial inequality and social justice\,” said Corinne Erni\, Senior Curator of Arts Reach and Special Projects. “Films are a perfect conduit to connect us emotionally and intellectually to these issues and encourage action.” \n“This Black Film Festival is a perfect extension of The Center’s THINKING FORWARD LECTURE SERIES. The Festival is an opportunity to shed light on different cultures and their life experiences. The only way that we are going to come together is to learn more about each other and to spend time with each other. I am excited about the expanded partnership between The Bridgehampton Child Care & Recreational Center and The Parrish. I look forward to us working together in the future. Please come out and support this event; I promise you it will be enlightening\, thought-provoking\, life changing\, and just a great time for all.” Bonnie Michelle Cannon\, Executive Director\, Bridgehampton Child Care & Recreational Center. \nEntrance opens at 7:30 pm. Films will begin after dark\, at approximately 8:30 pm. \nother\n2018\, NR\, 6 minutes\, 20 seconds\nDirector: Xavier Burgin \nother is a short film about a black woman who struggles with her feelings as she navigates white spaces in the aftermath of the white nationalist rallies in Charlottesville\, Virginia. As a black woman\, mother\, and wife\, she must face unconcerned neighbors\, unaware colleagues\, and clueless strangers who make containing her hurt\, rage\, and sorrow almost unbearable. A chance meeting with a barista offers her only respite. \nThe Hate U Give\n2018\, PG-13\, 132 minutes\nDirector: George Tillman Jr. \nStarr Carter is constantly switching between two worlds: the poor\, mostly black\, neighborhood where she lives and the rich\, mostly white\, prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now\, facing pressures from all sides of the community\, Starr must find her voice and stand up for what’s right. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, August 20: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-black-film-festival-the-hate-u-give-and-other/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/08/THUG-027-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200814T200000
DTEND;TZID=America/New_York:20200814T230000
DTSTAMP:20260422T182851
CREATED:20200727T014841Z
LAST-MODIFIED:20200815T021130Z
UID:10002724-1597435200-1597446000@parrishart.org
SUMMARY:Outdoor Black Film Festival: I Am Not Your Negro and '63 Boycott
DESCRIPTION:The Parrish Art Museum is partnering with Bridgehampton Child Care & Recreational Center to present a 2-day outdoor Black Film Festival on August 14 and 21 featuring feature films\, documentaries\, and shorts inspired by the current epic global movement to elevate black lives and eliminate racism. \nThe films\, selected by a committee made up of both organizations\, speak to systemic inequality but also personal stories of hope\, and connect historical civil rights movements to today’s events that sparked protests throughout the country and globally. \n“I am grateful for our ongoing partnership with BHCCRC to present this mini festival that is meant to educate\, entertain\, and inspire so that we all can become part of the conversation about racial inequality and social justice\,” said Corinne Erni\, Senior Curator of Arts Reach and Special Projects. “Films are a perfect conduit to connect us emotionally and intellectually to these issues and encourage action.” \n“This Black Film Festival is a perfect extension of The Center’s THINKING FORWARD LECTURE SERIES. The Festival is an opportunity to shed light on different cultures and their life experiences. The only way that we are going to come together is to learn more about each other and to spend time with each other. I am excited about the expanded partnership between The Bridgehampton Child Care & Recreational Center and The Parrish. I look forward to us working together in the future. Please come out and support this event; I promise you it will be enlightening\, thought-provoking\, life changing\, and just a great time for all.” Bonnie Michelle Cannon\, Executive Director\, Bridgehampton Child Care & Recreational Center. \nEntrance opens at 7:30 pm. Films will begin after dark\, at approximately 8:30 pm. \n’63 Boycott\n2017\, Documentary\, 30 minutes\nDirector: