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DTSTART;TZID=America/New_York:20260315T140000
DTEND;TZID=America/New_York:20260315T153000
DTSTAMP:20260417T140435
CREATED:20260302T164903Z
LAST-MODIFIED:20260302T165127Z
UID:10006124-1773583200-1773588600@parrishart.org
SUMMARY:Film | Centerpiece: Native Stories
DESCRIPTION:REGISTER \n\nWitty\, moving\, and forward-looking Native and Indigenous stories! Join us for a screening of 10 short stories that blend the past\, present\, and future to take a look at the varied lives of young Native and Indigenous people as they live them today. \nFree and open to all. Recommended ages 8+. Advance registration is recommended. Limited spaces will be available at the door. \n \n  \nFilms in this Program: \nAkababuru: Expression of Astonishment\nColombia — East Coast Premiere\nLive Action\, Irati Dojura Landa Yagarí (Emberá Chamí)\, 2025\, 14 min\nIn Emberá Chamí with English subtitles\nKari\, is afraid to laugh until she meets Kera\, who shares with her the myth of Kiraparamia\, a woman punished by the gods for laughing at her husband. \nCleaning’s a Cakewalk\nUnited States — New York City Premiere\nLive Action\, Ryan Begay (Diné)\, 2024\, 20 min\nIn Navajo with English subtitles\nIndependent and imaginative Albert learns the value of hard work when he has to clean the Chapter House. \nPow!\nUnited States\nAnimation\, Joey Clift (Cowlitz)\, 2025\, 8 min\nIn English\nA Native American kid scrambles to charge his dying video game console at a bustling intertribal powwow. \nLegend of Fry-Roti: Rise of Dough\nUnited States — New York Premiere\nLive Action\, Sabrina Saleha (Navajo\, Bengali)\, 2025\, 9 min\nIn English and Navajo with English subtitles\nA niece must find harmony when her aunties burst into an epic showdown: frybread vs. roti. \nEvening Escapades\nCanada — US Premiere\nAnimation\, Darcy Tara McDiarmid & Chantal Rousseau (Hän\, Northern Tutchone)\, 2024\, 4 min\nIn English\nAn adventurous rabbit encounters mischievous animals as he navigates a midnight mushroom garden. \nFinding Light in the Dark: a Coming of Age Story\nCanada — World Premiere\nLive Action\, Documentary\, Haylie Jerome (Anishnaabe)\, 2024\, 4 min\nIn English\nSixteen-year-old Kiewanna is caught between childhood nostalgia and the growing responsibilities of adolescence. \nFreddy\nCanada\nAnimation\, Brad Mestenapéo (Innu)\, 2023\, 3 min\nNo dialogue\nFreddy’s exciting adventure of magic and friendship. \nNi Wapiten\nCanada — New York Premiere\nLive Action\, Documentary\, Noémie Echaquan & Julie Ottawa (Atikamekw)\, 2023\, 3 min\nIn Atikamekw with English subtitles\nThere’s more nature than you’d think at the community garbage dump. \nTule\nUnited States — US Premiere\nAnimation\, Jocelyn Garcia (Pomo/Mexican American)\, 2024\, 4 min\nIn English\nA modern Pomo girl reflects on the culturally vital\, but now suffering tule plant at Clear Lake in Northern California. \nTentsítewahkwe (We Pick It Up Again)\nUnited States\nLive Action\, Documentary\, Katsitsionni Fox\, 2024\, 17 min\nIn English and Kanienkéha (Mohawk)\nEmbodying the Mohawk value of Tentsítewahkwe\, Jessica Shenandoah goes on a knowledge-gathering journey across all four seasons to reinvigorate the healing\, land-based practices of her ancestral grandmothers.
URL:https://parrishart.org/event/film-centerpiece-native-stories/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2026/03/AKABABURU_STILL4-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250810T153000
DTEND;TZID=America/New_York:20250810T180000
DTSTAMP:20260417T140435
CREATED:20250612T145402Z
LAST-MODIFIED:20250808T134357Z
UID:10005430-1754839800-1754848800@parrishart.org
SUMMARY:Film & Talk | Land of Dreams
DESCRIPTION:REGISTER \n\nFree for Members | $12 Guests of Member | Free for Resident Benefits Passholders | $30 Adults | $24 Seniors | Free for Students & Children \nAward-winning artist and filmmaker Shirin Neshat returns to the Parrish Art Museum for the screening of Land of Dreams (2021\, 114 minutes) in the Lichtenstein Theater. Described by Neshat as one of her most personal works so far\, the film follows Simin\, an Iranian immigrant who works for the United States Census Bureau\, on a journey to record citizens’ dreams. The film was directed by Neshat and Shoja Azari\, and stars Sheila Vand\, Matt Dillon\, William Moseley\, Isabella Rossellini\, and Anna Gunn\, among others. Following the film\, Neshat will be in conversation with Shoja Azari (co-writer and co-director)\, Ghasem Ebrahimian (cinematographer)\, and Corinne Erni\, The Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs. \nAdvance registration is recommended. Limited spaces will be available at the door. \nShirin Neshat: Born of Fire is on view through September 1\, 2025. Galleries will be open until 7 PM on Sunday\, August 10. \nAbout the Film\nSimin is an Iranian woman on a journey to discover what it means to be a free American. She works for the Census Bureau which\, in an effort to control its citizens\, has begun a program to record their dreams. Unaware of this devious plot\, Simin is torn between her compassion for those whose dreams she is recording and a truth she must find within. \nHaunted by the fact that her father was executed by the Islamic regime in Iran\, Simin has developed a coping mechanism through a world of fantasy and playacting. She captures her interviewees’ dreams\, secretly impersonates them in Farsi and publishes them on social media where she finds a growing Iranian audience. \nSoon Simin meets Mark; a drifter\, a free soul\, and a poet who declares his love for her at first sight; and Alan\, a cynical cowboy turned detective\, full of machismo and the American spirit of adventure. As Simin enters the triad\, she finds the two men’s competition and conflicts amusing and silently enjoys the ride. \nPlayful and poignant\, Land of Dreams acknowledges in a surreal and satirical way\, the greatness of the American experiment while offering a warning beacon for what could come. \nAbout the Exhibition\nShirin Neshat: Born of Fire marks the artist’s first museum exhibition in the New York area in over 20 years. The show offers a non-linear survey of Neshat’s artistic development\, presenting focused installations of four significant bodies of work. These range from her first major photographic works\, Women of Allah (1993–7)—images inspired by women’s involvement in the Islamic Revolution and Iran-Iraq War—to The Book of Kings (2012)\, a portrait series that calls on the tradition of Persian epic poetry to address the Arab Spring protest movement. The exhibition will also include more recent projects that present Neshat’s surreal film and video works alongside still photographs\, including Land of Dreams (2019)\, in which the artist turns her attention to exploring American culture from the perspective of an Iranian artist in exile\, and The Fury (2022–3)\, addressing sexual exploitation of female political prisoners. \n\nThough distinct\, all four bodies of work are connected by motifs of rebellion\, storytelling\, and human connection; presented together\, they reveal how these key themes have developed throughout Neshat’s artistic evolution. The exhibition also features a gallery dedicated to her private collection of work by fellow artists\, from friends such as Marina Abramović and Robert Longo to artists based in the Middle East. This installation reveals Neshat’s influences as well as her championship of lesser-known peers\, especially from cultures where censorship impedes free expression. \nShirin Neshat: Born of Fire is organized by Corinne Erni\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education\, with Scout Hutchinson\, Associate Curator of Exhibitions. \nExhibition Support\nLead sponsorship for Shirin Neshat: Born of Fire is provided by Veronica Beard\, Agnes Gund\, and the Robert Lehman Foundation. \n \nWe are grateful for the support of Jacqueline Brody; Alaleh Khatibi and Ariel Ostad; Sandy and Stephen Perlbinder; Sarika Singh and Vivek Bantwal\, Goldman Sachs Gives; Fern and Lenard Tessler; Neda Young and Family; Susan and Frank Dunlevy; Yanina Fuertes; Amy and Steven Horowitz; Monika and Deven Parekh; Alexandra Stanton and Sam Natapoff; George Wells and Manfred Rantner; Barbara Hoffman; Nina Yankowitz and Barry Holden; Gladstone Gallery; and Ellen Kern. \nWe are also grateful to Bri-Tech\, Inc. and The Carpetman for their in-kind support. \nThe Parrish Art Museum’s programs are made possible\, in part\, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature\, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.
URL:https://parrishart.org/event/film-talk-land-of-dreams/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Film,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2025/06/A064C006_201028_R2R7_1578-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241108T170000
DTEND;TZID=America/New_York:20241108T210000
DTSTAMP:20260417T140435
CREATED:20241017T160556Z
LAST-MODIFIED:20241104T205047Z
UID:10004029-1731085200-1731099600@parrishart.org
SUMMARY:Film | 5th Annual Black Film Festival\, Part II
DESCRIPTION:REGISTER \n$13 Members | $13 Friends of BHCCRC | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | Free for Students & Children \nCan You Bring It: Bill T. Jones and D-Man in the Waters\, 2020\, 94 min.\, Directed by Rosalynde LeBlanc and Tom Hurwitz \nJoin us for the 5th Annual Black Film Festival\, Part II\, as the Parrish continues its annual collaboration with the Bridgehampton Child Care and Recreational Center\, Suffolk County Office of Minority Health\, the Witness Project of Long Island\, and Black Public Media. The Black Film Festival\, Part II\, will screen Can You Bring It: Bill T. Jones and D-Man in the Waters\, a feature documentary that traces the history and legacy of one of the most important works of art to come out of the age of AIDS—Bill T. Jones’ tour de force ballet “D-Man in the Waters.” The screening is followed by a panel with Producer and Co-Director Rosalynde LeBlanc; social worker\, poet\, and activist Lora Rene Tucker; and John Oppenheimer\, M.D\, Stony Brook Southampton Hospital. \nThe Black Film Festival presents award-winning short and feature films and documentaries that highlight the work of black filmmakers as well as stories that describe and elevate black lives and experiences\, touching on current sociopolitical topics\, art\, music\, performance\, mental and physical health\, among others. Films are selected by a committee representing the Parrish Art Museum\, Bridgehampton Child Care and Recreational Center\, the Witness Project of Long Island\, and the Suffolk County Department of Health Services\, Office of Minority Health\, as well as a small group of dedicated individuals. \nAbout the Film\nIn 1989\, D-Man in the Waters gave physical manifestation to the fear\, anger\, grief\, and hope for salvation that the Bill T. Jones/Arnie Zane Company felt as they were embattled by the AIDS pandemic. As a group of young dancers reconstructs the dance in the present day\, they learn about this often-forgotten history and deepen their understanding of the power of art in a time of plague. The film begins in a dance studio in present day where Rosalynde LeBlanc begins to teach D-Man in the Waters to university student dancers. Ms. LeBlanc was a member of the Bill T. Jones/Arnie Zane Company and Jones has since entrusted her with his legacy in the teaching of his pieces at colleges around the country. \nSchedule\n5 PM | Museum Tour of exhibitions on view\, led by Chief Curator Corinne Erni\n6 PM | Screening of Can You Bring It: Bill T. Jones and D-Man in the Waters\n7:45 PM | Post-film Q&A and Discussion\n8–9 PM | Post-film Reception \nSupport for the Black Film Festival is provided by Suffolk County Office of Cultural Affairs; Support for Friday Nights is provided by The Corcoran Group.
