Member Preview | Fall 2024 Exhibitions at the Parrish
2024-10-13 18:00 - 20:30 (America/New_York) | Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 11976, United States
REGISTER
6:00 PM | Cocktail Reception
6:45 PM | Talk with Klaus Ottmann, Robert Lehman Curator (In the Lichtenstein Theater)
7:30 PM | Launch of Collider by Rafael Lozano-Hemmer (Outdoors along the South Façade)
Museum Members at the Contemporaries Circle and Family Pass Plus level and above are invited to celebrate the Fall 2024 Exhibitions at the Parrish:
• A New Subjectivity 1979/2024
• Audrey Flack: Mid-Century to Post-Pop Baroque
• Beyond Reality: Paintings and Drawings by Bertrand Meniel
• Rafael Lozano-Hemmer: Collider
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About the Fall 2024 Exhibitions
A New Subjectivity 1979/2024 pays tribute to the original exhibition Nouvelle Subjectivité in Brussels in 1979, which highlighted figurative and expressionist painting as a retort to the prevailing minimalist and conceptual trends at the time. Featured artists include Jordan Casteel, Rackstraw Downes, Jane Freilicher, Jenna Gribbon, David Hockney, Howard Kanovitz, and Phillipe Roman, among others.
Audrey Flack: Mid-Century to Post-Pop Baroque, a career-spanning exhibition celebrating the artist who recently passed at 93, blends Flack’s iconic photorealist painting techniques with her early background in Abstract Expressionism and newest “Post-Pop Baroque” series.
Beyond Reality: Paintings and Drawings by Bertrand Meniel is a survey of paintings and drawings by French photorealist Bertrand Meniel, who has been creating paintings of unprecedented detail since 1996 by using a variety of photographs of his chosen subject and advanced digital technologies.
Rafael Lozano-Hemmer: Collider continues the Parrish’s annual façade installation series with a work made up of hundreds of small LED spotlights that create a calm, rippling curtain of light along the Museum’s south wall, visible from Montauk Highway and up close from the Museum’s Meadow.

Exhibition Support
A New Subjectivity 1979/2024 is made possible, in part, thanks to the generous support of Emmanuel Roman.
Audrey Flack: Mid-Century to Post-Pop Baroque is made possible thanks to the generous support of Hollis Taggart Gallery.
Rafael Lozano-Hemmer: Collider is made possible, in part, thanks to the generous support of The Rosenkranz Foundation, Sandy and Stephen Perlbinder; Bloomberg Philanthropies; Mex-Am Cultural Foundation, Inc.; Katherine Farley and Jerry Speyer; and Alexandra Stanton and Sam Natapoff. We are also grateful to Antimodular Studio for their in-kind support.

The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.
Image (Top Left to Right, Bottom Left to Right): Bertrand Meniel (French, b. 1961). Breakfast at the Fairmont, 2009, acrylic on linen, 38 ½ x 71 ¼ in. Parrish Art Museum, Water Mill, New York, Gift of Louis K. and Susan P. Meisel, 2018.16.2. Jane Freilicher (American, 1924–2014). The Changing Scene, 1981, oil on canvas, 52 x 64 in. Parrish Art Museum, Water Mill, New York, Gift of Elizabeth Hazan and Stephen Hicks. 2023.9. Audrey Flack (American, 1931–2024). A Brush with Destiny, 2023, acrylic and mixed media on canvas, 40 x 40 in. Courtesy Hollis Taggart. Rendering of Rafael Lozano-Hemmer’s (Canadian, b. Mexico, 1967) upcoming Museum façade installation. Courtesy Antimodular Studio.
