BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Parrish Art Museum - ECPv6.10.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://parrishart.org
X-WR-CALDESC:Events for Parrish Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201018
DTEND;VALUE=DATE:20201025
DTSTAMP:20260413T043220
CREATED:20201002T224932Z
LAST-MODIFIED:20201019T003604Z
UID:10002763-1602979200-1603583999@parrishart.org
SUMMARY:ROAD SHOW: MEET THE ARTIST & EXPLORE THE BONAC BLIND
DESCRIPTION:Please contact Scott Bluedorn at scottbluedorn@gmail.com for an appointment to visit the Bonac Blind.\nPARRISH ROAD SHOW 2020\nSCOTT BLUEDORN: BONAC BLIND\nOctober 18-24\, 2020\nLanding Lane\, Springs\, East Hampton (off Old Stone Highway)\nAdditional visits onto the Bonac Blind are by appointment only\, please contact Scott Bluedorn at scottbluedorn@gmail.com\nParrish Road Show artist Scott Bluedorn presents the Bonac Blind\, a floating\, mostly handmade dwelling constructed from a repurposed duck blind structure. According to Bluedorn\, who participated in the Museum’s 2019 Artists Choose Artists exhibition\, “The Bonac Blind is a multi-faceted art intervention: A floating\, off-grid microhome that references traditional Bonac culture of fishing\, farming and hunting while also serving as a comment on the erosion of this culture due to the compound problems of housing crisis\, climate change\, and modernity.” \nConstructed from a repurposed\, plywood duck blind and covered in native reed\, the Bonac Blind features industrial barrels\, resin windows\, and a geodesic dome. It will be fully functional and decorated with original artwork\, and also references the current trend of tiny homes that are sustainable\, resilient\, and adaptive. For Bluedorn\, the name is a double entendre\, obviously referring to duck blind used during waterfowl season. But the title also points to the area’s current population\, largely blind to Bonac culture and the many problems it faces. Bluedorn’s intention is to raise awareness to the drastic shortage of affordable housing in the Hamptons that has effected a mass exodus of working-class people\, particularly in the generations of East Hampton families known as Bonackers or Bubs\, who is increasingly leaving the area for more affordable regions\, taking with them character\, history\, culture\, and tradition. \nParrish Road Show 2020: Scott Bluedorn—Bonac Blind is organized by Corinne Erni\, Senior Curator of ArtsReach and Special Projects. \nParrish Road Show: Scott Bluedorn—Bonac Blind is made possible\, in part\, by the generous support of Sandy and Stephen Perlbinder\, and Jane Wesman and Donald Savelson. Public funding provided by Suffolk County. The Museum’s exhibitions and programs are made possible\, in part\, by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature\, and the property taxpayers from the Southampton Union Free School District and the Tuckahoe Common School District. \nAbout Scott Bluedorn\nArtist\, illustrator\, and designer Scott Bluedorn (b. 1986) works in various media\, including painting\, drawing\, print process\, collage and found object assemblage. Drawing inspiration from cultural anthropology\, primitivism\, and nautical tradition\, Bluedorn distills imagery that speaks to the collective unconscious\, especially through myth and visual story-telling—a world he conjures as “maritime cosmology.” Bluedorn received his BFA from the School of Visual Arts\, New York. His work is on view at The Edward Albee Foundation in New York City\, and is included in numerous private collections in the U.S.\, Canada\, Ireland\, France\, and Portugal. \nSolo and two-person exhibitions in the Hamptons include: Subanimalia\, Greenport Harbor Brewing Company\, (2018); Current Archive\, Stick and Stone\, Amagansett (2018); Scott Bluedorn\, ArtUnprimed Space\, East Hampton (2017); Scott Bluedorn and Paton Miller\, 4 North Main Street Gallery\, Southampton  (2017); Maritime Cosmology\, Jackson Carriage House\, Amagansett\, (2015); and Theo Blue: Flotssemblage\, Montauk Beach House\, (2014). He has been part of group exhibition including Artists Choose Artists\, Parrish Art Museum (2019); 51st and 52nd  Annual Artists of the Springs Invitational\, Ashawagh Hall (2018 and 2019); In the Cloud\, Kathryn Markel\, Bridgehampton (2019); Sea and Sky\, Sag Harbor Whaling & Historical Museum (2018); and Untitled Projects\, Crush Curatorial\, Amagansett\, (2018). \n 
URL:https://parrishart.org/event/meet-the-artist-explore-the-bonac-blind/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions,Upcoming
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/10/Bonac-Blind.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201019T103000
DTEND;TZID=America/New_York:20201019T123000
DTSTAMP:20260413T043220
CREATED:20200727T133923Z
LAST-MODIFIED:20200901T140117Z
UID:10002732-1603103400-1603110600@parrishart.org
SUMMARY:Life Drawing with Linda Capello
DESCRIPTION:Held on Mondays\, 10:30 am to 12:30 pm \nDevelop your drawing skills in weekly classes led by teaching artist Linda Capello. Participants will practice drawing male and female models through gesture sketches and longer duration observation. All skill levels are welcome. Participants are asked to provide their own dry media supplies. \n$30 | $25 Members per class \nREGISTER \nAdvance ticket purchase with pre-registration is required. Enrollment is limited to 10 total students. All tickets are sold online only. No sales at the door. All sales are final\, non-transferable\, and non-refundable. You must wear a face covering to enter the Museum.  \nLinda Capello is a master of figure drawing. A graduate of the Fashion Institute of Technology\, she worked in the NYC fashion industry for over 20 years. She states\, “All I have ever wanted to do was draw\, and all I have ever wanted to draw were people. I am a classically trained anatomist\, but instead of the rigid\, mechanical representation of muscle\, bone and flesh\, I look for the subtlety of the line; the strength and sensuality of the thick\, thin and lost line. The curve of the neck and arch of the spine speak volumes.”