URL:https://parrishart.org/event/film-5th-annual-black-film-festival-part-ii/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/10/2_CanYouBringIt_BillTJones_DMan_photo_better-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241107T160000
DTEND;TZID=America/New_York:20241107T180000
DTSTAMP:20260417T140435
CREATED:20241010T165434Z
LAST-MODIFIED:20241010T165434Z
UID:10004027-1730995200-1731002400@parrishart.org
SUMMARY:Film & Talk | SPARK: Robin Williams and his Battle with Lewy Body Dementia
DESCRIPTION:REGISTER \nSPARK: Robin Williams and his Battle with Lewy Body Dementia\, 2023\, 45 min. \nJoin us for a special film screening of SPARK: Robin Williams and his Battle with Lewy Body Dementia\, presented in collaboration with the Alzheimer’s Disease Resource Center (ADRC). This important documentary tells the story of Robin Williams’ battle with undiagnosed Lewy body dementia (LBD). The documentary highlights key messages that can enhance learning and understanding of LBD and other forms of dementia\, improve diagnosis and detection\, and offer families a way to feel connected to resources and support. The screening is followed by a panel about the disease and Q&A session. \nFree and open to all. Advanced registration is required. \nPanelists\nLauren Vlachos\, MSNP\, CFRE – Executive Director/CEO of ADRC\nSharon Reichman\, MSW – Director of Client Services ADRC\nEric Spronz\, MSN\, PMHNP-BC\, CASAC – Medical Director of East End Neuropsych \nAbout the Film\nThe feature movie Robin’s Wish reveals the true story about Robin Williams and his battle with undiagnosed Lewy body dementia (LBD)\, receiving wide public acclaim. From that movie\, Lewy Body Dementia Association (LBDA) and the producers of Robin’s Wish created a 45-minute documentary adaptation\, SPARK: Robin Williams and his Battle with Lewy Body Dementia. Watch the trailer here. \nLBDA is using this educational film to disseminate information about Robin Williams and his battle with undiagnosed Lewy body dementia (LBD) to promote community and professional awareness and education to those affected by Lewy body dementia. This new and fascinating adaptation delves deeper into the disease\, its biology\, myriad of clinical symptoms and its impact on both the person with LBD and the primary caregiver.
URL:https://parrishart.org/event/film-talk-spark-robin-williams-and-his-battle-with-lewy-body-dementia/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Access Parrish,Film,Talks
ATTACH;FMTTYPE=image/webp:https://parrishart.org/wp-content/uploads/2024/10/Spark-LBD-Robin-Williams.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T180000
DTEND;TZID=America/New_York:20241101T194500
DTSTAMP:20260417T140435
CREATED:20240904T135040Z
LAST-MODIFIED:20241024T153802Z
UID:10003989-1730484000-1730490300@parrishart.org
SUMMARY:Film & Talk | Queen of Hearts: Audrey Flack
DESCRIPTION:REGISTER \n$13 Museum Members | $20 Adults & Resident Passholders | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nQueen of Hearts: Audrey Flack\, 2019\, 75 min.\, Directed by Deborah Shaffer. \nJoin us for a screening of Queen of Hearts: Audrey Flack\, as the Parrish commemorates Flack’s life and career\, in conjunction with Audrey Flack: Mid-Century to Post-Pop Baroque\, on view from October 14\, 2024 through April 6\, 2025. After the screening\, Director Deborah Shaffer and Louis K. Meisel will join in conversation with Corinne Erni\, Lewis B. and Dorothy Cullman Chief Curator\, Art & Education\, as they discuss their relationships with Flack throughout her career and during the film production. \nAbout Audrey Flack\nAudrey Flack (1931–2024) was an internationally recognized painter and sculptor and a pioneer of photorealism. Flack taught and lectured extensively both nationally and internationally\, was awarded the Augustus St. Gaudens Medal from Cooper Union\, and was an honorary Albert Dorne Professor at Bridgeport University. Among many major museums around the world\, her work also resides in The Metropolitan Museum of Art\, Solomon R. Guggenheim Museum\, Whitney Museum of American Art\, National Museum of Women in the Arts\, Butler Institute of American Art\, National Gallery of Australia\, Pennsylvania Academy of Fine Art\, and the Allen Memorial Art Museum\, as well as at the Parrish Art Museum. Additionally\, she is the first woman artist\, along with Mary Cassatt\, to be included in Janson’s History of Art text. \nAbout the Film\nAt 88 years-old\, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist\, rebel\, mother\, painter\, sculptor\, and teacher\, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art\, Audrey continues to create\, explore\, and inspire with her unique style and indomitable spirit. Queen of Hearts follows Flack as she takes her work in a brand-new direction and reveals her long-term struggles as the mother of a child with autism. Flack has something deep and genuine to communicate to the world. She is a provocateur and a rebel\, an example and an inspiration. Queen of Hearts is a moving portrait of an artist who is still testing\, still experimenting\, still searching. \nFriday Nights are made possible by support from The Corcoran Group. Support for films at the Parrish is provided in part by Suffolk County Office of Cultural Affairs.
URL:https://parrishart.org/event/film-talk-queen-of-hearts-audrey-flack/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/webp:https://parrishart.org/wp-content/uploads/2024/09/Audrey-Flack.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T180000
DTEND;TZID=America/New_York:20241025T180000
DTSTAMP:20260417T140435
CREATED:20240927T185220Z
LAST-MODIFIED:20241023T203136Z
UID:10004003-1729879200-1729879200@parrishart.org
SUMMARY:Family Film | Night at the Museum
DESCRIPTION:Tickets \nJoin us for a family night at the Parrish\, with an evening of drop-in games\, art activities\, a scavenger hunt\, and a screening of Night at the Museum! Visitors are encouraged to get into the spooky spirit and don their Halloween attire for a sweet treat. Enjoy snacks\, bites\, and treats in the Parrish Café. \nSchedule\n4 PM to 6 PM | Drop-in Games in the Creativity Lounge\n6 PM | Screening Night at the Museum in the Lichtenstein Theater \nThe Museum’s Galleries\, Café\, and Shop are open until 8 PM. \nFriday Nights are supported by The Corcoran Group. Support for films at the Parrish is provided by Suffolk County Office of Cultural Affairs.
URL:https://parrishart.org/event/family-film-night-at-the-museum/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2024/09/Night-at-the-Museum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241018T180000
DTEND;TZID=America/New_York:20241018T180000
DTSTAMP:20260417T140435
CREATED:20240913T223504Z
LAST-MODIFIED:20241015T155918Z
UID:10003998-1729274400-1729274400@parrishart.org
SUMMARY:Film | In the Summers (Postponed)
DESCRIPTION:*This event has been postponed until further notice. \n$13 Members | | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children | $13 Friends of Project Most\, CMEE Literacy \n$13 Socios | $20 Adultos y Pase Residente | $18 Mayores | $15 Invitados Socios | $10 Estudiantes | $5 Niños |$13 Amigos del Proyecto Most\, CMEE Alfabetización \nAlessandra Lacorazza\, 2024\, 98 min. In English and Spanish with English subtitles.\nAlessandra Lacorazza\, 2024\, 98 min. En inglés y español con subtítulos en inglés. \nPlease join us for a film screening of In the Summers\, as the Parrish continues its collaboration with Cinema Tropical to present Spanish language films during Hispanic Heritage Month. The screening will take place in the Lichtenstein Theater. \nAcompáñenos en la proyección de In the Summers\, ya que el Parrish continúa su colaboración con Cinema Tropical para presentar películas en español durante el Mes de la Herencia Hispana. La proyección tendrá lugar en el Teatro Lichtenstein.\n\nAbout the Film\nStarring René “Residente” Pérez Joglar\, Lío Mehiel and Sasha Calle. \nSiblings Violeta and Eva live in California with their mother\, but every summer they travel to Las Cruces\, New Mexico\, to spend time with their loving but unpredictable father\, Vicente (René “Residente” Pérez Joglar). Over the course of four formative summers that span adolescence to early adulthood\, Violeta and Eva learn to appreciate their father as a person\, his flaws and limitations inseparable from his passion and tenderness. Lovers come and go\, the backyard goes to seed\, but the idea of home remains knotty and elusive. This powerful and deeply personal directorial debut from Alessandra Lacorazza offers a nuanced study of young people questioning their place within their families\, their communities\, and their identities. Winner of the US Dramatic Grand Jury Prize at Sundance\, In the Summers proves both an emotional capsule of growing up within a fragmented family and a love letter to the resilience needed to survive. \nSupport for films at the Parrish is provided by Suffolk County Office of Cultural Affairs; Support for Friday Nights is provided by The Corcoran Group. \nSobre la película\nProtagonizada por René «Residente» Pérez Joglar\, Lío Mehiel y Sasha Calle. \nLos hermanos Violeta y Eva viven en California con su madre\, pero cada verano viajan a Las Cruces\, Nuevo México\, para pasar tiempo con su cariñoso pero impredecible padre\, Vicente (René «Residente» Pérez Joglar). A lo largo de cuatro veranos formativos que abarcan desde la adolescencia hasta los primeros años de la edad adulta\, Violeta y Eva aprenden a apreciar a su padre como persona\, sus defectos y limitaciones inseparables de su pasión y ternura. Los amantes van y vienen\, el jardín se echa a perder\, pero la idea del hogar sigue siendo complicada y difícil de alcanzar. Este debut en la dirección de Alessandra Lacorazza\, poderoso y profundamente personal\, ofrece un estudio matizado de jóvenes que se cuestionan su lugar dentro de sus familias\, sus comunidades y sus identidades. Ganadora del Gran Premio Dramático del Jurado en Sundance\, In the Summers es a la vez una cápsula emocional del crecimiento en el seno de una familia fragmentada y una carta de amor a la resistencia necesaria para sobrevivir. \nLas películas en el Parrish cuentan con el apoyo de la Oficina de Asuntos Culturales del condado de Suffolk; el apoyo para Friday Nights lo proporciona The Corcoran Group.