Gordon Quinn \nOn October 22\, 1963\, more than 250\,000 students boycotted the Chicago Public Schools to protest racial segregation. Many marched through the city calling for the resignation of School Superintendent Benjamin Willis\, who placed trailers\, dubbed ‘Willis Wagons\,’ on playgrounds and parking lots of overcrowded black schools rather than let them enroll in nearby white schools. Blending unseen 16mm footage of the march shot by Kartemquin founder Gordon Quinn with the participants’ reflections today\, ’63 Boycott connects the forgotten story of one of the largest northern civil rights demonstrations to contemporary issues around race\, education\, school closings\, and youth activism. \nI Am Not Your Negro\n2016\, Documentary\, 93 minutes\nDirector: Raoul Peck \nI AM NOT YOUR NEGRO is an examination of racism in America through the lens of James Baldwin’s unfinished book\, REMEMBER THIS HOUSE. Intended as an account of the lives of Medgar Evers\, Malcolm X\, and Martin Luther King\, Jr.\, each of whom James Baldwin personally knew\, only a 30-page manuscript of the book was ever completed. Combining Baldwin’s manuscript with footage of depictions of African-Americans throughout American history\, I AM NOT YOUR NEGRO uses Baldwin’s words to illuminate the pervasiveness of American racism and the efforts to curtail it\, from the civil rights movement to #BlackLivesMatter. Narrated by Samuel L. Jackson\, I AM NOT YOUR NEGRO explores the continued peril America faces from institutionalized racism. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, August 13: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-films-i-am-not-your-negro-and-63-boycott/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/IANYN.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200724T200000
DTEND;TZID=America/New_York:20200724T230000
DTSTAMP:20260422T182851
CREATED:20200710T202721Z
LAST-MODIFIED:20200725T020139Z
UID:10002719-1595620800-1595631600@parrishart.org
SUMMARY:Outdoor Films: Aquarela and Blues for the Glaciers
DESCRIPTION:Join us at the Parrish for an outdoor screening of a short film\, Blues for the Glaciers\, followed by our feature film\, Aquarela. Entrance opens at 7:30 pm. Film will begin after dark\, at approximately 8:45 pm. \nCome back and drive by the Museum on Saturday night\, July 25 between 9-11 pm\, to experience the projection of Watershed. \nBlues for the Glaciers\n2015\, Documentary\, 6 minutes\nLocation: Rhone Glacier\, Swiss Alps.\nMusician: George Steinmann Film: Manuel Schüpfer Sound: Markus Fehlmann. \nThe video “Blues for the Glaciers” by Swiss artist George Steinmann shows the artist playing the blues on a disappearing glacier in the Swiss alps. The film is part of his project “Symbioses of Responsibility\,” an artistic research project on climate change\, water governance\, and transdisciplinary co-operation\, commissioned by ARTPORT_making waves for the UN Climate Conference COP21 in Paris. The aim is to broaden the scientific and political debate on climate change with aesthetic and artistic perception. \nAquarela\n2019\, Documentary\, 90 minutes\nDirector: Victor Kossakovsky \nAQUARELA\, distributed by Sony Pictures Classics\, takes audiences on a deeply cinematic journey through the transformative beauty and raw power of water. A visceral wake-up call that humans are no match for the sheer force and capricious will of Earth’s most precious element. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the throes of Hurricane Irma to Venezuela’s mighty Angel Falls\, water is AQUARELA’s main character. \nVictor Kossakovsky’s AQUARELA poses a thought-provoking question: what would a movie feel like if its main character — its driving emotional heartbeat — was not human at all\, but an element of nature? \nSpanning the globe\, AQUARELA unfolds as a fiercely lyrical\, multi-sensorial experience that seeks to break the boundaries between human and nature. The film includes footage captured in seven different countries — Scotland\, Mexico\, Russia\, Greenland\, Venezuela\, Portugal and the U.S. — plus dramatic\, exclusive footage taken cross the Atlantic Ocean. The screen becomes an access point for audiences to give in to pure sensation — seeing\, hearing and viscerally feeling the essence of a substance so essential to us that we usually take all its glories — and its incipient threats — for granted. At a time rife with catastrophic images that overwhelm\, AQUARELA attempts something entirely different. It invites audiences to come closer\, and even closer\, so that you might enter nature’s power and experience our own raw fragility in a new way. \nAdvance ticket purchase with pre-event registration is required. