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DTSTART;TZID=America/New_York:20240809T180000
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DTSTAMP:20260417T210425
CREATED:20240606T141904Z
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SUMMARY:Film & Talk | Giving Birth In America: Arkansas
DESCRIPTION:REGISTER \n$10 Members | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | Free for Students & Children \nJoin us for a screening of the short film Giving Birth in America: Arkansas followed by a panel conversation with exhibiting artists Julia Chiang\, Sam Moyer\, and Every Mother Counts founder and president Christy Turlington Burns. The film follows three mothers as they grapple with mental health concerns\, lack of paid leave\, and other challenges in the days\, weeks\, and months following birth\, vividly painting a picture of the gaps in the current landscape of postpartum care. The film highlights the essential role of community-based support\, especially within historically marginalized communities. Julia Chiang and Sam Moyer will be joined in conversation with Christy Turlington Burns as they discuss themes in the film\, their approach to work as mothers\, and how their maternal experiences affect and inspire their art. \nGiving Birth in America: Arkansas is the seventh chapter in Every Mother Counts’ Giving Birth in America film series. This film spotlights Arkansas\, the state with the highest maternal mortality rate across the United States. The short film vividly paints a picture of the reality of the postpartum experience. More than half of all maternal deaths take place during the postpartum period\, yet this stage of pregnancy is often overlooked. \nAbout Julia Chiang\nJulia Chiang (American\, b. 1978) lives and works in Brooklyn\, New York and studied Studio Art and Art History at New York University. Chiang has recently been featured in solo-exhibitions at Nanzuka Underground\, Tokyo\, Nicola Vassell Gallery\, New York\, The Modern Institute\, Glasgow\, and The Journal Gallery\, New York. This year\, she created a mural with RxART for the new SUNY Upstate Nappi Wellness Institute in Syracuse\, NY. In 2022\, Chiang was commissioned by Rockaway Hotel and Spa for the “Rockaway Mural” in Queens\, NY. She has been an artist-in-residence at Anderson Ranch Arts Center in Snowmass Village\, Colorado\, The Creative Centre at Mount Sinai Hospital\, Henry Street Settlement in New York\, HAP Clay Studios in Beijing\, and Vermont Studio Center in Johnson\, Vermont. \nAbout Sam Moyer\nSam Moyer (American\, b. 1983) received her BFA from the Corcoran College of Art and Design and her MFA from Yale University. Her work has been featured in exhibitions at the Bass Museum\, Miami; the Contemporary Art Museum St. Louis; the Drawing Center\, New York; the FLAG Art Foundation\, New York; the Hill Art Foundation\, New York; LAND\, Los Angeles; MoMA PS1\, Queens; the Parrish Art Museum\, New York; Tensta Konsthall\, Stockholm; Wexner Center for the Arts\, Columbus; and White Flag Projects\, St. Louis. Moyer’s large-scale outdoor sculpture Doors for Doris (2020)\, commissioned by Public Art Fund\, was on view in the Doris C. Freedman Plaza in Central Park\, New York from September 2020 through October 2021. Her recent solo exhibitions include Memory Mine (2023) at the Jule Collins Smith Museum\, Auburn; Relief (2022) at Rodolphe Janssen\, Brussels; Good Friend (2021) at Kayne Griffin\, Los Angeles; and Tone (2021) at Sean Kelly Gallery\, New York. \nMoyer’s work is featured in prominent public collections\, including the Davis Museum\, Wellesley College\, Massachusetts; the Morgan Library & Museum\, New York; the Museum of Modern Art\, New York; the Whitney Museum of American Art\, New York; the Yale University Art Gallery\, New Haven; the Aïshti Foundation\, Beirut; and the Louis Vuitton Foundation\, Paris. \nAbout Every Mother Counts\nMotivated by the belief that maternal health is a human right\, Every Mother Counts works to advance evidence-based strategies to address the global maternal health crisis and improve maternal health outcomes and the experience of care for all. EMC supports community-centered care and workforce development by raising awareness\, investing in community-led solutions\, and advocating for critical systems change. To date\, EMC has invested over $42M to make pregnancy and childbirth safe\, respectful\, and equitable for everyone\, everywhere. \nFriday Nights at the Parrish are made possible by The Corcoran Group.
URL:https://parrishart.org/event/film-talk-giving-birth-in-america-arkansas/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2024/06/Giving-Birth-Film-Talk-Collage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240621T180000
DTEND;TZID=America/New_York:20240621T200000
DTSTAMP:20260417T210425
CREATED:20240610T153836Z
LAST-MODIFIED:20240613T191238Z
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SUMMARY:Film | Juneteenth: Faith and Freedom
DESCRIPTION:REGISTER \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \n2022\, 75 min. \nAs we commemorate Juneteenth\, join us for a documentary screening of Juneteenth: Faith and Freedom\, co-presented with the Eastville Community Historical Society and Southampton African American Museum. \nA Critics’ Selection at the Dallas International Film Festival\, Juneteenth: Faith and Freedom tells the story of Juneteenth\, and the historical and cultural role faith played in the African American experience\, shedding light on a widely unknown spiritual significance. History professor Dr. Carey Latimore travels to Galveston\, Texas\, with special guests to recount the impact and meaning of emancipation\, lived experiences\, and how the holiday revealed a deep connection between faith and freedom for African Americans. \nFriday Nights are made possible by The Corcoran Group.
URL:https://parrishart.org/event/film-juneteenth-faith-and-freedom/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T183000
DTEND;TZID=America/New_York:20240315T183000
DTSTAMP:20260417T210425
CREATED:20240216T195644Z
LAST-MODIFIED:20240307T190310Z
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SUMMARY:Film | FRIDA
DESCRIPTION:TICKETS \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nDirected by Carla Gutiérrez\, 2024\, Spanish (with English subtitles)\, 88 min. \nIn celebration of Women’s History Month\, the Parrish Art Museum presents a screening of FRIDA\, recently premiered at the 2024 Sundance Film Festival. FRIDA\, directed by Carla Gutiérrez\, is an intimately raw and magical journey through the life\, mind\, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary\, revealing letters\, essays\, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork. \nGutiérrez\, renowned for her masterful editing of films including Sundance Film Festival projects RBG (2018)\, When Two Worlds Collide (2016)\, and Cesar’s Last Fast (2014)\, brings artistry and a deep understanding of her subject to an astonishing directorial debut. Through a cacophony of rich archival sights\, music\, and journal entries joyfully brought to life\, we become immersed in Frida’s interior world\, fears\, arduous relationships\, and events that drove her indelible artistic creations. Gutiérrez vibrantly guides us through Frida’s complex relationship to her own work\, navigating the tension between art as commerce and painting for pleasure and self-knowledge. With reverence\, thoughtfulness\, and the color of pure emotion\, FRIDA invites us to get to know one of the greatest artists of the 20th century in a completely new way. \nNote: This film contains nudity and may not be suitable for younger audiences. \nFriday Nights are made possible\, in part by The Corcoran Group. \n  \n$13 Miembros | $20 Adultos | $18 Personas Mayores | $15 Invitados de Miembros | $10 Estudiantes | $5 Niños \nDirigida por Carla Gutiérrez\, 2024\, Español (con subtítulos en inglés)\, 88 min. \nPara celebrar el Mes de la Historia de la Mujer\, el Parrish Art Museum presenta una proyección de FRIDA\, estrenada recientemente en el Festival de Cine de Sundance 2024. FRIDA\, dirigida por Carla Gutiérrez\, es un viaje íntimo y mágico a través de la vida\, la mente y el corazón de la icónica artista Frida Kahlo. Contada a través de sus propias palabras por primera vez\, extraídas de su diario\, cartas reveladoras\, ensayos y entrevistas impresas\, y traída vívidamente a la vida por una animación lírica inspirada en su inolvidable obra de arte. \nNota: Esta película contiene desnudos y puede no ser adecuada para audiencias más jóvenes. \nLos viernes por la noche son posibles\, en parte\, gracias a The Corcoran Group.
URL:https://parrishart.org/event/film-frida/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/02/1940_s_P0063_Frida_laying_on_grass_004958-N_ret_LEOMT_MSTR-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240216T180000
DTEND;TZID=America/New_York:20240216T180000
DTSTAMP:20260417T210425
CREATED:20240125T212120Z
LAST-MODIFIED:20240208T175044Z
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SUMMARY:Film | Max Roach: The Drum Also Waltzes
DESCRIPTION:TICKETS \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nDirected and Produced by Sam Pollard and Ben Shapiro\, 2023\, 82 min. \nIn celebration of Black History Month and in collaboration with Hamptons Doc Fest\, the Parrish presents a screening of Max Roach: The Drum Also Waltzes – delving into the life and music of the legendary drummer\, composer\, bandleader\, and social activist through a remarkable series of creative peaks\, struggles\, and personal reinventions—from the Jim Crow era to the Civil Rights years\, surveying the heady days of post-war modern jazz to hip hop and beyond. The film screening will be followed by a live Zoom Q&A session with Co-Director Ben Shapiro\, led by Jacqui Lofaro\, Executive Director of Hamptons Doc Fest. \nMax Roach: The Drum Also Waltzes is the story of a musician whose far-reaching ambitions were inspired and challenged by the inequities of the society around him. His stunningly diverse seven-decade career marked him as one of the great musical artists of the 20th century and a pioneering cultural activist at times when the nation was steeped in racism. The film follows Roach across a rich and complicated life\, years of now-legendary achievement\, deep personal struggle\, and the price he paid for his outspoken views. His was an epic musical journey — from the revolutionary Jazz of the 1940s to the Civil Rights years\, through experiments in hip hop\, multi-media works\, and beyond. \nFriday Nights are made possible\, in part by The Corcoran Group.