URL:https://parrishart.org/event/film-in-the-summers/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/09/IntheSummersposter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240927T180000
DTEND;TZID=America/New_York:20240927T200000
DTSTAMP:20260417T140435
CREATED:20240814T163907Z
LAST-MODIFIED:20240925T161507Z
UID:10003936-1727460000-1727467200@parrishart.org
SUMMARY:Film | THE BATWOMAN / LA MUJER MURCIÉLAGO (Postponed)
DESCRIPTION:*This event has been postponed until further notice. \n$13 Members | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children | $13 Friends of Project Most\, CMEE Literacy \n$13 Socios | $20 Adultos y Pase Residente | $18 Mayores | $15 Invitados Socios | $10 Estudiantes | $5 Niños |$13 Amigos del Proyecto Most\, CMEE Alfabetización \nRené Cardona\, Mexico\, 1968\, 80 min. In Spanish with English subtitles\nRené Cardona\, México\, 1968\, 80 min. En español con subtítulos en inglés \nPlease join us for an outdoor film screening of THE BATWOMAN / LA MUJER MURCIÉLAGO\, as the Parrish continues its collaboration with Cinema Tropical to present Spanish language films during Hispanic Heritage Month. The screening will take place outdoors on the Museum’s event lawn and terrace. Guests are strongly encouraged to bring outdoor chairs and blankets. \nAcompáñenos en una proyección al aire libre de THE BATWOMAN / LA MUJER MURCIÉLAGO\, ya que el Parrish continúa su colaboración con Cinema Tropical para presentar películas en español durante el Mes de la Herencia Hispana. La proyección tendrá lugar al aire libre en el césped y la terraza del Museo. Se recomienda encarecidamente a los asistentes que traigan sillas y mantas. \nAbout the Film\nSelected by Guillermo del Toro as one of his favorite movies\, the Mexican Batwoman is a fascinating and lesser-known addition to the already superb Batman franchise. Capitalizing on the popularity of the Adam West–starring American television series\, director Rene Cardona—later known for his luchador (masked wrestler) adventure movies—began work on a film that would showcase the talents of actress Maura Monti. By blending elements of “Batmania” with Mexico’s popular lucha libre style\, Cardona created a unique take on the superhero genre. In this 1968 Mexican version\, shot in the stunning locale of Acapulco\, the gorgeous Maura Monti dons the cape\, cowl\, boots\, and bikini to take on the lead role of Batwoman. With her stunning beauty and crime-fighting finesse\, she is called upon to investigate a mad scientist who is capturing wrestlers and using their spinal fluid to create a Gill Man. Starring Roberto Cañedo\, Héctor Godoy\, David Silva\, Crox Alvarado\, Armando Silvestre\, Manuel Capetillo\, Ofelia Chávez\, and Carlos Suárez. \nSupport for films at the Parrish is provided by Suffolk County Office of Cultural Affairs; Support for Friday Nights is provided by The Corcoran Group. \nSobre la película\nSeleccionada por Guillermo del Toro como una de sus películas favoritas\, la Batwoman mexicana es una fascinante y menos conocida adición a la ya magnífica franquicia de Batman. Aprovechando la popularidad de la serie de televisión estadounidense protagonizada por Adam West\, el director René Cardona -más tarde conocido por sus películas de aventuras de luchadores enmascarados- comenzó a trabajar en una película que mostraría el tale1nto de la actriz Maura Monti. Mezclando elementos de “Batmania” con el popular estilo mexicano de lucha libre\, Cardona creó una visión única del género de superhéroes. En esta versión mexicana de 1968\, rodada en Acapulco\, la bellísima Maura Monti se enfunda la capa\, la capucha\, las botas y el bikini para encarnar a Batwoman. Con su deslumbrante belleza y su delicadeza para combatir el crimen\, se le pide que investigue a un científico loco que está capturando luchadores y utilizando su líquido cefalorraquídeo para crear un Hombre Anfibio. Protagonizada por Roberto Cañedo\, Héctor Godoy\, David Silva\, Crox Alvarado\, Armando Silvestre\, Manuel Capetillo\, Ofelia Chávez y Carlos Suárez. \nLas películas en el Parrish cuentan con el apoyo de la Oficina de Asuntos Culturales del condado de Suffolk; el apoyo para Friday Nights lo proporciona The Corcoran Group.
URL:https://parrishart.org/event/film-the-batwoman-la-mujer-murcielago/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/webp:https://parrishart.org/wp-content/uploads/2024/08/TheBatWoman.2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240830T180000
DTEND;TZID=America/New_York:20240830T200000
DTSTAMP:20260417T140435
CREATED:20240724T143228Z
LAST-MODIFIED:20240821T184112Z
UID:10003822-1725040800-1725048000@parrishart.org
SUMMARY:Film & Talk | Mary Heilmann: Waves\, Roads & Hallucinations
DESCRIPTION:REGISTER \n$13 Museum Members | $20 Adults & Resident Passholders | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nMary Heilmann: Waves\, Roads & Hallucinations\, 2023\, 73 min.\, Directed by Matt Creed. \nJoin us for a special film screening of Mary Heilmann: Waves\, Roads & Hallucinations\, presented in collaboration with Hamptons International Film Festival. The screening is followed by a Q&A with Producer Jacqueline Sischy\, as well as a light reception and poster reveal for the 32nd Annual Hamptons International Film Festival\, created by renowned contemporary artist Mary Heilmann. \nAbout Mary Heilmann\nBorn in 1940 in San Francisco\, California\, Mary Heilmann earned a BA from the University of California\, Santa Barbara (1962)\, and an MA from the University of California\, Berkeley (1967). She moved to New York the following year\, in 1968. Since then\, Heilmann’s work has appeared in three Whitney Biennial exhibitions (1972\, 1989\, 2008) and is included in the permanent collections of many museums worldwide\, including the Museum of Modern Art\, Whitney Museum of American Art\, San Francisco MoMA\, National Gallery of Art\, the Bonnefanten Museum in Maastricht\, Netherlands\, and the Städel Museum in Frankfurt\, Germany. \nHeilmann’s work is in the permanent collection of the Parrish\, and she most recently participated in Artists Choose Parrish\, Part I\, in 2023. This documentary offers a visually immersive journey through the artist’s life\, using rare archival material and in-studio footage to explore her mind and practice. \nLearn more about Hamptons International Film Festival here. \nFriday Nights are made possible by support from The Corcoran Group. Support for films at the Parrish is provided in part by Suffolk County Office of Cultural Affairs.
URL:https://parrishart.org/event/film-talk-mary-heilmann-waves-roads-hallucinations/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2024/07/Mary-Heilmann-film-still-square.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240823T180000
DTEND;TZID=America/New_York:20240823T210000
DTSTAMP:20260417T140435
CREATED:20240802T162906Z
LAST-MODIFIED:20240816T143943Z
UID:10003852-1724436000-1724446800@parrishart.org
SUMMARY:Film | 5th Annual Black Film Festival\, Part I
DESCRIPTION:REGISTER \n$13 Members | $13 Friends of BHCCRC | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | Free for Students & Children \nGaining Ground: The Fight for Black Land\, 2023\, 93 min. Directed by Eternal Polk \nJoin us for the 5th Annual Black Film Festival\, Part I\, as the Parrish continues its annual collaboration with the Bridgehampton Child Care and Recreational Center\, Suffolk County Office of Minority Health\, the Witness Project of Long Island\, and Black Public Media. The Black Film Festival\, Part I\, will screen Gaining Ground: The Fight for Black Land\, a new\, stirring documentary from Executive Producer Al Roker\, that examines the cause and effects of the issues and experiences of people impacted by land loss. \nThe Black Film Festival presents award-winning short and feature films and documentaries that highlight the work of black filmmakers as well as stories that describe and elevate black lives and experiences\, touching on current sociopolitical topics\, art\, music\, performance\, mental and physical health\, among others. Films are selected by a committee representing the Parrish Art Museum\, Bridgehampton Child Care and Recreational Center\, the Witness Project of Long Island\, and the Suffolk County Department of Health Services\, Office of Minority Health\, as well as a small group of dedicated individuals. \nAbout the Film\nBy 1910\, Black Americans had amassed 60 million acres of farmland. In 2023\, that number has dropped to 3.9 million acres. Violence\, eminent domain\, and government discrimination—all had an impact. But it is a little-known issue\, Heirs’ Property which has had a devastating effect on Black land ownership. Gaining Ground: The Fight for Black Land from Emmy Nominated Director Eternal Polk examines the causes\, effects\, and what is being done to fight the exploitation of this law and how landowners are reclaiming their agricultural legacy and creating paths to generational wealth. \nWatch the trailer here. \nSchedule\n5 PM | Museum Tour of exhibitions on view\, led by Chief Curator Corinne Erni\n6 PM | Screening Gaining Ground: The Fight for Black Land\n7:45–9 PM | Post-film Reception and Discussion \nSave the Date\nBlack Film Festival\, Part II\, will be held on Friday\, November 8\, 2024. \nSupport for the Black Film Festival is provided by Suffolk County Office of Cultural Affairs; Support for Friday Nights is provided by The Corcoran Group.