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors on the Museum’s terrace\, with possible use of the Event Lawn in good weather. Please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. The event is limited capacity with designated seating areas based on safe social distancing. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available to pre-purchase through the cafe vendor\, Elegant Affairs. Please follow the link to view the menu and purchase your food and drink by the end of the day on Thursday\, July 23: https://www.parrishartcafe.com/ \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-film-aquarela/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/07/Aquarela_Stine-Heilmann.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200426T150000
DTEND;TZID=America/New_York:20200426T230000
DTSTAMP:20260422T182851
CREATED:20200420T172012Z
LAST-MODIFIED:20200424T154156Z
UID:10000809-1587913200-1587942000@parrishart.org
SUMMARY:OptoSonic [UnLock] (BYOTea)
DESCRIPTION:LEARN MORE \n  \nPODCAST: Corinne Erni with OptoSonic Tea \n\nOptoSonic Tea\, NowNet Arts\, and the Parrish Art Museum join forces to present OptoSonic [UnLock] (BYOTea)\, a community collaborative\, audio-visual live improvisation network event with some 50 artists from all over the world coming together over several time zones. Taking place on Sunday\, April 26\, from 3pm-11pm EDT (New York Time)\, smaller groups of the participating video/film and music/sound artists will perform simultaneously at any given time over the course of the performance. \n“The event is an exploration that will be new to many of the artists and musicians. It is less about the individual artist or musicians than about everybody performing together\, something that musicians are much more used to than live visual artists\,” said the organizers and curators Katherine Liberovskaya and Ursula Scherrer (OptoSonic Tea)\, and Sarah Weaver (NowNet Arts). \nThe event will take place on Zoom on the viewer’s computer screen. Visual and sonic performers will inhabit the digital environment with a wide variety of techniques\, materials and instruments: from celluloid film and slides\, lights\, video software\, puppet-like interventions with objects\, movement\, to audio synthesizers\, laptop programs\, electronic devices\, acoustic instruments\, and vocal approaches. \nArtists: Ximena Alarcon\, Robert Appleton\, Miah Artola\, Alain Baumann\, Kjell Bjorgeengen\, Brian Chase\, CHiKA\, Yoshiko Chuma\, Anastasia Clarke\, Brandon Collwes\, Michael Delia\, Alexandra Dementieva\, Antonio Della Marina\, R. Luke DuBois\, Michael Egger\, Jorgen van Eijk\, Bradley Eros\, David First\, Kit J. Fitzgerald\, Asi Föcker\, Lee Frohlicher\, Richard Garet\, Simon Grab\, Andy Guhl\, Glen Hall\, Shelley Hirsch\, Flo Kaufmann\, Scott Kiernan\, Carole Kim\, John King\, Katherine Liberovskaya\, David Linton\, Jeanne Liotta\, Lore Lixenberg\, Luis Macias\, Geoff Matters\, Kenta Nagai\, Dafna Naphtali\, Andrew Neumann\, Daniel Neumann\, Phill Niblock\, Nao Nishihara\, Matthew Ostrowski\, Marie Helene Parent\, Andrea Parkins\, Juan Parra\, Anna Pasztor\, Kurt Ralske\, Bradford Reed\, Scarlet Rivera\, Diane Roblin\, Rosa Sanchez\, Ursula Scherrer\, Peter Shapiro\, Joseph Sledgianowski\, Lisa Sokolov\, Jacob Sokolov-Gonzalez\, Hans Tammen\, Laurenz Theinert\, Keiko Uenishi\, Silvia Villaba\, Jane Wang\, Beth Warshafsky\, Sarah Weaver\, Anna Wellmer\, Sofy Yuditskaya\, Mia Zabelka\, Alessandra Zucchi \nABOUT\nOptoSonic Tea was conceived in 2006 by intermedia artists Katherine Liberovskaya and Ursula Scherrer as a series of salon-style meetings that explore various forms of live visuals and their interaction with live audio\, followed by an informal discussion about the artists’ practices over a cup of green tea. \nOn September 27\, the Parrish Art Museum invited OptoSonic Tea to present an evening-length performance\, OptoSonic