URL:https://parrishart.org/event/film-max-roach-the-drum-also-waltzes/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/01/maxroach_still_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231110T173000
DTEND;TZID=America/New_York:20231110T200000
DTSTAMP:20260417T210425
CREATED:20231016T215633Z
LAST-MODIFIED:20231106T220253Z
UID:10003699-1699637400-1699646400@parrishart.org
SUMMARY:Black Film Festival\, Part II | Haiti Is A Nation of Artists
DESCRIPTION:TICKETS \nMembers $10 | Adults (Nonmembers) $16 | Students $10 | Children $5 | Friends of BHCCRC $13 \n5:30 pm Tour of Artists Choose Parrish \n6 pm Light Reception \n6:30 pm Introductions and Film screening \n7:30 pm Film discussion \nJoin us for the conclusion of the Black Film Festival with a screening of Haiti Is A Nation of Artists\, followed by a Zoom discussion with film director Jacquil Constant. The Black Film Festival is organized in collaboration with the Bridgehampton Child Care and Recreational Center\, Empact\, Suffolk County Office of Minority Health\, and the Witness Project of Long Island. \nAbout the Film\nDirected and produced by Jacquil Constant\, Haiti Is A Nation of Artists tells the story of Haitian artists creating transformational art after a devastating earthquake that struck Haiti on January 12\, 2010. The documentary depicts the humanity of Haitian culture through the lens of a Haitian-American filmmaker who seeks to uplift the rich diversity of Haiti and its historical legacy. The film\, affectionately named after an interaction Constant had with Carine Fabius\, an art curator in West Hollywood\, went on to screen at Cannes Film Festival in 2022. \nAbout the Director\nAs an independent filmmaker\, Jacquil Constant has emerged as a leader in Haitian film\, dedicated to portraying the rich tapestry of Haitian art and culture in a different yet authentic light. Constant received a Bachelor of Arts degree in Film Production and a Master of Arts in Interdisciplinary Studies with an emphasis in Pan African Studies and Cinema Television and Arts from California State University Northridge (CSUN). In 2006\, Constant established his own production company\, Constant Production\, which has various music videos\, short films\, and commercial productions to its credit. Constant’s career has led him to work with networks such as MTV\, BET\, and VHI where he worked in various capacities including production\, post-production\, and casting of reality television shows\, and is the founder of the first-ever Haiti International Film Festival in Southern California. \nFriday Nights are generously supported by The Corcoran Group. The Black Film Festival is supported by Suffolk County Office of Cultural Affairs.
URL:https://parrishart.org/event/black-film-festival-part-ii-haiti-is-a-nation-of-artists/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2023/10/Haiti-Is-A-Nation-of-Artists.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230915T180000
DTEND;TZID=America/New_York:20230915T180000
DTSTAMP:20260417T210425
CREATED:20230816T212846Z
LAST-MODIFIED:20230907T150641Z
UID:10003653-1694800800-1694800800@parrishart.org
SUMMARY:OLA Latino Film Festival | The Cow Who Sang a Song Into the Future
DESCRIPTION:TICKETS \nJoin us for the 20th Anniversary of the OLA Latino Film Festival and partnership with the Parrish Art Museum with a screening of The Cow Who Sang a Song Into the Future (2022)\, followed by a live Zoom interview with Director Francisca Alegría. The program begins with a bilingual tour of the Museum’s exhibitions\, James Brooks: A Painting is a Real Thing\, and Artists Choose Parrish\, followed by the film screening and Director’s Q&A in the Museum’s Lichtenstein Theater. \n6 PM\, Bilingual Tour and Reception\, Galleries and Café\n7 PM\, Introduction and Film Screening\, Theater\n8:30 PM\, Director’s Zoom Q&A \nAbout the Film\nThe Cow Who Sang a Song Into the Future\, 2022\, 93 min.\, Spanish with English subtitles\, Directed by Francisca Alegría. \nA choir of creatures introduces a world delicately constructed by fantasy\, mystery\, and magical realism in Francisca Alegría’s poignant and stunning debut feature. It begins in a river in the south of Chile where fish are dying due to pollution from a nearby factory. Amid their floating bodies\, long-deceased Magdalena (Mia Maestro\, Frida\, The Motorcycle Diaries) bubbles up to the surface gasping for air\, bringing with her old wounds and a wave of family secrets. This shocking return sends her widowed husband into turmoil and prompts their daughter Cecilia to return home to the family’s dairy farm with her own children. Magdalena’s presence reverberates among her family\, instigating fits of laughter and despair in equal measure with all but Cecilia’s eldest child\, who finds much-needed comfort in their grandmother’s love and unconditional understanding during a time of transition. A lyrical rumination on family\, nature\, renewal\, and resurrection\, The Cow Who Sang A Song Into The Future is an ambitious proposal for acceptance and healing\, suggesting that the dead return when they are most needed. \nAbout the Director\nFrancisca Alegría is an award-winning filmmaker who obtained her degree in Directing from the Universidad Católica de Chile and her M.F.A. in Screenwriting and Film Directing at Columbia University. Her short film AND THE WHOLE SKY FIT IN THE DEAD COW’S EYE received the award for Best International Fiction Short Film at the 2017 Sundance Film Festival\, Best Latin American Short Film at Miami Film Festival and was selected at Telluride Film Festival\, Toronto International Film Festival\, and New York Film Festival. Alegría’s debut feature\, The Cow Who Sang a Song Into the Future was selected for the Sundance Screenwriters and Directors Labs and will premiere in the World Cinema Dramatic Competition at the 2022 Sundance Film Festival. \nSupport for Friday Nights is provided by The Corcoran Group. Support for the OLA Film Festival and reception is provided by Elegant Affairs Caterers.
URL:https://parrishart.org/event/ola-latino-film-festival-the-cow-who-sang-a-song-into-the-future/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2023/08/CowWhoSang_1920x1080_E.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230623T180000
DTEND;TZID=America/New_York:20230623T200000
DTSTAMP:20260417T210425
CREATED:20230329T182004Z
LAST-MODIFIED:20230614T163117Z
UID:10003590-1687543200-1687550400@parrishart.org
SUMMARY:Film & Talk | Capturing Grace
DESCRIPTION:REGISTER \n$10 Members | $16 Adults (Nonmembers) | $10 for Students | $5 Children \nJoin us for a special screening of Capturing Grace\, directed by David Iverson–a film that follows the Brooklyn Parkinson Group as they attend classes at the Mark Morris Dance Center. Capturing Grace witnesses the power of choreography\, the ways in which tremors recede in the dance studio\, and how performers rediscover what they thought they had lost to Parkinson’s Disease. Iverson describes the film\, which highlights rediscovery and the sweetness of motion\, as “a story about a remarkable community of dancers – some professional\, some not – all coming together to move in space.” \nThe screening will be followed by a conversation with Iverson; David Leventhal\, Program Director and founding teacher of Dance for PD®\, a program of Mark Morris Dance Group; and Sarah Cohen\, PT\, DPT at Stony Brook–Southampton Hospital’s Center for Parkinson’s Disease. Moderated by Deputy Director of Art Education Martha Stotzky\, the panel will discuss the film’s themes in conjunction with Parrish programs sensitively designed for individuals with Parkinson’s\, including Paint with the Parrish. As part of  Access Parrish–the Museum’s decades-long initiative committed to making the building\, programs\, and resources available to all audiences–this workshop series was created specifically for those with Parkinson’s and their caretakers. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nFriday Night Programming is made possible\, in part\, by The Corcoran Group.
URL:https://parrishart.org/event/film-talk-capturing-grace/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2023/03/CapturingGrace_EddieMartinez_ParrishArtMuseum_event-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230114T150000
DTEND;TZID=America/New_York:20230114T160000
DTSTAMP:20260417T210425
CREATED:20221212T195942Z
LAST-MODIFIED:20230109T175656Z
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SUMMARY:Talk | Mel Kendrick and Carroll Dunham on Mel Kendrick: Seeing Things in Things
DESCRIPTION:$5 Members\, Students | $10 Seniors\, Member’s Guest | $16 Adults (nonmember) \nREGISTER\n  \nJoin us for a conversation with artists Mel Kendrick and Carroll Dunham\, in conjunction with the solo exhibition\, Mel Kendrick: Seeing Things in Things\, currently on view through February 19\, 2023. Kendrick and Dunham\, longtime friends and both former studio assistants to Dorothea Rockburne\, will explore their respective careers as artists and approach to artmaking. \nCarroll Dunham (b. 1949\, New Haven\, CT) is a contemporary American painter\, whose career has encompassed elements of Abstract Expressionism\, Surrealism and Neo-expressionism\, moving from abstraction to figuration. Dunham has held global solo exhibitions at Museum Ludwig\, Cologne\, Millesgården\, Stockholm; and Drammens Museum\, Drammen\, Norway\, followed by a mid-career retrospective was held at the New Museum of Contemporary Art\, New York. Dunham’s work is held in numerous esteemed collections including the Art Institute of Chicago\, Brooklyn Museum\, Museum of Modern Art\, Museum of Contemporary Art\, Los Angeles\, Philadelphia Museum of Art\, Walker Art Center\, and Whitney Museum of American Art\, among others. \n\n\nMel Kendrick: Seeing Things in Things was organized by the Addison Gallery of American Art\, Phillips Academy\, Andover\, Massachusetts and curated by Allison Kemmerer\, The Mary Stripp and R. Crosby Kemper Director. The presentation at the Parrish Art Museum is organized by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator and Brianna L. Hernández\, Curatorial Fellow. \nLearn more about the exhibition. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nInformation on our COVID-19 protocol →\n\n\n  \n  \n  \nSupport for public programs is provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n\n\n\n\n\n\n\n\n\n\n 
URL:https://parrishart.org/event/talk-mel-kendrick-and-carroll-dunham-on-mel-kendrick-seeing-things-in-things-2/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/12/DD34FC9D-1C55-4631-9F08-6B2B9F530221.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T180000
DTEND;TZID=America/New_York:20221202T190000
DTSTAMP:20260417T210425
CREATED:20221111T182159Z
LAST-MODIFIED:20221122T191428Z
UID:10003303-1670004000-1670007600@parrishart.org
SUMMARY:Talk and Book Signing | Mel Kendrick and Nancy Princenthal on Mel Kendrick: Seeing Things in Things