URL:https://parrishart.org/event/film-5th-annual-black-film-festival-part-i/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/webp:https://parrishart.org/wp-content/uploads/2024/08/Gaining-Ground-Film-square.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240809T180000
DTEND;TZID=America/New_York:20240809T190000
DTSTAMP:20260417T140435
CREATED:20240606T141904Z
LAST-MODIFIED:20240708T204321Z
UID:10003813-1723226400-1723230000@parrishart.org
SUMMARY:Film & Talk | Giving Birth In America: Arkansas
DESCRIPTION:REGISTER \n$10 Members | $20 Adults & Resident Benefit Pass | $18 Seniors | $15 Member’s Guest | Free for Students & Children \nJoin us for a screening of the short film Giving Birth in America: Arkansas followed by a panel conversation with exhibiting artists Julia Chiang\, Sam Moyer\, and Every Mother Counts founder and president Christy Turlington Burns. The film follows three mothers as they grapple with mental health concerns\, lack of paid leave\, and other challenges in the days\, weeks\, and months following birth\, vividly painting a picture of the gaps in the current landscape of postpartum care. The film highlights the essential role of community-based support\, especially within historically marginalized communities. Julia Chiang and Sam Moyer will be joined in conversation with Christy Turlington Burns as they discuss themes in the film\, their approach to work as mothers\, and how their maternal experiences affect and inspire their art. \nGiving Birth in America: Arkansas is the seventh chapter in Every Mother Counts’ Giving Birth in America film series. This film spotlights Arkansas\, the state with the highest maternal mortality rate across the United States. The short film vividly paints a picture of the reality of the postpartum experience. More than half of all maternal deaths take place during the postpartum period\, yet this stage of pregnancy is often overlooked. \nAbout Julia Chiang\nJulia Chiang (American\, b. 1978) lives and works in Brooklyn\, New York and studied Studio Art and Art History at New York University. Chiang has recently been featured in solo-exhibitions at Nanzuka Underground\, Tokyo\, Nicola Vassell Gallery\, New York\, The Modern Institute\, Glasgow\, and The Journal Gallery\, New York. This year\, she created a mural with RxART for the new SUNY Upstate Nappi Wellness Institute in Syracuse\, NY. In 2022\, Chiang was commissioned by Rockaway Hotel and Spa for the “Rockaway Mural” in Queens\, NY. She has been an artist-in-residence at Anderson Ranch Arts Center in Snowmass Village\, Colorado\, The Creative Centre at Mount Sinai Hospital\, Henry Street Settlement in New York\, HAP Clay Studios in Beijing\, and Vermont Studio Center in Johnson\, Vermont. \nAbout Sam Moyer\nSam Moyer (American\, b. 1983) received her BFA from the Corcoran College of Art and Design and her MFA from Yale University. Her work has been featured in exhibitions at the Bass Museum\, Miami; the Contemporary Art Museum St. Louis; the Drawing Center\, New York; the FLAG Art Foundation\, New York; the Hill Art Foundation\, New York; LAND\, Los Angeles; MoMA PS1\, Queens; the Parrish Art Museum\, New York; Tensta Konsthall\, Stockholm; Wexner Center for the Arts\, Columbus; and White Flag Projects\, St. Louis. Moyer’s large-scale outdoor sculpture Doors for Doris (2020)\, commissioned by Public Art Fund\, was on view in the Doris C. Freedman Plaza in Central Park\, New York from September 2020 through October 2021. Her recent solo exhibitions include Memory Mine (2023) at the Jule Collins Smith Museum\, Auburn; Relief (2022) at Rodolphe Janssen\, Brussels; Good Friend (2021) at Kayne Griffin\, Los Angeles; and Tone (2021) at Sean Kelly Gallery\, New York. \nMoyer’s work is featured in prominent public collections\, including the Davis Museum\, Wellesley College\, Massachusetts; the Morgan Library & Museum\, New York; the Museum of Modern Art\, New York; the Whitney Museum of American Art\, New York; the Yale University Art Gallery\, New Haven; the Aïshti Foundation\, Beirut; and the Louis Vuitton Foundation\, Paris. \nAbout Every Mother Counts\nMotivated by the belief that maternal health is a human right\, Every Mother Counts works to advance evidence-based strategies to address the global maternal health crisis and improve maternal health outcomes and the experience of care for all. EMC supports community-centered care and workforce development by raising awareness\, investing in community-led solutions\, and advocating for critical systems change. To date\, EMC has invested over $42M to make pregnancy and childbirth safe\, respectful\, and equitable for everyone\, everywhere. \nFriday Nights at the Parrish are made possible by The Corcoran Group.
URL:https://parrishart.org/event/film-talk-giving-birth-in-america-arkansas/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2024/06/Giving-Birth-Film-Talk-Collage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240621T180000
DTEND;TZID=America/New_York:20240621T200000
DTSTAMP:20260417T140435
CREATED:20240610T153836Z
LAST-MODIFIED:20240613T191238Z
UID:10003814-1718992800-1719000000@parrishart.org
SUMMARY:Film | Juneteenth: Faith and Freedom
DESCRIPTION:REGISTER \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \n2022\, 75 min. \nAs we commemorate Juneteenth\, join us for a documentary screening of Juneteenth: Faith and Freedom\, co-presented with the Eastville Community Historical Society and Southampton African American Museum. \nA Critics’ Selection at the Dallas International Film Festival\, Juneteenth: Faith and Freedom tells the story of Juneteenth\, and the historical and cultural role faith played in the African American experience\, shedding light on a widely unknown spiritual significance. History professor Dr. Carey Latimore travels to Galveston\, Texas\, with special guests to recount the impact and meaning of emancipation\, lived experiences\, and how the holiday revealed a deep connection between faith and freedom for African Americans. \nFriday Nights are made possible by The Corcoran Group.
URL:https://parrishart.org/event/film-juneteenth-faith-and-freedom/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2024/06/Juneteenth-film.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T183000
DTEND;TZID=America/New_York:20240315T183000
DTSTAMP:20260417T140435
CREATED:20240216T195644Z
LAST-MODIFIED:20240307T190310Z
UID:10003771-1710527400-1710527400@parrishart.org
SUMMARY:Film | FRIDA
DESCRIPTION:TICKETS \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nDirected by Carla Gutiérrez\, 2024\, Spanish (with English subtitles)\, 88 min. \nIn celebration of Women’s History Month\, the Parrish Art Museum presents a screening of FRIDA\, recently premiered at the 2024 Sundance Film Festival. FRIDA\, directed by Carla Gutiérrez\, is an intimately raw and magical journey through the life\, mind\, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary\, revealing letters\, essays\, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork. \nGutiérrez\, renowned for her masterful editing of films including Sundance Film Festival projects RBG (2018)\, When Two Worlds Collide (2016)\, and Cesar’s Last Fast (2014)\, brings artistry and a deep understanding of her subject to an astonishing directorial debut. Through a cacophony of rich archival sights\, music\, and journal entries joyfully brought to life\, we become immersed in Frida’s interior world\, fears\, arduous relationships\, and events that drove her indelible artistic creations. Gutiérrez vibrantly guides us through Frida’s complex relationship to her own work\, navigating the tension between art as commerce and painting for pleasure and self-knowledge. With reverence\, thoughtfulness\, and the color of pure emotion\, FRIDA invites us to get to know one of the greatest artists of the 20th century in a completely new way. \nNote: This film contains nudity and may not be suitable for younger audiences. \nFriday Nights are made possible\, in part by The Corcoran Group. \n  \n$13 Miembros | $20 Adultos | $18 Personas Mayores | $15 Invitados de Miembros | $10 Estudiantes | $5 Niños \nDirigida por Carla Gutiérrez\, 2024\, Español (con subtítulos en inglés)\, 88 min. \nPara celebrar el Mes de la Historia de la Mujer\, el Parrish Art Museum presenta una proyección de FRIDA\, estrenada recientemente en el Festival de Cine de Sundance 2024. FRIDA\, dirigida por Carla Gutiérrez\, es un viaje íntimo y mágico a través de la vida\, la mente y el corazón de la icónica artista Frida Kahlo. Contada a través de sus propias palabras por primera vez\, extraídas de su diario\, cartas reveladoras\, ensayos y entrevistas impresas\, y traída vívidamente a la vida por una animación lírica inspirada en su inolvidable obra de arte. \nNota: Esta película contiene desnudos y puede no ser adecuada para audiencias más jóvenes. \nLos viernes por la noche son posibles\, en parte\, gracias a The Corcoran Group.
URL:https://parrishart.org/event/film-frida/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/02/1940_s_P0063_Frida_laying_on_grass_004958-N_ret_LEOMT_MSTR-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240216T180000
DTEND;TZID=America/New_York:20240216T180000
DTSTAMP:20260417T140435
CREATED:20240125T212120Z
LAST-MODIFIED:20240208T175044Z
UID:10003763-1708106400-1708106400@parrishart.org
SUMMARY:Film | Max Roach: The Drum Also Waltzes
DESCRIPTION:TICKETS \n$13 Members | $20 Adults | $18 Seniors | $15 Member’s Guest | $10 Students | $5 Children \nDirected and Produced by Sam Pollard and Ben Shapiro\, 2023\, 82 min. \nIn celebration of Black History Month and in collaboration with Hamptons Doc Fest\, the Parrish presents a screening of Max Roach: The Drum Also Waltzes – delving into the life and music of the legendary drummer\, composer\, bandleader\, and social activist through a remarkable series of creative peaks\, struggles\, and personal reinventions—from the Jim Crow era to the Civil Rights years\, surveying the heady days of post-war modern jazz to hip hop and beyond. The film screening will be followed by a live Zoom Q&A session with Co-Director Ben Shapiro\, led by Jacqui Lofaro\, Executive Director of Hamptons Doc Fest. \nMax Roach: The Drum Also Waltzes is the story of a musician whose far-reaching ambitions were inspired and challenged by the inequities of the society around him. His stunningly diverse seven-decade career marked him as one of the great musical artists of the 20th century and a pioneering cultural activist at times when the nation was steeped in racism. The film follows Roach across a rich and complicated life\, years of now-legendary achievement\, deep personal struggle\, and the price he paid for his outspoken views. His was an epic musical journey — from the revolutionary Jazz of the 1940s to the Civil Rights years\, through experiments in hip hop\, multi-media works\, and beyond. \nFriday Nights are made possible\, in part by The Corcoran Group.
URL:https://parrishart.org/event/film-max-roach-the-drum-also-waltzes/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2024/01/maxroach_still_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231110T173000
DTEND;TZID=America/New_York:20231110T200000
DTSTAMP:20260417T140435
CREATED:20231016T215633Z
LAST-MODIFIED:20231106T220253Z
UID:10003699-1699637400-1699646400@parrishart.org
SUMMARY:Black Film Festival\, Part II | Haiti Is A Nation of Artists
DESCRIPTION:TICKETS \nMembers $10 | Adults (Nonmembers) $16 | Students $10 | Children $5 | Friends of BHCCRC $13 \n5:30 pm Tour of Artists Choose Parrish \n6 pm Light Reception \n6:30 pm Introductions and Film screening \n7:30 pm Film discussion \nJoin us for the conclusion of the Black Film Festival with a screening of Haiti Is A Nation of Artists\, followed by a Zoom discussion with film director Jacquil Constant. The Black Film Festival is organized in collaboration with the Bridgehampton Child Care and Recreational Center\, Empact\, Suffolk County Office of Minority Health\, and the Witness Project of Long Island. \nAbout the Film\nDirected and produced by Jacquil Constant\, Haiti Is A Nation of Artists tells the story of Haitian artists creating transformational art after a devastating earthquake that struck Haiti on January 12\, 2010. The documentary depicts the humanity of Haitian culture through the lens of a Haitian-American filmmaker who seeks to uplift the rich diversity of Haiti and its historical legacy. The film\, affectionately named after an interaction Constant had with Carine Fabius\, an art curator in West Hollywood\, went on to screen at Cannes Film Festival in 2022. \nAbout the Director\nAs an independent filmmaker\, Jacquil Constant has emerged as a leader in Haitian film\, dedicated to portraying the rich tapestry of Haitian art and culture in a different yet authentic light. Constant received a Bachelor of Arts degree in Film Production and a Master of Arts in Interdisciplinary Studies with an emphasis in Pan African Studies and Cinema Television and Arts from California State University Northridge (CSUN). In 2006\, Constant established his own production company\, Constant Production\, which has various music videos\, short films\, and commercial productions to its credit. Constant’s career has led him to work with networks such as MTV\, BET\, and VHI where he worked in various capacities including production\, post-production\, and casting of reality television shows\, and is the founder of the first-ever Haiti International Film Festival in Southern California. \nFriday Nights are generously supported by The Corcoran Group. The Black Film Festival is supported by Suffolk County Office of Cultural Affairs.