Tea @ the Parrish\, featuring 18 of the world’s most innovative video and sound artists to interact with the architecture and landscape of the Museum. The durational and site-specific group improvisation featured visual artists performing live in different areas outside of the Museum building\, while live musicians and sound artists performed coordinated and spatialized works by composer and Diapason Gallery founder/director Michael J. Schumacher. The spectacle allowed over 400 visitors to experience the Herzog & de Meuron designed building in entirely new ways. \nNowNet Arts Inc. was founded in 2017 to produce and present contemporary network arts works\, technologies\, education programs\, and publications. Director Sarah Weaver is a pioneer in the field with artistic and socially-themed ensemble projects integrating jazz\, classical\, world\, electronics\, and multimedia influences\, utilizing network as compositional strategy. Network arts utilizes the Internet and related technologies as an artistic medium for works created for this platform.
URL:https://parrishart.org/event/optosonic-unlock-byotea/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Music,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/04/Image-courtesy-OptoSonic-Tea.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200306T180000
DTEND;TZID=America/New_York:20200306T200000
DTSTAMP:20260422T182851
CREATED:20191120T144832Z
LAST-MODIFIED:20191120T144900Z
UID:10002200-1583517600-1583524800@parrishart.org
SUMMARY:FILM & TALK: Queen of Hearts: Audrey Flack
DESCRIPTION:  \n$15 | $5 Members\, Students\, and Children \nORDER TICKETS \n  \nPart of The Artist’s Lens series\, co-presented with Hamptons Doc Fest. \n2019\, Documentary\, 75 minutes\nDirector: Deborah Shaffer\, Co-director: Rachel Reichman \nAn intimate look at the life and creative process of Parrish collection artist\, sculptor\, painter\, feminist\, and rebel Audrey Flack whose 70-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art\, Flack\, at 88\, is still creating with her unique style and indomitable spirit. Followed by a conversation with Audrey Flack and Parrish Director Terrie Sultan. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/film-audrey-flack/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/7_Crop-if-needed-Audrey-Flack-Crop-if-needed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200222T140000
DTEND;TZID=America/New_York:20200222T160000
DTSTAMP:20260422T182851
CREATED:20191119T211852Z
LAST-MODIFIED:20200220T130253Z
UID:10002198-1582380000-1582387200@parrishart.org
SUMMARY:FILM & PERFORMANCE: 4 LITTLE GIRLS: MOVING PORTRAITS OF THE AMERICAN CIVIL RIGHTS MOVEMENT
DESCRIPTION:$12 | Free for Members\, Students\, and Children \nORDER TICKETS \n  \nJoin us for a special program\, including film and live dance performance\, by the Edge School of the Arts (ESOTA)\, co-presented with the Hamptons United Methodist Church and with support from the Jerome Foundation for Jerome Artist Fellow\, Kerri Edge. \n4 Little Girls: Moving Portraits of the American Civil Rights Movement is an experimental narrative film by Kerri Edge that infuses historical authenticity\, contemporary dance movements (tap\, modern dance\, hip hop\, and ballet) choreographed to spoken word and 60’s protest songs to recant the horrific story of Addie Mae Collins\, Denise McNair\, Carole Robertson\, and Cynthia Wesley\, the four young black girls who were violently murdered by the Ku Klux Klan when a bomb exploded in the basement of the Black 16th Street Baptist Church in Birmingham\, Alabama\, on September 15\, 1963. \nThe story unfolds through the imaginative interpretations of present-day performing arts students whose teacher challenges them to go back in time and recreate the moments leading up to what Martin Luther King Jr. described as\, “one of the most vicious and tragic crimes ever perpetrated against humanity.” \nKerri Edge is an artivist who uses dance and film as vehicles to shed light on issues of social injustice and commemorate the achievements of African American people. She is Artistic Director of the Edge School of the Arts (ESOTA)\, which has dedicated itself to bringing the art and discipline of African American dance to young aspiring artists\, the community\, and international audiences.