DESCRIPTION:Free with Museum admission \nREGISTER\n  \nJoin us for a conversation with artist Mel Kendrick and Nancy Princenthal\, in conjunction with his solo exhibition\, Mel Kendrick: Seeing Things in Things\, currently on view through February 19\, 2023. Princenthal contributed an introductory essay to the fully illustrated catalogue\, co-published and distributed by Rizzoli International. \nIntroduced by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, the conversation will explore Kendrick’s decades-long career\, approach to artmaking\, process and material\, and the possibilities of sculpture\, followed by a short book signing for the exhibition publication. \nNancy Princenthal is a Brooklyn-based writer whose Agnes Martin: Her Life and Art (Thames & Hudson\, 2015) received the 2016 PEN/Jacqueline Bograd Weld Award for Biography. Her most recent book is Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s (Thames & Hudson\, 2019). She is also the author of the monograph Hannah Wilke(Prestel\, 2010). A former Senior Editor of Art in America\, where she remains a Contributing Editor\, she has also written for the New York Times\, Bomb\, Hyperallergic\, Apollo\, the Brooklyn Rail and other publications. Her writing has appeared in monographs and exhibition catalogues for a wide range of artists\, including Willie Cole\, Lesley Dill\, Ann Hamilton\, Alfredo Jaar and Gary Simmons. Having taught and lectured widely\, she was a longtime faculty member of the MFA Art Writing program at the School of Visual Arts\, and was most recently a visiting lecturer at New York University’s Institute of Fine Arts. \nMel Kendrick: Seeing Things in Things was organized by the Addison Gallery of American Art\, Phillips Academy\, Andover\, Massachusetts and curated by Allison Kemmerer\, The Mary Stripp and R. Crosby Kemper Director. The presentation at the Parrish Art Museum is organized by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator and Brianna L. Hernández\, Curatorial Fellow. \nLearn more about the exhibition. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nInformation on our COVID-19 protocol →\n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/talk-mel-kendrick-and-nancy-princenthal-on-mel-kendrick-seeing-things-in-things/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/11/IMG_2655.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T120000
DTEND;TZID=America/New_York:20221119T130000
DTSTAMP:20260417T210425
CREATED:20221114T231308Z
LAST-MODIFIED:20221117T190726Z
UID:10003304-1668859200-1668862800@parrishart.org
SUMMARY:Talk | Curator Cristina Kahlo on the Exhibition Kahlo: An Expanded Body
DESCRIPTION:  \nREGISTER\n  \nJoin us for a talk with exhibition Curator Cristina Kahlo and Museum Executive Director Mónica Ramírez-Montagut.  \nKahlo: An Expanded Body is a groundbreaking investigation into celebrated artist Frida Kahlo (Mexican\, 1907–1954) through a series of documents\, photos\, letters\, and clinical files that shed light on her dramatic medical history and its sustained impact on her life and work. The multi-gallery exhibition provides new insight into the importance of the body as enduring source material for Kahlo’s representational and metaphorical depictions of her physical and emotional life. \nThe exhibition features more than 100 archives\, letters\, and photos—several never before seen—made available through exclusive access to private family files by Kahlo’s grandniece\, the Mexican artist Cristina Kahlo. On view are facsimiles of personal letters and postcards between Frida and family\, friends\, lovers\, and doctors; photographs of the artist and her inner circle by Mexican and international photographers including Lola Álvarez Bravo\, Florence Arquin\, Gisele Freund\, Guillermo Kahlo\, Antonio Kahlo\, and Nickolas Muray; and extensive graphic medical records and documents. The exhibition is augmented by original work by Cristina Kahlo\, and María and Tolita Figueroa. \nKahlo: An Expanded Body is co-curated by Cristina Kahlo; organized at the Parrish Art Museum by Mónica Ramírez-Montagut\, Executive Director\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator. \nLearn more about the exhibition.\nEXHIBITION SUPPORT\n \nThe presentation of Kahlo: An Expanded Body at the Parrish Art Museum is made possible\, in part\, thanks to the generous support of the Consulate General of Mexico in New York\, Museo Frida Kahlo\, ABC Medical Center\, Museo Estudio Diego Rivera\, Fiduciario Banco de México\, Tony Bechara\, The Deborah Buck Foundation\, Yaffa Foundation\, Yanina and Allan Spivack\, Sam Natapoff and Alexandra Stanton\, Michael & Nina Stanton Foundation\, Timothy and Susan Davis\, and James & Kelli Stanton Foundation\, Inc. \nThe Parrish Art Museum’s programs are made possible\, in part\, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature\, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District. \nInformation on our COVID-19 protocol →\n 
URL:https://parrishart.org/event/talk-curator-cristina-kahlo-on-the-exhibition-kahlo-an-expanded-body/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/11/IMG_2781.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T180000
DTEND;TZID=America/New_York:20221021T200000
DTSTAMP:20260417T210425
CREATED:20220922T030838Z
LAST-MODIFIED:20221016T222519Z
UID:10003288-1666375200-1666382400@parrishart.org
SUMMARY:FILM & TALK | Art & Krimes by Krimes
DESCRIPTION:$16 Adults | $5 for Members\, Students\, Children \nREGISTER\n\n85 min\, 2022\, Directed by Alysa Nahmias\nFollowed by a panel discussion\nJoin us for a screening of the award-winning documentary Art & Krimes by Krimes\, followed by a conversation via Zoom with Jesse Krimes; fellow artists Russell Craig\, Jared Owens\, and Gilberto Rivera; and Director Alysa Nahmias. The program will be moderated in-person at the Museum by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of Artsreach and Special Projects. \nAbout the Film\nWhile serving six years in a federal penitentiary\, artist Jesse Krimes secretly created monumental works of art\, including Apokaluptein: 16389067–an astonishing 40-foot mural made with prison bed sheets\, hair gel\, and newspaper. He smuggled out each panel piece-by-piece with the help of fellow artists\, and saw the complete work for the first time upon his release. As Krimes’s work captured the art world’s attention\, he struggled to adjust to life outside\, living with the threat that any misstep could trigger a life sentence. Described by ARTnews as “an eye-opening look at how one artist is seeking to lift the veil on a part of American society that has been made largely invisible to the public” the film speaks to the power of art as a humanizing force and a call for transformation. \nArt & Krimes by Krimes is directed by Alysa Nahmias;  produced by Amanda Spain\, Benjamin Murray\, and Alysa Nahmias; with executive producers Sheila Nevins\, Jenifer Westphal\, Joe Plummer\, Patty Quillin\, Hallee Adelman\, and  Ivy Herman;  co-executive producers  Nion McEvoy and Leslie Berriman\, Ruth Ann Harnisch\, and Sheri Sobrato-Brisson. Art & Krimes by Krimes is an MTV Documentary Films project\, produced by AJNA Productions in association with Wavelength & Giving Voice Films. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. This program requires proof of full vaccination. Mask-wearing is not required but recommended when not eating or drinking. \nMore information surrounding our COVID-19 protocol →\n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/film-talk-art-krimes-by-krimes/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/09/2.-Still-from-the-feature-documentary-Art-_-Krimes-by-Krimes-directed-by-Alysa-Nahmias.-An-AJNA-Films-production..jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220916T180000
DTEND;TZID=America/New_York:20220916T213000
DTSTAMP:20260417T210425
CREATED:20220815T164043Z
LAST-MODIFIED:20220909T193518Z
UID:10003252-1663351200-1663363800@parrishart.org
SUMMARY:Film | OLA Film Festival | Screening The King of All the World
DESCRIPTION:REGISTER\n$15 Adults | $5 Members \n6 PM | Reception and bilingual tour of Another Justice: US is Them | Hank Willis Thomas and For Freedoms and Esteban Vicente and Joaquin Sorolla: In the Light of the Garden. \nRecepción breve y recorrido bilingüe al museo de la exposición Otra Justicia: US somos ellos | Hank Willis Thomas y For Freedoms y Esteban Vicente y Joaquín Sorolla: A la luz del jardín. \n7 PM | Film screening \nThe King of All the World\n2021\, 95 min\, directed by Carlos Saura \nEl rey de todo el mundo\n2021\, 95 min\, Dirigida por Carlos Saura \nJoin us for the 19th annual OLA Latino Film Festival organized in collaboration with OLA of Eastern Long Island\, featuring a screening of The King of All the World (2021) in the Lichtenstein Theater. \nÚnase a nosotros para el 19º Festival Anual de Cine Latino de OLA organizado en colaboración con OLA of Eastern Long Island\, con una proyección al aire libre de la premiada película El rey de todo el mundo (2021). \nAbout the Film | Descripción de la película \nWorld-renowned director Carlos Saura examines contemporary issues challenging Mexico through a visual feast of dance and drama set to traditional Mexican music. Tragedy\, fiction\, and reality intertwine as protagonist\, Manuel\, creates a musical about making a musical with the help of Sara\, his ex-wife and renowned choreographer. El mundialmente reconocido director Carlos Saura examina los problemas contemporáneos que afronta México a través de una fiesta visual de música\, danza y teatro. \nThis event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. \nEste evento requiere prueba de vacunación completa para todos los asistentes mayores de 5 añoscon el fin de mantener un entorno de máscara opcional; los mayores de 18 años deben mostrar una identificación válida.  \nA complimentary reception will be held in the Parrish Cafe. We thank the Consulate General of Spain\, New York and Spain Arts & Culture\, for their support. No outside food or drink is permitted. \n \nAdvance ticket purchase is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nSe recomienda la compra anticipada de boletos. Entradas limitadas estarán disponibles en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/film-ola-film-festival-screening-the-king-of-all-the-world/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/08/31023294-D0B5-4A5D-BD9D-CE6314431225.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220826T180000
DTEND;TZID=America/New_York:20220826T200000
DTSTAMP:20260417T210425
CREATED:20220706T012427Z
LAST-MODIFIED:20220818T092642Z
UID:10003210-1661536800-1661544000@parrishart.org
SUMMARY:Film & Talk | Black Film Festival\, Part II | Screening Kinks\, Locs\, and Love\, followed by panel discussion on black hair