URL:https://parrishart.org/event/black-film-festival-part-ii-haiti-is-a-nation-of-artists/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2023/10/Haiti-Is-A-Nation-of-Artists.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230915T180000
DTEND;TZID=America/New_York:20230915T180000
DTSTAMP:20260417T140435
CREATED:20230816T212846Z
LAST-MODIFIED:20230907T150641Z
UID:10003653-1694800800-1694800800@parrishart.org
SUMMARY:OLA Latino Film Festival | The Cow Who Sang a Song Into the Future
DESCRIPTION:TICKETS \nJoin us for the 20th Anniversary of the OLA Latino Film Festival and partnership with the Parrish Art Museum with a screening of The Cow Who Sang a Song Into the Future (2022)\, followed by a live Zoom interview with Director Francisca Alegría. The program begins with a bilingual tour of the Museum’s exhibitions\, James Brooks: A Painting is a Real Thing\, and Artists Choose Parrish\, followed by the film screening and Director’s Q&A in the Museum’s Lichtenstein Theater. \n6 PM\, Bilingual Tour and Reception\, Galleries and Café\n7 PM\, Introduction and Film Screening\, Theater\n8:30 PM\, Director’s Zoom Q&A \nAbout the Film\nThe Cow Who Sang a Song Into the Future\, 2022\, 93 min.\, Spanish with English subtitles\, Directed by Francisca Alegría. \nA choir of creatures introduces a world delicately constructed by fantasy\, mystery\, and magical realism in Francisca Alegría’s poignant and stunning debut feature. It begins in a river in the south of Chile where fish are dying due to pollution from a nearby factory. Amid their floating bodies\, long-deceased Magdalena (Mia Maestro\, Frida\, The Motorcycle Diaries) bubbles up to the surface gasping for air\, bringing with her old wounds and a wave of family secrets. This shocking return sends her widowed husband into turmoil and prompts their daughter Cecilia to return home to the family’s dairy farm with her own children. Magdalena’s presence reverberates among her family\, instigating fits of laughter and despair in equal measure with all but Cecilia’s eldest child\, who finds much-needed comfort in their grandmother’s love and unconditional understanding during a time of transition. A lyrical rumination on family\, nature\, renewal\, and resurrection\, The Cow Who Sang A Song Into The Future is an ambitious proposal for acceptance and healing\, suggesting that the dead return when they are most needed. \nAbout the Director\nFrancisca Alegría is an award-winning filmmaker who obtained her degree in Directing from the Universidad Católica de Chile and her M.F.A. in Screenwriting and Film Directing at Columbia University. Her short film AND THE WHOLE SKY FIT IN THE DEAD COW’S EYE received the award for Best International Fiction Short Film at the 2017 Sundance Film Festival\, Best Latin American Short Film at Miami Film Festival and was selected at Telluride Film Festival\, Toronto International Film Festival\, and New York Film Festival. Alegría’s debut feature\, The Cow Who Sang a Song Into the Future was selected for the Sundance Screenwriters and Directors Labs and will premiere in the World Cinema Dramatic Competition at the 2022 Sundance Film Festival. \nSupport for Friday Nights is provided by The Corcoran Group. Support for the OLA Film Festival and reception is provided by Elegant Affairs Caterers.
URL:https://parrishart.org/event/ola-latino-film-festival-the-cow-who-sang-a-song-into-the-future/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2023/08/CowWhoSang_1920x1080_E.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230623T180000
DTEND;TZID=America/New_York:20230623T200000
DTSTAMP:20260417T140435
CREATED:20230329T182004Z
LAST-MODIFIED:20230614T163117Z
UID:10003590-1687543200-1687550400@parrishart.org
SUMMARY:Film & Talk | Capturing Grace
DESCRIPTION:REGISTER \n$10 Members | $16 Adults (Nonmembers) | $10 for Students | $5 Children \nJoin us for a special screening of Capturing Grace\, directed by David Iverson–a film that follows the Brooklyn Parkinson Group as they attend classes at the Mark Morris Dance Center. Capturing Grace witnesses the power of choreography\, the ways in which tremors recede in the dance studio\, and how performers rediscover what they thought they had lost to Parkinson’s Disease. Iverson describes the film\, which highlights rediscovery and the sweetness of motion\, as “a story about a remarkable community of dancers – some professional\, some not – all coming together to move in space.” \nThe screening will be followed by a conversation with Iverson; David Leventhal\, Program Director and founding teacher of Dance for PD®\, a program of Mark Morris Dance Group; and Sarah Cohen\, PT\, DPT at Stony Brook–Southampton Hospital’s Center for Parkinson’s Disease. Moderated by Deputy Director of Art Education Martha Stotzky\, the panel will discuss the film’s themes in conjunction with Parrish programs sensitively designed for individuals with Parkinson’s\, including Paint with the Parrish. As part of  Access Parrish–the Museum’s decades-long initiative committed to making the building\, programs\, and resources available to all audiences–this workshop series was created specifically for those with Parkinson’s and their caretakers. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nFriday Night Programming is made possible\, in part\, by The Corcoran Group.
URL:https://parrishart.org/event/film-talk-capturing-grace/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2023/03/CapturingGrace_EddieMartinez_ParrishArtMuseum_event-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230114T150000
DTEND;TZID=America/New_York:20230114T160000
DTSTAMP:20260417T140435
CREATED:20221212T195942Z
LAST-MODIFIED:20230109T175656Z
UID:10003305-1673708400-1673712000@parrishart.org
SUMMARY:Talk | Mel Kendrick and Carroll Dunham on Mel Kendrick: Seeing Things in Things
DESCRIPTION:$5 Members\, Students | $10 Seniors\, Member’s Guest | $16 Adults (nonmember) \nREGISTER\n  \nJoin us for a conversation with artists Mel Kendrick and Carroll Dunham\, in conjunction with the solo exhibition\, Mel Kendrick: Seeing Things in Things\, currently on view through February 19\, 2023. Kendrick and Dunham\, longtime friends and both former studio assistants to Dorothea Rockburne\, will explore their respective careers as artists and approach to artmaking. \nCarroll Dunham (b. 1949\, New Haven\, CT) is a contemporary American painter\, whose career has encompassed elements of Abstract Expressionism\, Surrealism and Neo-expressionism\, moving from abstraction to figuration. Dunham has held global solo exhibitions at Museum Ludwig\, Cologne\, Millesgården\, Stockholm; and Drammens Museum\, Drammen\, Norway\, followed by a mid-career retrospective was held at the New Museum of Contemporary Art\, New York. Dunham’s work is held in numerous esteemed collections including the Art Institute of Chicago\, Brooklyn Museum\, Museum of Modern Art\, Museum of Contemporary Art\, Los Angeles\, Philadelphia Museum of Art\, Walker Art Center\, and Whitney Museum of American Art\, among others. \n\n\nMel Kendrick: Seeing Things in Things was organized by the Addison Gallery of American Art\, Phillips Academy\, Andover\, Massachusetts and curated by Allison Kemmerer\, The Mary Stripp and R. Crosby Kemper Director. The presentation at the Parrish Art Museum is organized by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator and Brianna L. Hernández\, Curatorial Fellow. \nLearn more about the exhibition. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nInformation on our COVID-19 protocol →\n\n\n  \n  \n  \nSupport for public programs is provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n\n\n\n\n\n\n\n\n\n\n 
URL:https://parrishart.org/event/talk-mel-kendrick-and-carroll-dunham-on-mel-kendrick-seeing-things-in-things-2/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/12/DD34FC9D-1C55-4631-9F08-6B2B9F530221.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T180000
DTEND;TZID=America/New_York:20221202T190000
DTSTAMP:20260417T140435
CREATED:20221111T182159Z
LAST-MODIFIED:20221122T191428Z
UID:10003303-1670004000-1670007600@parrishart.org
SUMMARY:Talk and Book Signing | Mel Kendrick and Nancy Princenthal on Mel Kendrick: Seeing Things in Things
DESCRIPTION:Free with Museum admission \nREGISTER\n  \nJoin us for a conversation with artist Mel Kendrick and Nancy Princenthal\, in conjunction with his solo exhibition\, Mel Kendrick: Seeing Things in Things\, currently on view through February 19\, 2023. Princenthal contributed an introductory essay to the fully illustrated catalogue\, co-published and distributed by Rizzoli International. \nIntroduced by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, the conversation will explore Kendrick’s decades-long career\, approach to artmaking\, process and material\, and the possibilities of sculpture\, followed by a short book signing for the exhibition publication. \nNancy Princenthal is a Brooklyn-based writer whose Agnes Martin: Her Life and Art (Thames & Hudson\, 2015) received the 2016 PEN/Jacqueline Bograd Weld Award for Biography. Her most recent book is Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s (Thames & Hudson\, 2019). She is also the author of the monograph Hannah Wilke(Prestel\, 2010). A former Senior Editor of Art in America\, where she remains a Contributing Editor\, she has also written for the New York Times\, Bomb\, Hyperallergic\, Apollo\, the Brooklyn Rail and other publications. Her writing has appeared in monographs and exhibition catalogues for a wide range of artists\, including Willie Cole\, Lesley Dill\, Ann Hamilton\, Alfredo Jaar and Gary Simmons. Having taught and lectured widely\, she was a longtime faculty member of the MFA Art Writing program at the School of Visual Arts\, and was most recently a visiting lecturer at New York University’s Institute of Fine Arts. \nMel Kendrick: Seeing Things in Things was organized by the Addison Gallery of American Art\, Phillips Academy\, Andover\, Massachusetts and curated by Allison Kemmerer\, The Mary Stripp and R. Crosby Kemper Director. The presentation at the Parrish Art Museum is organized by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of ArtsReach and Special Projects\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator and Brianna L. Hernández\, Curatorial Fellow. \nLearn more about the exhibition. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nInformation on our COVID-19 protocol →\n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/talk-mel-kendrick-and-nancy-princenthal-on-mel-kendrick-seeing-things-in-things/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/11/IMG_2655.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T120000
DTEND;TZID=America/New_York:20221119T130000
DTSTAMP:20260417T140435
CREATED:20221114T231308Z
LAST-MODIFIED:20221117T190726Z
UID:10003304-1668859200-1668862800@parrishart.org
SUMMARY:Talk | Curator Cristina Kahlo on the Exhibition Kahlo: An Expanded Body