URL:https://parrishart.org/event/4-little-girls/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Music
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/5_LittleGirls_Kochie-38.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200214T180000
DTEND;TZID=America/New_York:20200214T200000
DTSTAMP:20260422T182851
CREATED:20191117T210746Z
LAST-MODIFIED:20200219T142719Z
UID:10002196-1581703200-1581710400@parrishart.org
SUMMARY:FILM & TALK: Ursula Von Rydingsvard: Into Her Own
DESCRIPTION:  \n2019\, Documentary\, 57 minutes\nDirector: Daniel Traub \nPart of The Artist’s Lens series\, co-presented with Hamptons Doc Fest. \nUrsula von Rydingsvard is a New York-based contemporary artist whose artworks encompasses sculpture and two-dimensional imagery. Her work\, rooted in the sculpting of raw cedar\, have been exhibited in galleries\, museums and public spaces throughout the world including the Museum of Modern Art in New York\, The San Francisco Museum of Modern Art\, The Art Institute of Chicago\, Venice Biennale\, Yorkshire Sculpture Park and Storm King Art Center. \nThe film follows\, from beginning to final installation\, various recent commissions including those for MIT and Princeton University. It also explores her early struggles\, passion and profound drive to become an artist. Told mostly through her own voice\, the film includes interviews with colleagues\, family members and close friends who offer additional perspective on her life and work. \nFollowed by a conversation with Ursula Von Rydingsvard and Parrish Director Terrie Sultan. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.\n 
URL:https://parrishart.org/event/into-her-own/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/TRAUB_UVR_INTOHEROWN_STILL32.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200207T180000
DTEND;TZID=America/New_York:20200207T200000
DTSTAMP:20260422T182851
CREATED:20191118T171140Z
LAST-MODIFIED:20191211T144757Z
UID:10002197-1581098400-1581105600@parrishart.org
SUMMARY:FILM & TALK: Lifeline: Clyfford Still
DESCRIPTION:  \n$15 | $5 Members\, and Students \nORDER TICKETS \n  \n2019\, Documentary\, 77 minutes\nDirector: Dennis Scholl \nClyfford Still\, one of the strongest\, most original contributors to abstract expressionism\, walked away from the commercial artworld at the height of his career. Extremely disciplined\, principled\, and prolific\, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material\, found footage and audio recorded by the artist himself\, Lifeline paints a picture of a modern icon\, his uncompromising creative journey and the price of independence. Featuring the painter’s surviving daughters\, painters Mark Bradford\, Julie Mehretu\, Julian Schnabel\, SFMOMA director Neal Benezra\, Clyfford Still Museum director Dean Sobel\, award winning architect Brad Cloepfil\, Colorado Governor John Hickenlooper\, art historian David Anfam\, art collector Jeffrey Loria\, museum director James Demetrion\, art critic Jerry Saltz\, and writer Tom Healy. \nFollowed by a conversation with director Dennis Scholl and artist Deborah Buck\, moderated by Parrish Director Terrie Sultan. \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/lifeline-clyfford-still/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/vzeinpmA.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200117T180000
DTEND;TZID=America/New_York:20200117T200000
DTSTAMP:20260422T182851
CREATED:20191115T214700Z
LAST-MODIFIED:20200117T234925Z
UID:10002194-1579284000-1579291200@parrishart.org
SUMMARY:FILM & TALK: Louise Bourgeois: The Spider\, the Mistress and the Tangerine