DESCRIPTION:REGISTER\n\n$15 Adults | $5 Members and Friends of BHCCR \n5 PM | Tour of Another Justice: US is Them by Senior Curator Corinne Erni\n5:30 PM | Reception\, Mildred C. Brinn Terrace\n6 PM | Welcome and Film Screening\n6:45 PM | Introductions and panel \nKinks\, Locs\, and Love (2018\, 46 min)\nDirected by Lawrence Green \nThe Parrish Art Museum and the Bridgehampton Child Care & Recreational Center (BHCCRC) continue their partnership for the third annual\, two-day Black Film Festival\, at the Museum. The screenings present award-winning feature films and shorts\, selected by a committee representing both organizations as well as The Witness Project of Long Island and the Suffolk County Department of Health Services\, Office of Minority Health. \nABOUT THE FILM\nBlack Film Festival\, Part II features a screening of the film Kinks\, Locs\, and Love\, documenting women of African descent and their hair journeys from perms to natural hair in the Washington D.C.\, area\, showcasing the natural hair community with events\, businesses\, fashion figures\, and bloggers. The film screening will be followed by a panel discussion on black hair and its importance to health\, sense of identity\, community\, and culture\, including dermatologist Dr. Achiamah Osei-Tutu\, among others. \nABOUT THE DIRECTOR\nLawrence Green is a filmmaker\, photographer\, and DJ\, with an MFA in Film and Media Arts from American University. Green has held production and television programming positions with the Service Employee International Union and Public Broadcasting Service and has been featured in renowned venues including South by Southwest\, The Kennedy Center\, and The National Museum of African American History and Culture. In 2010\, Green founded Time Traveling Media Inc. to produce original content and provide visual solutions for a range of clientele. In addition to Kinks\, Locs\, and Love\, Green’s short documentaries include Zsudayka’s Journey\, The Conversation\, and Trashman respectively explore themes of artistic life balance\, interpersonal journeys toward parenthood\, and socioenvironmental awareness. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-black-film-festival-part-ii/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/07/My-project-1-6.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220819T200000
DTEND;TZID=America/New_York:20220819T220000
DTSTAMP:20260417T210425
CREATED:20220706T012626Z
LAST-MODIFIED:20220812T202031Z
UID:10003211-1660939200-1660946400@parrishart.org
SUMMARY:Film | Black Film Festival Part I | Screening Neptune Frost
DESCRIPTION:LEARN MORE\n$15 Adults | $5 Members and Friends of BHCCR \n7 PM |  Curator Tour of Another Justice: US is Them by Corinne Erni\, Senior Curator of Artsreach and Special Projects\n7:30 PM | Reception\, Mildred C. Brinn Terrace\n8 PM | Introductions and Film Screening\nNeptune Frost\, 2021\, 105 minutes\nDirected by Saul Williams and Anisia Uzeyman \nThe Parrish Art Museum and the Bridgehampton Child Care & Recreational Center (BHCCRC) continue their partnership for the third annual\, two-day Black Film Festival\, at the Museum. The screenings present award-winning feature films and shorts\, selected by a committee representing both organizations as well as The Witness Project of Long Island and the Suffolk County Department of Health Services\, Office of Minority Health. \nThe film screening will be introduced by model and actress Lydia Carlston\, British American Drama Academy alum and President of the American Friends of BADA. Carlston’s work ranges from theatre to television\, commercials\, print ads and fashion runways between Paris\, London\, New York\, Cote D’Ivoire and Tokyo. Her work includes national print ads and commercials\, as well as Sex and the City and Star Trek: DS9. Carlston has been featured in Vogue\, Donna\, Le Jardin de Mode and Elle\, and is an active member of the Screen Actor’s Guild and the Actor’s Equity Association. \nABOUT THE FILM\nDescribed by The Hollywood Reporter as “The future of black film” and “pure cinematic power\,” Neptune Frost\, a visually wondrous sci-fi punk musical\, brings unique dynamism to an Afrofuturist vision. Set in the hilltops of Burundi\, a group of escaped coltan miners form an anti-colonialist computer hacker collective as they attempt a takeover of the authoritarian regime exploiting the region’s natural resources and its people. Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends. Guests are encouraged to attend decked out in their best Afropunk attire\, as we celebrate the film and ideas of self-expression\, music\, and the arts. \nABOUT THE DIRECTOR\nWith a BA from Morehouse College and an MFA from NYU Tisch\, Saul Williams has been breaking ground since his 2001 debut album\, Amethyst Rock Star\, produced by Rick Rubin. After gaining global fame for his poetry and writings\, Williams has performed in over 30 countries and read in over 300 universities\, with invitations from the White House\, the Sydney Opera House\, Lincoln Center\, The Louvre\, The Getty Center to countless villages\, townships\, community centers\, and prisons across the world. Williams has gone on to record with Nine Inch Nails and Allen Ginsburg\, as well as countless film and television appearances. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \nRELATED EVENT\nFilm & Talk | Black Film Festival Part II | Friday August 26\, Theater\, 6 PM
URL:https://parrishart.org/event/film-black-film-festival-part-i/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/07/My-project-1-2.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220617T180000
DTEND;TZID=America/New_York:20220617T193000
DTSTAMP:20260417T210425
CREATED:20220412T181112Z
LAST-MODIFIED:20220616T151451Z
UID:10003142-1655488800-1655494200@parrishart.org
SUMMARY:Film & Talk | Decoy by Michael Blackwood
DESCRIPTION:REGISTER\n$15 | Adults \n$5 | Members and Students with ID \nDecoy\n1972\, 18 minutes\nDirector: Michael Blackwood\nShown in conjunction with the current exhibition An Art of Changes: Jasper Johns Prints\, 1960 – 2018\, this short documentary explores how Jasper Johns created Decoy—a series of paintings and prints\, one of which is featured in this exhibition—and how it is rooted inside the notions of reproduction\, transformation\, and memory. \nBelieving that an image gains new meaning each time it is presented\, Johns boldly confronts his own past work\, most notably Ale Cans (1964)\, and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes in the film\, “each time a motif is used and reused additional memories accrue\, new layers of meaning\, and the image itself begins to acquire its own history.” It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art\, thus redirecting society’s interpretation. \nDiscussion to follow with Alicia G. Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education and Lorena Salcedo-Watson\, Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook University in the Lichtenstein Theater. \nLorena Salcedo-Watson | Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook\nUniversity \nLorena Salcedo-Watson is an artist and master printmaker whose work consists of large-scale drawings and prints focused on the relationships between the structures and essential qualities of life forms. Based on a fascination with human anatomy\, botany\, and entomology\, her imagery transforms and re-interprets aspects of nature\, filtering through personal experience\, observation\, and imagination. \nAs an educator\, Salcedo-Watson taught intaglio printmaking at Cooper Union for seven years and was on the faculty of St. Joseph’s College. Salcedo-Watson worked at Universal Limited Art Editions (ULAE) for fourteen years as a master printer and collaborator. Salcedo-Watson has worked with artists including Elizabeth Murray\, Terry Winters\, Jasper Johns\, Robert Rauschenberg\, James Rosenquist\, Kiki Smith\, Suzanne McClelland\, Carroll Dunham\, Susan Rothenberg\, Julian Lethbridge\, Jane Hammond\, Lisa Yuskavage\, Ellen Gallagher\, and Malcolm Morley. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nAttendees at events in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-decoy-by-michael-blackwood/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/04/Decoy_MichaelBlackwood_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220610T180000
DTEND;TZID=America/New_York:20220610T200000
DTSTAMP:20260417T210425
CREATED:20220503T224650Z
LAST-MODIFIED:20220607T135937Z
UID:10003165-1654884000-1654891200@parrishart.org
SUMMARY:Film & Talk | The Gardener
DESCRIPTION:REGISTER\n$15 | Admission \n$5 | Members\, Seniors\, and Students with ID \nThe Gardener\n2016\, 84 minutes\nDirected by Sébastien Chabot\nFollowed by a conversation and Q&A with Alicia Whitaker\, horticulturist and Thackston Crandall\, landscape architect\n\nThe Gardener is a film that reflects upon the meaning of gardening and its impact on our lives. Co-presented with Hamptons Doc Fest and in conjunction with  Landscape Pleasures\, the documentary features the influential gardener and plantsman Frank Cabot shortly before his passing at the age of 86. Cabot recounts his personal quest for perfection at Les Quatre Vents\, his 20-acre English style garden and summer estate\, which he opened to a film crew for the first time in 2009. \nNestled amid the rolling hills of the Charlevoix County in Quebec\, Les Quatre Vents has become one of the world’s foremost private gardens. Created over the course of 75 years and three generations\, this horticultural masterpiece of the 21st century is an enchanted place of beauty and surprise. Through remarks by Cabot and his family\, and with the participation of gardening experts and writers\, the film looks back at this remarkable man’s personal story and the artistic philosophy that gave birth to one of the greatest gardens in the world. \n  \nAbout the Director \nSébastien Chabot (b. 1976\, Sainte-Florence\, Quebec) is a Canadian writer\, cinematographer\, and producer\, who published his debut novel Ma mère est une marmotte in 2004. He was awarded the Prix Jovette-Bernier in 2006 for his sequel\, L’Angoisse des poulets sans plumes\, and was recently shortlisted for the Governor General’s Award for French-language fiction for the novel Noir métal. Discussing The Gardener in a feature article in Point of View Magazine\, Chabot said that working with Frank Cabot was about cultivating a film that would be as finely crafted as the garden it depicts. “Doing a personal movie about one’s personal garden might be the best way to reveal someone.” Chabot received his education at the Université du Québec à Rimouski and the Université du Québec à Montréal. He is a professor of literature at the Cégep de Rimouski. \nAbout Alicia Whitaker \nAlicia Whitaker is an executive leadership coach and consultant who has worked to support her gardening habit for decades. A home gardener and active participant in the East End gardening community\, she is past president (2019-2021) and long-time board member of the Horticultural Alliance of the Hamptons\, and recently joined the Board of Directors of the Westhampton Garden Club where she serves as Chair of Horticulture and member of the Pollinator Team responsible for a fledgling Pollinator Garden at the Quogue Library. She is co-author\, with Betsy Pinover Schiff\, of The Sidewalk Gardens of New York (Monacelli Press\, 2016) which describes the many ways NYC has become a greener city in the past two decades. Whitaker became a Master Gardener in 2021 after completing a course offered by Cornell Cooperative Extension Service. She holds a BA from the University of Massachusetts at Amherst and an MBA from Harvard Business School. \nAbout Thackston Crandall \nThackston Crandall is a licensed Landscape Architect and Senior Associate with LaGuardia Design Group\, located in Watermill NY and NYC. As a member of the LDG team\, Thackston enjoys collaborating with colleagues and clients on a range of projects including residential\, commercial\, and cultural landscapes. Thackston received a Bachelor of Landscape Architecture from Clemson University and a Master of Landscape Architecture from Cornell University. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \n 
URL:https://parrishart.org/event/film-the-gardener/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/05/TheGardner_film_FrankCabot_SébastienChabot_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T180000