DESCRIPTION:  \nREGISTER\n  \nJoin us for a talk with exhibition Curator Cristina Kahlo and Museum Executive Director Mónica Ramírez-Montagut.  \nKahlo: An Expanded Body is a groundbreaking investigation into celebrated artist Frida Kahlo (Mexican\, 1907–1954) through a series of documents\, photos\, letters\, and clinical files that shed light on her dramatic medical history and its sustained impact on her life and work. The multi-gallery exhibition provides new insight into the importance of the body as enduring source material for Kahlo’s representational and metaphorical depictions of her physical and emotional life. \nThe exhibition features more than 100 archives\, letters\, and photos—several never before seen—made available through exclusive access to private family files by Kahlo’s grandniece\, the Mexican artist Cristina Kahlo. On view are facsimiles of personal letters and postcards between Frida and family\, friends\, lovers\, and doctors; photographs of the artist and her inner circle by Mexican and international photographers including Lola Álvarez Bravo\, Florence Arquin\, Gisele Freund\, Guillermo Kahlo\, Antonio Kahlo\, and Nickolas Muray; and extensive graphic medical records and documents. The exhibition is augmented by original work by Cristina Kahlo\, and María and Tolita Figueroa. \nKahlo: An Expanded Body is co-curated by Cristina Kahlo; organized at the Parrish Art Museum by Mónica Ramírez-Montagut\, Executive Director\, with additional support from Kaitlin Halloran\, Curatorial Assistant and Publications Coordinator. \nLearn more about the exhibition.\nEXHIBITION SUPPORT\n \nThe presentation of Kahlo: An Expanded Body at the Parrish Art Museum is made possible\, in part\, thanks to the generous support of the Consulate General of Mexico in New York\, Museo Frida Kahlo\, ABC Medical Center\, Museo Estudio Diego Rivera\, Fiduciario Banco de México\, Tony Bechara\, The Deborah Buck Foundation\, Yaffa Foundation\, Yanina and Allan Spivack\, Sam Natapoff and Alexandra Stanton\, Michael & Nina Stanton Foundation\, Timothy and Susan Davis\, and James & Kelli Stanton Foundation\, Inc. \nThe Parrish Art Museum’s programs are made possible\, in part\, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature\, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District. \nInformation on our COVID-19 protocol →\n 
URL:https://parrishart.org/event/talk-curator-cristina-kahlo-on-the-exhibition-kahlo-an-expanded-body/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/11/IMG_2781.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T180000
DTEND;TZID=America/New_York:20221021T200000
DTSTAMP:20260417T140435
CREATED:20220922T030838Z
LAST-MODIFIED:20221016T222519Z
UID:10003288-1666375200-1666382400@parrishart.org
SUMMARY:FILM & TALK | Art & Krimes by Krimes
DESCRIPTION:$16 Adults | $5 for Members\, Students\, Children \nREGISTER\n\n85 min\, 2022\, Directed by Alysa Nahmias\nFollowed by a panel discussion\nJoin us for a screening of the award-winning documentary Art & Krimes by Krimes\, followed by a conversation via Zoom with Jesse Krimes; fellow artists Russell Craig\, Jared Owens\, and Gilberto Rivera; and Director Alysa Nahmias. The program will be moderated in-person at the Museum by Corinne Erni\, Deputy Director of Curatorial Affairs and Senior Curator of Artsreach and Special Projects. \nAbout the Film\nWhile serving six years in a federal penitentiary\, artist Jesse Krimes secretly created monumental works of art\, including Apokaluptein: 16389067–an astonishing 40-foot mural made with prison bed sheets\, hair gel\, and newspaper. He smuggled out each panel piece-by-piece with the help of fellow artists\, and saw the complete work for the first time upon his release. As Krimes’s work captured the art world’s attention\, he struggled to adjust to life outside\, living with the threat that any misstep could trigger a life sentence. Described by ARTnews as “an eye-opening look at how one artist is seeking to lift the veil on a part of American society that has been made largely invisible to the public” the film speaks to the power of art as a humanizing force and a call for transformation. \nArt & Krimes by Krimes is directed by Alysa Nahmias;  produced by Amanda Spain\, Benjamin Murray\, and Alysa Nahmias; with executive producers Sheila Nevins\, Jenifer Westphal\, Joe Plummer\, Patty Quillin\, Hallee Adelman\, and  Ivy Herman;  co-executive producers  Nion McEvoy and Leslie Berriman\, Ruth Ann Harnisch\, and Sheri Sobrato-Brisson. Art & Krimes by Krimes is an MTV Documentary Films project\, produced by AJNA Productions in association with Wavelength & Giving Voice Films. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. This program requires proof of full vaccination. Mask-wearing is not required but recommended when not eating or drinking. \nMore information surrounding our COVID-19 protocol →\n  \n  \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/film-talk-art-krimes-by-krimes/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2022/09/2.-Still-from-the-feature-documentary-Art-_-Krimes-by-Krimes-directed-by-Alysa-Nahmias.-An-AJNA-Films-production..jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220916T180000
DTEND;TZID=America/New_York:20220916T213000
DTSTAMP:20260417T140435
CREATED:20220815T164043Z
LAST-MODIFIED:20220909T193518Z
UID:10003252-1663351200-1663363800@parrishart.org
SUMMARY:Film | OLA Film Festival | Screening The King of All the World
DESCRIPTION:REGISTER\n$15 Adults | $5 Members \n6 PM | Reception and bilingual tour of Another Justice: US is Them | Hank Willis Thomas and For Freedoms and Esteban Vicente and Joaquin Sorolla: In the Light of the Garden. \nRecepción breve y recorrido bilingüe al museo de la exposición Otra Justicia: US somos ellos | Hank Willis Thomas y For Freedoms y Esteban Vicente y Joaquín Sorolla: A la luz del jardín. \n7 PM | Film screening \nThe King of All the World\n2021\, 95 min\, directed by Carlos Saura \nEl rey de todo el mundo\n2021\, 95 min\, Dirigida por Carlos Saura \nJoin us for the 19th annual OLA Latino Film Festival organized in collaboration with OLA of Eastern Long Island\, featuring a screening of The King of All the World (2021) in the Lichtenstein Theater. \nÚnase a nosotros para el 19º Festival Anual de Cine Latino de OLA organizado en colaboración con OLA of Eastern Long Island\, con una proyección al aire libre de la premiada película El rey de todo el mundo (2021). \nAbout the Film | Descripción de la película \nWorld-renowned director Carlos Saura examines contemporary issues challenging Mexico through a visual feast of dance and drama set to traditional Mexican music. Tragedy\, fiction\, and reality intertwine as protagonist\, Manuel\, creates a musical about making a musical with the help of Sara\, his ex-wife and renowned choreographer. El mundialmente reconocido director Carlos Saura examina los problemas contemporáneos que afronta México a través de una fiesta visual de música\, danza y teatro. \nThis event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. \nEste evento requiere prueba de vacunación completa para todos los asistentes mayores de 5 añoscon el fin de mantener un entorno de máscara opcional; los mayores de 18 años deben mostrar una identificación válida.  \nA complimentary reception will be held in the Parrish Cafe. We thank the Consulate General of Spain\, New York and Spain Arts & Culture\, for their support. No outside food or drink is permitted. \n \nAdvance ticket purchase is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nSe recomienda la compra anticipada de boletos. Entradas limitadas estarán disponibles en la puerta. Todas las ventas son finales\, intransferibles y no reembolsables. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n 
URL:https://parrishart.org/event/film-ola-film-festival-screening-the-king-of-all-the-world/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/08/31023294-D0B5-4A5D-BD9D-CE6314431225.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220826T180000
DTEND;TZID=America/New_York:20220826T200000
DTSTAMP:20260417T140435
CREATED:20220706T012427Z
LAST-MODIFIED:20220818T092642Z
UID:10003210-1661536800-1661544000@parrishart.org
SUMMARY:Film & Talk | Black Film Festival\, Part II | Screening Kinks\, Locs\, and Love\, followed by panel discussion on black hair
DESCRIPTION:REGISTER\n\n$15 Adults | $5 Members and Friends of BHCCR \n5 PM | Tour of Another Justice: US is Them by Senior Curator Corinne Erni\n5:30 PM | Reception\, Mildred C. Brinn Terrace\n6 PM | Welcome and Film Screening\n6:45 PM | Introductions and panel \nKinks\, Locs\, and Love (2018\, 46 min)\nDirected by Lawrence Green \nThe Parrish Art Museum and the Bridgehampton Child Care & Recreational Center (BHCCRC) continue their partnership for the third annual\, two-day Black Film Festival\, at the Museum. The screenings present award-winning feature films and shorts\, selected by a committee representing both organizations as well as The Witness Project of Long Island and the Suffolk County Department of Health Services\, Office of Minority Health. \nABOUT THE FILM\nBlack Film Festival\, Part II features a screening of the film Kinks\, Locs\, and Love\, documenting women of African descent and their hair journeys from perms to natural hair in the Washington D.C.\, area\, showcasing the natural hair community with events\, businesses\, fashion figures\, and bloggers. The film screening will be followed by a panel discussion on black hair and its importance to health\, sense of identity\, community\, and culture\, including dermatologist Dr. Achiamah Osei-Tutu\, among others. \nABOUT THE DIRECTOR\nLawrence Green is a filmmaker\, photographer\, and DJ\, with an MFA in Film and Media Arts from American University. Green has held production and television programming positions with the Service Employee International Union and Public Broadcasting Service and has been featured in renowned venues including South by Southwest\, The Kennedy Center\, and The National Museum of African American History and Culture. In 2010\, Green founded Time Traveling Media Inc. to produce original content and provide visual solutions for a range of clientele. In addition to Kinks\, Locs\, and Love\, Green’s short documentaries include Zsudayka’s Journey\, The Conversation\, and Trashman respectively explore themes of artistic life balance\, interpersonal journeys toward parenthood\, and socioenvironmental awareness. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-black-film-festival-part-ii/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/07/My-project-1-6.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220819T200000
DTEND;TZID=America/New_York:20220819T220000
DTSTAMP:20260417T140435
CREATED:20220706T012626Z
LAST-MODIFIED:20220812T202031Z
UID:10003211-1660939200-1660946400@parrishart.org
SUMMARY:Film | Black Film Festival Part I | Screening Neptune Frost
DESCRIPTION:LEARN MORE\n$15 Adults | $5 Members and Friends of BHCCR \n7 PM |  Curator Tour of Another Justice: US is Them by Corinne Erni\, Senior Curator of Artsreach and Special Projects\n7:30 PM | Reception\, Mildred C. Brinn Terrace\n8 PM | Introductions and Film Screening\nNeptune Frost\, 2021\, 105 minutes\nDirected by Saul Williams and Anisia Uzeyman \nThe Parrish Art Museum and the Bridgehampton Child Care & Recreational Center (BHCCRC) continue their partnership for the third annual\, two-day Black Film Festival\, at the Museum. The screenings present award-winning feature films and shorts\, selected by a committee representing both organizations as well as The Witness Project of Long Island and the Suffolk County Department of Health Services\, Office of Minority Health. \nThe film screening will be introduced by model and actress Lydia Carlston\, British American Drama Academy alum and President of the American Friends of BADA. Carlston’s work ranges from theatre to television\, commercials\, print ads and fashion runways between Paris\, London\, New York\, Cote D’Ivoire and Tokyo. Her work includes national print ads and commercials\, as well as Sex and the City and Star Trek: DS9. Carlston has been featured in Vogue\, Donna\, Le Jardin de Mode and Elle\, and is an active member of the Screen Actor’s Guild and the Actor’s Equity Association. \nABOUT THE FILM\nDescribed by The Hollywood Reporter as “The future of black film” and “pure cinematic power\,” Neptune Frost\, a visually wondrous sci-fi punk musical\, brings unique dynamism to an Afrofuturist vision. Set in the hilltops of Burundi\, a group of escaped coltan miners form an anti-colonialist computer hacker collective as they attempt a takeover of the authoritarian regime exploiting the region’s natural resources and its people. Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends. Guests are encouraged to attend decked out in their best Afropunk attire\, as we celebrate the film and ideas of self-expression\, music\, and the arts. \nABOUT THE DIRECTOR\nWith a BA from Morehouse College and an MFA from NYU Tisch\, Saul Williams has been breaking ground since his 2001 debut album\, Amethyst Rock Star\, produced by Rick Rubin. After gaining global fame for his poetry and writings\, Williams has performed in over 30 countries and read in over 300 universities\, with invitations from the White House\, the Sydney Opera House\, Lincoln Center\, The Louvre\, The Getty Center to countless villages\, townships\, community centers\, and prisons across the world. Williams has gone on to record with Nine Inch Nails and Allen Ginsburg\, as well as countless film and television appearances. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable. \nMore information surrounding our COVID-19 protocol → \nFriday Nights at the Parrish are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \nRELATED EVENT\nFilm & Talk | Black Film Festival Part II | Friday August 26\, Theater\, 6 PM
