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X-WR-CALDESC:Events for Parrish Art Museum
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DTSTART;TZID=America/New_York:20191108T180000
DTEND;TZID=America/New_York:20191108T200000
DTSTAMP:20260726T122213
CREATED:20190816T195602Z
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UID:10002166-1573236000-1573243200@parrishart.org
SUMMARY:FILM & TALK: SAW
DESCRIPTION:  \nCo-presented with Sag Harbor Cinema \nGuest curated by filmmaker Micaela Durand\, SAW is a program of six short films that features the work of seven filmmakers who investigate the relationship between seeing and being seen. The films address how individuals present\, perform\, and reveal in an age of constant documentation. As technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. \nThe screening will be followed by a conversation with Durand\, Jordan Lord and Corinne Erni\, Senior Curator of ArtsReach and Special Projects at the Parrish. This first collaboration between SHC and the Parrish forwards the Museum’s mission of bringing together art\, artists\, and the community for engaging programs that illuminate the creative process; as well as partnering with important arts organizations. \n  \nEverything and More by Rachel Rose\, 2015\nLong Count III (Thrilla in Manila) by Paul Pfeiffer\, 2001\nAfter….After….(Access) by Jordan Lord\, 2018\nOops! by Laurel Nakadate\, 2000\nE-Ticket by Simon Liu\, 2019\nFirst by Micaela Durand and Daniel Chew\, 2019 \n  \nAbout the Films \nAs technology and social media increasingly shapes perception\, these films employ a variety of methods to critique and observe how people watch. Paul Pfeiffer presents the third of his seminal three-part video installations\, Long Count III (Thrilla in Manila) (2001)\, which shows the fight in 1975 between heavyweight champions Muhammad Ali and Joe Frazier. Pfeiffer digitally erases the boxers from the film so that the viewers’ attention shifts from watching the missing fighters\, to the roaring crowd cheering back at them. Navigating the pressures of structures is also explored in Rachel Rose’s Everything and More (2015). As an astronaut describes the sensation of leaving earth behind\, the viewer falls into a similar void through associative and digital manipulations. Reconstructing memory is examined in E-Ticket (2019). Simon Liu recomposes his personal archive of vacation ephemera into a pulsating performance that alludes to the contemporary condition of media exposure. Jordan Lord’s After….After….(Access) (2018) proposes a new kind of engagement with accessibility in mind\, by rendering what is seen and heard into subtitles as the filmmaker documents their own open heart surgery. Micaela Durand and Daniel Chew’s film First (2019) follows a teenage girl as she negotiates the interrelationship of online and real world interactions. Laurel Nakadate explores similar entanglements in Oops! (2000)\, in which the artist is invited into the homes of men through chance encounters and asks them to dance with her to Britney Spears’s iconic song Oops!…I Did It Again. \n  \nTo learn about the filmmakers\, click HERE \n  \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/saw/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/sawposter.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T173000
DTEND;TZID=America/New_York:20191115T210000
DTSTAMP:20260726T122213
CREATED:20190903T201545Z
LAST-MODIFIED:20191116T001357Z
UID:10000746-1573839000-1573851600@parrishart.org
SUMMARY:OLA FILM FESTIVAL: Antes Que Llegue el Ferry (Before the Ferry Arrives)
DESCRIPTION:  \n \nANTES QUE LLEGUE EL FERRY – Trailer from FESTIVAL DE MÁLAGA on Vimeo. \n  \nJoin us for a screening of Antes Que Llegue el Ferry (Before the Ferry Arrives\, Cuba\, 2018\, NR\, 85 minutes)\, a dark comedy portraying a near-future Havana that is still in the midst of the restoration of U.S.-Cuba relations\, as part of the 16th annual\, multi-venue OLA Film Festival curated by the Organización Latino-Americana of Eastern Long Island (OLA). \nThe program includes a bi-lingual (Spanish/English) docent-led tour in the galleries\, where photographer Tria Giovan will give a short talk on her photos from the 1993 series The Cuba Archive\, currently on view in Artists Choose Artists. The film and a talk follow a cocktail reception with special hors d’oeuvres from the Golden Pear Café. \n5:30 pm– Bilingual (Spanish/English) docent tour\, with photographer Tria Giovan\n6:00 pm– Free Reception with food and wine\n7:15 pm– Film screening\, followed by a discussion with filmmakers via livestream \nAntes Que Llegue el Ferry (Recommended for ages 14 and older)\nDirectors: Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar \nAn Official Selection of the 2018 Ventana Sur and BAFICI film festivals\, and the 2019 Málaga Spanish Film Festival\, Antes Que Llegue El Ferry—directed by Juan Caunedo Domínguez\, Vladimir García Herrera\, Raúl Escobar Delgado—explores the sense of expectation and ambiguity experienced by Cubans when it was announced in 2015 that\, after more than 50 years\, a ferry service would resume between that country and the United States. Bold in form and structure and mixing elements of animation with live action\, experimental and documentary film\, this debut of the three directors captures a time of uncertainty and vertigo as Cuba continues to wait for the first ferry to arrive. \nGuests for the evening have another opportunity to experience Cuba through the photographs of Tria Giovan (American\, b. 1961). Giovan travelled extensively to Cuba during the economic depression of the Special Period (1990–1996)\, shot over 25\,000 images\, and created The Cuba Archive—a body of work that captured the subtleties and complexities of the country’s day-to-day life. The photographs reveal resiliency\, creative defiance through aesthetics\, and the unquashable human spirit amid oppression. The photograph Tres Muchachas-El Malecon\, Havana\, Cuba (1993)\, is on view for the first time in a museum. \n  \n  \n\nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/ola-film-festival/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Bilingual Tours,Film,Friday Nights,Talks
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/09/cuba.jpg
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DTSTART;TZID=America/New_York:20191129T180000
DTEND;TZID=America/New_York:20191129T200000
DTSTAMP:20260726T122213
CREATED:20190816T213415Z
LAST-MODIFIED:20191130T011019Z
UID:10002167-1575050400-1575057600@parrishart.org
SUMMARY:FILM: Breath
DESCRIPTION:  \n2017\, R\, 115 minutes \nDirector: Simon Baker \nBased on the award-winning\, international best-selling novel by Tim Winton\, Simon Baker’s directorial debut Breath follows two teenage boys\, Pikelet and Loonie\, growing up in a remote corner of the Western Australian coast. Hungry for discovery\, the pair form an unlikely friendship with Sando\, a mysterious older surfer and adventurer who pushes the boys to take risks that will have a lasting and profound impact on their lives. Also starring Elizabeth Debicki and Richard Roxburgh\, Breath is an authentic coming-of-age drama set in an idyllic 1970s coastal Australia. \n  \nFriday Nights are made possible\, in part\, by Presenting Sponsor:\nAdditional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.
URL:https://parrishart.org/event/breath/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Film,Friday Nights
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/08/Breath-resize.jpg
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