URL:https://parrishart.org/event/life-drawing-with-linda-capello-10-2020-08-24-2020-08-31-2020-10-05-2020-10-19/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Adult Art Classes,Classes and Workshops
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/06/Linda-Capello-Untitled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201019T110000
DTEND;TZID=America/New_York:20201019T163000
DTSTAMP:20260413T043220
CREATED:20191120T145856Z
LAST-MODIFIED:20210309T174227Z
UID:10002436-1603105200-1603125000@parrishart.org
SUMMARY:What We See\, How We See
DESCRIPTION:What We See\, How We See is a seven-part exhibition that contextualizes work by a variety of artists through the lens of how they see and interpret the world around them. Individual galleries based on specific themes feature paintings\, works on paper\, photographs\, and sculpture\, opening with the diverse image making of artists Richard Prince\, Dorothea Rockburne\, and David Salle\, among others. Circles\, Squares\, and Squiggles explores abstract gestures through works by Jennifer Bartlett\, Willem de Kooning\, and Perle Fine; Portraits by Chuck Close\, Till Freiwald and others reveal their subjects in larger than life paintings; and American Landscapes highlights work from the Parrish’s renowned holdings. Two galleries bring to light bodies of work by single artists\, from the tragic-comic world view of Saul Steinberg (a major gift from the Saul Steinberg Foundation that comprises works on paper\, wallpaper and fabric)\, to the joyful imagery of Tom Slaughter.
URL:https://parrishart.org/event/what-we-see-how-we-see-2-2020-07-16/2020-10-19/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2019/11/Charles-Bell-Before-the-Journey-1986.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201019T110000
DTEND;TZID=America/New_York:20201019T170000
DTSTAMP:20260413T043220
CREATED:20210304T202934Z
LAST-MODIFIED:20210529T025712Z
UID:10001635-1603105200-1603126800@parrishart.org
SUMMARY:Field of Dreams
DESCRIPTION:On August 20\, 2020\, the Parrish opened Field of Dreams\, our inaugural sculpture exhibition created to extend the galleries outdoors and activate the Museum’s meadows with work that engages and responds to the Parrish’s architecture and landscape. The exhibition series is part of the Museum’s new Art in the Meadow initiative that enlivens the grounds with performances\, projections\, and works of art. \nField of Dreams outdoor sculpture exhibition is open and free to the public daily\, from 11 am–5 pm. Visitors are asked to observe social distancing practices and are required to wear masks on Museum property.