DESCRIPTION:  \n2008\, Documentary\, 99 minutes\nDirector: Marion Cajori and Amei Wallach \nPart of The Artist’s Lens series\, co-presented with Hamptons Doc Fest. \nLouise Bourgeois: The Spider\, the Mistress and the Tangerine is a cinematic journey inside the life and imagination of an icon of modern art. As a screen presence\, Louise Bourgeois is magnetic\, mercurial\, and emotionally raw. There is no separation between her life as an artist and the memories and emotions that affect her every day. Her process is on full display in this extraordinary documentary. As an artist\, Louise Bourgeois has for six decades been at the forefront of successive new developments\, but always on her own powerfully inventive and disquieting terms. In 1982\, at the age of 71\, she became the first woman to be honored with a major retrospective at New York’s Museum of Modern Art. In the decades since\, she has created her most powerful and persuasive work that has been exhibited\, studied\, and lectured on worldwide. Filmed with unparalleled access between 1993 and 2007\, Louise Bourgeois: The Spider\, the Mistress and the Tangerine is a comprehensive and dramatic documentary of creativity and revelation. It is an intimate\, human\, and educational engagement with an artist’s world. \nThe film screening will be followed by a conversation with Amei Wallach and Parrish Director Terrie Sultan. \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/louise-bourgeois/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/louisebourgeois-1112.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200103T180000
DTEND;TZID=America/New_York:20200103T200000
DTSTAMP:20260422T182851
CREATED:20191111T155050Z
LAST-MODIFIED:20200107T161204Z
UID:10002191-1578074400-1578081600@parrishart.org
SUMMARY:FILM & TALK: Sanctuary
DESCRIPTION:  \n  \n2019\, Documentary\, 52 minutes\nDirector: Lillian Ball \nJoin Artists Choose Artists juror and environmental activist Lillian Ball for her full film premiere about the Lumbini Crane Sanctuary within the Sacred Garden in Nepal where Siddhartha Gautama was born and charismatic young monk Venerable Metteyya as he seeks to reverse plans to replace it with hotels and a meditation center. Followed by a conversation with Ball and Parrish Director Terrie Sultan. \nAn ecological artist and pro-activist who works with wetland issues from interdisciplinary backgrounds in anthropology\, ethnographic film\, and sculpture\, Lillian Ball (American\, b. 1955) believes that innovative artwork with stakeholders on conservation initiatives benefits wildlife\, communities\, and visitors. Her WATERWASH® public projects along the Bronx River and Mattituck Inlet combine native habitat restoration\, stormwater remediation\, and preservation. Ball’s documentary Sanctuary depicts efforts by a Buddhist monk to preserve native flora and fauna in Lumbini\, Nepal\, to protect the Sarus cranes nesting at Buddha’s birthplace\, endangered by over-development. Ball exhibits and lectures at international institutions including at Kathmandu’s Taragaon Museum; Seville Biennale; and Reina Sofia\, Madrid. Awards include NYFA Fellowships\, Guggenheim Foundation Fellowship\, and NEA grant. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-sanctuary/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Lillian-Ball.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191227T180000
DTEND;TZID=America/New_York:20191227T193000
DTSTAMP:20260422T182851
CREATED:20191016T202302Z
LAST-MODIFIED:20191203T195232Z
UID:10000762-1577469600-1577475000@parrishart.org
SUMMARY:FAMILY FILM: Ernest and Celestine
DESCRIPTION:Free with Museum Admission \nORDER TICKETS \n2012\, PG\, 80 minutes \nDirector: Benjamin Renner\, Stéphane Aubier\, and Vincent Patar \nBased on the classic Belgian book series by Gabrielle Vincent\, Ernest & Celestine details an unexpected friendship which develops between a mouse and a bear. Celestine is an artist and a dreamer – and when she nearly ends up as breakfast for Ernest\, the two form an unlikely bond. But it isn’t long before their friendship is put on trial by their respective bear-fearing and mice-eating communities. \nErnest & Celestine won France’s César Award for Best Animated Feature\, and has been nominated for Best Animated Feature at the 86th Academy Awards®. \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-ernest-and-celestine/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/10/ernest_hires_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191129T180000