URL:https://parrishart.org/event/film-black-film-festival-part-i/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/07/My-project-1-2.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220617T180000
DTEND;TZID=America/New_York:20220617T193000
DTSTAMP:20260417T140435
CREATED:20220412T181112Z
LAST-MODIFIED:20220616T151451Z
UID:10003142-1655488800-1655494200@parrishart.org
SUMMARY:Film & Talk | Decoy by Michael Blackwood
DESCRIPTION:REGISTER\n$15 | Adults \n$5 | Members and Students with ID \nDecoy\n1972\, 18 minutes\nDirector: Michael Blackwood\nShown in conjunction with the current exhibition An Art of Changes: Jasper Johns Prints\, 1960 – 2018\, this short documentary explores how Jasper Johns created Decoy—a series of paintings and prints\, one of which is featured in this exhibition—and how it is rooted inside the notions of reproduction\, transformation\, and memory. \nBelieving that an image gains new meaning each time it is presented\, Johns boldly confronts his own past work\, most notably Ale Cans (1964)\, and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows Johns to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As he notes in the film\, “each time a motif is used and reused additional memories accrue\, new layers of meaning\, and the image itself begins to acquire its own history.” It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art\, thus redirecting society’s interpretation. \nDiscussion to follow with Alicia G. Longwell\, Lewis B. and Dorothy Cullman Chief Curator\, Art and Education and Lorena Salcedo-Watson\, Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook University in the Lichtenstein Theater. \nLorena Salcedo-Watson | Artist\, Master Printer\, Lecturer and Undergraduate Director\, Stony Brook\nUniversity \nLorena Salcedo-Watson is an artist and master printmaker whose work consists of large-scale drawings and prints focused on the relationships between the structures and essential qualities of life forms. Based on a fascination with human anatomy\, botany\, and entomology\, her imagery transforms and re-interprets aspects of nature\, filtering through personal experience\, observation\, and imagination. \nAs an educator\, Salcedo-Watson taught intaglio printmaking at Cooper Union for seven years and was on the faculty of St. Joseph’s College. Salcedo-Watson worked at Universal Limited Art Editions (ULAE) for fourteen years as a master printer and collaborator. Salcedo-Watson has worked with artists including Elizabeth Murray\, Terry Winters\, Jasper Johns\, Robert Rauschenberg\, James Rosenquist\, Kiki Smith\, Suzanne McClelland\, Carroll Dunham\, Susan Rothenberg\, Julian Lethbridge\, Jane Hammond\, Lisa Yuskavage\, Ellen Gallagher\, and Malcolm Morley. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nAttendees at events in the Museum’s theater\, café\, or studio (ages 5 and older) are required to provide proof of full vaccination in order to maintain a mask-optional environment. Visitors to the Museum galleries (ages 2 and older) are required to wear a medical-grade mask at all times\, regardless of vaccination status. \nMore information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-talk-decoy-by-michael-blackwood/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Family Programs,Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/04/Decoy_MichaelBlackwood_ParrishArtMuseum.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220610T180000
DTEND;TZID=America/New_York:20220610T200000
DTSTAMP:20260417T140435
CREATED:20220503T224650Z
LAST-MODIFIED:20220607T135937Z
UID:10003165-1654884000-1654891200@parrishart.org
SUMMARY:Film & Talk | The Gardener
DESCRIPTION:REGISTER\n$15 | Admission \n$5 | Members\, Seniors\, and Students with ID \nThe Gardener\n2016\, 84 minutes\nDirected by Sébastien Chabot\nFollowed by a conversation and Q&A with Alicia Whitaker\, horticulturist and Thackston Crandall\, landscape architect\n\nThe Gardener is a film that reflects upon the meaning of gardening and its impact on our lives. Co-presented with Hamptons Doc Fest and in conjunction with  Landscape Pleasures\, the documentary features the influential gardener and plantsman Frank Cabot shortly before his passing at the age of 86. Cabot recounts his personal quest for perfection at Les Quatre Vents\, his 20-acre English style garden and summer estate\, which he opened to a film crew for the first time in 2009. \nNestled amid the rolling hills of the Charlevoix County in Quebec\, Les Quatre Vents has become one of the world’s foremost private gardens. Created over the course of 75 years and three generations\, this horticultural masterpiece of the 21st century is an enchanted place of beauty and surprise. Through remarks by Cabot and his family\, and with the participation of gardening experts and writers\, the film looks back at this remarkable man’s personal story and the artistic philosophy that gave birth to one of the greatest gardens in the world. \n  \nAbout the Director \nSébastien Chabot (b. 1976\, Sainte-Florence\, Quebec) is a Canadian writer\, cinematographer\, and producer\, who published his debut novel Ma mère est une marmotte in 2004. He was awarded the Prix Jovette-Bernier in 2006 for his sequel\, L’Angoisse des poulets sans plumes\, and was recently shortlisted for the Governor General’s Award for French-language fiction for the novel Noir métal. Discussing The Gardener in a feature article in Point of View Magazine\, Chabot said that working with Frank Cabot was about cultivating a film that would be as finely crafted as the garden it depicts. “Doing a personal movie about one’s personal garden might be the best way to reveal someone.” Chabot received his education at the Université du Québec à Rimouski and the Université du Québec à Montréal. He is a professor of literature at the Cégep de Rimouski. \nAbout Alicia Whitaker \nAlicia Whitaker is an executive leadership coach and consultant who has worked to support her gardening habit for decades. A home gardener and active participant in the East End gardening community\, she is past president (2019-2021) and long-time board member of the Horticultural Alliance of the Hamptons\, and recently joined the Board of Directors of the Westhampton Garden Club where she serves as Chair of Horticulture and member of the Pollinator Team responsible for a fledgling Pollinator Garden at the Quogue Library. She is co-author\, with Betsy Pinover Schiff\, of The Sidewalk Gardens of New York (Monacelli Press\, 2016) which describes the many ways NYC has become a greener city in the past two decades. Whitaker became a Master Gardener in 2021 after completing a course offered by Cornell Cooperative Extension Service. She holds a BA from the University of Massachusetts at Amherst and an MBA from Harvard Business School. \nAbout Thackston Crandall \nThackston Crandall is a licensed Landscape Architect and Senior Associate with LaGuardia Design Group\, located in Watermill NY and NYC. As a member of the LDG team\, Thackston enjoys collaborating with colleagues and clients on a range of projects including residential\, commercial\, and cultural landscapes. Thackston received a Bachelor of Landscape Architecture from Clemson University and a Master of Landscape Architecture from Cornell University. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \n  \nMore information surrounding our COVID-19 protocol → \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n  \n \n  \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group \n  \n 
URL:https://parrishart.org/event/film-the-gardener/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/05/TheGardner_film_FrankCabot_SébastienChabot_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T180000
DTEND;TZID=America/New_York:20220408T193000
DTSTAMP:20260417T140435
CREATED:20220301T193401Z
LAST-MODIFIED:20220404T135344Z
UID:10003112-1649440800-1649446200@parrishart.org
SUMMARY:Film | The 100 Years Show starring Carmen Herrera
DESCRIPTION:2015\, 40 min\, Directed by Alison Klayman \n$15 | $5 Parrish Members \nREGISTER \nJoin us for a screening of the documentary\, The 100 Years Show\, starring Carmen Herrera shortly before what would be her 107th birthday\, as we commemorate the life and work of the prolific artist who recently passed away. The 100 Years Show highlights Herrera’s oeuvre which went virtually unknown for most of her life. The screening will be followed by a livestreamed Q&A with director Alison Klayman and Senior Curator Corinne Erni. \nFrom architecture studies in Cuba to New York’s Art Students League to Le Salon des Réalités Nouvelles in Paris\, Herrera’s life has spanned continents and art movements and demonstrates a persistent devotion to her work. She was a pioneer and a peer of many male artists who received great recognition in their time. Her story is just one example of the many great artists whose accomplishments were overlooked because of their gender\, ethnicity\, or nationality. The 100 Years Show demonstrates the power of artistic vision to sustain itself. \nABOUT CARMEN HERRERA \nBorn in 1915 in Havana\, Cuba\, Herrera was educated in Havana and Paris\, studying art\, art history\, and architecture. Herrera regularly exhibited her work with the Salon des Réalités Nouvelles\, an international group of artists\, and developed a distilled\, geometric style of abstraction\, reducing her palette to three colors for each composition\, then further to two. Herrera’s hard-edged canvases emerged while Ellsworth Kelly\, whose time in France overlapped with Herrera’s\, began producing his own abstractions and around the same time that Frank Stella began producing his famous black paintings. \nHerrera’s ascetic compositions\, which prefigured the development of Minimalism by almost a decade\, did not find a warm reception when she returned to New York in 1954. Since the 1990s\, Herrera’s work garnered increasing attention\, selling her first painting in 2004\, followed by an explosion of attention\, exhibitions\, and acquisitions at the Museum of Modern Art\, Walker Art Center\, Hirshhorn Museum and Sculpture Garden\, Boston Museum of Fine Arts\, and Tate Modern. Herrera’s life spanned continents and art movements and demonstrated a persistent devotion to her work. She continued to work out of her Flatiron District studio until her death at age 106. \n\nABOUT THE DIRECTOR \nAlison Klayman’s debut feature documentary Ai Weiwei: Never Sorry won a Special Jury Prize at the 2012 Sundance Film Festival. The film went on to be released theatrically around the globe and shortlisted for an Academy Award\, nominated for two Emmys and two Cinema Eye Honors\, and earned Alison a Director’s Guild of America nomination. She is a regular contributor to the New York Times’ Op-Docs series and was named one of the “20 Directors to Watch” on A.O. Scott and Manohla Dargis’ list of international filmmakers under 40. Alison also filmed and co-edited The 100 Years Show. She is a regular guest speaker at major art museums and universities around the world. She graduated from Brown University in 2006 with an honors B.A. in History. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door.\nAll sales are final\, non-transferable\, and non-refundable. \nThis indoor event requires proof of full vaccination for all attendees ages 5 and older in order to maintain a mask-optional environment; those 18 and older must provide a valid ID. More information surrounding our COVID-19 protocol → \nFriday Nights are made possible\, in part\, by Presenting Sponsor: \n \nAdditional support provided by Weill Cornell Medicine – Southampton and The Corcoran Group