DTEND;TZID=America/New_York:20220408T193000
DTSTAMP:20260417T210425
CREATED:20220301T193401Z
LAST-MODIFIED:20220404T135344Z
UID:10003112-1649440800-1649446200@parrishart.org
SUMMARY:Film | The 100 Years Show starring Carmen Herrera
DESCRIPTION:2015\, 40 min\, Directed by Alison Klayman \n$15 | $5 Parrish Members \nREGISTER \nJoin us for a screening of the documentary\, The 100 Years Show\, starring Carmen Herrera shortly before what would be her 107th birthday\, as we commemorate the life and work of the prolific artist who recently passed away. The 100 Years Show highlights Herrera’s oeuvre which went virtually unknown for most of her life. The screening will be followed by a livestreamed Q&A with director Alison Klayman and Senior Curator Corinne Erni. \nFrom architecture studies in Cuba to New York’s Art Students League to Le Salon des Réalités Nouvelles in Paris\, Herrera’s life has spanned continents and art movements and demonstrates a persistent devotion to her work. She was a pioneer and a peer of many male artists who received great recognition in their time. Her story is just one example of the many great artists whose accomplishments were overlooked because of their gender\, ethnicity\, or nationality. The 100 Years Show demonstrates the power of artistic vision to sustain itself. \nABOUT CARMEN HERRERA \nBorn in 1915 in Havana\, Cuba\, Herrera was educated in Havana and Paris\, studying art\, art history\, and architecture. Herrera regularly exhibited her work with the Salon des Réalités Nouvelles\, an international group of artists\, and developed a distilled\, geometric style of abstraction\, reducing her palette to three colors for each composition\, then further to two. Herrera’s hard-edged canvases emerged while Ellsworth Kelly\, whose time in France overlapped with Herrera’s\, began producing his own abstractions and around the same time that Frank Stella began producing his famous black paintings. \nHerrera’s ascetic compositions\, which prefigured the development of Minimalism by almost a decade\, did not find a warm reception when she returned to New York in 1954. Since the 1990s\, Herrera’s work garnered increasing attention\, selling her first painting in 2004\, followed by an explosion of attention\, exhibitions\, and acquisitions at the Museum of Modern Art\, Walker Art Center\, Hirshhorn Museum and Sculpture Garden\, Boston Museum of Fine Arts\, and Tate Modern. Herrera’s life spanned continents and art movements and demonstrated a persistent devotion to her work. She continued to work out of her Flatiron District studio until her death at age 106. \n\nABOUT THE DIRECTOR \nAlison Klayman’s debut feature documentary Ai Weiwei: Never Sorry won a Special Jury Prize at the 2012 Sundance Film Festival. The film went on to be released theatrically around the globe and shortlisted for an Academy Award\, nominated for two Emmys and two Cinema Eye Honors\, and earned Alison a Director’s Guild of America nomination. She is a regular contributor to the New York Times’ Op-Docs series and was named one of the “20 Directors to Watch” on A.O. Scott and Manohla Dargis’ list of international filmmakers under 40. Alison also filmed and co-edited The 100 Years Show. She is a regular guest speaker at major art museums and universities around the world. She graduated from Brown University in 2006 with an honors B.A. in History. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-the-100-years-show-starring-carmen-herrera/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/CarmenHerrera_The100YearsShow_AlisonKlayman_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220318T180000
DTEND;TZID=America/New_York:20220318T200000
DTSTAMP:20260417T210425
CREATED:20220121T201652Z
LAST-MODIFIED:20220314T203548Z
UID:10003074-1647626400-1647633600@parrishart.org
SUMMARY:Film | Beyond the Visible: Hilma af Klint
DESCRIPTION:In the Lichtenstein Theater \n$15 | $5 Parrish Members\, Seniors\, and Students \n2019\, 93 min\, Director Halina Dyrschka \nREGISTER  LIVESTREAM \nIn celebration of Women’s History Month\, the Parrish Art Museum in partnership with Hamptons Doc Fest and as part of the Artist’s Lens Series\, will present a screening of Beyond the Visible: Hilma af Klint.  \nHilma af Klint was an abstract artist before the term existed\, a visionary\, trailblazing figure who\, inspired by spiritualism\, modern science\, and the riches of the natural world\, began in 1906 to create unprecedented\, large-scale\, colorful\, and sensual paintings. The subject of a recent retrospective at the Guggenheim Museum\, af Klint was for years an all-but-forgotten figure in art historical discourse\, before her long-delayed rediscovery. Director Halina Dryschka’s documentary describes not only the life and craft of af Klint\, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Interviews with af Klint’s family and friends\, artists\, historians\, and collectors share untold stories that depict a heroine whose pursuit of art\, questions of life and fulfillment go beyond the visible. \nThe screening will be followed by a conversation with artists Dannielle Tegeder and Sharmistha Ray who co-founded Hilma’s Ghost\, a feminist artist collective\, in 2020. The collective seeks to address existing art historical gaps by cultivating a global network of women\, nonbinary\, and trans practitioners whose work addresses spirituality. Hilma af Klint’s groundbreaking exhibition at the Guggenheim in 2018 served as a reckoning for art history’s blindspots\, especially for women artists considered too ‘mystical’ for the conservative art world. \nABOUT THE DIRECTOR \nDirector Halina Dyrschka was born in Berlin\, Germany and is active as a director and producer. After studying acting\, classical singing\, and film production she founded the company Ambrosia AMBROSIA FILM in Berlin. The first film she directed\, 9andahalf’s Goodbye was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint. \nABOUT HILMA’S GHOST \nThe collective created the ABSTRACT FUTURES TAROT Deck inspired by af Klint\, which was exhibited at the 2021 Armory Show\, and organized Cosmic Geometries\, an exhibition of intergenerational and intersectional artists that examines the spiritual and aesthetic functions of abstract painting and geometry\, currently on view at The Elizabeth Foundation for the Arts. Hilma’s Ghost has produced online workshops attended by over 700 people worldwide. \nBrooklyn-based artist/art critic/educator Sharmistha Ray has explored subjective experience through the lens of queerness\, language\, and memory. They have exhibited their work—which includes drawing\, painting\, sculpture\, video installation\, and photography—in solo exhibitions in Mumbai\, New York\, and Singapore\, as well as group exhibitions worldwide. A recipient of the Joan Mitchell M.F.A. Grant with an M.F.A. in Painting from Pratt Institute\, they teach in the M.F.A. programs at Carnegie Mellon University and Parsons School of Design. \nThe work of Dannielle Tegeder\, an artist and professor at CUNY Lehman College\, has explored abstraction through the lens of systems\, architecture\, and modernism through her paintings\, drawings\, large-scale installation and other media\, as well as through collaborations with composers\, dancers\, and writers. In 2020 Tegeder founded The Pandemic Salon\, a community-centric online environment that showcases topics related to the pandemic by bringing together creative minds from around the world. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-beyond-the-visible-hilma-af-klint/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/HilmaafKlimt_ParrishArtMuseum_HalinaDyrschka.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220311T180000
DTEND;TZID=America/New_York:20220311T193000
DTSTAMP:20260417T210425
CREATED:20220225T210754Z
LAST-MODIFIED:20220310T160436Z
UID:10003111-1647021600-1647027000@parrishart.org
SUMMARY:Film & Talk | Experimental shorts by Women Artist Filmmakers from the 1970s
DESCRIPTION:TICKETS\nIn recognition of Women’s History Month\, join us for a special screening of experimental films made by members of Women Artist Filmmakers\, a network established in 1974 to discover\, celebrate\, and support women artists who make films. Members included Dorothy Beskind\, Susan Brockman\, Doris Chase\, Silvianna Goldsmith\, Maria Lassnig\, Carolee Schneemann\, Rosalind Schneider\, Olga Spiegel\, and Alida Walsh. In 1975\, its members organized a film series as part of the exhibition Women Artists Here and Now at Ashawagh Hall in Springs\, NY. The exhibition was co-organized by visual artists Joyce Kozloff and Joan Semmel and included numerous female artists who were and are active in the East End\, including Semmel\, Lynda Benglis\, Hedda Sterne\, and Miriam Schapiro\, among others. \nThe program will be introduced by visual artist Sara VanDerBeek\, a Springs resident and co-founder of Soft Network. A Q+A with VanDer Beek and Rosalind Schneider will take place after the screening\, moderated by Senior Curator Corinne Erni. \nSelfportrait (Maria Lassnig\, Austria/USA\, 1971\, 5 min). Courtesy SixPackFilms\, Vienna. Plumb Line (Carolee Schneemann\, USA\, 1968-71\, 14 min). Courtesy EAI\, New York and the Carolee Schneemann Foundation.Depot (Susan Brockman\, USA\, 1975\, 10 min). Courtesy Susan Brockman estate. Circles II (Doris Chase\, USA\, 1972\, 14 min). Courtesy Filmmakers’ Cooperative.Parallax (Rosalind Schneider\, USA\, 1973\, 21 min). Courtesy the Artist. \n  \nAbout the screening \nThis selection of films was organized by Schneider and Martha Edelheit\, one of the group’s original members\, for a commemorative screening conducted at The Arts Center at Duck Creek in Springs in 2021. The event was the conclusion of Soft Network’s multi-venue programming entitled Interior Scroll or What I Did on My Vacation which explored feminist\, inter-generational\, and multi-disciplinary artistic interactions that have been integral to the ongoing development of the arts communities of the East End. \n\nAbout Soft Network \nSoft Network is a cooperative platform established by Chelsea Spengemann and Sara VanDerBeek for connective arts programming. They work between past and present to explore ways in which the archive and archival interactions can become integral modes of exchange\, collaboration\, creativity and commerce. Soft Network’s mission is to provide opportunities for living artists and the representatives of non-living artists to support each other through sharing resources\, labor\, and profits by generating new projects in collaboration with existing platforms. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-women-filmmakers-at-ashawagh-hall/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/MariaLassnig_AshawaghHall_HenryEdelheit_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220304T180000
DTEND;TZID=America/New_York:20220304T200000
DTSTAMP:20260417T210425
CREATED:20220111T182559Z
LAST-MODIFIED:20220203T194913Z
UID:10003065-1646416800-1646424000@parrishart.org
SUMMARY:Films & Talk | Kehinde Wiley: An Economy of Grace & Bree Wayy: Promise\, Witness\, Remembrance with Director and Producer's Commentary