DTEND;TZID=America/New_York:20191129T200000
DTSTAMP:20260422T182851
CREATED:20190816T213415Z
LAST-MODIFIED:20191130T011019Z
UID:10002167-1575050400-1575057600@parrishart.org
SUMMARY:FILM: Breath
DESCRIPTION:  \n2017\, R\, 115 minutes \nDirector: Simon Baker \nBased on the award-winning\, international best-selling novel by Tim Winton\, Simon Baker’s directorial debut Breath follows two teenage boys\, Pikelet and Loonie\, growing up in a remote corner of the Western Australian coast. Hungry for discovery\, the pair form an unlikely friendship with Sando\, a mysterious older surfer and adventurer who pushes the boys to take risks that will have a lasting and profound impact on their lives. Also starring Elizabeth Debicki and Richard Roxburgh\, Breath is an authentic coming-of-age drama set in an idyllic 1970s coastal Australia. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/breath/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/Breath-resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T173000
DTEND;TZID=America/New_York:20191115T210000
DTSTAMP:20260422T182851
CREATED:20190903T201545Z
LAST-MODIFIED:20191116T001357Z
UID:10000746-1573839000-1573851600@parrishart.org
SUMMARY:OLA FILM FESTIVAL: Antes Que Llegue el Ferry (Before the Ferry Arrives)
DESCRIPTION:  \n \nANTES QUE LLEGUE EL FERRY – Trailer from FESTIVAL DE MÁLAGA on Vimeo. \n  \nJoin us for a screening of Antes Que Llegue el Ferry (Before the Ferry Arrives\, Cuba\, 2018\, NR\, 85 minutes)\, a dark comedy portraying a near-future Havana that is still in the midst of the restoration of U.S.-Cuba relations\, as part of the 16th annual\, multi-venue OLA Film Festival curated by the Organización Latino-Americana of Eastern Long Island (OLA). \nThe program includes a bi-lingual (Spanish/English) docent-led tour in the galleries\, where photographer Tria Giovan will give a short talk on her photos from the 1993 series The Cuba Archive\, currently on view in Artists Choose Artists. The film and a talk follow a cocktail reception with special hors d’oeuvres from the Golden Pear Café. \n5:30 pm– Bilingual (Spanish/English) docent tour\, with photographer Tria Giovan\n6:00 pm– Free Reception with food and wine\n7:15 pm– Film screening\, followed by a discussion with filmmakers via livestream \nAntes Que Llegue el Ferry (Recommended for ages 14 and older)\nDirectors: Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar \nAn Official Selection of the 2018 Ventana Sur and BAFICI film festivals\, and the 2019 Málaga Spanish Film Festival\, Antes Que Llegue El Ferry—directed by Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar Delgado—explores the sense of expectation and ambiguity experienced by Cubans when it was announced in 2015 that\, after more than 50 years\, a ferry service would resume between that country and the United States. Bold in form and structure and mixing elements of animation with live action\, experimental and documentary film\, this debut of the three directors captures a time of uncertainty and vertigo as Cuba continues to wait for the first ferry to arrive. \nGuests for the evening have another opportunity to experience Cuba through the photographs of Tria Giovan (American\, b. 1961). Giovan travelled extensively to Cuba during the economic depression of the Special Period (1990–1996)\, shot over 25\,000 images\, and created The Cuba Archive—a body of work that captured the subtleties and complexities of the country’s day-to-day life. The photographs reveal resiliency\, creative defiance through aesthetics\, and the unquashable human spirit amid oppression. The photograph Tres Muchachas-El Malecon\, Havana\, Cuba (1993)\, is on view for the first time in a museum. \n  \n  \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/09/cuba.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191108T180000
DTEND;TZID=America/New_York:20191108T200000
DTSTAMP:20260422T182851