URL:https://parrishart.org/event/film-the-100-years-show-starring-carmen-herrera/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/03/CarmenHerrera_The100YearsShow_AlisonKlayman_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220318T180000
DTEND;TZID=America/New_York:20220318T200000
DTSTAMP:20260417T140435
CREATED:20220121T201652Z
LAST-MODIFIED:20220314T203548Z
UID:10003074-1647626400-1647633600@parrishart.org
SUMMARY:Film | Beyond the Visible: Hilma af Klint
DESCRIPTION:In the Lichtenstein Theater \n$15 | $5 Parrish Members\, Seniors\, and Students \n2019\, 93 min\, Director Halina Dyrschka \nREGISTER  LIVESTREAM \nIn celebration of Women’s History Month\, the Parrish Art Museum in partnership with Hamptons Doc Fest and as part of the Artist’s Lens Series\, will present a screening of Beyond the Visible: Hilma af Klint.  \nHilma af Klint was an abstract artist before the term existed\, a visionary\, trailblazing figure who\, inspired by spiritualism\, modern science\, and the riches of the natural world\, began in 1906 to create unprecedented\, large-scale\, colorful\, and sensual paintings. The subject of a recent retrospective at the Guggenheim Museum\, af Klint was for years an all-but-forgotten figure in art historical discourse\, before her long-delayed rediscovery. Director Halina Dryschka’s documentary describes not only the life and craft of af Klint\, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Interviews with af Klint’s family and friends\, artists\, historians\, and collectors share untold stories that depict a heroine whose pursuit of art\, questions of life and fulfillment go beyond the visible. \nThe screening will be followed by a conversation with artists Dannielle Tegeder and Sharmistha Ray who co-founded Hilma’s Ghost\, a feminist artist collective\, in 2020. The collective seeks to address existing art historical gaps by cultivating a global network of women\, nonbinary\, and trans practitioners whose work addresses spirituality. Hilma af Klint’s groundbreaking exhibition at the Guggenheim in 2018 served as a reckoning for art history’s blindspots\, especially for women artists considered too ‘mystical’ for the conservative art world. \nABOUT THE DIRECTOR \nDirector Halina Dyrschka was born in Berlin\, Germany and is active as a director and producer. After studying acting\, classical singing\, and film production she founded the company Ambrosia AMBROSIA FILM in Berlin. The first film she directed\, 9andahalf’s Goodbye was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint. \nABOUT HILMA’S GHOST \nThe collective created the ABSTRACT FUTURES TAROT Deck inspired by af Klint\, which was exhibited at the 2021 Armory Show\, and organized Cosmic Geometries\, an exhibition of intergenerational and intersectional artists that examines the spiritual and aesthetic functions of abstract painting and geometry\, currently on view at The Elizabeth Foundation for the Arts. Hilma’s Ghost has produced online workshops attended by over 700 people worldwide. \nBrooklyn-based artist/art critic/educator Sharmistha Ray has explored subjective experience through the lens of queerness\, language\, and memory. They have exhibited their work—which includes drawing\, painting\, sculpture\, video installation\, and photography—in solo exhibitions in Mumbai\, New York\, and Singapore\, as well as group exhibitions worldwide. A recipient of the Joan Mitchell M.F.A. Grant with an M.F.A. in Painting from Pratt Institute\, they teach in the M.F.A. programs at Carnegie Mellon University and Parsons School of Design. \nThe work of Dannielle Tegeder\, an artist and professor at CUNY Lehman College\, has explored abstraction through the lens of systems\, architecture\, and modernism through her paintings\, drawings\, large-scale installation and other media\, as well as through collaborations with composers\, dancers\, and writers. In 2020 Tegeder founded The Pandemic Salon\, a community-centric online environment that showcases topics related to the pandemic by bringing together creative minds from around the world. \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-beyond-the-visible-hilma-af-klint/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/HilmaafKlimt_ParrishArtMuseum_HalinaDyrschka.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220311T180000
DTEND;TZID=America/New_York:20220311T193000
DTSTAMP:20260417T140435
CREATED:20220225T210754Z
LAST-MODIFIED:20220310T160436Z
UID:10003111-1647021600-1647027000@parrishart.org
SUMMARY:Film & Talk | Experimental shorts by Women Artist Filmmakers from the 1970s
DESCRIPTION:TICKETS\nIn recognition of Women’s History Month\, join us for a special screening of experimental films made by members of Women Artist Filmmakers\, a network established in 1974 to discover\, celebrate\, and support women artists who make films. Members included Dorothy Beskind\, Susan Brockman\, Doris Chase\, Silvianna Goldsmith\, Maria Lassnig\, Carolee Schneemann\, Rosalind Schneider\, Olga Spiegel\, and Alida Walsh. In 1975\, its members organized a film series as part of the exhibition Women Artists Here and Now at Ashawagh Hall in Springs\, NY. The exhibition was co-organized by visual artists Joyce Kozloff and Joan Semmel and included numerous female artists who were and are active in the East End\, including Semmel\, Lynda Benglis\, Hedda Sterne\, and Miriam Schapiro\, among others. \nThe program will be introduced by visual artist Sara VanDerBeek\, a Springs resident and co-founder of Soft Network. A Q+A with VanDer Beek and Rosalind Schneider will take place after the screening\, moderated by Senior Curator Corinne Erni. \nSelfportrait (Maria Lassnig\, Austria/USA\, 1971\, 5 min). Courtesy SixPackFilms\, Vienna. Plumb Line (Carolee Schneemann\, USA\, 1968-71\, 14 min). Courtesy EAI\, New York and the Carolee Schneemann Foundation.Depot (Susan Brockman\, USA\, 1975\, 10 min). Courtesy Susan Brockman estate. Circles II (Doris Chase\, USA\, 1972\, 14 min). Courtesy Filmmakers’ Cooperative.Parallax (Rosalind Schneider\, USA\, 1973\, 21 min). Courtesy the Artist. \n  \nAbout the screening \nThis selection of films was organized by Schneider and Martha Edelheit\, one of the group’s original members\, for a commemorative screening conducted at The Arts Center at Duck Creek in Springs in 2021. The event was the conclusion of Soft Network’s multi-venue programming entitled Interior Scroll or What I Did on My Vacation which explored feminist\, inter-generational\, and multi-disciplinary artistic interactions that have been integral to the ongoing development of the arts communities of the East End. \n\nAbout Soft Network \nSoft Network is a cooperative platform established by Chelsea Spengemann and Sara VanDerBeek for connective arts programming. They work between past and present to explore ways in which the archive and archival interactions can become integral modes of exchange\, collaboration\, creativity and commerce. Soft Network’s mission is to provide opportunities for living artists and the representatives of non-living artists to support each other through sharing resources\, labor\, and profits by generating new projects in collaboration with existing platforms. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/film-talk-women-filmmakers-at-ashawagh-hall/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/02/MariaLassnig_AshawaghHall_HenryEdelheit_ParrishArtMuseum.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220304T180000
DTEND;TZID=America/New_York:20220304T200000
DTSTAMP:20260417T140435
CREATED:20220111T182559Z
LAST-MODIFIED:20220203T194913Z
UID:10003065-1646416800-1646424000@parrishart.org
SUMMARY:Films & Talk | Kehinde Wiley: An Economy of Grace & Bree Wayy: Promise\, Witness\, Remembrance with Director and Producer's Commentary
DESCRIPTION:$15 | $5 Parrish Members \nREGISTER \nHamptons Doc Fest and the Parrish Art Museum will present a program of two short films: one focusing on contemporary African American portrait artist Kehinde Wiley and the second on the works of art that sprang up in response to the tragic death of Breonna Taylor\, in particular\, a painting by Amy Sherald. Both films brilliantly celebrate the talent of two African American artists but tell their stories from very different perspectives. \nFollowing the film screenings\, we will host a live conversation via Zoom with director Dawn Porter\, who was honored with Hampton Doc Fest’s prestigious Pennebaker Award in December 2021\, and award-winning producer Jessica Chermayeff\, moderated by Corinne Erni\, Parrish Senior Curator of ArtsReach and Special Projects. \nKehinde Wiley: An Economy of Grace\n2014\, 38 min\, Director: Jeffrey Dupre\nProducers: Jessica Chermayeff\, Jeff Dupre\, Ana Veselic\nA PBS Production \nKnown for his vibrant reinterpretations of classical portraits featuring African American men\, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm. In the film\, Wiley turns his talents to African American women as part of his exploration of image and status of African Americans throughout history. As Wiley himself explained: “I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation.” The film won the Jury Prize at SXSW\, the Audience Award at Provincetown Film Festival was nominated for an Emmy\, and was shortlisted for an Academy Award. \n  \nBree Wayy: Promise\, Witness\, Remembrance\n2021\, 28 min\, Director: Dawn Porter\nProducers: Niema Jordan\, Kim Reynold\, Cubie King\nMTV Documentary Films \nAfter the tragic death of Breonna Taylor\, artists all over the country found solace by creating works of art to pay tribute to the life and light of the 26-year-old EMT and budding nurse killed by the police. This includes renowned painter\, Amy Sherald\, whose portrait of Breonna is the centerpiece of the Speed Art Museum’s exhibition\, Promise\, Witness\, Remembrance\, shown in Breonna’s hometown of Louisville\, Kentucky. The film pays homage to art and creativity as a way to protest injustice and create a space to heal\, led by the indomitable spirit and love of Breonna’s mother\, Tamika Palmer. \n  \nAdvance ticket purchase with pre-event registration is recommended. Limited tickets will be available at the door. All sales are final\, non-transferable\, and non-refundable.\nThis indoor event requires all attendees to wear medical-grade masks at all times and show proof of vaccination; those 18 and older must provide a valid ID. To help us expedite the check-in process\, we encourage all guests to send their proof in advance by emailing it to healthfirst@parrishart.org. Please put the event title in your subject line.\nFor more information surrounding our COVID-19 protocol\, go here.\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\n\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/films-kehinde-wiley-an-economy-of-grace-bree-wayy-promise-witness-remembrance/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://parrishart.org/wp-content/uploads/2022/01/BreeWayy_ParrishArtMuseum_DawnPorter.png
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