DESCRIPTION:$15 | $5 Parrish Members \nREGISTER \nHamptons Doc Fest and the Parrish Art Museum will present a program of two short films: one focusing on contemporary African American portrait artist Kehinde Wiley and the second on the works of art that sprang up in response to the tragic death of Breonna Taylor\, in particular\, a painting by Amy Sherald. Both films brilliantly celebrate the talent of two African American artists but tell their stories from very different perspectives. \nFollowing the film screenings\, we will host a live conversation via Zoom with director Dawn Porter\, who was honored with Hampton Doc Fest’s prestigious Pennebaker Award in December 2021\, and award-winning producer Jessica Chermayeff\, moderated by Corinne Erni\, Parrish Senior Curator of ArtsReach and Special Projects. \nKehinde Wiley: An Economy of Grace\n2014\, 38 min\, Director: Jeffrey Dupre\nProducers: Jessica Chermayeff\, Jeff Dupre\, Ana Veselic\nA PBS Production \nKnown for his vibrant reinterpretations of classical portraits featuring African American men\, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm. In the film\, Wiley turns his talents to African American women as part of his exploration of image and status of African Americans throughout history. As Wiley himself explained: “I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation.” The film won the Jury Prize at SXSW\, the Audience Award at Provincetown Film Festival was nominated for an Emmy\, and was shortlisted for an Academy Award. \n  \nBree Wayy: Promise\, Witness\, Remembrance\n2021\, 28 min\, Director: Dawn Porter\nProducers: Niema Jordan\, Kim Reynold\, Cubie King\nMTV Documentary Films \nAfter the tragic death of Breonna Taylor\, artists all over the country found solace by creating works of art to pay tribute to the life and light of the 26-year-old EMT and budding nurse killed by the police. This includes renowned painter\, Amy Sherald\, whose portrait of Breonna is the centerpiece of the Speed Art Museum’s exhibition\, Promise\, Witness\, Remembrance\, shown in Breonna’s hometown of Louisville\, Kentucky. The film pays homage to art and creativity as a way to protest injustice and create a space to heal\, led by the indomitable spirit and love of Breonna’s mother\, Tamika Palmer. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/films-kehinde-wiley-an-economy-of-grace-bree-wayy-promise-witness-remembrance/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/BreeWayy_ParrishArtMuseum_DawnPorter.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220211T180000
DTEND;TZID=America/New_York:20220211T193000
DTSTAMP:20260417T210425
CREATED:20220120T170906Z
LAST-MODIFIED:20220211T145915Z
UID:10003072-1644602400-1644607800@parrishart.org
SUMMARY:Film | A Choice of Weapons: Inspired by Gordon Parks
DESCRIPTION:2021\, Documentary\, 89 minutesDirector: John Maggio\nFree for all \nREGISTER \nIn recognition of Black History Month\, the Parrish Art Museum presents a two-part program in collaboration with Eastville Community Historical Society. A free screening of A Choice of Weapons: Inspired by Gordon Parks on February 11 will be followed by a panel discussion on the importance and impact of Gordon Parks on contemporary Black photography on February 18. \nA Choice of Weapons: Inspired by Gordon Parks chronicles the many ways renowned photographer\, writer\, composer\, activist and filmmaker Gordon Parks (1912-2006) documented his narrative as a Black American in the 20th century and beyond. The film explores the power of images in advancing racial\, economic\, and social equality as seen through the lens of Parks\, one of the most trailblazing artists\, and the generation of young photographers\, filmmakers\, and activists he inspired. Through the lens of three contemporary photographers\, we see Gordon’s legacy come to life. Devin Allen whose photograph “Baltimore Uprising” of the Freddie Gray protests was featured on the cover of Time Magazine; LaToya Ruby Frazier who for five years followed the Flint\, Michigan water crisis and most recently photographed Breonna Taylor’s family for Vanity Fair; and Jamel Shabazz whose photographs on the streets of New York form a visual history of the hip hop era while simultaneously presenting affirming images for his community. \nA Choice of Weapons: Inspired by Gordon Parks is a co-production of Kunhardt Films and HBO. Film for this screening provided by Kunhardt Film Foundation. \nThis screening is presented at no cost and is made possible by the Kunhardt Film Foundation\, Gordon Parks Foundation\, and Michon Boston Group. Donations are welcome. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-a-choice-of-weapons-inspired-by-gordon-parks-and-panel/
LOCATION:NY
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/GordonParks_AChoiceOfWeapon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220114T180000
DTEND;TZID=America/New_York:20220114T193000
DTSTAMP:20260417T210425
CREATED:20211207T224211Z
LAST-MODIFIED:20220104T215152Z
UID:10003052-1642183200-1642188600@parrishart.org
SUMMARY:Film & Workshop | An Evening With Jeremy Dennis
DESCRIPTION:REGISTER\n \nJoin Parrish Collection artist and fine art photographer Jeremy Dennis\, member of the Shinnecock Indian Nation\, for an evening-length program featuring a short documentary and conversation about an artist residency he founded and a postcard workshop to draw attention to the sacred land of the Shinnecock Hills. \nIn the documentary\, Ma’s House\, presented as part of the ALL ARTS ongoing initiative The First Twenty\, Dennis discusses the building of Ma’s House & BIPOC Art Studio\, an artist retreat and communal art space on the Shinnecock Indian Reservation in Southampton. With the studio\, Dennis aims to provide a safe space for free creativity and healing for BIPOC artists. The film explores the challenges he and his family met while renovating his grandmother’s house and how he hopes the space will serve the community now and in the future. \nDuring the second part of the evening\, visitors are invited to participate in a workshop with the artist designing postcards advocating for a building moratorium in Shinnecock Hills. Dennis will share a brief background about Shinnecock Hills and its significance to the Shinnecock Nation\, answer any questions\, and show how to create postcards. Materials will be provided. \n“The Shinnecock Hills are a sacred landscape for the Shinnecock People\,” says Jeremy Dennis. “Ancestors\, dating back over three thousand years\, are buried here. In 1859\, Southampton Town stole the Shinnecock Hills using lies\, deceit\, and forged signatures. The Shinnecock Nation pursued and received Federal Recognition to regain these lands with the help of New York State but have yet to receive support from any NYS Governor that has held office since 2010.” \n \nABOUT JEREMY DENNIS \nJeremy Dennis (b. 1990) explores indigenous identity\, culture\, and assimilation in his work. In 2018\, he participated in the Parrish Road Show with an exhibition at the Arts Center at Duck Creek\, East Hampton. He was one of 10 recipients of a 2016 Dreamstarter Grant from the national non-profit organization Running Strong for American Indian Youth. He was awarded $10\,000 to pursue his project\, On This Site\, which uses photography and an interactive online map to showcase culturally significant Native American sites on Long Island\, a topic of special meaning for Dennis\, who was raised on the Shinnecock Nation Reservation. He also created a book and exhibition from this project. Most recently\, Dennis received the Creative Bursar Award from Getty Images in 2018 to continue his series Stories. In 2013\, Dennis began working on the series\, Stories—Indigenous Oral Stories\, Dreams and Myths. Inspired by North American indigenous stories\, the artist staged supernatural images that transform these myths and legends to depictions of an actual experience in a photograph. \n  \nABOUT ALL ARTS \nALL ARTS is breaking new ground as a destination for inspiration\, creativity and art of all forms. This New York Emmy-winning arts and culture hub is created by The WNET Group\, the community-supported home of New York’s PBS stations. With the aim of being accessible to viewers everywhere\, ALL ARTS’ Webby-nominated programming—from digital shorts to feature films—is available online nationwide through AllArts.org\, the free ALL ARTS app on all major streaming platforms. The First Twenty explores events that have caused a shift in the collective American consciousness with artists as guides. Audiences can witness their responses to incidents or moments in the first 20 years of the 21st century. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-workshop-an-evening-with-jeremy-dennis/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Classes and Workshops,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/12/JeremyDennis_MasHouse_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211211T123000
DTEND;TZID=America/New_York:20211211T134500
DTSTAMP:20260417T210425
CREATED:20211018T172311Z
LAST-MODIFIED:20211103T143346Z
UID:10002996-1639225800-1639230300@parrishart.org
SUMMARY:Film | NYICFF ¡Viva Kid Flicks!
DESCRIPTION:REGISTER\n\n\n$5 Adults | $3 Seniors\nChildren & Members Free\n\n\nRuntime: 65 min. | Recommended Ages: 8+\n  \n\n\n\n\n\nJoin us for a screening from the New York International Children’s Film Festival. ¡Viva Kid Flicks! celebrates the best Spanish-language short films from around the globe. These brilliant tales\, with a range of kids’ perspectives\, speak volumes in any tongue.\n\n11:40\nArgentina | East Coast Premiere\nLive Action\, Claudia Ruiz\, 2018\, 12 min.\nIn Spanish\, with English subtitlesWhen Damián gets a watch for his birthday\, he and his little brother Matias can’t stop checking it\, anxiously waiting for 11:40 to arrive.  \n3feet | 3pies\nColombia | East Coast Premiere\nLive-Action\, Giselle Geney\, 2018\, 14 min.\nIn Spanish\, with English subtitles \nGet your (soccer) kicks on the way to school with Gonzalo as he hilariously tries his very best to keep things clean and stay in the game. \n  \nAilín on the Moon | Ailin en la luna\nArgentina | New York Premiere\nAnimation\, Claudia Ruiz\, 2018\, 5 min.\nIn Spanish\, with English subtitles \nA mother and daughter’s love is orbited by joys and challenges. \n  \nDoze | Duermevela\nColombia | North American Premiere\nLive Action\, Alfonso Acosta\, 2019\, 7 min.\nIn Spanish\, with English subtitles \nGrowing up is never easy\, especially since Daniel must navigate some of it alone—until support turns up in an unexpected form. \n  \nMy Brother Luca\nMexico\nAnimation\, Carlos Algara & Catalina Serna\, 2019\, 9 min. \nWhen an imaginative little girl discovers that her brother might have superpowers\, she sets out on a quest to make sure everyone else sees him as she does. \n  \nThe Size of Things | El Tamano de las Cosas\nColombia | North American Premiere\nLive Action\, Carlos Felipe Montoya\, 2019\, 12 min.\nIn Spanish\, with English subtitles \nDiego and his dad live a life of simple means in the forest\, so when Diego comes across an unexpected find\, its magnitude grows curiouser and curiouser. \n  \nLessons Learnt by the Sea\nCuba | New York Premiere\nDocumentary\, Néstor Kim Enríquez\, 2018\, 5 min.\nIn Spanish\, with English subtitles \nEleven-year-old Alejandro surfs off the coast of Havana every afternoon\, learning lessons of resilience from the ultimate teacher\, the sea.