CREATED:20190816T195602Z
LAST-MODIFIED:20191109T002205Z
UID:10002166-1573236000-1573243200@parrishart.org
SUMMARY:FILM & TALK: SAW
DESCRIPTION:  \nCo-presented with Sag Harbor Cinema \nGuest curated by filmmaker Micaela Durand\, SAW is a program of six short films that features the work of seven filmmakers who investigate the relationship between seeing and being seen. The films address how individuals present\, perform\, and reveal in an age of constant documentation. As technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. \nThe screening will be followed by a conversation with Durand\, Jordan Lord and Corinne Erni\, Senior Curator of ArtsReach and Special Projects at the Parrish. This first collaboration between SHC and the Parrish forwards the Museum’s mission of bringing together art\, artists\, and the community for engaging programs that illuminate the creative process; as well as partnering with important arts organizations. \n  \nEverything and More by Rachel Rose\, 2015\nLong Count III (Thrilla in Manila) by Paul Pfeiffer\, 2001\nAfter….After….(Access) by Jordan Lord\, 2018\nOops! by Laurel Nakadate\, 2000\nE-Ticket by Simon Liu\, 2019\nFirst by Micaela Durand and Daniel Chew\, 2019 \n  \nAbout the Films \nAs technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. Paul Pfeiffer presents the third of his seminal three-part video installations\, Long Count III (Thrilla in Manila) (2001)\, which shows the fight in 1975 between heavyweight champions Muhammad Ali and Joe Frazier. Pfeiffer digitally erases the boxers from the film so that the viewers’ attention shifts from watching the missing fighters\, to the roaring crowd cheering back at them. Navigating the pressures of structures is also explored in Rachel Rose’s Everything and More (2015). As an astronaut describes the sensation of leaving earth behind\, the viewer falls into a similar void through associative and digital manipulations. Reconstructing memory is examined in E-Ticket (2019). Simon Liu recomposes his personal archive of vacation ephemera into a pulsating performance that alludes to the contemporary condition of media exposure. Jordan Lord’s After….After….(Access) (2018) proposes a new kind of engagement with accessibility in mind\, by rendering what is seen and heard into subtitles as the filmmaker documents their own open heart surgery. Micaela Durand and Daniel Chew’s film First (2019) follows a teenage girl as she negotiates the interrelationship of online and real world interactions. Laurel Nakadate explores similar entanglements in Oops! (2000)\, in which the artist is invited into the homes of men through chance encounters and asks them to dance with her to Britney Spears’s iconic song Oops!…I Did It Again. \n  \nTo learn about the filmmakers\, click HERE \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/saw/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/sawposter.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191027T150000
DTEND;TZID=America/New_York:20191027T163000
DTSTAMP:20260422T182851
CREATED:20190822T143952Z
LAST-MODIFIED:20191009T194422Z
UID:10002169-1572188400-1572193800@parrishart.org
SUMMARY:FILM & TALK: American Art in the 1960s
DESCRIPTION:Free as a part of OPEN HOUSE \nSeating is limited. Advance registration is required. \nREGISTER \n  \n1972\, NR\, 57 minutes\, Directed by Michael Blackwood\, \nThis documentary follows leading artists of the 1960s as they venture through the movements of pop art\, abstract expressionism\, collage\, sculpture and Expressionistic Cubism. Narration by Barbara Rose. \nThe film will be followed by a conversation with Parrish Director Terrie Sultan and Chief Curator Alicia Longwell. \nLast day to view Abstact Climates: Helen Frankenthaler in Provincetown \n 
URL:https://parrishart.org/event/film-talk-american-art-in-the-1960s/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/5-AmericanArtinthe60s_HelenFrankenthaler.jpg
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END:VCALENDAR