URL:https://parrishart.org/event/field-of-dreams/2020-10-19/
LOCATION:Parrish Art Museum\, 279 Montauk Highway\, Water Mill\, NY\, 11976\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/10/Field-of-Dreams-Parrish-2020_08_20-DSC_1983.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201019T170000
DTEND;TZID=America/New_York:20201019T170000
DTSTAMP:20260413T043220
CREATED:20201007T173719Z
LAST-MODIFIED:20201012T192302Z
UID:10001176-1603126800-1603126800@parrishart.org
SUMMARY:The Evolution of the Parrish Meadow and Field of Dreams
DESCRIPTION:Join Mary Margaret Jones\, President of Hargreaves Jones\, Landscape Architects\, in conversation with Doug Reed and Gary Hilderbrand of Reed Hilderbrand Associates\, for an online discussion about the Parrish’s Meadow and evolution of the Field of Dreams sculpture exhibition\, as well as a selection of each of their notable projects. Mary Margaret Jones worked with the Parrish on the siting of the sculptures and activation of the meadow. Reed Hilderbrand Associates designed the landscape for the Parrish\, reshaping the original tree farm into expansive meadows that gently frame the building. Registration is required. \nFree for Landscape Pleasures 2020 Ticket Holders\n$25|$20 Parrish Members \nREGISTER \n  \nMary Margaret Jones\, RLA\, FASLA\, FAAR\nMary Margaret Jones is President and CEO of Hargreaves Jones\, leading the firm’s offices in New York City\, San Francisco\, and Cambridge.  Mary Margaret has over 30 years of experience\, demonstrating the power of investing in the public realm to transform cities\, institutions\, communities\, and individuals.  She is a recognized leader in landscape architecture and planning\, lecturing widely and shaping professional design practice and education.  She holds board positions with the American Academy in Rome; The Architectural League NY; the Regional Plan Association; and ODC Dance in San Francisco.  She is a Fellow and Artist in Residence of the American Academy in Rome; Fellow of the American Society of Landscape Architects; Fellow of the Urban Design Forum in New York; and Senior Fellow of the Design Futures Council. \nMary Margaret’s work with Hargreaves Jones has been recognized nationally and internationally\, including the prestigious Cooper Hewitt National Design Award and the Rosa Barba International Landscape Prize.  Her significant contributions to the public realm include her leadership on complex urban projects\, including Queen Elizabeth Olympic Park in London\, UK; Scissortail Park in Oklahoma\, OK; Discovery Green in Houston\, TX; Zaryadye Park in Moscow\, Russia; Crissy Field in San Francisco\, CA; University of Cincinnati’s Campus in Cincinnati\, OH; Denver Union Station Redevelopment in Denver\, CO; and Guadalupe River Park in San Jose\, CA.  Her leadership is also noteworthy on the firm’s smaller yet equally distinctive projects\, including Belo Garden in Dallas\, TX; Elizabeth Caruthers Park in Portland\, OR; 555 Mission in San Francisco\, CA; Stanford University’s Science and Engineering Quad in Palo Alto\, CA; and The Commons in Minneapolis\, MN. Mary Margaret is CLARB-certified\, and actively registered to practice landscape architecture in more than 25 states. \n  \nDouglas Reed FASLA FAAR\nDouglas Reed’s career has been remarkable for the consistency of his design achievement\, the passion he shares with students\, colleagues\, and clients\, and his boundless commitment to improving the world we live in through design. He has successfully positioned select urban commissions into larger agendas to accelerate revitalization efforts within cities\, most recently in Houston\, Texas and Baton Rouge\, Louisiana. Doug is a founding principal of the firm Reed Hilderbrand LLC\, a 2013 ASLA Landscape Architecture Firm Award winner. His projects\, his communications\, and his firm Reed Hilderbrand have all won awards from various professional organizations nationwide. Doug continues to share his expertise with his students\, lecturing at a broad array of schools as well as taking part in review boards. Doug is also a founding board member of The Cultural Landscape Foundation and served as board co-chair for 13 years\, carving out an agenda for the organization that delivers knowledge about design heritage and how it applies to people’s everyday lives. Doug was Resident at the American Academy in Rome in 2011; he was awarded the 2019 American Society of Landscape Architect’s Design Medal. \n  \nGary Hilderbrand FASLA FAAR\nGary Hilderbrand\, the 2017 winner of the American Society of Landscape Architects Design Medal\, is a principal of Reed Hilderbrand Associates LLC\, in Cambridge\, Massachusetts. He is also Professor in Practice of Landscape Architecture at Harvard University Graduate School of Design\, where he has taught seminars and design studios since 1990. His firm has been recognized with more than eighty regional and national design awards. Notable projects include Long Dock Park in Beacon\, NY\, the Clark Art Institute in Williamstown\, MA\, the Poetry Foundation in Chicago\, and campus projects at Bennington College\, Duke University\, Yale\, Harvard\, and MIT. His firm’s monograph\, Visible Invisible\, was recognized with the Award of Excellence in Communications from ASLA\, and\, in the same year\, Reed Hilderbrand was recognized as ASLA’s Firm of the Year. In 2015\, partners Douglas Reed and Gary Hilderbrand were voted among the top five “most admired practitioners” by the members of ASLA’s Professional Practice Network. Design Intelligence recognized Hilderbrand as one of the 25 Most Influential Educators in Design in the US for 2017. He is a fellow of the American Academy in Rome\, where he was recently the Mercedes T. Bass Resident in Landscape Architecture for the fall of 2017.
URL:https://parrishart.org/event/the-parrish-meadow-and-field-of-dreams/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://parrishart.org/wp-content/uploads/2020/10/Venet-Jenny-Gorman-for-LP-lecture.jpg
END:VEVENT
END:VCALENDAR