URL:https://parrishart.org/event/nyicff-viva-kid-flicks/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/Ailinenlaluna_ClaudiaRuiz_Web_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211127T123000
DTEND;TZID=America/New_York:20211127T134500
DTSTAMP:20260417T210425
CREATED:20211018T155215Z
LAST-MODIFIED:20211103T143611Z
UID:10002995-1638016200-1638020700@parrishart.org
SUMMARY:Film | NYICFF Kid Flicks One
DESCRIPTION:TICKETS\n$5 Adults | $3 Seniors\nChildren & Members Free\nRuntime: 68 min. | Recommended Ages: 3+ \n  \nJoin us for a screening from the New York International Children’s Film Festival! Jump-start your little ones’ love of cinema with Kid Flicks One\, curated to charm all ages and especially introduce our youngest viewers\, ages 3+\, to their very first screen experiences. \n  \na film by m+m \nUnited States | East Coast Premiere\nAnimation\, Megan McShane & Matthew Yang\, 2020\, 2 min.\nNo dialogue \nTwo wacky wizard friends bump and cruise through a fantastical land\, powered by green in more ways than one! \n  \nA Lynx in the Town\nFrance\, Switzerland\nAnimation\, Nina Bisiarina\, 2019\, 7 min.\nNo dialogue \nYou’ve heard of King Kong\, now meet this king cat\, a giant feline who falls for the big city\, with its skyscraper scratching posts and inhabitants who marvel at her size. \n  \nInk\nNetherlands\nAnimation\, Joost van den Bosch & Erik Verkerk\, 2020\, 2 min.\nNo dialogue \nBeing a neat freak is easy when you’ve got eight arms and live underwater\, but try keeping up with this octopus teacher’s hilarious lesson! \nKenya’s Symphony\nUnited States\nAnimation\, Carlos Douglas Jr.\, 2020\, 5 min.\nIn English \nA stubborn 5-year-old reluctantly heads off to a performance with her mom. When the music starts\, will a passion bloom? \n  \nKiri and Lou — Air\nCanada\, New Zealand | US Premiere\nAnimation\, Harry Sinclair\, 2020\, 5 min.\nIn English \nKiri and Lou are the silliest creatures around\, but they’re smart enough to know a good thing when they’ve got it. \n\nLeaf\nBelarus\, Czech Republic\nAnimation\, Aliona Baranova\, 2020\, 6 min.\nNo dialogue \nA larger-than-life sailor is reminded of home when a passenger’s daughter brings aboard a tiny red leaf\, inspiring a grand new journey. \n  \nMido and the Instrumentals\nFrance | North American Premiere\nAnimation\, Roman Guillanton\, 2020\, 6 min.\nNo dialogue \nYoung Mido wants to be part of the band\, but he just might need to tune his wild and wooly style to jam with these cool creatures. \n  \nSum of its Parts\nUnited States\nAnimation\, Alisa Stern\, 2019\, 3 min.\nNo dialogue \nWondrous creatures bop\, slither\, and shake to the beat of the forest in this silly sylvan symphony. \n  \nThe Yogi Walrus\nUnited Kingdom | North American Premiere\nAnimation\, Daleya Marohn\, 2019\, 4 min.\nIn English \nLittle Emi craves ice cream and always wants more. Learning to savor is the cherry on top. \n  \nUmbrellas\nFrance\, Spain | New York Premiere\nAnimation\, Jose Prats & Alvaro Robles\, 2020\, 12 min.\nNo dialogue \nSafe and dry\, Kyna has her dad’s love and protection to carry her through…until her dog\, Nana\, needs a rescue. \n  \nAdvance ticket purchase with pre-registration is required. Enrollment is limited. All tickets are sold online only. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. Learn more about our safety protocols here.
URL:https://parrishart.org/event/nyicff-kid-flicks-one/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/10/MidoandtheInstrumals_RomanGuillanton_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211126T180000
DTEND;TZID=America/New_York:20211126T193000
DTSTAMP:20260417T210425
CREATED:20211105T191350Z
LAST-MODIFIED:20211116T223653Z
UID:10003034-1637949600-1637955000@parrishart.org
SUMMARY:Film | Broken Molds
DESCRIPTION:TICKETS\nAmongst today’s boom of surfing and the birth of so many new watersports\, windsurfing’s legacy to watersports is lost. \nThe origin story of windsurfing is complicated\, and as always\, great success is almost always paired with controversy. Broken Molds begins in 1960s California where Hoyle Schweitzer and his pals Tom Morey\, Hobie Alter\, and Grubby Clark were just surfers who didn’t care that much about anything else\, but would all go on to make products that would change the world. Introduced by Gerry Lopez\, the story moves quickly between generations and sports with never-before-seen 16mm archival film mixed with contemporary footage that transport the viewer to seminal moments in watersport history. Ultimately\, this raises the question\, who invented windsurfing? \nWhile others have thought of harnessing the wind before\, as Laird Hamilton explains\, ‘It’s what you do with that thought that separates you from other people.’ This is a family drama challenged by cancer\, lawsuits\, and broken friendships. Broken Molds is a true documentary about the relentless drive to make windsurfing into the fastest growing sport in the World. \n  \nAdvance ticket purchase with pre-event registration is required. All tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to show proof of their vaccination status or recent negative COVID-19 test within 72 hours. Medical-grade face masks must be worn at all times and will be provided to anyone who needs one. To expedite your check-in process\, you may email proof of vaccine to healthfirst@parrishart.org  with the event title in your subject line.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-broken-molds/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/11/BrokenMolds_film_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210917T183000
DTEND;TZID=America/New_York:20210917T220000
DTSTAMP:20260417T210425
CREATED:20210820T211224Z
LAST-MODIFIED:20210909T134945Z
UID:10002937-1631903400-1631916000@parrishart.org
SUMMARY:Screening | OLA Outdoor Film Festival: La Llorona
DESCRIPTION:$15 | Admission for film\, tour & reception \n$5 | Members and Students with ID \nRegistrarse para el recorrido\, la recepción y la película cuesta $ 15 | $5 para miembros y estudiantes con identificación \nREGISTER \n  \nJoin us for the 18th annual OLA Latino Film Festival organized in collaboration with OLA\, Organización Latino-Americana of Eastern Long Island\, featuring an outdoor screening of the award-winning film La Llorona by Jayro Bustamante\, followed by a recorded Q&A with the filmmaker. \nÚnase a nosotros para el 18º Festival Anual de Cine Latino OLA organizado en colaboración con OLA\, Organización Latino-Americana of Eastern Long Island\, con una proyección al aire libre de la premiada película La Llorona de Jayro Bustamante\, seguida de una sesión de preguntas y respuestas grabada con el cineasta. \n  \n6 pm \nDoors open \nPuertas abren \n  \n6:30 pm \nLight reception and museum tour of the exhibition Tomashi Jackson: The Land Claim \n\nRecepción breve y recorrido al museo de la exposición Tomashi Jackson: El Reclamo de Tierras  \n\n\n  \n7:30 pm \nLa Llorona / The Weeping Woman\n2019\, R\, 97 min\, in Spanish and Maya with English subtitles\nen español y maya con subtítulos en inglés \nDirector: Jayro Bustamante\nRealizador: Jayro Bustamante \nA slow-burn political drama that merges the real-life horrors of the Guatemalan genocide with one of Latin America’s most famous folklores\, the award-winning feature La Llorona is a story about the ghosts of the past bleeding into the present. Accused of the genocide of Mayan people\, retired general Enrique is trapped in his home by massive protests. Abandoned by his staff\, the indignant old man and his family must face the devastating truth of his actions and the growing sense that a wrathful supernatural force is targeting them for his crimes. Acclaimed filmmaker Jayro Bustamante presents an urgent and frightening reimagining of the iconic Latin American fable. \n\nUn drama político que fusiona los horrores de la vida real del genocidio guatemalteco con uno de los folklores más famosos de América Latina\, la premiada película La Llorona es una historia sobre los fantasmas del pasado que se desvanecen en el presente. Acusado del genocidio del pueblo Maya\, el general retirado Enrique está atrapado en su casa por protestas masivas. Abandonado por su personal\, el anciano indignado y su familia deben enfrentar la devastadora verdad de sus acciones y la creciente sensación de que una fuerza sobrenatural airada los está atacando por sus crímenes. El aclamado cineasta Jayro Bustamante presenta una reimaginación urgente y aterradora de la icónica fábula latinoamericana. \n\nA recorded conversation with the director will be shared after the screening. \nSe compartirá una conversación grabada con el director después de la proyección. \nLa Llorona was premiered at the 2019 Venice Film Festival and screened at the 2019 Toronto International Film Festival. It was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards\, making the shortlist of 15 films. \nLa Llorona se estrenó en el Festival de Cine de Venecia del 2019 y se proyectó en el Festival Internacional de Cine de Toronto del 2019. Fue seleccionada como la entrada guatemalteca a Mejor Largometraje Internacional en los 93º Premios de la Academia\, quedando en la lista corta de 15 películas. \nSpace on the terrace is limited\, please use the links below to register.\nEl espacio en la terraza es limitado\, utilice el enlace para registrarse. \nThe event takes place outdoors on the Museum’s Terrace and Event Lawn\, rain or shine. Please bring your own chairs\, no Museum seating is available.\nEl evento se lleva a cabo al aire libre en la terraza del museo y en el césped\, llueva o haga sol. Por favor traiga sus propias sillas\, no hay asientos disponibles en el Museo. \nAdvance ticket purchase with pre-event registration is required.\nSe requiere la compra anticipada de boletos con registro previo al evento. \nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nTodas las entradas se venden antes del evento y solo en línea. No hay ventas en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nThis outdoor event requires all attendees to show proof of their vaccination status or recent negative COVID test (within 72 hours). Mask wearing will not be required for adults and children over age 12 when outdoors. Masks are always required indoors. Children under 12 must wear masks at all times\, indoors or out. You may provide us with your proof in advance to expedite your check-in process by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line. \nEste evento al aire libre requiere que todos los asistentes muestren prueba de su estado de vacunación o prueba reciente de COVID negativa (dentro de las 72 horas previas). No se requerirá el uso de máscara para adultos y niños mayores de 12 años cuando estén al aire libre. Las máscaras siempre se requieren en interiores. Los niños menores de 12 años deben usar máscaras en todo momento\, en interiores o exteriores. Puede proporcionarnos su prueba por adelantado para acelerar su proceso de registro enviándola por correo electrónico a healthfirst@parrishart.org. Ponga el título del evento en su línea de asunto. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nNo se permite comida ni bebidas del exterior. Los alimentos y bebidas empaquetados individualmente estarán disponibles para su compra a través del vendedor de café\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\nLos baños estarán abiertos durante el evento. Habrá toallitas y desinfectante para manos. El Parrish se desinfecta con regularidad para la seguridad de nuestro personal y visitantes. \nNo pets are allowed on the Museum grounds or in the galleries.\n\nNo se permiten mascotas en los terrenos del Museo ni en las galerías. \n\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival-la-llorona-and-jon/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210723T200000
DTEND;TZID=America/New_York:20210723T223000
DTSTAMP:20260417T210425
CREATED:20210702T212931Z
LAST-MODIFIED:20220825T120732Z
UID:10002916-1627070400-1627079400@parrishart.org
SUMMARY:Outdoor Black Film Festival: The Last Black Man in San Francisco and elephant
DESCRIPTION:The Parrish Art Museum is partnering with Bridgehampton Child Care & Recreational Center to present an outdoor Black Film Festival on July 23 and July 30 featuring feature films and shorts. Entrance opens at 8 pm. Film will begin after dark\, at approximately 8:30 pm. The event takes place outdoors\, please bring your own chairs\, no Museum seating is available. Please use the link below to register. \n$15 | $5 Parrish Members | Friends of BHCCRC\nFree for Students and Children \nREGISTER \nelephant\n2020\, NR\, 15 minutes\nDirector: Gladys San Juan \nelephant is a short film about Nicole\, a woman in her late 30s who appears to have it all; a caring husband\, two children and a good job. But Nicole is suffering from a crippling depression that\, due to the stigma attached to mental illness\, she is trying to keep secret. Set over 24 hours\, The Elephant shows how a series of otherwise minor events\, coupled with Nicole’s dissociation from family and friends\, lead her to a state of utter desperation. \nThe Last Black Man in San Francisco\n2019\, R\, 121 minutes\nDirector: Joe Talbot \nJimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont\, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind. As he struggles to reconnect with his family and reconstruct the community he longs for\, his hopes blind him to the reality of his situation. \nA wistful odyssey populated by skaters\, squatters\, street preachers\, playwrights\, and other locals on the margins\, The Last Black Man in San Francisco is a poignant and sweeping story of hometowns and how they’re made—and kept alive—by the people who love them. \nAll sales are final\, non-transferable\, and non-refundable. \nThe event takes place outdoors\, please bring your own chairs\, no Museum seating is available.  \nYou must wear a mask to access the event. Face coverings must be worn when in aisles or moving through spaces. \nNo outside food or drink is permitted. Individually packaged food and drinks will be available for purchase through the cafe vendor\, Elegant Affairs. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors. \nNo pets are allowed on the Museum grounds or in the galleries. \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/outdoor-black-film-festival-the-last-black-man-in-san-francisco-and-elephant/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2021/07/ParrishArtMuseum_TheLastBlackManinSanFrancisco.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210604T180000
DTEND;TZID=America/New_York:20210604T200000
DTSTAMP:20260417T210425
CREATED:20210511T155444Z
LAST-MODIFIED:20210603T153109Z
UID:10002890-1622829600-1622836800@parrishart.org
SUMMARY:Talk and Film: The Proposal
DESCRIPTION:Please Note: Due to weather\, the program has moved indoors\, with an earlier start time of 6 pm.\nJoin us in the Lichtenstein Theater for The Proposal\, co-presented with Hamptons Doc Fest\, in collaboration with Dia. The screening will be preceded by a conversation with Senior Curator Corinne Erni\, Filmmaker and Artist Jill Magid\, and Dia Art Foundation Associate Curator Matilde Guidelli-Guidi. \nREGISTER \nKnown as “the artist among architects”\, Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988\, much of his work was locked away in a Swiss bunker\, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art\, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself–a high-wire act of negotiation that explores how far an artist will go to democratize access to art. \nAbout Jill Magid\nAmerican artist Jill Magid’s work is deeply ingrained in her lived experience\, exploring and blurring the boundaries between art and life. Through her performance-based practice\, Magid has initiated intimate relations with a number of organizations and structures of authority. She explores the emotional\, philosophical\, and legal tensions between the individual and ‘protective’ institutions\, such as intelligence agencies or the police. To work alongside or within large organizations\, Magid makes use of institutional quirks\, systemic loopholes that allow her to make contact with people ‘on the inside’. Her work tends to be characterized by the dynamics of seduction\, the resulting narratives often taking the form of a love story. It is typical of Magid’s practice that she follows the rules of engagement with an institution to the letter – sometimes to the point of absurdity. \n2018\, Documentary\, 83 minutes\nDirector: Jill Magid\n$15 | $5 Parrish Members\nFree for Students\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\n\n\n\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-the-proposal/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/05/Film-Still-from-The-Proposal.jpg
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DTSTART;TZID=America/New_York:20210409T180000
DTEND;TZID=America/New_York:20210409T200000
DTSTAMP:20260417T210425
CREATED:20210311T154858Z
LAST-MODIFIED:20210413T171557Z
UID:10001979-1617991200-1617998400@parrishart.org
SUMMARY:Film and Talk: Black Art: In the Absence of Light
DESCRIPTION:The Parrish\, in collaboration with Hamptons Doc Fest\, is pleased to present HBO’s newly released film. Inspired by the late David Driskell’s landmark 1976 exhibition\, “Two Centuries of Black American Art\,” the documentary Black Art: In the Absence of Light offers an illuminating introduction to the work of some of the foremost Black visual artists working today. A pre-recorded conversation between the director\, Sam Pollard\, and Senior Curator Corinne Erni will follow the screening. \nPlease use the link below to register.\n$20 | $10 Parrish Members\nFree for Students\nREGISTER FOR 6 PM SCREENING \n2021\, Documentary\, 85 minutes\nDirector: Sam Pollard\nDirected by Sam Pollard\, the film shines a light on the extraordinary impact of Driskell’s exhibit on generations of Black artists who have staked a claim on their rightful place within the 21st-Century art world. Interweaving insights and context from scholars and historians\, along with interviews from a new generation of working African American curators and artists including Theaster Gates\, Kerry James Marshall\, Faith Ringgold\, Amy Sherald\, and Carrie Mae Weems\, the documentary is a look at the Contributions of Black American artists in today’s contemporary art world. \nBlack Art: In the Absence of Light is produced and directed by Sam Pollard; produced by Daphne McWilliams; cinematography\, Henry Adebonojo; editing\, Steven Wechsler; original music\, Kathryn Bostic. Executive producers\, Henry Louis Gates\, Jr.\, Jacqueline Glover; consulting producer\, Thelma Golden. \n\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program. \nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n\nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor:Additional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-and-talk-black-art-in-the-absence-of-light/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/03/Film-Still_Amy-Sherald_Courtesy-of-HBO.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210402T180000
DTEND;TZID=America/New_York:20210402T200000
DTSTAMP:20260417T210425
CREATED:20210225T165457Z
LAST-MODIFIED:20210402T141500Z
UID:10002808-1617386400-1617393600@parrishart.org
SUMMARY:Film: Gerhard Richter Painting
DESCRIPTION:Screening Is Currently Full\n2012\, Documentary\, 97 minutes\nDirector: Corinna Belz\nOne of the world’s greatest living painters\, the German artist Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas\, addressing historical crises and mass media representation alongside explorations of chance procedures. Infamously media-shy\, he agreed to appear on camera for the first time in 15 years for a 2007 short by filmmaker Corinna Belz called Gerhard Richter’s Window. \nHer follow-up\, Gerhard Richter Painting\, is exactly that: a thrilling document of Richter’s creative process\, juxtaposed with intimate conversations (with his critics\, his collaborators\, and his American gallerist Marian Goodman)\, and rare archive material. From our fly-on-the-wall perspective\, we watch the 79-year-old create a series of large-scale abstract canvasses\, using fat brushes and a massive squeegee to apply (and then scrape off) layer after layer of brightly colored paint. This mesmerizing footage\, of a highly charged process of creation and destruction\, turns Belz’s portrait of an artist into a work of art itself. \n$15 | $5 Parrish Members\nFree for Students\nAdvance ticket purchase with pre-event registration is required.\nAll tickets are sold pre-event and online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable.\nThe event takes place in the Lichtenstein Theater with limited\, socially distanced seating.\nYou must wear a mask throughout the entire program.\nRestrooms will be open during the event. Hand sanitizer and wipes will be available. The Parrish is being regularly disinfected for the safety of our staff and visitors.\n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-gerhard-richter-painting/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2021/02/the-film.jpg
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